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Review Summary
2022-05-20T09:50:03
Great camera. Very professional. Has every connection that you will need. Would be nice if Blackmagic sent a list of accessories that you would/could need to use with this camera including Focus Demand, Zoom demand, MFT lenses, etc. Major gain adjustments needed in low light. I'm concerned on how grainy my video might look in low light conditions.
Wendell T.
2021-10-24T16:11:01
Positives: - Excellent integration with Black Magic Design?s ATEM switchers, for camera control, including color adjustment, focus and potentially zoom, if using a power zoom lens. - Everything you like about the quality of the BMPCC4k applies to this product too, but now you get all that in a live HDMI feed for streaming or recording. - Form factor perfectly suited for on-tripod work, in studio or event spaces. Negatives: - Initial colors straight out of camera are flat and desaturated, even if you use the factory-installed conversion to Rec. 709. Count on building your own LUTs, or using ATEM camera control for color adjustment. - One-shot focus sometimes slightly overshoots or undershoots its target, and needs manual adjustment to achieve desired sharpness. - The few power-zoom lenses you can buy for a native micro 4/3 mount are neither fast nor sharp. Count on grabbing the lens physically to adjust zoom, or use fixed-focus lenses. - No SDI support in this model.
CHARLES R.
2019-02-27T10:51:12
Black magic did it again I am so excited for this product were using it in church and it is amazing thank you black magic
Vesley O.
2017-05-31T15:37:08
quality overall in low light are horrible...
shaheen h.
2017-04-28T06:44:23
This is a great little camera for the price. We purchased one, and loved it and had to buy a second one. We use it in a church setting. I guess the only issues I have will be its poor low light quality (be ready to pour lots of light on this one) and also not being able to manually white balance using the old fashion white cardboard. You can only set the color temperature and we sometimes have it not consistent with other cameras we own.
ADEOLA M.
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17.78 x 10mm (Four Thirds)
Active MFT Mount.
Iris, focus, zoom on supported lenses.
13 Stops.
0dB and 18dB gain.
f11 with 2160p59.94.
f12 with 2160p50.
at 2,000 lux with 89.9% reflectance.
63dB for 2160p.
3840 x 2160 (Ultra HD) up to 60 fps.
23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 frames per second.
Off-speed frame rates up to 60 fps in Ultra HD.
Auto focus available using compatible lenses.
7" 1920 x 1200
LCD capacitive touchscreen.
600 nits
Touchscreen camera settings and menus with rotary settings dial, program button, F1, F2 and F3 assignable function buttons, brightness contrast and peaking dials.
2x 1/4 inch tripod mount.
1x 3/8 inch tripod mount.
1
1
1.5G, 3G, 6G, 12G.
1
1x 3.5mm Stereo Input. Can also be used for Timecode input.
1x 3.5mm TRRS mini jack for headphones with mic.
Program SDI Input on camera or on Blackmagic Studio Converter.
2 channels of program audio embedded in 1.5G/3G/6G/12G-SDI. 2 talkback channels on 15 and 16
Remote camera control over SDI, HDMI or USB Ethernet.
2x USB Type-C 3.1 Gen 1 (up to 5Gb/s) expansion ports for external recording and focus / zoom demand connection. Software updates using USB-C Port A.
Integrated stereo microphone.
1x mono speaker.
None
1080i50, 1080i59.94, 1080i60
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
SMPTE 292M, SMPTE 424M, SMPTE 425M level A and B, SMPTE 2081-1, SMPTE 2081-10, SMPTE 2082-1 and SMPTE 2082-10.
Television standard sample rate of 48 kHz and 24-bit.
Television standard sample rate of 48 kHz and 24-bit.
2x USB-C 3.1 Gen 1 expansion ports for external media for recording Blackmagic RAW.
Can format media to ExFAT (Windows/Mac) or HFS+ (Mac) file systems.
Blackmagic RAW Constant Bitrate 3:1, Blackmagic RAW Constant Bitrate 5:1, Blackmagic RAW Constant Bitrate 8:1, Blackmagic RAW Constant Bitrate 12:1, Blackmagic RAW Constant Quality Q0, Blackmagic RAW Constant Quality Q1, Blackmagic RAW Constant Quality Q3, Blackmagic RAW Constant Quality Q5
2x USB-C 3.1 Gen 1 expansion ports for external media.
Blackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5 in Ultra HD 3840 x 2160 at the selected frame rate.
Storage rates based on 30 frames per second.
3840 x 2160 (Ultra HD)
Blackmagic RAW 3:1 - 127 MB/s
Blackmagic RAW 5:1 - 77 MB/s
Blackmagic RAW 8:1 - 48 MB/s
Blackmagic RAW 12:1 - 32 MB/s
Blackmagic RAW Q0 - 96 to 190 MB/s
Blackmagic RAW Q1 - 64 to 153 MB/s
Blackmagic RAW Q3 - 43 to 109 MB/s
Blackmagic RAW Q5 - 26 to 64 MB/s
Constant Quality storage rates quoted are indicative only.
Blackmagic Zoom Demand and Blackmagic Focus Demand for controlling your camera and lens from tripod handles.
Blackmagic Control Protocol over SDI and HDMI for external control when used with a compatible ATEM switcher with ATEM Software Control or ATEM Camera Control Panel. Includes control of some camera settings, focus, iris and zoom with compatible lenses, color corrector, tally and record start and stop to external media via USB expansion port.
Camera Control REST API over USB Ethernet for external control via HTTP when used with REST client applications such as Postman.
Network time protocol support allows you to sync the time on your camera, whenever connected to a network with any NTP server of your choice.
Download files from any drive attached to your camera using FTP.
File sharing using SMB
DaVinci YRGB
1x front facing for talent, 1x rear facing for operator.
SDI Channels 15 and 16.
Blackmagic Camera Setup for Mac and Windows.
Mac 12.0 Monterey, Mac 13.0 Ventura or later.
Windows 10, 64-bit.
1x External 12V DC 60W power supply.
1x 12V DC locking 5.5 mm barrel connector.
15 - 22 W.
32 Degree to 104 Degree F (0 Degree to 40 Degree C)
-4 Degree to 113 Degree F (-20 Degree to 45 Degree C)
Camera: 10.77 x 6.68 x 6.59" (27.35 x 16.96 x 16.73cm)
Tripod Mount: 4.48 x 1.4" (11.37 x 3.5cm)
Camera: 3 lbs (1.36kg)
Tripod Mount: 1.16 lbs (526.1g)
9338716008517
This camera is great.
By ADEOLA M.
This is a great little camera for the price. We purchased one, and loved it and had to buy a second one. We use it in a church setting. I guess the only issues I have will be its poor low light quality (be ready to pour lots of light on this one) and also not being able to manually white balance using the old fashion white cardboard. You can only set the color temperature and we sometimes have it not consistent with other cameras we own.
Excellent product
By Vesley O.
Black magic did it again I am so excited for this product were using it in church and it is amazing thank you black magic
Advanced live production capabilities in a compact design. With features comparable to large studio cameras, it provides 13 stops of dynamic range for exceptional low-light performance, ISO up to 25,600, and cinematic image quality in 4K. Compared to its predecessor, this G2 version offers new connectivity options, including HDMI, SDI, and Ethernet, for use with live production equipment like ATEM switchers. Its Micro Four Thirds lens mount, large touchscreen, physical controls, built-in tally lights, and talkback functionality make the Blackmagic Design Studio Camera 4K Plus G2 exceptionally capable at a reasonable price point.
While Blackmagic Studio Camera is designed for live production, it’s not limited to use with a live switcher! That’s because it records Blackmagic RAW to USB disks, so it can be used in any situation where you use a tripod! The large 7" viewfinder makes it perfect for work such as chat shows, television production, broadcast news, sports, education, conference presentations and even weddings! The large bright display with side handles, touch screen and physical controls makes it easy to track shots while being comfortable to use for long periods of time. Because it’s so lightweight, it’s perfect when you're constantly changing locations and doing different kinds of work.
In advanced cameras, ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO the more gain can be added so it’s possible to shoot in natural light, or even at night! The Blackmagic Studio Camera features gain from -12dB (100 ISO) up to +36dB (25,600 ISO) so it's optimized to reduce grain and noise in images, while maintaining the full dynamic range of the sensor. The primary native ISO is 400, which is ideal for use under studio lighting. Then the secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain can be set from the camera, or remotely from a switcher using the SDI or Ethernet remote camera control.
Amazing sensors combined with Blackmagic generation 5 color science give you the same imaging technology used in digital film cameras. That means you can now use cinematic images for live production! Plus, when combined with the built in DaVinci Resolve primary color corrector you get much better images than simple broadcast cameras. The color corrector can even be controlled from the switcher. With 13 stops of dynamic range, the camera has darker blacks and brighter whites, perfect for color correction. Great for both HD and Ultra HD production, 4K Plus G2 model feature a resolution of 3840 x 2160 and from 23.98 to 60 fps.
With the popular EF or MFT lens mounts, Blackmagic Studio Cameras are compatible with a wide range of affordable photographic lenses. Photographic lenses are incredible quality because they're designed for use in high resolution photography. Plus, the active lens mount lets you adjust the lens remotely! To eliminate the need to reach around to adjust the lens manually, the optional focus and zoom demands let you adjust the lens from the tripod handles just like a large studio camera! This means you avoid camera shake when adjusting the lens so you can track shots and operate the camera without taking your hands off the tripod! It gives you the same feel as an expensive B4 broadcast lens!
The large 7" high resolution screen will totally transform how you work with the camera because it's big enough to make framing shots much easier. The Pro models features an HDR display with extremely high brightness, perfect outdoors in sunlight! On screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides and more. You can even apply 3D LUTs for monitoring shots with the desired color and look. The touchscreen also has menus and you can load and customize presets for different jobs. The included sun shade can be folded to protect the screen for transport plus it's compatible with sun shades from the Blackmagic Studio Viewfinder!
Blackmagic Studio Cameras feature physical buttons and knobs as well as controls on the touchscreen. Knobs on the right side of the camera allow adjusting of the brightness, contrast and focus peaking. The focus peaking knob is incredibly useful as it lets you fine tune the detail highlight so you can get perfect focus as you zoom. The 3 function buttons on the left can have functions assigned to them, such as zebra, false color, focus peaking, LUTs and more! Plus you can change the function assigned to each button in the menus.
The touchscreen also includes a heads up display with the most important shooting information, as well as menus for all camera settings, LUTs and custom presets.
Blackmagic Studio Cameras feature a very large tally light that illuminates red for on air, green for preview and orange for ISO recording. The tally light also includes clip on transparent camera numbers, so it's easy for talent to see camera numbers from up to 20 feet away! The Blackmagic Studio Cameras support the SDI tally standard used on all ATEM live production switchers and the HDMI tally used on ATEM Mini switchers. This means that a director can cut between cameras and the tally information will be sent back to the cameras via the SDI program return feed, lighting up the tally light on the camera whenever it's on air. SDI tally eliminates complex wiring so job setup is faster.
Unlike consumer cameras, Blackmagic Studio Cameras have SDI connections that include talkback so the switcher operator can communicate with cameras during live events. That means the director can talk to the camera operators to guide shot selection, eliminating the problem where all cameras could have the same shot at the same time! All models support 3.5mm headsets that are designed for smartphones, while the Pro models support standard 5 pin XLR broadcast headsets. Talkback uses audio channels 15 and 16 in the SDI connection between the camera and the switcher, and in the program return from the switcher to the camera. This means any embedded SDI audio device can work with talkback!
Using the HDMI output, you can connect to switchers such as ATEM Mini! Plus the HDMI connection supports sending tally, color corrector control and record trigger back to the camera from the switcher.
Use the SDI output and the SDI program return for 2 way talkback between the camera and any SDI ATEM switcher. Tally and control is also sent to the camera via the SDI program return.
The 10G Ethernet connection allows all signals and camera power using a single Cat 6A copper Ethernet cable! That includes the camera video, program return, tally, talkback, camera control and more!
You can even shoot without a switcher as the large screen makes the camera fantastic for shooting while recording to Blackmagic RAW on a USB flash disk. The big screen makes framing shots very easy!
https://www.blackmagicdesign.com/
408-954-0500