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Review Summary
Black
No
No
4x 1/4"-20 on Camera Body
5x 3/8"-16 on Camera Body
32 to 104°F / 0 to 40°C at 0 to 90% Humidity
-4 to 113°F / -20 to 45°C at 0 to 90% Humidity
16 Stops
23.66 x 20.88mm each
Touchscreen menus on 5 inch screen. Push buttons for other controls. 7 assignable shortcut keys plus 3 assignable shortcut keys on PYXIS Monitor. Fischer connector for remote run/stop
2x USB-C side expansion ports for camera accessories.
Software updates using side USB-C closer to rear
Blackmagic
0% to 90% non-condensing
Dual 23.66 x 20.88 mm (Large Format) CMOS
Effective: 58.7 Megapixel
Supplies Stabilization Metadata
Mechanical Filter Wheel with Clear, 2-Stop (1/4), 4-Stop (1/16), 8-Stop (1/256) ND Filters
Video Only
Electronic Rolling Shutter
Native in Manual Mode: 200 to 3200
16 Stops
Fixed Focus
Blackmagic RAW
8160 x 7200 at 24.00/25/29.97/30.00/90/50/59.94/60.00/23.98 fps
SDI/BNC
3840 x 2160 at 25/24.00/30.00/29.97/50/59.94/60.00/23.98 fps
1920 x 1080p at 59.94/60.00/23.98/24.00/25/29.97/30.00/50 fps
Slow-Motion Only
Stereo
4-Channel
Yes
Single Slot: Blackmagic Media Module [8 TB Maximum]
No
2x BNC (12G-SDI) Output
1x RJ45 LAN Output
2x XLR 3-Pin Input
1x 2.5 mm Submini TRS Stereo Headphone Output
1x LEMO 8-Pin (24VDC)
1x BNC (Reference, Timecode) Input
1x Fischer 3-Pin
3x USB-C
Wi-Fi
No
No
Articulating 5" Touchscreen LCD
B-Mount
Optional, not included
Lithium-ion
Non-universal
1
12.69 x 11 x 14.2" (32.2 x 27.94 x 36.1cm)
11.9 lb / 5398 g (Body Only)
9338716009743








Introducing the World's First Camera for Apple Immersive Video!
Blackmagic URSA Cine Immersive is the world's first digital film camera for Apple Immersive Video! Built on the advanced URSA Cine platform, URSA Cine Immersive is designed to meet the demands of any high end production, with a robust yet lightweight body and industry standard connections. A fixed custom lens system and dual 8K sensors with 16 stops of dynamic range record immersive video to a single Blackmagic RAW file. This unique integrated design makes shooting 3D video simpler than ever, without the difficulty of complex multi camera 3D rigs! Then you can load media into DaVinci Resolve Studio so you get the first complete solution for shooting, editing and delivering immersive video!
Designed for Apple Immersive Video
Apple Immersive Video is a powerful 180 Degree media format built for Apple Vision Pro. It combines ultra-high-resolution immersive imaging and spatial audio to place viewers at the center of the action. This means you get a wide field of view and directional sound that creates a convincing sense of scale, clarity and depth that conventional media formats can't match. For filmmakers, it opens up new possibilities to create scenes that unfold in every direction, giving viewers a sense of presence and realism with the freedom to explore the space around them. From dramatic storytelling to sports, concerts or documentaries, Apple Immersive Video surrounds and engages audiences on a whole new level.
Incredible RGBW Sensors
URSA Cine Immersive features revolutionary new sensors designed for incredible quality images at 8160 x 7200 resolution per eye! Using the same revolutionary RGBW sensor design as URSA Cine, the new dual sensor layout features larger photo-sites, delivering an astounding 16 stops of dynamic range! The unique RGBW architecture provides equal amounts of red, green and blue pixels for incredible color super sampling. This means it is optimized to deliver incredibly rich colors and provide the ultimate in image quality and flexibility, even at the high frame rates immersive video requires! Now you can capture more detail with a wider dynamic range than ever!
Built in Color Balanced ND Filters
URSA Cine Immersive features high quality ND filters that let you quickly reduce the amount of light entering the camera. Designed to match the colorimetry and color science of the camera, the 2, 4, 6 and 8 stop filters provide you with additional latitude even under harsh lighting. The IR filters have been designed to filter both optical wavelengths and IR wavelengths evenly to eliminate IR contamination of the images from which many ND filters can suffer. URSA Cine ND filters are true optical filters with a precision mechanism that quickly moves them into place when the ND filter button is pressed. Filter settings are displayed as an ND number, stop reduction or fraction on the monitor!
A Camera Body Optimized for High End Productions!
While traditional digital film cameras have very basic user controls, Blackmagic URSA Cine has been designed with feedback from the world's leading cinematographers so it's loaded with controls needed for modern filmmaking. All buttons on the rugged and lightweight body operate quietly and are backlit for low light. There's a built in 5" fold out touchscreen for monitoring and accessing camera settings, plus a second dedicated assist station on the other side of the camera with its own 5" LCD touchscreen. Standard connectors make it easy to use industry standard accessories and remote camera control. You also get 12G-SDI monitoring out, 10G Ethernet for network media access and more!
Heads Up Display for Immersive Video
The large 5" HDR touchscreens on Blackmagic URSA Cine Immersive feature a heads up display, or HUD, specifically designed for framing, shooting and monitoring immersive video. The displays show the camera's lens space, giving a 180 Degree view of the scene as captured by the camera. You can tap the toggle to switch between the left and right lenses, or tap the image circle to zoom in for more accurate framing. In addition, an optional frame guide overlay shows the center of the frame and the approximate field of view the viewer will see when looking straight ahead. These monitoring tools provide the precision needed to frame and align immersive shots with confidence.
Physical Camera Controls and High Resolution Monitoring!
Blackmagic URSA Cine Immersive lets crews work faster on set with extensive physical and touchscreen controls, as well as multiple monitoring options! The camera's left side gives you easy access to all the essential functions. The fold out monitor has a large 5" HDR touchscreen on one side and an external color status LCD on the other. On the right side of the camera, there's a dedicated assist station with a second 5" HDR touchscreen which allows crew to work around the camera without needing external monitors. Plus, with a 1500 nit display and removable sunshade, it's always visible, even in bright sunlight. On screen overlays show status and record, histogram, frame guides and more.
Rugged Industry Standard Connections
The wide range of industry standard connections on URSA Cine make it perfect for high end cinema production. The 3 pin Fischer connector at the front provides record start/stop and 24V power so are ideal for on board accessories. Camera power is provided by a standard 24V 8 pin Lemo connection, plus there's an additional 2 pin Lemo 12V connection at the rear for lower voltage accessories. All this means you can power accessories straight from the camera without messy external cabling! There are also two independent 12G-SDI outputs for monitoring on 2 different monitors with different overlays, plus 10G Ethernet for Blackmagic Cloud media syncing!
Blackmagic RAW Fueled Image Capture
Blackmagic RAW is a revolutionary format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW files from Blackmagic URSA Cine Immersive store camera metadata, immersive lens projection data, white balance, digital slate information and custom LUTs to ensure consistency of image on set and through post production. Constant quality options lock the quality level, allowing compression to adapt, matching the detail of the scene. Constant bitrate encoding options are designed to give you the best possible images with predictable and consistent file size. URSA Cine records to the Blackmagic Media Module allowing you to capture hours of Blackmagic RAW!
Generation 5 Color Science
Blackmagic Generation 5 Color Science features a new film curve designed to make full use of the massive amount of color data from the new Blackmagic URSA Cine Immersive sensors. This delivers even better color response for more pleasing skin tones, and better rendering of highly saturated colors such as neon signs and car tail lights in high contrast scenes. Generation 5 Color Science informs complex Blackmagic RAW image processing, with color and dynamic range data from the sensor preserved via metadata for use in post production. Compatible with all previously shot Blackmagic RAW files, Generation 5 Color Science lets you take advantage of the new film curve even with your existing work!
Built in Optical Low Pass Filter
The high frequencies of synthetic materials like fabrics or the LED matrix in video walls can cause problems for ultra sharp modern lenses and high resolution sensors, creating interference patterns. Using an optical low pass filter minimizes that interference, which results in a reduction of moire and aliasing. URSA Cine includes high performance, optical low pass filters that are precisely matched to the sensors. The OLPF also incorporates updated IR filtering that improves far red color response which, when combined with Blackmagic RAW processing for the URSA Cine, preserves color and critical image detail for new levels of image fidelity.
High Performance Internal Media for Recording
URSA Cine is the first digital film camera with ultra fast high capability Cloud Store technology built in. Blackmagic Media Module is fast, rugged and includes a massive 8TB of storage. It's like a Cloud Store Mini built into your camera! The high speed storage lets you record dual 8K 90fps immersive video for hours and access your files directly over high speed 10G Ethernet. The module can be easily removed from the camera and loaded into a Blackmagic Media Dock for transferring media to a network or to Blackmagic Cloud for instant global collaboration! Plus, for even longer recording times, there's also a larger Blackmagic Media Module 16TB available!
Eliminate Media Offload Time
Blackmagic Media Dock accelerates your post production workflow by making it faster and simpler to start editing and color correction! Mount up to three Blackmagic Media Modules for high speed access to media from multiple URSA Cine cameras all at the same time! The four high speed 10G Ethernet ports allow up to four separate edit workstations to connect directly and it is extremely fast, even when a lot of users are connected at the same time. Plus, the USB-C connection supports Ethernet so you can transfer media using a simple USB-C cable connected to your computer. There is also an HDMI output that lets you see the status of your media in real time on a TV or monitor.
https://www.blackmagicdesign.com/
408-954-0500