If you couldn’t make it to the National Association of Broadcasters (NAB) Show in Las Vegas this week, we have everything you missed. Check out our ongoing coverage of the new product releases from the show here, to stay up-to-date on the latest and greatest gear announcements.
But, that’s not all. This year at NAB, we launched “Adorama LIVE,” featuring comedic talent who hosted to some of the industry’s most talented creatives.
Speakers like Phil Holland (“Life of Pi,” “Moneyball,” “Fast & Furious”), Philip Bloom (“The Wonder List with Bill Weir,” “How to Start a Revolution”), Claudia Raschke (“Good is the Bigger Elvis,” “The Freedom to Marry”), and more, joined us onstage to share the techniques, advice, and strategies that helped them find success.
Check them out here:
Documentary, Late Night TV, Reality, and Other Non-Scripted with Claudia Raschke
Claudia Raschke (“Good is the Bigger Elvis,” “The Freedom to Marry”) discusses the use of Canon cameras and lenses as the workhorse of non-scripted video content and the differences and similarities of shooting non-scripted content, from documentaries to reality TV.
VFX with Milton Ladd of “Saturday Night Live” Visual Effects Department
Milton Ladd discusses the craziest schedules in television VFX and gives live demo compositing a shot.
Funding & Distribution with Eve Cohen of Seed & Spark
Eve Cohen of Seed & Spark (“Foxy Trot,” “Power of 9,” “Mrs. Drake”) talks through the stressful and complicated process of funding a film.
RED + Lens Choices with Phil Holland
Phil Holland (“Life of Pi,” “Moneyball,” “Fast & Furious”) takes us through the different emotions and characteristics of spherical, anamorphic, and prime lenses of different makes and models.
What is HDR and how do I use it? With Jeromy Young, CEO of Atomos
HDR seems to be a new imaging craze, but not many people understand what it is or how they can integrate it into their work. Jeromy Young demystifies HDR and looks at ways to put it into your workflow.
Cinema Lenses with Fujifilm Cameras and Philip Bloom
Philip Bloom (“The Wonder List with Bill Weir,” “How to Start a Revolution”) discusses the optical and mechanical differences between cinema and photo lenses.
True North – Shooting on the North Pole with Igor Kropotov
Igor Kropotov (“True North: The Sean Swarner Story”) discusses shooting his film, “True North” in one of the most hostile environments in the world, the North Pole.
Plotting and Shooting Action Sequences with David Klein, ASC
David Klein, ASC (“Homeland,” “True Blood”) examines how he plots and executes camera coverage to create some of his amazing action sequences.
Framing the Industry with Steven Poster
Steven Poster, ASC & President, I.C.G. (“Donnie Darko,” “Amityville: The Awakening”) talks combining old techniques with new technology and the future of film making.
