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Review Summary
2021-08-12T20:00:00
For live sound recording these mics can be incomspiculously placed on stage. You may want to mix the boundary mic with a condensor mic (like the AT2020) placed on the sides of the stage. The combination of phase coeherent and none coeherent sound can sound more natural. Due to their great sensativity, they have a huge feedback potential for live sound. I have used them as a piano mic. In this case the raised lid of the piano (my boundary) was also hearing the fiddler a few feet away. The boundary mics ability to hear everything is both its strenght and it weakness. When working with a videographer, the sound from the boundary mics is much better than camera mounted "shotgun" mics.
Nick
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Fixed-charge back plate, permanently polarized condenser
Half-cardioid (cardioid in hemisphere above mounting surface)
70-16,000 Hz
-25 dB (56.2 mV) re 1V at 1 Pa
100 ohms
114 dB SPL, 1 kHz at 1% T.H.D.
86 dB, 1 kHz at Max SPL
66 dB, 1 kHz at 1 Pa
9-52V, 2 mA typical
TB3M-type
25' / 7.6m, with TA3F and XLRM-type connectors
2.87x3.56x0.59" / 7.28x9.04x1.49cm
2.4oz / 68.03g
4961310090777
"The PRO44 microphones are small, flat, and help blend into any place. It's an excellent alternate option for mic-ing up a group of people on a stage or room instead of individually. It's a ruggedly-designed wide-range condenser microphone."