
Review Summary
2012-03-04T19:00:00
This deck, while somewhat dated now, is still a great value for video professionals needing multiple camera sync, or just high quality audio. My audio engineer was so impressed with the quality he stopped bringing his gear and just started using this. He said it's quality matched his much more expensive gear. I think it's toss up if I would have bought this if the newer Marantz 671 was out, as, other than SMTPE time code the Marantz can likely do this job in a smaller form factor. But for the price, this is a great unit and you never know when you will need to sync multi cams!
Alf
2011-09-03T21:00:00
I do professional video productions. I'm a small shop, but specialize in getting good sound. I often hire recording professionals to help me. I own a Zoom H4n, but did not like the Line In, since it was not truly a line in function, and it's really a high end consumer device. The choices came to either this HDP2, the Edirol or the much more expensive Sound Devices. Since I hire pros for the more expensive jobs, I felt I could rely on them to bring the more expensive gear. The HDP2 does the job well. Very low noise floor, easy to use front controls for the basics,volume control *knobs*, and sound quality that is superb. While this is only a 2 channel recorder, I usually go through mixers to mix down, and don't really need to feed more than 2 xlr's in. Looking forward to using the time code functionality, as matching sound to multiple clips in a long day of takes needs to be easier. The headphone jack is 1/4" (good), good quality in the phones sound, and easy to control volume knob. While I like the HDP2, recently Marantz released the PMD 661, so it would be a harder choice to make. The 661 has true line in also, and is slightly smaller. Controls are not quite as logical for fast field use. If you are sure you won't need time code, you could look at Edirol, which has excellent pre-amps and more xlr in. I have used both on various shoots with friends. While the HDP2 is showing it's age (size for example is larger than many decks in this range), it's still an outstanding value for the money. If I were going to be recording outside a lot, then I would have gone for the SD recorder, as it is more rugged. If I needed more XLR in, the Edirol. But for controlled conditions, inside and out, getting XLR feed in from a sound board, or mixing down mics into this, this is worth the money. Also, buy the case for it. It is needed.
al b.
Compact Flash, Microdrive
BWF Broadcast Wave File (FAT16/FAT32)
24 minutes (256 MB Compact Flash, Fs=44.1 kHz 16 bit stereo)
5 Hours
44.1/48/88.2/96/176.4/192 kHz
S/PDIF, Video (NTSC or PAL), LTC, WORD
16/24 bit
Up to 10 seconds
23.976,24,25,29,29.97 DF/NDF, 30 DF/NDF
20 Hz to 20 kHz ±1.0 dB (44.1 kHz/48 kHz)
20 to 40 kHz 0.5 dB/-4.0 dB (88.2 kHz/96 kHz)
20 to 80 kHz 0.5 dB/-20 dB (176.4 kHz/192 kHz)
Up to -55 dBu Mic to Line Out THD+N
Up to 0.01% Mic to Line Out
Up to 0.01% 22 kLPF
Over 80 dB Mic to Monitor Out
44.1 kHz 1.5 msec
192 kHz 0.7 mesc
Attach time: Up to 25 usec
Release time: Up to 50 msec
High pass 100 Hz cut off -18 dB/OCT
+48 Volt, 10 mA
Analog I/O
MIC Input
XLR-3-31 type
1.3 Ohm Balance
-60 dBu (Trim Max) to 13.8 dBu (Trim Min)
-60 dBu (Trim Max) to 13.8 dBu (Trim Min)
16dB/22 dB (with limiter)
46.2 dB
20 dBS
RCA Pin type
10 Ohm
-46.2 dBV (Trim Max) to 0 dBu (Trim Min)
16 dB
46.2 dB
RCA Pin type
Input Impedance: 100 Ohm
6 TRS PHONE jack (Tip: L, Ring: R, Sleeve: GND)
55 mW+55 mW (32 Ohm)
500 mW (16 Ohm)
RCA Pin type (Coaxial Input/Output)
75 Ohm (Coaxial Input/Output)
IEC60958 (S/PDIF) (Coaxial Input/Output)
24 bit (Coaxial Input/Output)
XLR-3-31
75 Ohm
BNC
75 Ohm
PS/2
IEEE.1394 (6 Pin)
IEEE.1394 (Asynchoronous)
400 Mbps
240x160 dots with backlight
USA/Canada: 120 V AC, 60 Hz
Europe/U.K.: 230 V AC, 50 Hz
Australia: 240 V AC, 50 Hz
DC12 V
600 mA
6 W (CompactFlash)
8 x AA type dry cell (NiMH recommended)
0° to 35° C
Windows XP and Macintosh OSX ~10.3
245 x 188 x 60
1.2 kg (without the batteries)
Tascam 1 year parts and 90 day labor warranty
043774020362
The Tascam HD-P2 Portable High-Definition Stereo Audio Recorder is the professional solution for challenging live and on-location applications. Co-developed with Frontier Design Group, it records at up to 192kHz/24-bit resolution to Compact Flash media and its audio files are instantly available to DAWs through the built-in high-speed FireWire computer connection. Unlike consumer MP3 sketchpads, the professional HD-P2 incorporates high-end features like a SMPTE timecode input for synchronization to external devices while in record or playback.
The user interface is designed for fast and intuitive use under stressful one-take-only situations and its large, angled LCD is perfect for any application from over-the-shoulder location recording to concert recording and commercial use. The HD-P2 records in stereo from 44.1kHz to 192kHz, at 16- or 24-bit, to affordable Compact Flash media. Not only is Compact Flash absolutely silent, so no transport noise will show up on your recording, but the recorded audio is written directly as Broadcast WAVE files for immediate use in digital audio workstations. The unit even includes a FireWire jack for the fastest possible transfer of files to your PC or Mac computer.
The professional design of the HD-P2 extends to convenient details that pro users will appreciate. The Retake button allows the user to delete the last recording & set up to re-record with a single button press. As audio is recorded, the file headers are continually re-saved to protect your recording against accidental data loss. Files can be named from the front panel interface or using a PS/2 keyboard, which can also be used to control transport and setup features. On the input side, the unit has a pair of XLR mic inputs with phantom power and analog peak limiting to curb distortion during unpredictable live events. The input level control allows the user to change the level without taking their eyes off the action.
The HD-P2 also features unbalanced RCA ins and outs as well as S/PDIF digital I/O. Monitoring is available through a headphone out - again, with its own ergonomic level control - using a built-in speaker. A built-in microphone is also provided for interviews and educational use. Tascam's HD-P2 comes standard with a full-featured timecode input - making it the most affordable recorder with built-in timecode ever made.
Incoming LTC is connected to the locking XLR input for timestamping your Broascast WAVE files from a central clock. Not only does the recorder timestamp your recorded audio with sample accuracy, the HD-P2 chases incoming timecode during playback for review or loading into an editor. A video clock input allows frame edge resolve to a central blackburst source or use as a lock-and-release timecode slave. There's also a freewheel setting for use with unpredictable timecode sources.