Name: Behringer TD-3-GP Analog Bass Line Synthesizer with VCO/VCF, Purple
Brand: Behringer
SKU: BETD3GP
Price: 149.00 USD
Availability: BackOrder
Rating: 3 (1 reviews)

Behringer TD-3-GP Analog Bass Line Synthesizer with VCO/VCF, Purple

Behringer TD-3

Behringer

Generally ships in 7-14 days, subject to availability

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Generally ships in 7-14 days, subject to availability Estimated to Ship: 07/27/2025.

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Musical Instruments

Keyboards & MIDI

Synthesizers & Euroracks

Behringer Synthesizers & Euroracks

Behringer TD-3 

Discover the Behringer TD-3-GP Analog Bass Line Synthesizer (Purple). Experience its monophonic sound, versatile connectivity & ease of use. Shop now!

After its initial release between 1981 to 1984, the Roland TB-303 may not have succeeded as a replacement for the bass guitar, but it carved its niche as a beloved synthesizer in the realm of Electronic Dance Music (EDM). The TD-3-GP Analog Bass Line Synthesizer, a faithful and affordable tribute to this iconic instrument, is not just a piece of music history but a versatile tool for modern sound creation. This purple synthesizer, with its unique color, offers an all-new Distortion circuit, allowing you to craft virtually any sound with precision and ease. Its pure analog signal path, 16-step Sequencer, and authentic VCO, VCF, and VCA filters make it a highly sought-after instrument for musicians and producers alike. The TD-3-GP's design is a testament to meticulous engineering, featuring original VCO, VCF, and VCA designs, and pure analog circuitry with matched transistors. This attention to detail results in an ultra-flexible sound shaping capability, enabling you to produce everything from super-fat bass and lead tones to stunning effects and otherworldly sounds. Ready to rock right out of the box, the TD-3-GP's default signal routing doesn't require any patch cable adjustments to create amazing sounds. Its intuitive layout makes it easy to recreate the inspired sounds of 1980s and '90s progressive rock, wave, EDM, and synth-pop music, or to design incredibly fat and original sounds that will set you apart. At the heart of the TD-3-GP's sound is its versatile 24 dB/octave filter, allowing you to experiment with the low-pass Cutoff frequency and Resonance settings to perfect your sound. Its authentic Voltage Controlled Oscillator (VCO) with transistor wave-shaping circuitry offers reverse-sawtooth or pulse waveforms for ultimate sound creation. The onboard sequencer with 7 tracks lets you program up to 16 steps of notes and rests and save them as a Pattern. You can record, save, and recall up to 250 patterns, all of which can be stored in the 4 Groups. The sequences can be played in Keyboard mode, where you create and store the pattern, or Step mode, which allows interactive composition. The TD-3-GP also features a Distortion circuit for when you want to add more power to your performance. Just flip the Distortion On/Off switch and dial in the perfect amount of Drive. While it is a monophonic instrument, the TD-3-GP's 16-note Poly Chain function lets you combine multiple synthesizers for up to 16-voice polyphony. It also offers improved reliability and stability over its predecessors. The TD-3-GP has 11 controls and 28 switches for direct and real-time access to all important parameters. Its multi-I/O patchbay allows you to connect external devices and expand its tone-sculpting capabilities. When modern performance calls for classic analog sound, the TD-3-GP Analog Bass Line Synthesizer is the instrument of choice. It's not just an affordable synthesizer; it's a tool that gives your imagination its voice.

So the Behringer TD-3 is definitely fun when you get the hang of it but it also misses the mark on a couple of features. First off I have never used a real TB-303 so I'm not comparing it to that. I'm just commenting on this as a unique piece of gear. First off this thing sounds great AND fat. I found that the square wave oscillator is almost always better sounding the then saw. The controls are very intuitive and really are just asking to be tweaked in a live take. I found that for my purposes it was more useful to set the accent, decay, envelope, & resonance at my desired levels and just tweak the filter cutoff. Speaking of the knobs, I have to take off a point for the decay knob. I can barely hear an envelope decay of the filter with this thing. It is VERY fast and I really couldn't hear much difference between the completely closed and open values. This misses the mark even if it's exactly modeled after the 303. Also I know Behringer were going after making a faithful recreation of the TB-303 but the method for inputting notes is very cumbersome. Apparently it is exactly as it is on the 303 but it is not intuitive at first use. You have to enter all your notes first and then enter their lengths & any rests. It's not so bad after you get the hang of it but it leaves something to be desired compared to the modern Roland TB-3 which is a pretty great and intuitive sequencer. I take another point off the TB-3 for its horrendous USB MIDI. In short it is unusable. It creates a digital hum that of course you could mostly remove with notch filtering or something like iZotope RX but it should simply not be there. Standard din MIDI however does not have this problem and neither does analog sync. For the money the TD-3 delivers strong & powerful bass with pedigree. The various hardware color options make it fun finding the perfect counterpart to your studio or live setup. Honestly I hope to never part with mine and I truly have zero gear lust for a real 303. There may be flaws in comparison that I just have no concept of but I've recorded and jammed with the TD-3 and it simply is fun to use.

Behringer TD-3-GP Analog Bass Line Synthesizer with VCO/VCF, Purple

Key Features

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Behringer TD-3-GP Analog Bass Line Synthesizer with VCO/VCF, Purple

Save 5% Every Day†

Key Features

Protect your gear with Adorama Protect.* Learn more

Save 5% Every Day^†