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2 Year
$99.99
3 Year
$159.99
4 Year
$191.99
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Review Summary
Accidents happen. Protect your favorite Adorama products and purchase a protection plan to stay covered from accidental damage, mechanical or electrical failures, and more.
If we can’t fix it, we’ll replace it at no additional cost.
Protect your product from drops, spills, and more.
Enjoy your gear without fear. We have you covered!
When regular use of your product over time results in mechanical or electrical failure.
We will never charge you a deductible after the purchase of a plan.
Our claims process is simple & easy and our customer service team is happy to help.
Adorama Protect powered by Extend is available for purchase to customers in the United States. Not available for international or U.S. territories purchases. Plans on open box items do not cover pre-existing damage.
Adorama Protect plans are available for ABS clients. If you have any questions or require assistanse, please call 800-223-2500
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Up to 40 Degree C
Aluminum alloy chassis with ABS Polycarbonate back plate
Actively controlled fan and Heat Sink
Rear and front
Power/lock Screen
DC 12-16.8v, Battery 14.4V nominal
75W
V-Lock/Anton Bauer via XLR terminal, (optional mounting plates available) , 95Wh or larger recommended.
Battery dependent
Dual Battery input via dedicated 4 pin XLR
4 pin XLR
SuperAtom IPS panel (capacitive touch)
19" (48.26cm)
1920 x 1080
120
10Bit (8+2 FRC)
Edge lit
1200nit (+/- 10% @ center)
16:9
Yes, Graphic burning protection
Rec.709
Atomos Calibrator with Xrite i1 Display Pro/Plus (Retail)
Sony SLog/SLog2/SLog3, Canon CLog/CLog2/Clog3, Arri Log CEI160/LogCEI200/LogCEI250/LogCEI320/LogCEI400/LogCEI500/LogCEI640/LogCEI800 /LogCEI1000/LogCEI1280/LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm/Log3G10/Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log
BT2020, DCI P3, DCI p3 65, Sony SGamut/SGamut3/SGamut3.cine, Canon Cinema/DCI P3/DCI P3+/BT2020, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, Red DragonColor/DragonColor2/RedColor2/RedColor3/RedColor4/RedWideGamut
3D LUT (.cube format)
Loop out
Yes
Native/HLG/PQ/3D LUT
Log/HDR to HLG/PQ
1x HDMI (2.0) 4k p60
No - HDMI Video only
2x 12G & 2x 3G
Apple ProRes RAW up to 6k
8/10Bit Video/RAW up to 12Bit
4:2:2
Not supported
File Name from Arri, RED. RAW - white balance, Exposure index, Shutter speed/angle, Iris F stop, ISO, Gamma, gamut
1x HDMI (2.0) 4k p60
1x 12G SDI Backwards compatible Autodetection level A and B selectable
1x 12G SDI Backwards compatible Autodetection level A and B selectable
'4:2:2
10Bit Video/12Bit RAW
Optional via Connect 4k
Yes - Video and RAW
Yes - Video and RAW
24/48kHz
PCM
8ch 24Bit, input dependent
12ch 24Bit, input dependent
2x XLR
2x XLR
2x 5w
3.5mm 2ch.
HDMI and SDI
Yes, Time and Date
LTC via BNC input in Record mode
GenLock in Playback mode
RAW Only up to 30p via SDI Only
23.98/24/25/29.9/30/50/59.94/60p
23.98/24/25/29.9/30/50/59.94/60p
2K DCI: 23.98/24/25/29.9/30/50/59.94/60p
23.98/24/25/29.9/30/50/59.94/60/100/120p
Converted to P and looped out PsF
23.98/24/25/29.9/30/50/59.94/60i
50/59.94/60p
For SDI RAW inputs Only
ProRes RAW, HQ
LT, 422, 422HQ
220x,220,145,36
LB, SQ, HQ, HQX
Yes, Create customer play lists from full or sub clips
Yes, with user customizable in/out markers
Yes, recorded clips
Yes, with Linear PCM audio
Yes, with Linear PCM audio
Yes (HD 8s, 4K 2s) - Not available in RAW
Up to 4 x ISO up to 1080p 60 (3G SDI Level A ONLY)
Yes Up to 1080p 60
Yes, Up support up to 12G SDI per input
Via Multi ISO input mode
Up to 4 x up to 1080p 60 (3G SDI Level A ONLY)
Auto or manual XML transition
Not compatible
Yes BUT ONLY with optional SSDmini handle
Unit Name - Scene/Shot/Take, Arri & RED via SDI
ExFAT
Yes, 3 size/Position
Yes, 3 size/Position
Yes, 2 size/Position
Yes. 1:1 Pixel mapping for 4k
Yes
Color selected/threshold setting/color/ Mono/edges only
Yes, with Scale
Yes, Adjustable
Blue Only
2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
Action and Graphic
1.25x, 1.33x, 1.5x ,1.8x, 2x
Vertical Only
24/25/30pSF > 24/25/30p (2:2 pulldown)60i > 24p (3:2 pulldown)
Loop out - 4K UHD to FHD
Loop out - 17:9 to 16:9 Crop
Auto HDMI Trigger, Supported Protocols - Canon, Sony, Atomos Open Standard
SDI trigger camera selectable
LANC control and calibration via optional USB to serial cable
Cut tag EDL and Multicam with transitions in FCP XML
Apple FCP, Adobe Premiere, After Effects, Avid Media Edius, Assimilate Scratch, Baselight Film Light
All applications with support for Apple ProRes and Avid DNX in .MOV wrapper
On-set, In-Studio, Directors' Monitor
Optional, not included
Lithium ion
Non-universal
1
1/4-20 screw; 4 x top, 4 x bottom, 2 x side , 3/8-16 screw; 2 x top, 2 x bottom, 1 x side
100 x 100mm
Without Feet: 19.8 x 12.2 x 2.5" (504 x 310 x 63mm), With Feet: 19.8 x 13 x 7.1" (504 x 330 x 180mm)
12 lbs (5.45kg)
192223223806, 814164022644, 716315989878
Find the ultimate solution to your professional video and film production needs with the Sumo19 SE 19" HDR Pro/Cinema Monitor-Recorder-Switcher. This high-quality, innovative device is more than just a monitor; it's a comprehensive tool designed to streamline your 4K HDR workflow across multiple cameras, audio, and Atomos devices.
The Sumo19 SE is a versatile device, capable of adapting to a multitude of applications. It unlocks the true potential of your RAW cinema cameras, preserving your sensor's pristine pixels in ProRes RAW at up to 5.7kp30, 4kp120 DCI/UHD, and 2kp240 DCI/HD. CDNG supports up to 4kp30 DCI, making it compatible with a wide range of cameras including the Sony FS series, Canon C300MKII/C500, and Panasonic EVA-1/Varicam LT.
The Sumo19 SE also doubles as a large-format quadview live switcher and recorder for your multi-camera shoots. With 4 x SDI inputs, you can record up to four 1080p60 streams simultaneously as separate ISOs while cueing and switching in real-time with a simple touch of the screen. This advanced monitor-recorder-switcher also allows users to record a fifth 'program' channel of your switched feed, displaying the resulting mixed output live on set via HDMI or SDI.
Experience HDR in the field and in the studio like never before with the Sumo19 SE. Its 19" 1920 x 1080 LCD panel with 10-bit processing precisely maps the RAW/Log/PQ/HLG output from cameras or gaming consoles to display 10+ stops of dynamic range in real time. This makes it an ideal choice for a director or client monitor in the field, or as an affordable HDR studio monitor.
The Sumo19 SE supports 10-bit ProRes and DNx up to 4Kp60 Video capture via SDI or HDMI, preserving the depth and quality of the image with data rates of up to 1.8Gbs, 220MB/s. It also features two stereo balanced XLR inputs with 48V for connecting two external microphones with balanced analogue audio recording and monitoring.
The Sumo19 SE comes with a durable, custom-fit Porta Brace carrying case for easy transport, making it the perfect on-set monitor-recorder and switcher. Its 19" screen provides a clear, detailed view of your image, ensuring you never miss a detail. Experience the difference of professional, high-resolution video production with the Sumo19 SE 19" HDR Pro/Cinema Monitor-Recorder-Switcher.