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Review Summary
Accidents happen where life happens. Protect your favorite Adorama products and purchase a protection plan to stay covered from accidental damage, mechanical or electrical failure, and more.
If we can’t fix it, we’ll replace it at no additional cost.
Protect your product from drops, spills, and more.
Enjoy your gear without fear. We have you covered!
When regular use of your product over time results in mechanical or electrical failure.
We will never charge you a deductible after the purchase of a plan.
Our claims process is simple & easy and our customer service team is happy to help.
Adorama Protect powered by Extend is available for purchase to customers in the United States. Not available for purchase Internationally or in U.S. Territories.
Browse our FAQ
Black
No
5x 3/8"-16 Female (Bottom)
4x 1/4"-20 Female (Bottom)
3x 1/4"-20 on Camera Body
4x 3/8"-16 on Camera Body
32 to 104 Degree F (0 to 40 Degree C) up to 90% Humidity
-4 to 113 Degree F (-20 to 45 Degree C) up to 90% Humidity
Advertised: 16 Stops
Carbon Fiber, Magnesium Alloy
N/A
Canon EF
Yes
35.64 x 23.32 mm (Full-Frame) CMOS
Effective: 98 Megapixel (12,288 x 8040)
Supplies Stabilization Metadata
Mechanical Filter Wheel with Clear, 2-Stop (1/4), 4-Stop (1/16), 6-Stop (1/64) ND Filters
No
No
Video Only
Mechanical Focal Plane Shutter and Electronic Rolling Shutter
N/A
Native: 200 to 3200
N/A
16 Stops
N/A
Automatic, Full-Time Servo, Manual Focus
N/A
N/A
Blackmagic RAW:
12288 x 8040 up to 23.98/24.00/25/29.97/30.00/50/59.94/60.00/80 fps (90 to 1432 MB/s)
9648 x 8040 up to 23.98/24.00/25/29.97/30.00/50/59.94/60.00 fps
12288 x 6912 up to 23.98/24.00/25/29.97/30.00/50/59.94/60.00/100 fps
12288 x 6480 up to 23.98/24.00/25/29.97/30.00/50/59.94/60.00 fps
7680 x 6408 up to 23.98/24.00/25/29.97/30.00/50/59.94/60.00 fps
9408 x 6264 up to 23.98/24.00/25/29.97/30.00/59.94/60.00/100 fps (54 to 856 MB/s)
via HDMI / SDI/BNC
3840 x 2160
1920 x 1080p
Slow-Motion Only
8192 x 5360 up to 23.98/24.00/25/29.97/30.00/59.94/60.00/144 fps (40 to 533 MB/s)
6432 x 5360 up to 23.98/24.00/25/29.97/30.00/50/60.00 fps
12288 x 5112 up to 23.98/24.00/25/29.97/30.00/50/59.94/60.00/120 fps
9312 x 4896 up to 23.98/24.00/25/29.97/30.00/50/59.94/60.00 fps
8688 x 4896 up to 23.98/24.00/25/29.97/30.00/50/59.94/60.00 fps
8192 x 4608 up to 23.98/24.00/25/29.97/30.00/59.94/60.00 fps
8192 x 4320 up to 23.98/24.00/25/29.97/30.00/50/59.94/60.00 fps
N/A
8192 x 3408 up to 23.98/24.00/25/29.97/30.00/50/59.94/60.00/224 fps
4096 x 2680 up to 23.98/24.00/25/29.97/30.00/50/59.94/60.00/144 fps (10 to 135 MB/s)
4096 x 2304 up to 23.98/24.00/25/29.97/30.00/50/59.94/60.00 fps
4096 x 2160 up to 23.98/24.00/25/29.97/30.00 fps
3840 x 2160 up to 23.98/24.00/25/29.97/30.00/50/60.00 fps
4096 x 1704 up to 23.98/24.00/25/29.97/30.00/50/59.94/60.00 fps
1920 x 1080 up to 23.98/24.00/25/29.97/30.00/50/60.00 fps
Stereo
2-Channel, 24-Bit at 48 kHz
RTMP, SRT
1920 x 1080 at 60p
Dual Slot: CFexpress Type B
No
1x RJ45 LAN Output
2x BNC (12G-SDI) Output
2x XLR 3-Pin Mic/Line Input (+48 V Phantom Power)
1x 1/8" / 3.5 mm TRRS Headphone/Mic Output
1x LEMO 8-Pin (12 to 24VDC) Input
1x LEMO 7-Pin (12 to 24VDC) Output
1x Fischer 3-Pin (12 to 24VDC) Output
2x USB-C (Camera Interface) Input/Output
1x USB-C (Firmware)
1x RJ45 (10 Gigabit Ethernet) Control/Data/Monitor/Video Input/Output (Shared with Video Output)
1x BNC (Reference, Timecode) Data Input
Wi-Fi
Yes: iOS Only
App Name: Blackmagic Camera Control
Functionality: Remote Control
No
Primary Monitor: Articulating 5" Touchscreen LCD
Status Display: Fixed Non-Touchscreen LCD
N/A
Built-In Lithium-Ion
required, included
lithium ion
non-universal
1
(W x H x D): 9.87 x 6 x 6" (25.07 x 15.2 x 15.2cm)
8.2 lbs (3.7kg) (Body Only)
9338716010619







Blackmagic URSA Cine 12K LF 100G, a new model in the URSA Cine family with 100G Ethernet for high frame rate SMPTE-2110 live production output up to 440fps.
The world's most advanced digital film camera can now also be used for live production. Live broadcasters can finally achieve the same stunning cinematic quality once exclusive to the film industry. No other broadcast camera can match the dynamic range, frame rates and color science of Blackmagic URSA Cine. Because it handles both film and live production, customers can keep the camera busy with whatever kind of work customers want.

When the camera is set to SMPTE-2110 Live in the menu, it instantly transforms into a live studio camera. Customers get real-time SMPTE-2110 IP video from the Ethernet connector, supporting up to 2160p60 with cinematic quality and 16 stops of dynamic range. That's well beyond traditional broadcast cameras. Plus, the 100G model outputs live video up to 440 fps for amazing slow-motion sports replays.
https://www.blackmagicdesign.com/
408-954-0500