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Review Summary
2021-03-19T08:12:51
It is a good paper, and does work well with split grade exposures very well, however the light cream color base tends to give a greyish cast to intermediate highlights.
John M.
2020-12-27T12:54:31
Lovely, lovely paper, although I will note that sometimes exposure changes with a new box. That being said, the texture is that of a semi-gloss inkjet paper with a subtle, horizontal ripple across the surface giving it a very nice and understated look with a mild, diffuse gloss. If dried against a ferrotyping surface it does indeed produce a mirror-like gloss surface, although in practice this is almost impossible to achieve reliably these days without access to the now-historic chemistry needed to use old ferrotyping plates. Great detail in shadows and nice highlights. Response to Ilford contrast filters are as expected. It takes a very mild purple tint with very deep blacks in 1:3 selenium and barely any shift in 1:20 selenium. Without any toning it has a charcoal color with maybe a very slight dark greenish/yellowish tint, but it's subtle. I feel lucky to have access to such an affordable yet high quality darkroom paper.
Julius S.
2020-12-27T12:46:00
The 11x14 FB VC Glossy seems to be dramatically different than the Arista EDU FB VC Glossy in 5x7 and 8x10, both of which have a slightly textured, almost ripply surface which i'd describe as semi-gloss compared to an inkjet glossy paper, however when dried on a ferrotyping surface it does indeed become mirror-smooth. It also has no reflectivity difference between shadows and highlights. The 11x14, however, is far more matte than the smaller sizes, lacking in the rippled, art-paper texture that I love in the 8x10. The 11x14 also has a very major and very noticeable reflectivity difference between the shadows and highlights, with the shadows being much less reflective - it looks like a cheap inkjet without a chroma optimizer. The tonality and exposure times appear, however to be exactly the same as the 8x10 and 5x7 papers, which is great for testing prior to exposing an entire sheet at 11x14. Honestly I would rather spend the extra money and get a different brand than buy another pack of this, as it does not match the look and feel of their smaller sizes of what is supposed to be the same paper. Highly recommend FB VC Glossy in smaller sizes though!!
Julius S.
2020-06-15T18:01:33
I find this fiber base paper to be a very good product for making traditional photographs. So far, the only developer I've used with this paper is Ilford Multigrade, which is an excellent all-around print developer (different developers will produce different results.) The results were prints with excellent details in both highlights and shadow areas; blacks are velvety. Some of the prints were later toned with a Fomatone Sepia kit. I gave each print a light bleach bath followed (after a water wash) with a standard toning bath. After washing the prints, again, they would receive and selenium toning bath in order to further deepen the blacks (1:20 dilution.) All being said, the quality of the photos one gets from this Arista EDU Ultra VC FB or any other paper is determined, ultimately, by the skills of the printer. This paper can respond well with minimum fuss, but, with ambitions on the part of the printer, it can follow those ambitions. I suppose I could have given it five stars, but, when I remember the legendary papers that are no longer made, like Ilford Gallerie and Kodak's Elite and Ektalure, then I get so sad from their absence from the scene. I will be reordering Arista EDU when I need it.
JOHN K.
2019-02-26T10:18:21
Wasn't what I expected. First sheet of paper when to waste because I couldn't tell the difference between the front or back. The quality of paper is good but I do not like the matte finish. I just ordered a pack of 25 of the glossy fiber paper. The photos also came back darker, I wasn't impressed.
Audris V.
Negative
Fiber Base / Double Weight
Glossy
Multigrade
Neutral
25 Sheets
8 x 10" (20.3 x 25.4cm)
614572188822
My go-to paper, it's wonderful!
By Julius S.
Lovely, lovely paper, although I will note that sometimes exposure changes with a new box. That being said, the texture is that of a semi-gloss inkjet paper with a subtle, horizontal ripple across the surface giving it a very nice and understated look with a mild, diffuse gloss. If dried against a ferrotyping surface it does indeed produce a mirror-like gloss surface, although in practice this is almost impossible to achieve reliably these days without access to the now-historic chemistry nee...
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When it comes to professional-grade black and white photographic printing, the Arista.EDU Ultra VC FB Paper stands out with its exceptional quality and versatility. This premium variable contrast, fiber-based paper is engineered to accommodate a wide range of tonal contrasts, making it a top choice for photographers who demand precise control over their images.
Crafted with a robust double-weight fiber base, the Arista.EDU Ultra VC FB Paper ensures durability and a high-quality feel, suitable for both exhibitions and archival purposes. The glossy surface option adds a luminous sheen to your prints, enhancing the depth and dimension of your black and white photographs.
The paper's compatibility with yellow and magenta colored filters allows for seamless contrast adjustments, offering a spectrum of grades from 0 to 5. This feature provides the flexibility to achieve the exact look you desire, whether you're aiming for soft, subtle tones or striking, high-contrast images.
Utilizing standard Ilford Multigrade or Kodak Polymax/Polycontrast filters, photographers can easily manipulate the contrast levels. For those with an enlarger color head, fine-tuning the amount of magenta or yellow filters will yield the perfect balance of highlights and shadows.
The Arista.EDU Ultra VC FB Paper is optimized for tungsten or tungsten quartz halogen light sources, ensuring consistent and reliable contrast values. The exposure process is straightforward, with grades 00 to 3.5 sharing the same speed rating (ISO P200), while grades 4 to 5 may require a longer exposure time.
In the darkroom, the paper should be handled under standard OC, red, or sodium vapor safelights, with precautions taken to minimize exposure to safelight to prevent fogging. The paper's processing is adaptable to both tray and machine methods, provided they are suitable for photographic papers with a baryta base.
Developing the Arista.EDU Ultra VC FB Paper is straightforward, with a typical development time of 90 to 120 seconds at 68°F (20°C), following the developer manufacturer's recommendations. A standard stop bath should be used to halt development and preserve fixer life, followed by fixing in a standard solution.
To ensure the longevity of your prints, a thorough washing in running water for 35 to 45 minutes is recommended, along with the use of a hypo clearing agent to reduce washing time and water usage.
For optimal storage, keep the Arista.EDU Ultra VC FB Paper in a cool, dry place, and consider using a freezer for extended preservation. Always allow the paper to acclimate to room temperature before use and avoid condensation.
The Arista.EDU Ultra VC FB Paper, available in a convenient pack of 25 glossy 8x10 inch sheets, is the professional's choice for creating high-quality, enduring black and white prints that truly stand the test of time.