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Review Summary
Yes, front
Yes (detachable)
Advanced Heatpipe and Ultra Quiet Fans
3RU Steel chassis with detachable rack ears
Dual capacitive touch 7.1"
1920 x 1200
LCD IPS Calibratable
323
179 deg.
100% sRGB calibrated to Rec 709 with infinite 3D LUT conversion including BT-2020, DCI-P3 & other LUT's
8-bit
400 Nits
800:1
100% sRGB accurate through 179 degrees
Qualified 2.5" drives in supplied Master Caddy (SSD, HDD or CFast)
2x 1 per channel
Yes (between channels)
EXFAT, FAT 32 compatible
SATA
Intuitive AtomOS Capacitive Multi Touch with super fast custom touch controller
Power and screen lock per monitor
On Screen
Yes
Yes (AMP)
Yes - Rec/Play
Yes
3D LUT in .CUBE format up to 8 custom LUT's loaded internally infinite loaded from the disk
On screen, on output and available to burn in to recorded clip
1:1, 2:1 zoom, touch navigation in zoom
Focus peaking (5 colors), Black & White with color peaking, Focal Plane edge outline
Yes
Yes
Yes
Yes
Yes
Yes
Yes / Yes
Yes
Yes
1.4b up to 12-bit 422
Up to 12-bit (8-bit recorded as 10-bit and true 10-bit from 10-bit sources)
Yes
Down Convert, 3D LUT
Yes - always on
1.5/3/6/12G
LTC input and loop through, SDI, HDMI, Internal Rec Run, Time of Day and Auto-Restart
Genlock input for playout Black Burst & Tri Sync
USB for Ethernet Controller update
Yes, up to 10 sequences with scheduling
Loop out and Playback
LTC input and looptrough, SDI, HDMI, LANC, Timecode, Custom SDI
Yes
Up to 8 secs (HD), 2 secs for (4K)
4K ProRes & 2K/HD ProRes
4K DNxHR & 2K/HD DNxHD
4K RAW & 2K/HD RAW
2x 4K/2K/HD ProRes, DNxHR/HD & RAW
RAW to ProRes/DNxHR
4K Avid to 4K ProRes
2K/HD Avid to 2K/HD ProRes
4K ProRes to 2K/ProRes
4K ProRes to 2K/HD Avid
4K Avid to 2K ProRes
IEC c14 PSU
FCC, CE, CCC
UL, PSE (external Adaptor)
14 Channels
24-bit, 48kHz
12 channels embedded audio
2x XLRs on rear (per record channel) Line mic 48V Phantom
2x XLRs on rear (per record channel)
Touch screen, channel selection, adjust and headphone solo
All channel PPM screen over lay or PPM bottom corner or just stereo PPM
3.5mm jack
4:2:2
10-bit
720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/120, 4K-UHD 24/25/30p, 4K-DCI 24, 25/30p
ProRes HQ, 422, LT
DNxHR - HQX, HQ, SQ, LB
DNxHD - 220,145,36
HD Uncompressed V210
DNG Files
.MOV, DNG
24/25/30pSF > 24/25/30p (2:2 pulldown)
60i > 24p (3:2 pulldown)
120 (4K, UHD, HD), 60 (4K, UHD, HD)
FREE: C500, Sony FS, AJA, Arri to ProRes, DNxHR, DNG, Uncompressed
Loop with in and out markers
via tags for playlist
Yes (Favorites, select or both)
Yes
Yes
Yes
Yes
From NLE's or other devices: Yes - ProRes / DNxHR / DNxHD only
3RU
-30 to 40 deg. C / -22 to 104 deg. F
19 x 5.2 x 8" / 482.60 x 132.08 x 203.20mm
130oz / 3685.43g
814164020329
World's First All-In-One 4K/Hd, 2Ch, Dual 7" 3Ru Rack Recorder, Monitor and Playback Deck
Reinvent The Rack
Harnessing the latest recorder, monitor and playback technology with class leading Atomos usability and affordability, the Shogun Studio has everything needed for Live Event, Studio, On-set and Broadcast professionals.
4K, 1080p60 recording to popular professional codecs.
Utilize the 2 channels for dual codec, dual resolution recording
Scheduled playback and record via Ethernet, Serial & on-screen.
Class leading monitors & test measurement for perfect 4K viewing & set up.
Powerful & intuitive AtomOS offers one touch simplicity for any operator
Utilize the Atomos Master Caddy for reliable, affordable open standard media
Built-in HDMI and SDI down convert and down scaling from 4K to 2K/HD to match your infrastructure
Dual Redundant Power Supplies for mission critical reliability
Pro AV
With play list functionality & control via RS422, Ethernet or on screen, the Shogun Studio is an affordable 4K & HD play out engine for video walls, signage and projection. Additionally, with dual channel play out capability over HDMI or 1.5/3/6/12G SDI, Genlock and 4K to HD down scaling the Shogun Studio can be used to provide scheduled, synchronized 4K, 2K and HD simultaneous play out to high resolution projector, jumbotron or signage systems.
Mobile Production
With rack space at a premium and resolution on the rise, Mobile Production professionals will welcome the ability to record, monitor, test, measure, convert and play out from a single 3RU device.
Dual codec, dual resolution recording maximizes the flexibility in mobile situations. Combine the ability to record 4K resolution ISO feeds with a hardware down converted HD proxy version, record ProRes on one channel and DNxHR on the other or even playback and convert from one codec/resolution combination to another. Connecting to infrastructure is simple as well with built-in HDMI and SDI conversion that is bi-directional. Shogun Studio is ready for the 4K future, but 4K acquisition doesn't have to mean 4K delivery - when 4K can be achieved on a HD budget and you have the capability to downscale or record codec to suit you have the perfect product now and for the future in the tight space of Mobile production.
Event
Shogun Studio solves many of the problems faced by multi camera events with long run times. Their Master Caddy delivers affordable & reliable media while features like time lapse, pre-roll cache & 4K/HD simultaneous recording make this the perfect choice for Event professionals.
Their open approach with media means you record up to 2.5 hours of 4K 30p or 5 hours of 1080p60 onto a single 1TB SSD, keeping media costs less than $150 per hour you can also link the two channels to utilize continuous recording. The Shogun Studio has the ability to then monitor the input, view waveforms/scopes, setup complex time lapses and simultaneously record a proxy - under pinned with the safe guard of pre-roll cache recording (8 sec for HD / 2 sec for 4K) to ensure you never miss the action. You can even record presentations from PC, MAC and Mobile devices.
Security
In security applications a wide angle lens on a 4K camera can mean a single camera replaces the equivalent of 4 x HD cameras. The Studio Shogun, with its long record time, time lapse, record scheduling and monitor zoom capability makes it the perfect weapon for 4K security applications.
In ProRes LT at 25 FPS the Shogun Studio can record 6 hours of Ultra High Definition 4K per channel, this not only provides superior resolution but also an increase in the number of frames captured per second providing a more finite approach to high resolution security recording. In applications where the additional frames aren't important, the time lapse functionality can be set up to record specific frames at specific points over a specified duration. All of this can be reviewed on the dual 7.1" Full HD monitors and easily zoomed in for closer inspection of areas of interest.
On SET / DIT
Shogun Studio in the rack of a DIT cart arms the set with the fastest path from acquisition to editing by recording direct to 10-bit 422 ProRes, DNxHR and RAW. The 3RU chassis provides dual record channels and class leading monitoring with test measurement for the highest quality 4K/2K/HD viewing and setup.
For color analysis, the RGB and Vector scopes provide real time feedback and can be overlaid in several positions on the color accurate 7.1" 325ppi Full HD monitor. You can double check focus pulls with 2:1 zoom, focus peaking and edges only view and with 8 LUT slots on board and an infinite number on disk previewing the final result is easy. These decisions can be made with the confidence you are using a 100% sRGB factory calibrated monitor that can be calibrated over time using the optional Spyder unit. Outside of monitoring, DIT's can start the editing process on set with favorite and reject tagging to start the formation of a play list and XML.