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Review Summary
Accidents happen where life happens. Protect your favorite Adorama products and purchase a protection plan to stay covered from accidental damage, mechanical or electrical failure, and more.
If we can’t fix it, we’ll replace it at no additional cost.
Protect your product from drops, spills, and more.
Enjoy your gear without fear. We have you covered!
When regular use of your product over time results in mechanical or electrical failure.
We will never charge you a deductible after the purchase of a plan.
Our claims process is simple & easy and our customer service team is happy to help.
Adorama Protect powered by Extend is available for purchase to customers in the United States. Not available for purchase Internationally or in U.S. Territories.
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F2: Dynamic
F5: Dynamic
F6: Dynamic
F9: Pre-polarized condenser
F2: 52 Hz - 15 kHz
F5: 55 Hz - 15 kHz
F6: 40 Hz - 16 kHz
F9: 40 Hz - 20 kHz
F2:Hypercardioid
F5: Hypercardioid
F6: Hypercardioid
F9: Cardioid
F2: 580 Ohms
F5: 580 Ohms
F6: 580 Ohms
F9: 200 Ohms
F2: 2 mV / Pa at 1k
F5: 2.2 mV / Pa at 1k
F6: 0.6 mV / Pa at 1k
F9: 8 mV / Pa at 1k
F2: =139 dB
F5: =137 dB
F6: =140 dB
F9: =137 dB
F2: >20 dB
F5: >20 dB
F6: >23 dB
F9: >24 dB
F9: 12-52 V
F2: Rack toms, floor tom, congas, djembe, bongos and timbales, bass cabs and brass
F5: Snare drum, bongos, timbales, guitar cabs and general purpose acoustic instruments
F6: Kick drum, cajon and other low frequency instruments
F9: Cymbals, overheads, high hat, goodie table, audience mic
F2: Tailored frequency response, upper mid-range attack and clarity
F5: Tailored frequency response, upper mid-range attack and clarity
F6: Tailored frequency response, low-end punch and mid-range clarity
F9: Multi-purpose instrument microphone, captures high frequencies, easy to position and roadworthy construction
F2: Cast Zinc Alloy / Black Coat
F5: Cast Zinc Alloy / Black Coat
F6: Cast Zinc Alloy / Black Coat
F9: Cast Zinc Alloy / Black Coat
F2: 246.64g / 8.7oz
F5: 283.49g / 10oz
F6: 311.84g / 11 oz
F9: 123.88g / 4.37oz
687471141199
Audix FP5 Fusion Drum Microphone Package contain a combination of F2, F5, F6 dynamic microphones and F9 condenser microphones. The f5 is tuned for snare drum and can also be used for bongos, timbales, guitar cabs and general purpose acoustic instruments. The f2 is suited for rack toms, floor tom, congas, djembe, bongos and timbales, bass cabs and brass. The f6, with its extended bass response, is designed for kick drum, cajon and other low frequency instruments. The f9 condenser microphones, which require 12-48 volts phantom power, are perfect for overheads, cymbals, high hat, goodie table and acoustic instruments. Built to withstand the rigors of live stage applications, the Fusion series mics are also excellent for recording a wide variety of drums, percussion and acoustic instruments.
F5 Snare, Timbale, Guitar Cabs
The f5 is characterized with a hypercardioid pickup pattern for isolation and feedback control and is equipped with a LM Type A (Low Mass) diaphragm for natural, accurate sound reproduction. The f5 is sturdy, compact and easy to position. With a wide frequency response of 55 Hz - 15 kHz, the f5 provides clear, accurate, natural sound reproduction without having to rely on EQ. Other features include roadworthy construction, precision cast zinc alloy body, steel mesh grill, black coat finish, laser etched model number, gold XLR connector and a heavy duty nylon mic clip.
3x F2 Rack Toms, Floor Toms, Congas
The f2 is characterized with a hypercardioid pickup pattern for isolation and feedback control and is equipped with a LM Type A (Low Mass) diaphragm for natural, accurate sound reproduction. The f2 is lightweight, compact and easy to position. With a wide frequency response of 52 Hz - 15 kHz and the ability to handle sound pressure levels of 139 dB. Other features include roadworthy construction, a precision cast zinc alloy body, black coat finish, laser etched model, steel mesh grill, gold XLR connector and a tension-fit heavy duty nylon mic clip.
F6 x 1 Kick drum, Cajon, Djembe, Bass Cabs
The F6, which is characterized with a hypercardioid pickup pattern for isolation and feedback control, is equipped with a LM Type A (Low Mass) diaphragm for natural, accurate sound reproduction. The f6 is lightweight, compact and easy to position. With a wide frequency response of 40 Hz - 16 kHz and the ability to handle sound pressure levels of 140 dB, the f6 is an excellent choice for miking kick drum and instruments requiring extended low frequency reproduction such as large toms and bass cabinets, leslie bottom, cajon. Roadworthy construction includes a precision cast zinc alloy body, black coat finish, laser etched model and serial number, steel mesh grill, gold XLR connector and a tension-fit heavy duty nylon mic clip.
2x F9 Overheads, Cymbals, High-Hat, Snare Bottom, Goodie Table, Acoustic Instruments
The f9 is a professional pre-polarized condenser microphone used for stage and studio applications. The f9 is known for its clear, accurate response particularly in the upper frequency range. The f9 features a 16 mm pre-polarized capsule with gold vapor diaphragm and a frequency response of 40 Hz - 20 kHz. The f9 is easy to position, durable and manufactured with high standards and tight tolerances. Roadworthy construction includes a precision cast zinc alloy body, black coat finish, laser etched model number, steel mesh grill, gold XLR connector and a tension-fit heavy duty nylon mic clip.