See Options
2 Year
$189.99
3 Year
$219.99
4 Year
$279.99
Need help? Ask our experts.
Review Summary
Accidents happen. Protect your favorite Adorama products and purchase a protection plan to stay covered from accidental damage, mechanical or electrical failures, and more.
If we can’t fix it, we’ll replace it at no additional cost.
Protect your product from drops, spills, and more.
Enjoy your gear without fear. We have you covered!
When regular use of your product over time results in mechanical or electrical failure.
We will never charge you a deductible after the purchase of a plan.
Our claims process is simple & easy and our customer service team is happy to help.
Adorama Protect powered by Extend is available for purchase to customers in the United States. Not available for international or U.S. territories purchases. Plans on open box items do not cover pre-existing damage.
Adorama Protect plans are available for ABS clients. If you have any questions or require assistanse, please call 800-223-2500
Browse our FAQ
35.64mm x 23.32mm (Large Format)
2.9 microns
URSA Cine lockable EF mount. Interchangeable with optional URSA Cine PL mount
Lens control of compatible EF lenses. Lens data from compatible PL lenses and control of some PL lenses
16 Stops
12,288 x 8040 (12K 3:2 open gate)
12,288 x 6480 (12K 16:9)
12,288 x 6912 (12K 17:9)
12,288 x 5112 (12K 2.4:1)
9648 x 8040 (12K 6:5)
9408 x 6264 (9K 3:2)
8688 x 4896 (9K 16:9)
9312 x 4896 (9K 17:9)
9312 x 3864 (9K 2.4:1)
7680 x 6408 (9K 6:5)
8192 x 5360 (8K 3:2 open gate)
8192 x 4608 (8K 16:9)
8192 x 4320 (8K 17:9)
8192 x 3408 (8K 2.4:1)
6432 x 5360 (8K 6:5)
4096 x 2680 (4K 3:2 open gate)
4096 x 2304 (4K 16:9)
4096 x 2160 (4K 17:9)
4096 x 1704 (4K 2.4:1)
3216 x 2680 (4K 6:5)
Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported. Maximum sensor frame rate dependent on resolution selected
12K 3:2 open gate up to 80 fps
12K 17:9 up to 100 fps
12K 2.4:1 up to 120 fps
9K 3:2 Super 35 up to 100 fps
8K / 4K 3:2 open gate up to 144 fps
8K / 4K 2.4:1 up to 224 fps
Button activated ND filters with clear, 2-stop, 4-stop and 6-stop IR ND filters
Focus button turns on peaking, auto focus available using compatible lenses
Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video mode
2x Monitoring Screens
1x Camera Status Screen
5" (12.7cm)
1920px x 1080px
1500 nits
LCD capacitive touchscreen
Automatically populated lens data from compatible EF lenses. Automatic recording of camera settings and slate data such as project, scene number, take and special notes
Touchscreen menus on 5 inch screen. Push buttons for other controls. 7 assignable shortcut keys plus 6 assignable viewfinder shortcut keys on optional URSA Cine EVF
Highly accurate timecode clock. Less than 1 frame drift every 8 hours
2
1.5G, 3G, 6G, 12G
2x XLR analog switchable between mic, line and AES audio. Phantom power support
1x 3.5mm headphone jack
Tri-Sync/Black Burst and Timecode
1x Viewfinder USB-C with video, power, camera control data and locking connector. Works with URSA Cine EVF and PYXIS Monitor
2x USB-C side monitor ports support URSA Cine EVF, PYXIS Monitor or DisplayPort monitors
1x 7-pin Lemo 'EXT' for power out, serial communication, and run/stop
1x 3-pin Fischer 'RS' for power out and run/stop
2x USB-C side expansion ports for camera accessories
Software updates using side USB-C closer to rear
1x 10Gb/s RJ-45 connector supporting 10/100/1000/10G BASE-T for SMB file sharing, Web Media Management, Blackmagic Cloud uploads, camera control and streaming
Integrated stereo microphone
1x mono speaker
None
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60, 1080i50, 1080i59.94, 1080i60
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
SMPTE 292M, SMPTE 424 Level B, SMPTE 2081-1, SMPTE 2082-1
48 kHz and 24 bit
Blackmagic Media Module CF includes 2 x slots for CFexpress Type B media. Also compatible with optional Blackmagic Media Module 8TB or 16TB
Blackmagic
Blackmagic RAW Constant Bitrate 3:1, 5:1, 8:1, 12:1, 18:1, Q0, Q1, Q3, Q5
H.264 Proxy in 1920 x 1080, 8-bit 4:2:0
Blackmagic URSA Cine EVF can trigger record plus camera functions assigned to the VF1, VF2, VF3, Zoom, Exp and Record buttons. External Camera Control supported using REST API over Ethernet, Wi-Fi or serial communication via the 7-pin Lemo connector. Run / Stop supported via 3-pin Fischer and 7-pin Lemo connector
Blackmagic iPad control and Bluetooth control supported. Blackmagic Zoom Demand and Blackmagic Focus Demand for controlling camera and compatible lenses
Supports Secure Reliable Transport (SRT) and Real Time Messaging Protocol (RTMP) local live streaming using Ethernet or Wi-Fi, or global live streaming using an internet connection via Ethernet, Wi-Fi or USB-C cellular data
NTP: Network time protocol support allows you to sync the time on your camera, whenever connected to a network with any NTP server of your choice.
FTP: Download files from any drive attached to your camera using FTP
Web Media Manager: Using a browser connected over Ethernet, web media manager allows you to access, browse, download and delete files from any drive connected to the camera.
SMB: File sharing using SMB
2x CFexpress Type B
Based on 24 frames per second:
12K - 12,288 x 8040:
Blackmagic RAW 3:1 - 1,194 MB/s, Storage rates based on 24 frames per second.
12K - 12,288 x 8040
Blackmagic RAW 3:1 - 1,194 MB/s
Blackmagic RAW 8:1 - 448 MB/s
Blackmagic RAW 12:1 - 298 MB/s
Blackmagic RAW 18:1 - 199 MB/s
Blackmagic RAW Q0 - 298 to 1,432 MB/s
Blackmagic RAW Q1 - 179 to 716 MB/s
Q3 - 119 to 298 MB/s
Q5 - 90 to 224 MB/s
9K - 9408 x 6264
Blackmagic RAW 3:1 - 713 MB/s
Blackmagic RAW 8:1 - 268 MB/s
Blackmagic RAW 12:1 - 178 MB/s
Blackmagic RAW 18:1 - 119 MB/s
Blackmagic RAW Q0 - 178 to 856 MB/s
Blackmagic RAW Q1 - 107 to 428 MB/s
Blackmagic RAW Q3 - 71 to 178 MB/s
Blackmagic RAW Q5 - 54 to 134 MB/s
8K - 8192 x 5360
Blackmagic RAW 3:1 - 533 MB/s
Blackmagic RAW 5:1 - 320 MB/s
Blackmagic RAW 8:1 - 200 MB/s
Blackmagic RAW 12:1 - 133 MB/s
Blackmagic RAW Q0 - 133 to 319 MB/s
Blackmagic RAW Q1 - 80 to 200 MB/s
Blackmagic RAW Q3 - 53 to 133 MB/s
Blackmagic RAW Q5 - 40 to 100 MB/s
4K - 4096 x 2680
Blackmagic RAW 3:1 - 135 MB/s
Blackmagic RAW 4:1 - 101 MB/s
Blackmagic RAW 5:1 - 81 MB/s
Blackmagic RAW 6:1 - 68 MB/s
Blackmagic RAW Q0 - 34 to 81 MB/s
Blackmagic RAW Q1 - 20 to 50 MB/s
Blackmagic RAW Q3 - 13 to 34 MB/s
Blackmagic RAW Q5 - 10 to 25 MB/s9K - 9408 x 6264 Blackmagic RAW 3:1 - 713 MB/s, 8K - 8192 x 5360 Blackmagic RAW 3:1 - 533 MB/s, 4K - 4096 x 2680 Blackmagic RAW 3:1 - 135 MB/s
Blackmagic RAW 3:1, 8:1, 12:1, 18:1, Q0, Q1, Q3 and Q5 at full sensor width or height resolutions:
(12,288 x 8,040), (12,288 x 6,912), (12,288 x 6,480), (12,288 x 5,112) and (9,648 x 8,040) with film, extended video or video dynamic range or custom 3D LUT embedded in metadata plus simultaneous recording of H.264 1920 x 1080 Proxies
Blackmagic RAW 3:1, 8:1, 12:1, 18:1, Q0, Q1, Q3 and Q5 at Super 35 windowed sensor resolutions:
(9,408 x 6,264), (8,688 x 4,896), (9,312 x 4,896), (9,312 x 3,864) and (7,680 x 6,408) with film, extended video or video dynamic range or custom 3D LUT embedded in metadata plus simultaneous recording of H.264 1920 x 1080 Proxies
Blackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5 at full sensor width or height scaled to:
(8,192 x 5,360), (8,192 x 4,608), (8,192 x 4,320), (8,192 x 3,408) and (6,432 x 5,360) with film, extended video or video dynamic range or custom 3D LUT embedded in metadata plus simultaneous recording of H.264 1920 x 1080 Proxies
Blackmagic RAW 3:1, 4:1, 5:1, 6:1, Q0, Q1, Q3 and Q5 at full sensor width or height scaled to:
(4,096 x 2,680), (4,096 x 2,304), (4,096 x 2,160), (4,096 x 1,704) and (3,216 x 2,680) with film, extended video or video dynamic range or custom 3D LUT embedded in metadata plus simultaneous recording of H.264 1920 x 1080 Proxies
URSA Cine Blackmagic OS
DaVinci Resolve Studio for Mac and Windows including activation key
Blackmagic Camera Setup
Blackmagic RAW Player
Blackmagic RAW QuickLook Plugin
Blackmagic RAW SDK
Mac: Mac 14.0 Sonoma, Mac 15.0 Sequoia or later
Windows: Windows 10 and 11
1x 8 pin Lemo compatible socket for +12V to 33V DC external power supply or battery
1x 7-pin connector with +24V DC power output when camera is powered by +24V DC batteries or power supply
1x 3-pin Fischer with +24V DC power output when camera is powered by +24V DC batteries or power supply
B-Mount battery plate including 2-pin connector with +12V regulated output from camera
32 Degree to 104 Degree F (0 Degree to 40 Degree C)
-4 Degree to 113 Degree F (-20 Degree to 45 Degree C)
0% to 90% non-condensing
Optional, not included
Lithium ion
Non-universal
1
6 x 9.87 x 6" (15.24 x 25.09 x 15.24cm)
Body Only: 8.2 lbs (3.71kg)
9338716009774
Blackmagic URSA Cine 12K LF is a revolution in digital film with a new large format RGBW 36 x 24mm sensor with larger photo-sites for 16 stops of dynamic range, a CFexpress media module, high speed 10G Ethernet and WiFi for fast media upload and syncing to Blackmagic Cloud.
The URSA Cine 12K LF Body model is ideal when you have existing cinema accessories that you want to use to create your own camera rig.
It excludes top handle, baseplate, power supply, battery plate and PL lens mount (in contrast with the Blackmagic Design URSA Cine 12K Digital Cinema Camera displayed in the video).
URSA Cine 12K LF Body come with an interchangeable EF lens mount, a dedicated assist station with a second 5″ HDR LCD touchscreen, built in ND filters and industry standard Lemo and Fischer connections.
Get an ultra-detailed image that’s rich in color and contrast. With an amazing 16 stops of dynamic range, your footage will capture every shadow, highlight, and detail with cinematic precision.
The URSA Cine 12K LF Body comes with the same top-tier features found in the complete kits. You’re getting the same stunning color science developed through years of collaboration with DaVinci Resolve workflows.
Packed with a magnesium alloy chassis and a carbon fiber polycarbonate composite skin, this camera is built tough yet lightweight, ideal for quick set-ups and fast-paced environments.
Shoot in 12K at up to 80 fps and in 8K at a jaw-dropping 144 fps. You can also capture lightning-fast 240 fps in 4K for crystal-clear slow motion.
With the large 5” HDR touchscreen monitor on one side and an external color status LCD on the other, you can view your shots and tweak settings on the fly.
The Blackmagic URSA Cine 12K LF Body is ready to live stream directly to platforms with its built-in RTMP and SRT streaming engine. Connect via Ethernet, Wi-Fi, or even mobile data, and start streaming in real-time.
Its industry-standard 7-pin Lemo and 3-pin Fischer connectors let you connect all your accessories with ease, and the camera also offers 12G-SDI outputs, 10G Ethernet, USB-C, and XLR audio.
The body is made to work easily with DaVinci Resolve for real-time editing in 12K, 9K, 8K, and 4K. The included DaVinci Resolve Studio license ensures you can start editing right away.
This body comes with a locking EF lens mount. But what if you want more? Well, you can easily upgrade with additional lens mounts like PL and LPL.
https://www.blackmagicdesign.com/
408-954-0500