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Review Summary
2023-07-02T17:05:49
So the Behringer TD-3 is definitely fun when you get the hang of it but it also misses the mark on a couple of features. First off I have never used a real TB-303 so I'm not comparing it to that. I'm just commenting on this as a unique piece of gear. First off this thing sounds great AND fat. I found that the square wave oscillator is almost always better sounding the then saw. The controls are very intuitive and really are just asking to be tweaked in a live take. I found that for my purposes it was more useful to set the accent, decay, envelope, & resonance at my desired levels and just tweak the filter cutoff. Speaking of the knobs, I have to take off a point for the decay knob. I can barely hear an envelope decay of the filter with this thing. It is VERY fast and I really couldn't hear much difference between the completely closed and open values. This misses the mark even if it's exactly modeled after the 303. Also I know Behringer were going after making a faithful recreation of the TB-303 but the method for inputting notes is very cumbersome. Apparently it is exactly as it is on the 303 but it is not intuitive at first use. You have to enter all your notes first and then enter their lengths & any rests. It's not so bad after you get the hang of it but it leaves something to be desired compared to the modern Roland TB-3 which is a pretty great and intuitive sequencer. I take another point off the TB-3 for its horrendous USB MIDI. In short it is unusable. It creates a digital hum that of course you could mostly remove with notch filtering or something like iZotope RX but it should simply not be there. Standard din MIDI however does not have this problem and neither does analog sync. For the money the TD-3 delivers strong & powerful bass with pedigree. The various hardware color options make it fun finding the perfect counterpart to your studio or live setup. Honestly I hope to never part with mine and I truly have zero gear lust for a real 303. There may be flaws in comparison that I just have no concept of but I've recorded and jammed with the TD-3 and it simply is fun to use.
Tom N.
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Monophonic
Analog
1x
1x low pass
1x
DC input connector
Push button on/off
MIDI In and MIDI Thru, 5-pin DIN
USB 2.0, type B
Line output: 1/4" TRS, unbalanced, max. +8 dBu
1.5 k Ohm
3.5mm TRS, max. 50 mW/32 Ohm (1 KHz, 1% THD)
15 Ohm
Class compliant USB 2.0, type B
Windows 7 or higher
Mac OS X 10.6.8 or higher
Filter in: +12 dBu
Sync in: More than: 2.5 V
CV out: +1 V to +5 V (1 volt/oct)
Gate out: OFF: 0 V; ON: +12 V
9 VDC 670 mA (use only the supplied adapter)
2 W Maximum
Power LED
41 Degree F - 104 Degree F (5 Degree C - 40 Degree C)
Lime
2.2 x 12 x 6.5" (56 x 305 x 165mm)
1.8 lbs (816.46g)
4033653032339
How can you recreate the iconic sounds of the 80s and 90s, or even design your own unique audio landscapes With the TD-3-LM Analog Bass Line Synthesizer from Behringer, a high-quality, durable, and user-friendly instrument that's a faithful homage to the legendary Roland TB-303. This innovative synthesizer, which was originally produced from 1981 to 1984, may have started as a commercial flop, but it soon found its place as a beloved tool in the creation of Electronic Dance Music (EDM).
The TD-3-LM is not just a versatile synthesizer; it's a gateway to a world of sound creation and manipulation. Its pure analog signal path, 16-step sequencer, and authentic VCO, VCF, and VCA filters allow you to conjure up virtually any sound with incredible finesse and ease. The synthesizer's true-to-the-original designs and pure analog circuitry with matched transistors are a testament to Behringer's meticulous engineering and commitment to quality.
This synthesizer is ready to rock right out of the box, thanks to its default signal routing that doesn't require lifting a single patch cable. Its highly intuitive layout lets you easily tap into the inspired sounds of progressive rock, wave, EDM, and synth-pop music tracks from the 80s and 90s. The TD-3-LM also features a versatile 24 dB/octave filter, which lets you experiment with the low-pass Cutoff frequency and Resonance settings to dial in the perfect sound.
The TD-3-LM's authentic Voltage Controlled Oscillator (VCO) with transistor wave-shaping circuitry provides your choice of reverse-sawtooth or pulse waveforms for ultimate sound creation. Its onboard sequencer with 7 tracks allows you to program up to 16 steps of notes and rests and save them as a pattern. You can record, save, and recall up to 250 patterns, all of which can be stored in the 4 groups.
One of the most exciting features of the TD-3-LM is its Distortion circuit. When you want to add even more power to your performance, just flip the Distortion On/Off switch and dial in the perfect amount of Drive. The TD-3-LM's 16-note Poly Chain function lets you combine multiple synthesizers for up to 16-voice polyphony, providing vastly improved reliability and stability over its predecessors.
The TD-3-LM is equipped with 11 controls and 28 switches for direct and real-time access to all important parameters. Its multi-I/O patchbay allows you to connect external devices and expand its tone-sculpting capabilities. When modern performance calls for classic analog sound, it calls for the Behringer TD-3-LM Analog Bass Line Synthesizer. Unleash your imagination and let your creativity soar with this innovative, high-quality instrument.
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