PACKAGE INCLUDES:
Qty: 2
See Options
2 Year
$79.99
3 Year
$99.99
4 Year
$129.99
Need help? Ask our experts.
Review Summary
2024-07-18T09:28:53
Recording in pro res... Recording in raw... Cinema exposure tools not found in your mirrorless cameras... SSD memory for very long record times... The atomos ninja v is the standard. Up to 5.7k at 60fps. The Ninja V allows users to get the most from there camera that's held back by internal codecs. It wasn't in stock at the other place, but Adorama always makes sure they have everything you need to win in film.
DAVID G.
2024-07-10T23:26:46
An incredible tool to record footage and bypass the compression of your cameras internal recording that degrades your true image quality. The Ninja uses SSD drives... Faster and much more reliable record speeds and times for half the price of SD cards. The Ninja allows the use of the Pro Res Raw and Pro Res codecs... Some of the best in the business that don't allow your computer down during the edit. This recorder/monitors exposure tools are to notch... False color, vector scopes, waveforms, focus peeking all make this tool turn average cameras into a filming force to be reckoned with. I don't want to record internally again if I don't have to. My only wish is that it came with a hood. I would definitely recommend it to anyone trying to squeeze every inch of IQ out of their camera.
DAVID G.
2024-05-23T08:46:19
This is such great recording monitor, just upgraded it from V+ version and that was truly right decision - used it with several cameras already and it works flawlessly.
HARVEY D.
2024-03-14T12:43:47
I purchased a pair of Ninjas to use for wedding and event videography. I need the ability to record 1080p and 4k for more than 29:59 with minimal extra expense. I already had a pair of EOS R bodies and upgrading to a newer set of bodies than weren't limited to 30 minutes wasn't an option. I've done a tone of testing and used the Ninjas for two weddings not and I'm very pleased with the results. The package that included the CONNECT modules is going to add another layer to my business with the ability to live stream events.
CHARLES M.
2023-12-17T23:29:42
A real game changer for my rig set up. Absolutely amazing shipping service for my location. Great product great packaging from adorama
James L.
2022-02-10T21:38:51
Easy to use especially with the strong batteries and the Atomos camera mount
EDWARD S.
2022-02-09T09:56:00
This monitor produces a crystal clear view and is a great companion to my sony a7r3! I've wanted one of these for over a year and am so glad I took the time to research and pull the trigger on this beast!
Tyler T.
2020-06-22T12:02:45
I really love this monitor it has added so much to each camera that Ive owned so far, specifically the zcam and fuji cameras. The only thing i wish is that the battery life was longer but as a recorder it will drain faster then other monitors.
Quinsonta B.
2019-12-29T07:12:17
I love this monitor!
Mario B.
2019-06-07T12:41:54
The screen is beautiful, lightweight, and pretty easy to use. However, the fan noise was too much for me. 2-3x louder than the fan of my P4K and no options to control it. Doesn't slow or turn off during recording, just constantly makes noise. Returned for a SmallHD monitor which uses passive cooling (no fan - no noise).
DAVID M.
2019-01-24T15:20:00
This is an awesome piece of equipment and a tool I will be using for years to come. I was s skeptical about the necessity of an external recorder but I'm not anymore. Grab one!
DeVaughn O.
2018-11-06T08:18:36
Very impressive monitor/recorder. Quality is fantastic and the screen is sufficiently bright to use in sunny conditions - can’t wait for the sun hood though as this will help even more for critical focussing etc. Easy to set up, on screen settings easy to find and change. Also nice that it takes the SSD I bought a while ago for a Ninja Blade; just switched to the V caddy. Using with a C100 MkII. Auto triggering works great. Bit disappointed that Atomos have not produced a full manual for it yet…and their tech dept was a little slow to respond. Otherwise it’s an easy 5 stars!
ANDREW N.
Accidents happen. Protect your favorite Adorama products and purchase a protection plan to stay covered from accidental damage, mechanical or electrical failures, and more.
If we can’t fix it, we’ll replace it at no additional cost.
Protect your product from drops, spills, and more.
Enjoy your gear without fear. We have you covered!
When regular use of your product over time results in mechanical or electrical failure.
We will never charge you a deductible after the purchase of a plan.
Our claims process is simple & easy and our customer service team is happy to help.
Adorama Protect powered by Extend is available for purchase to customers in the United States. Not available for international or U.S. territories purchases. Plans on open box items do not cover pre-existing damage.
Adorama Protect plans are available for ABS clients. If you have any questions or require assistanse, please call 800-223-2500
Browse our FAQ
SuperAtom IPS panel (capacitive touch)
5.2" (13.20cm)
1920 x 1080
427
10-bit (8+2 FRC)
Edge lit
1000 cd sq. m / Nits
16:9
Rec.709
Atomos Calibrator with Calibrite ColorChecker Display Pro & ColorChecker Display Plus
Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log
Bt2020, DCI P3, PDCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine / Canon Cinema / DCI P3 / DCI P3+ / BT2020, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
.Cube Format
Loop out
Yes
Native / HLG / PQ / 3D LUT
Log / HDR to HLG / PQ / Dolby Vision
1x HDMI (2.0) 4Kp60
Apples ProRes RAW up to 8Kp30 from compatible cameras
Optional Via Atomos Connect module
Optional Via Atomos Connect module
8/10-bit video / RAW up to 16-bit
0.168078703703704
Not supported
RAW - white balance, exposure index, shutter speed/angle, Iris F stop, ISO, gamma, gamut
File Naming from ARRI, RED, Sony and Canon cameras
1x HDMI (2.0) 4Kp60
Optional Via Atomos Connect module
Optional Via Atomos Connect module
0.168078703703704
10-bit video
Optional Via Atomos Nexus 4K or AtomX Cast
Optional Via Atomos Connect module
Optional Via Atomos Connect module
Optional Via Atomos Connect module
Optional Via Atomos Connect module
24/48kHz
PCM
8ch 24-bit, input dependent
12ch 24-bit, input dependent
3.5mm 2ch.
3.5mm 2ch.
User definable from menu
HDMI and SDI
Yes, Time and Date
Optional Via Atomos Connect module
Optional Via Atomos Connect module
Optional Via Atomos Connect module
Optional Via Atomos Connect module
RAW Only up to 30p via HDMI
RAW Only up to 60p via HDMI
23.98/24/25/29.9/30/50/59.94/60p
23.98/24/25/29.9/30/50/59.94/60p
Optional via AtomX SDI module
3.5k: RAW up to 60p (from supported cameras only)
23.98/24/25/29.9/30/50/59.94/60/100/120p
converted to P and looped out PsF
23.98/24/25/29.9/30/50/59.94/60i
50/59.94/60p
ProRes RAW, HQ
LT, 422, 422HQ
DNxHD 220x,220,145,36
LB, SQ, HQ, HQX.
LQ,MQ,HQ,XQ in 8/10Bit, 4 2 2 and 4 2 0
Yes, Create customer play lists from full or sub clips
Yes, with user customizable in / out markers
Yes, recorded clips
Yes, with Linear PCM audio
Yes, with Linear PCM audio
Yes
Yes (HD 8s, 4K 2s) - Not available in RAW
Yes
Yes
Optional via AtomX Cast
Optional via AtomX Cast
Optional via AtomX Cast
Optional via AtomX Cast
Optional via AtomX Cast
Optional via AtomX Cast
Not compatible
For 2.5-inch hard drives in MasterCaddy II
For 2.5-inch hard drives in MasterCaddy III (needed for Atomos Connect)
Native size and fit
With supported cards via optional SSDmini CFAST II Adapter
Unit Name - Scene/Shot/Take
ExFAT
Yes, 3 size / Position
Yes, 3 size / Position
Yes, 2 size / Position
Yes. 1:1 Pixel mapping for 4K
Yes
Color selected / threshold setting / color / Mono / edges only
Yes, with Scale
Yes
Yes
Yes, Adjustable
Blue Only
2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
9:16, 1:1, 191:1, 4:5
Yes
Action and Graphic
9 grid
1.25x, 1.33x, 1.5x, 1.6x, 1.65x, 1.79x, 1.8x, 2x
Vertical Only
24/25/30pSF > 24/25/30p (2:2 pulldown)
60i > 24p (3:2 pulldown)
Loop out - 4K UHD to FHD
Loop out - 17:9 to 16:9 Crop
Auto HDMI Trigger, Supported Protocols - Canon, Sony, Atomos Open Standard
SDI trigger camera selectable with Atomos Connect
LANC control and calibration via
optional USB to serial cable
LANC control and calibration via
optional USB to serial cable
Optional Via Atomos Connect module
Optional Via Atomos Connect module
Optional Via Atomos Connect module
Optional Via Atomos Connect module
Cut tag EDL in FCPX XML
Apple FCPX, Adobe Premiere, After Effects, Avid Media Composer, GrassValley Edius, Assimilate Scratch, Baselight Film Light.
All Applications with support for Apple ProRes and Avid DNx in .MOV wrapper
6.2V to 16.8V
5.8-7.2v (Battery) or min 30W via USB C PD cable
NPF L series
No
5200mAh - up to 2hrs (monitor & record 4K 60p)
7800mAh - up to 3hrs (monitor & record 4K 60p)
Via DC jack on battery eliminator
Via battery eliminator and optional DTap to DC cable
Up to 40 degrees Celsius
Aluminum with ABS plastic
Actively controlled fan and heat sink
Rear and front
Power / lock screen
Yes
Optional, included
Lithium ion
NPF
2
1x anti-rotation 1/4" / 3/8" top and bottom
5.94 x 3.60 x 1.22" (151 x 91.5 x 31mm)
12.7 oz (360g)
192223239227, 814164022811, 840014139668, 840014129959, 840014116287
Everything I needed and More!
By CHARLES M.
I purchased a pair of Ninjas to use for wedding and event videography. I need the ability to record 1080p and 4k for more than 29:59 with minimal extra expense. I already had a pair of EOS R bodies and upgrading to a newer set of bodies than weren't limited to 30 minutes wasn't an option. I've done a tone of testing and used the Ninjas for two weddings not and I'm very pleased with the results. The package that included the CONNECT modules is going to add another layer to my business with ...
View full Review
NINJA V - ALL YOU COULD WANT ON AN ON-CAMERA MONITOR
By ANDREW N.
Very impressive monitor/recorder. Quality is fantastic and the screen is sufficiently bright to use in sunny conditions - can’t wait for the sun hood though as this will help even more for critical focussing etc. Easy to set up, on screen settings easy to find and change. Also nice that it takes the SSD I bought a while ago for a Ninja Blade; just switched to the V caddy. Using with a C100 MkII. Auto triggering works great. Bit disappointed that Atomos have not produced a full manual for...
View full Review
Ninja Ultra is a leap forward in filmmaking technology. You get all of Ninja's monitoring/recording tools and capabilities, but in conjunction with the Atomos Connect, it opens up a host of ultra-efficient cloud workflows, including dual record ProRes RAW/H.265 for Camera to Cloud, automated matching filenames with cinematic cameras and 4K H.265 for instant publishing from the cloud. Atomos' close partnerships with major camera manufacturers ensure that Ninja works flawlessly with an increasing range of DSLR, mirrorless and cinematic cameras.
Ninja Ultra is a leap forward in filmmaking technology that captures your vision in ProRes RAW up to 8K 30P, 6K 60P & 4K 120P with full codec flexibility choice between ProRes RAW, ProRes, DNxHD & H.265 (HEVC) . Ninja Ultra has been built with a new operating system AtomOS 11 that host new and exclusive monitoring and recording features that bring creativity to live in every project, from cinematic to social media. RecordAssist and PlayBackAssist cover pre-arranged or remote shots , while improved false color tools like Arri False Color or EL Zone fit with today's creators needs. In conjunction with the Atomos Connect, it opens up ultra-efficient cloud workflows, including dual record ProRes RAW/H.265 for Camera to Cloud and 4K H.265 for instant publishing from the cloud, and the SDI Cine feature for automated matching filenames, timecode and record trigger from ARRI, Canon, RED and Sony SDI cameras. Share what's on your Atomos screen with other Atomos Connect users, as well as with Shogun Connect, iPads, Macs and Apple TVs wirelessly in the same premises or anywhere in the world with full audio comunication between devices in the included feature Atomos RemoteView. These new features bring even more versatility to the Ninja Ultra, providing professional I/O options for a multitude of cameras 12G-SDI, AirGlu wireless timecode and control and up to 4K NDI- from entry level mirrorless cameras through to the latest compact cinema and high-end professional cameras. Ninja Ultra supports WiFi 6E that boosts cloud video workflows offering more a stable connection. Atomos' close partnerships with major camera manufacturers ensure that Ninja Ultra works flawlessly with an increasing range of DSLR, mirrorless and cinematic cameras.
Capture your vision with the Ninja Ultra
Ninja Ultra brings your creativity to life in every project, from cinematic to social media, HDR and SDR. It pairs flawlessly with a huge range of HDMI-equipped cameras, from professional cinema to mirrorless.
Record with the ultimate monitor-recorder
Ninja Ultra is the ultimate field monitor for on-the-go film and video creators who value high quality industry standard codecs like ProRes and ProRes RAW. The Ninja's state-of-the-art screen maintains clarity and color in the brightest conditions and displays bright, clear HDR images for on-set or on-location monitoring
Compact monitor-recorder made perfect
The Atomos Ninja Ultra features a stunningly bright 5.2-inch 10-bit HDR monitor with 1000nits brightness. Sleek and durable, the aluminum body weighs just 360g and is only 25mm deep for easy mounting on any rig.
New AtomOS, New Look, New Possibilities
Introducing a new version of our operating system, AtomOS 11. Built uniquely for the new Ninja Ultra, it not only looks amazing, but introduces a host of great new features.
We've made the tools more visible and improved the look of the icons so you know exactly what you're selecting. It's easier to use, more logical and feels more professional.
Endless features with OS11
The Ninja Ultra offers a huge range of features that can enhance your workflow, including AtomOS Monitor Assist features like Focus Peaking, Zoom, Vectorscopes & Atomos and ARRI False Color, EL Zone colorized exposure through to Safe Areas, Cine Guides and our AtomHDR processing engine that allows realtime Log>PQ/HLG previewing and more.
Unlock the full potential of your camera with Ninja Ultra
Ninja Ultra's wide range of codecs makes it compatible with all major editing software packages. Virtually any HDMI or SDI source is supported, including cameras from Nikon, FujiFilm, Canon, Panasonic, Sony, Z-Cam, Sigma, Olympus, RED and ARRI.
Ninja Ultra & up to 8K ProRes RAW
Over 55 cameras which now support RAW recording over HDMI on the Ninja and this list is still growing. Apple ProRes RAW combines the visual and workflow benefits of RAW video with the incredible real-time performance of ProRes. It gives filmmakers enormous latitude to adjust look of their images, making it ideal for HDR workflows. The new Apple ProRes RAW plug-in adds camera-specific characteristics to the mix.
Ninja Ultra & Atomos Connect module
Add an Atomos Connect module to the Ninja Ultra to access to cloud workflows like C2C, Atomos Edit and Atomos RemoteView via Atomos Cloud Studio. Connect also features 12G-SDI, AirGlu wireless timecode and control, Wi-Fi 6E and GigE Ethernet
Access to Atomos RemoteView with a subscription to Atomos Cloud Services, using Atomos Credits for a simple 'pay as you go service'.
Atomos RemoteView is a unique new service that lets you share what's on your Atomos screen with other Atomos users, as well as with iPads, Macs and Apple TVs wirelessly. You can monitor what's happening on-set and look through the camera taking the shot. What's more, you can do this remotely from anywhere in the world. It's a new degree of creative freedom for filmmakers.
NDI is a way to send video over ordinary networks (including Wi-Fi and Mobile) in high quality but with remarkably low bandwidth requirements. It's increasingly used in live production, and now your Ninja Ultra can take part in an NDI network. The NDI 4K TX option turns your Connect-enabled Ninja Ultra into an NDI 4K source, visible to all other NDI compatible devices on the local network.
4K 60p ProRes RAW and HD 60p H.265 Dual Record Codecs with Atomos Connect
Now you can record your primary file at up to 4Kp60 in ProRes RAW. Parallel recording with RAW and H.265 has always been a major request from users, especially for scripted work and dailies. Now you can record up to 4K 60p ProRes RAW to the SSD in the Ninja Ultra while simultaneously recording and uploading HDp60 H.265 files to Camera to Cloud. It's the best of both worlds.
New 4K C2C mode lets you upload H.265 files up to 4Kp60 with an attached Atomos Connect
With the new 4K C2C mode you can record and upload much higher resolution and frame rate clips to C2C than ever before. Save crucial time by uploading high quality 4Kp60 H.265 files up to 30mbps (ACS subscription tier dependent) to C2C as your primary working file. Think sports or events to get HQ content edited and published as fast as possible. No longer do you have to wait for a near instantaneous 4K C2C edit. Using Atomos Progressive Upload technology ensures no time is wasted
Atomos SDICine with Atomos Connect
Automated matching filenames, timecode and record trigger from ARRI, Canon, RED and Sony SDI cameras.
Previously, Camera to Cloud relied on matching filenames with hero and proxy files made by AtomOS. Now, thanks to cooperation with ARRI, Canon, RED and Sony, Atomos Camera to Cloud files are matched back to the original in-camera (OCF) filenames, enabling a seamless process when conforming C2C or SSD proxy files in the edit with camera files. Total flexibility of recording files wherever makes sense for your workflow. On camera or on Atomos, the choice is yours.
RAW SDI for Ninja Ultra with Atomos Connect
Ninja Ultra owners can now benefit from the ability to record RAW over SDI with compatible cameras using the Atomos Connect module.
Enhanced metadata support from ARRI, Canon, RED and Sony Cine cameras, with a dual record codec for a Proxy workflow
These new features bring even more versatility to the Ninja Ultra, providing professional I/O options for a multitude of cameras - from entry level mirrorless cameras through to the latest compact cinema and high-end professional cameras.
4K NDI with Atomos Connect
NDI is a way to send video over ordinary networks (including Wi-Fi and Mobile) in high quality but with remarkably low bandwidth requirements. It's increasingly used in live production, and now your Ninja can take part in an NDI network. The NDI 4K TX option turns your Connect-enabled Ninja Ultra into an NDI 4K source, visible to all other NDI compatible devices on the local network.
Supercharge your Wi-Fi connection to Atomos Cloud Studio with Atomos Connect
With lower latency, higher throughput and a more stable connection, WiFi 6E boosts cloud video workflows. All other Wi-Fi variants share the same two radio frequency bands: 2.4 GHz and 5GHz, but Wi-Fi 6E also occupies 6GHz. Only Wi-Fi 6E devices use this frequency, so they have no competition from legacy Wi-Fi formats.
Wi-Fi 6E is less prone to interference and works over a longer range. All things being equal, users will have at least twice the bandwidth available at a given distance from the transmitter.
The new format also offers lower latency and can make more simultaneous connections to Wi-Fi 6E routers. Wi-Fi 6E is backwards compatible with previous Wi-Fi versions, but its extended capabilities will only be available when connecting to other Wi-Fi 6E equipment.
Join VIP PRO
2 Day Delivery on thousands of items!
Request a Callback
Chat one-on-one with an expert
Sell or Trade your Gear
Get started in 3 easy steps