





Picture does not represent the actual item
See Options
Need help? Ask our experts.
Review Summary
2017-10-17T10:03:22
We own 4 different wireless lav systems and by far, this sennheiser system is our new go to system. The quietist, last longer on batteries and has a more compact design. Stop waisting your time with inferior set-ups.
William B.
2017-09-20T10:31:36
Highly recommended, both the product and the Adorama service
Glauber B.
2016-04-15T08:27:19
This is the gold standard for wireless audio in film and video for a reason. Its built like a tank and highly reliable (except, of course, when you are in an area with crowded airwaves). A lot of the newer WiFi based wireless kits are clunky and have a shorter range. I am sure it won't be long for those to take the throne of the wireless audio kingdom but these Sennheisers will be around and kicking for quite some time (of until the FCC rips away the remaining frequencies).
MICHAEL K.
2014-05-27T21:00:00
We used this same system in a month shoot in Africa and it worked great in every way straight out of the box, that I went and bought my own.
Samuel Z.
2012-08-26T21:00:00
I am a Wedding DJ that started in 1986. My equipment are my tools that allow me to provide solutions for unique situations. This kit is not just ideal for a typical lavalier situation (wedding ceremony). But it is perfect for broadcasting my music/announcements to a remote location. Is your cocktail hour in another room or outside on the patio? No problem. This Sennheiser kit will deliver the sound you want and need. Works great when dancing is in one room and dinner in another. Broadcast your mix where it needs to be. Set up is a breeze and you'll always be prepared where others fall short. Thank you for this amazing option that I really can't be without!
Scott W.
2011-12-11T19:00:00
In my opinion, it is the best wireless system on the market. I use this on my Canon EOS 7D. Soon will be using on the Canon EOS 5D Mark III once it comes out on 2012. The only con i have still have noise when recording. I speak to one of the rep in Adorama, they you don't need a noise reducer, all you have to do is adjust the freq. I can tell you that is wrong. You need a noise reducer for sure. If you know how to use Adobe movie editer, you can reduce the noise. Anyways, i think is best to get a reducer along with it, but you probably end up on spending $1,000 total with that set up. Like a JuicedLink DT454 4 Channel DSLR Preamp / Meter / Phantom / AGC Disabler. I'm getting to video production and this product is the best way to go. By the way, i'm still waiting on the rebate of $75 which i haven't receive that yet. It has been awhle now. It isn't adorama fault, but it think it could be Sennheiser fault on this matter or the mail got lost. I will have to call up Sennheiser for that rebate.
MAN C.
A1: 470-516 MHz
Maximum 490' (Approx.)
25 Hz - 18 kHz
Greater than 110 dB
1680
Standard 3.5 mm Mini
No
2x 1.5 V AA Batteries 6-10 Hours
Camera Shoe Mount
Single Flexible Antenna (M3 Type)
1680 (max. 20 Presets)
A1: 470-516 MHz
Unbalanced 1/8" (3.5 mm), Mic/Line
25-18,000 Hz (Line)
HDX
0.9%
> 110 dB(A)
30 mW
42 MHz
+/- 48 kHz
ETS 300422, ETS 300445, CE, FCC
1.8 V line
2x AA Battery
Yes
Sensitivity
Yes, LC Display: Channel, Low Battery Warning
Electret Condenser
Omnidirectional
30 Hz - 20 kHz
20 mV/Pa (in free field, no load at 1 kHz)
36 dB
130 dB (passive)
Phantom Power Provided by Wireless Transmitter
7.5 V (stand alone)
1/8" (3.5 mm) Mini-Jack (Unbalanced)
Speakers, Hands-free vocals, broadcast, live performance, wireless videography, etc.
5.25' (1.6 m)
Receiver: 82 x 64 x 24mm / 3.23 x 2.52 x 0.94"
Transmitter: 82 x 64 x 24mm / 3.23 x 2.52 x 0.94"
Receiver: 160g / 5.64oz (Approx.)
Transmitter: 160g / 5.64oz (Approx.)
Sound: the thorn in the side of freelance videographers and filmmakers, which separates the amateur film from the professional. Learn the basics of audio equipment..
Adorama Pro 101: The Basics is a retro look at the terms and definitions of today’s production technology. In Chapter 3, we discuss the differences in microphones. From the condenser to the cardioid, just what does separate a handheld microphone from, say, a lavalier? Watch on and find out.
...As the director of your next motion project, you have to focus on telling a great story, shooting great visuals, and recording high-quality audio. It’s a lot of hats to wear, but not impossible to pull off. In the second installment of this DSLR audio Tech Tip, photographer and...
This is finally a system we can count on.
By William B.
We own 4 different wireless lav systems and by far, this sennheiser system is our new go to system. The quietist, last longer on batteries and has a more compact design. Stop waisting your time with inferior set-ups.
Highly recommended
By Glauber B.
Highly recommended, both the product and the Adorama service
Fast, flexible and professional: these characteristics make the ew 112-p G3 the perfect fit for every ambitious reporting team seeking both portability and great sound quality. The nearly invisible clip-on, ME2, omni-directional microphone transmits its signal via bodypack transmitter with mute function and a portable, battery-powered adaptive-diversity receiver. The receiver and transmitter are lightweight and easy to operate, yet rugged and packed with features.
Fast, flexible and professional: these characteristics make the ew 112-p G3 the perfect fit for every ambitious reporting team seeking both portability and great sound quality. The nearly invisible clip-on, ME 2, omni-directional microphone transmits its signal via bodypack transmitter with mute function and a portable, battery-powered adaptive-diversity receiver. The receiver and transmitter are lightweight and easy to operate, yet rugged and packed with features.