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2 Year
$99.99
3 Year
$159.99
4 Year
$191.99
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Review Summary
Accidents happen. Protect your favorite Adorama products and purchase a protection plan to stay covered from accidental damage, mechanical or electrical failures, and more.
If we can’t fix it, we’ll replace it at no additional cost.
Protect your product from drops, spills, and more.
Enjoy your gear without fear. We have you covered!
When regular use of your product over time results in mechanical or electrical failure.
We will never charge you a deductible after the purchase of a plan.
Our claims process is simple & easy and our customer service team is happy to help.
Adorama Protect powered by Extend is available for purchase to customers in the United States. Not available for international or U.S. territories purchases. Plans on open box items do not cover pre-existing damage.
Adorama Protect plans are available for ABS clients. If you have any questions or require assistanse, please call 800-223-2500
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Up to 40 Degree C
Aluminum alloy chassis with ABS Polycarbonate back plate
Actively controlled fan and Heat Sink
Rear and front
Power/lock Screen
DC 12-16.8v, Battery 14.4V nominal
75W
V-Lock/Anton Bauer via XLR terminal, (optional mounting plates available) , 95Wh or larger recommended.
Battery dependent
Dual Battery input via dedicated 4 pin XLR
4 pin XLR
SuperAtom IPS panel (capacitive touch)
19" (48.26cm)
1920 x 1080
120
10Bit (8+2 FRC)
Edge lit
1200nit (+/- 10% @ center)
16:9
Yes, Graphic burning protection
Rec.709
Atomos Calibrator with Xrite i1 Display Pro/Plus (Retail)
Sony SLog/SLog2/SLog3, Canon CLog/CLog2/Clog3, Arri Log CEI160/LogCEI200/LogCEI250/LogCEI320/LogCEI400/LogCEI500/LogCEI640/LogCEI800 /LogCEI1000/LogCEI1280/LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm/Log3G10/Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log
BT2020, DCI P3, DCI p3 65, Sony SGamut/SGamut3/SGamut3.cine, Canon Cinema/DCI P3/DCI P3+/BT2020, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, Red DragonColor/DragonColor2/RedColor2/RedColor3/RedColor4/RedWideGamut
3D LUT (.cube format)
Loop out
Yes
Native/HLG/PQ/3D LUT
Log/HDR to HLG/PQ
1x HDMI (2.0) 4k p60
No - HDMI Video only
2x 12G & 2x 3G
Apple ProRes RAW up to 6k
8/10Bit Video/RAW up to 12Bit
4:2:2
Not supported
File Name from Arri, RED. RAW - white balance, Exposure index, Shutter speed/angle, Iris F stop, ISO, Gamma, gamut
1x HDMI (2.0) 4k p60
1x 12G SDI Backwards compatible Autodetection level A and B selectable
1x 12G SDI Backwards compatible Autodetection level A and B selectable
'4:2:2
10Bit Video/12Bit RAW
Optional via Connect 4k
Yes - Video and RAW
Yes - Video and RAW
24/48kHz
PCM
8ch 24Bit, input dependent
12ch 24Bit, input dependent
2x XLR
2x XLR
2x 5w
3.5mm 2ch.
HDMI and SDI
Yes, Time and Date
LTC via BNC input in Record mode
GenLock in Playback mode
RAW Only up to 30p via SDI Only
23.98/24/25/29.9/30/50/59.94/60p
23.98/24/25/29.9/30/50/59.94/60p
2K DCI: 23.98/24/25/29.9/30/50/59.94/60p
23.98/24/25/29.9/30/50/59.94/60/100/120p
Converted to P and looped out PsF
23.98/24/25/29.9/30/50/59.94/60i
50/59.94/60p
For SDI RAW inputs Only
ProRes RAW, HQ
LT, 422, 422HQ
220x,220,145,36
LB, SQ, HQ, HQX
Yes, Create customer play lists from full or sub clips
Yes, with user customizable in/out markers
Yes, recorded clips
Yes, with Linear PCM audio
Yes, with Linear PCM audio
Yes (HD 8s, 4K 2s) - Not available in RAW
Up to 4 x ISO up to 1080p 60 (3G SDI Level A ONLY)
Yes Up to 1080p 60
Yes, Up support up to 12G SDI per input
Via Multi ISO input mode
Up to 4 x up to 1080p 60 (3G SDI Level A ONLY)
Auto or manual XML transition
Not compatible
Yes BUT ONLY with optional SSDmini handle
Unit Name - Scene/Shot/Take, Arri & RED via SDI
ExFAT
Yes, 3 size/Position
Yes, 3 size/Position
Yes, 2 size/Position
Yes. 1:1 Pixel mapping for 4k
Yes
Color selected/threshold setting/color/ Mono/edges only
Yes, with Scale
Yes, Adjustable
Blue Only
2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
Action and Graphic
1.25x, 1.33x, 1.5x ,1.8x, 2x
Vertical Only
24/25/30pSF > 24/25/30p (2:2 pulldown)60i > 24p (3:2 pulldown)
Loop out - 4K UHD to FHD
Loop out - 17:9 to 16:9 Crop
Auto HDMI Trigger, Supported Protocols - Canon, Sony, Atomos Open Standard
SDI trigger camera selectable
LANC control and calibration via optional USB to serial cable
Cut tag EDL and Multicam with transitions in FCP XML
Apple FCP, Adobe Premiere, After Effects, Avid Media Edius, Assimilate Scratch, Baselight Film Light
All applications with support for Apple ProRes and Avid DNX in .MOV wrapper
On-set, In-Studio, Directors' Monitor
Optional, not included
Lithium ion
Non-universal
1
1/4-20 screw; 4 x top, 4 x bottom, 2 x side , 3/8-16 screw; 2 x top, 2 x bottom, 1 x side
100 x 100mm
Without Feet: 19.8 x 12.2 x 2.5" (504 x 310 x 63mm), With Feet: 19.8 x 13 x 7.1" (504 x 330 x 180mm)
12 lbs (5.45kg)
814164022644
Proven. Reliable
More than just a monitor - Sumo 19 is the perfect tool to bridge your 4K HDR workflow across multiple cameras, audio and Atomos devices. Sumo 19 is a Monitor-Record-Switcher, and highly adaptable to suit multiple applications.
Unlock the true potential of your RAW cinema cameras with the Sumo 19. Preserve your sensor's pristine pixels in ProRes RAW at up to 5.7kp30, 4kp120 DCI/UHD and 2kp240 DCI/HD. CDNG supports up to 4kp30 DCI. Sumo 19 is compatible with Sony FS series, Canon C300MKII/C500 or Panasonic EVA-1/Varicam LT and more.
Switching - Live Quad-channel HD Switching and Recording
Take full advantage of 4 x SDI inputs and let Sumo 19 step into the role of a large-format quadview live switcher and recorder on your multi-camera shoots. Record up to four 1080p60 streams simultaneously as separate ISOs while cueing and switching in real-time with a simple touch of the screen. Sumo 19 allows user to record a fifth 'program' channel of your switched feed. Display the resulting mixed output (via HDMI or SDI) live on set.
Switching is completely asynchronous, eliminating the need for expensive locked sources and allowing the use of more affordable cameras. You can easily output the switched feed for live streaming with a solution as simple as the Atomos Connect 4K.
For professional productions large and small you save significant space - replacing several boxes in your rack, or decks and monitors on your desk with a single Sumo 19.
HDR/SDR - HDR in the field and in the studio
HDR really comes to life on the Sumo 19. It's 19" 1920 x 1080 LCD panel with 10-bit processing takes the RAW/Log/PQ/HLG output from cameras or gaming consoles and precisely maps to display 10+ stops of dynamic range in real time. Use as a director or client monitor in the field, or an affordable HDR studio monitor.
10-bit ProRes and DNx up to 4Kp60
Video from any camera or digital video source can be captured via SDI or HDMI. Record up to 10-bit 4:2:2 in ProRes or DNxHR codecs at 4Kp60 or 2Kp240, depending on the camera's capability. The depth and quality of the image is preserved with data rates of up to 1.8Gbs, 220MB/s.
Audio - Two stereo balanced XLR inputs with 48V
Use full size XLR connections with 48V Phantom power to connect two external microphones with balanced analogue audio recording and monitoring. The Sumo19 has dedicated meters, gain controls and adjustments for frame delay on each channel. Mic or line level audio can be seamlessly synchronized with embedded audio from HDMI and SDI sources.
Sumo 19
The perfect on-set monitor-recorder and switcher. Sumo's 19" screen allows you to really see what's going on in your image.