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Review Summary
Accidents happen. Protect your favorite Adorama products and purchase a protection plan to stay covered from accidental damage, mechanical or electrical failures, and more.
If we can’t fix it, we’ll replace it at no additional cost.
Protect your product from drops, spills, and more.
Enjoy your gear without fear. We have you covered!
When regular use of your product over time results in mechanical or electrical failure.
We will never charge you a deductible after the purchase of a plan.
Our claims process is simple & easy and our customer service team is happy to help.
Adorama Protect powered by Extend is available for purchase to customers in the United States. Not available for international or U.S. territories purchases. Plans on open box items do not cover pre-existing damage.
Adorama Protect plans are available for ABS clients. If you have any questions or require assistanse, please call 800-223-2500
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35.64mm x 23.32mm (Large Format)
2.9 microns
Active L-Mount
Iris and focus on supported lenses
16 Stops
800
12,288 x 8040 (12K 3:2 open gate)
12,288 x 6912 (12K 16:9)
12,288 x 6480 (12K 17:9)
12,288 x 5112 (12K 2.4:1)
9648 x 8040 (12K 6:5)
9408 x 6264 (9K 3:2)
8688 x 4896 (9K 16:9)
9312 x 4896 (9K 17:9)
9312 x 3864 (9K 2.4:1)
7680 x 6408 (9K 6:5)
8192 x 5360 (8K 3:2 open gate)
8192 x 4608 (8K 16:9)
8192 x 4320 (8K 17:9)
8192 x 3408 (8K 2.4:1)
6432 x 5360 (8K 6:5)
4096 x 2680 (4K 3:2 open gate)
4096 x 2304 (4K 16:9)
4096 x 2160 (4K 17:9)
4096 x 1704 (4K 2.4:1)
3216 x 2680 (4K 6:5)
Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported. Maximum sensor frame rate dependent on resolution selected
12K (3:2 open gate) up to 40 fps
12K (16:9) up to 45 fps
12K (17:9) up to 50 fps
12K (2.4:1) up to 60 fps
12K (6:5) up to 40 fps
9K (3:2 Super 35) up to 50 fps
9K (16:9 Super 35) up to 65 fps
9K (17:9 Super 35) up to 65 fps
9K (2.4:1 Super 35) up to 80 fps
9K (6:5 Super 35) up to 50 fps
8K/4K (3:2 open gate) up to 72 fps
8K/4K (16:9) up to 84 fps
8K/4K (17:9) up to 90 fps
8K/4K (2.4:1) up to 112 fps
8K/4K (6:5) up to 72 fps
Auto focus available using compatible lenses
Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings using compatible lenses
4" (10.16cm) 1920 x 1080
1500 nits
LCD capacitive touchscreen
Automatically populated lens data from electronic L-Mount lenses. Automatic recording of camera settings, motion sensor data plus slate data such as project, scene number, take and special notes. A 3D LUT can also be embedded in metadata of Blackmagic RAW files
Touchscreen menus on 4 inch screen. Push buttons for other controls. 3 assignable shortcut keys
Highly accurate timecode clock. Less than 1 frame drift every 8 hours
None
1x 12G-SDI up to 2160p60
1x Viewfinder USB-C with power, data, video and locking connector
1x mini XLR analog audio in, switchable between mic with phantom power support and line level (up to +14dBu).
1x 3.5mm Stereo Input
1x 3.5mm headphone jack
Tri-Sync/Black Burst and Timecode
USB Type-C for external drive recording, PTP camera control and software updates
1x 10Gb/s RJ-45 connector supporting 10/100/1000/10G BASE-T
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
SMPTE 424M, SMPTE 425M level A and B, SMPTE 2081-1, SMPTE 2081-10, SMPTE 2082-1 and SMPTE 2082-10
Television standard sample rate of 48 kHz and 24-bit
Integrated stereo microphone
1x mono speaker
2x CFexpress Type B card slot, 1 x 10 Gbps USB-C port for external media for Blackmagic RAW and H.264 Proxy Recording
Can format media to ExFAT (Windows/Mac) or HFS+ (Mac) file systems
Blackmagic RAW Constant Bitrate 3:1,
Blackmagic RAW Constant Bitrate 5:1,
Blackmagic RAW Constant Bitrate 8:1,
Blackmagic RAW Constant Bitrate 12:1,
Blackmagic RAW Constant Bitrate 18:1,
Blackmagic RAW Constant Quality Q0,
Blackmagic RAW Constant Quality Q1,
Blackmagic RAW Constant Quality Q3,
Blackmagic RAW Constant Quality Q5,
H.264 Proxy in 1920 x 1080, 8-bit 4:2:0
Blackmagic Zoom Demand and Blackmagic Focus Demand for controlling your camera and lens from tripod handles.
iPad control, Bluetooth control, USB PTP camera control. External control of some camera settings, focus, iris and zoom with compatible lenses. Camera Control REST API over Ethernet
Network time protocol support allows you to sync the time on your camera, whenever connected to a network with any NTP server of your choice
Using a browser connected over Ethernet, web media manager allows you to access, browse, download and delete files from any drive connected to the camera
Download files from any drive attached to your camera using FTP
File sharing using SMB
2x CFexpress Type B
1x high speed USB-C expansion port for external media
Storage rates based on 24 frames per second.
12K - 12,288 x 8040:
Blackmagic RAW 3:1 - 1,194 MB/s
Blackmagic RAW 8:1 - 448 MB/s
Blackmagic RAW 12:1 - 298MB/s
Blackmagic RAW 18:1 - 199MB/s
Blackmagic RAW Q0 - 298 to 1,432MB/s
Blackmagic RAW Q1 - 179 to 716MB/s
Blackmagic RAW Q3 - 119 to 298 MB/s
Blackmagic RAW Q5 - 90 to 224MB/s
9K - 9408 x 6264:
Blackmagic RAW 3:1 - 713 MB/s
Blackmagic RAW 8:1 - 268MB/s
Blackmagic RAW 12:1 - 178 MB/s
Blackmagic RAW 18:1 - 119 MB/s
Blackmagic RAW Q0 - 178 to 856 MB/s
Blackmagic RAW Q1 - 107 to 428 MB/s
Blackmagic RAW Q3 - 71 to 178 MB/s
Blackmagic RAW Q5 - 54 to 134 MB/s
8K - 8192 x 5360:
Blackmagic RAW 3:1 - 533 MB/s
Blackmagic RAW 5:1 - 320 MB/s
Blackmagic RAW 8:1 - 200 MB/s
Blackmagic RAW 12:1 - 133 MB/s
Blackmagic RAW Q0 - 133 to 319 MB/s
Blackmagic RAW Q1 - 80 to 200 MB/s
Blackmagic RAW Q3 - 53 to 133 MB/s
Blackmagic RAW Q5 - 40 to 100 MB/s
4K - 4096 x 2680:
Blackmagic RAW 3:1 - 135 MB/s
Blackmagic RAW 4:1 - 101 MB/s
Blackmagic RAW 5:1 - 81 MB/s
Blackmagic RAW 6:1 - 68 MB/s
Blackmagic RAW Q0 - 34 to 81 MB/s
Blackmagic RAW Q1 - 20 to 50 MB/s
Blackmagic RAW Q3 - 13 to 34 MB/s
Blackmagic RAW Q5 - 10 to 25 MB/s
Blackmagic RAW 3:1, 8:1, 12:1, 18:1, Q0, Q1, Q3 and Q5 at full sensor width or height resolutions:
12,288 x 8,040, 12,288 x 6,912, 12,288 x 6,480, 12,288 x 5,112 and 9,648 x 8,040
Blackmagic RAW 3:1, 8:1, 12:1, 18:1, Q0, Q1, Q3 and Q5 at Super 35 windowed sensor resolutions:
9,408 x 6,264, 8,688 x 4,896, 9,312 x 4,896, 9,312 x 3,864 and 7,680 x 6,408
Blackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5 at full sensor width or height scaled to:
8,192 x 5,360, 8,192 x 4,608, 8,192 x 4,320, 8,192 x 3,408 and 6,432 x 5,360
Blackmagic RAW 3:1, 4:1, 5:1, 6:1, Q0, Q1, Q3 and Q5 at full sensor width or height scaled to:
4,096 x 2,680, 4,096 x 2,304, 4,096 x 2,160, 4,096 x 1,704 and 3,216 x 2,680
with film, extended video or video dynamic range or custom 3D LUT embedded in metadata plus simultaneous recording of H.264 1920 x 1080 Proxies.
Constant Quality storage rates quoted are indicative only.
Actual storage rates are entirely dependent on image subject matter
Blackmagic OS
DaVinci Resolve Studio for Mac and Windows including activation key
Blackmagic Camera Setup
Blackmagic RAW Player
Blackmagic RAW QuickLook Plugin
Blackmagic RAW SDK
Blackmagic RAW Speed Test
Mac: Mac 14.0 Sonoma, Mac 15.0 Sequoia or later.
Windows: Windows 10 and 11
1x External 18V DC 90 W power supply
1x 2-pin Lemo compatible locking connector
BP-U series
12V - 18V
32 Degree to 104 Degree F (0 Degree to 40 Degree C)
-4 Degree to 113 Degree F (-20 Degree to 45 Degree C)
0% to 90% non-condensing
Optional, not included
Lithium ion
BP-U
1
4.69 x 4.17 x 5.94" (11.91 x 10.5 x 15cm)
3.5 lbs (1.58kg)
9338716009927
Introducing the next generation customizable cinema camera in a versatile design with revolutionary full frame 12K RGBW sensor in EF, PL or L-Mount, Blackmagic RAW and global media sync with Blackmagic Cloud.
This new model features the same sensor as URSA Cine 12K LF with a massive 16 stops of dynamic range along with dual CFexpress media recorders, 10G Ethernet and Blackmagic Cloud global sync, all in a customizable body.
We’re talking 12288 x 8040 resolution. That’s a 12K full frame sensor — 36 x 24mm, to be exact—that’s nearly three times larger than your typical Super 35.
Thanks to its RGBW sensor design, the PYXIS captures deep, rich color and razor-sharp detail, while preserving a stunning 16 stops of dynamic range.
12K at up to 40 fps, and if you need even more speed, it cranks out a glorious 112 fps at 8K. Whether you’re shooting cinematic slow motion or trying to freeze a hummingbird’s wing mid-flap, PYXIS has your back.
Whether you’re rocking vintage cinema lenses, modern autofocus glass, or a mix of both, PYXIS gives you the flexibility with L-Mount, PL, and locking EF mount models.
You want formats? We got formats. Open Gate 3:2 for max sensor usage. Full height 6:5 anamorphic for that ultra-wide cinematic swoon. 9K Super 35 for a more traditional, familiar crop with zero compromise.
The built-in 4-inch HDR screen blasts out 1500 nits of brightness.
The PYXIS records in Blackmagic RAW for max quality and H.264 proxies for speedy workflows. With dual CFexpress card slots — you’ve got fast, high-capacity storage that keeps up with even the most aggressive shoot days.
With support for high-capacity BP-U series batteries, PYXIS is built to go the distance. You’ll probably get tired before it does.
Built-in 10G Ethernet and mobile data support make live remote streaming a breeze.
Every PYXIS 12K includes a license for DaVinci Resolve Studio, so you can color, edit, composite, and deliver with industry-leading tools — all in one place.
https://www.blackmagicdesign.com/
408-954-0500