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Review Summary
2025-02-08T18:41:58
Loved it ~
ANTHONY S.
2023-07-31T08:19:30
Love this camera. I've rented before buying it and I was already very satisfied. I would have appreciated a build in EVF, though. Shipping was fast and smooth.
MARTINA C.
2023-07-29T12:12:29
Moving up from using my Canon R5 for A-cam interviews and having it overheat a few times on a job, this thing is exactly what I needed! Now no more sweating bullets wondering if my camera will power down before the interview is over. I love that you can record from two audio sources simultaneously.
REGGIE T.
2023-06-24T20:00:00
Great image quality and slo-mo autofocus capabilities. I'm frustrated that FCPX still does not recognize the 240 Mbps Intra-frame footage from this camera which is what I use to shoot 60fps. This creates a big workflow challenge. Please Canon talk to Apple and get this fixed!!!
Token
2023-04-26T17:49:44
Great upgrade from our C100mkII. This is the Camera I have been waiting for. Has everything I need for run and gun shooting then some. The new RAW shooting is great. I really have no complaints.
Chad D.
2022-11-29T19:00:00
I am using this camera for a while now, however it has some severe issues. 1. There is a heavy antialising and moire problem that make most of my recordings unusable!!! The effect is increased when Digital IS switched on. DIS makes every straight line jitter, no matter which lens or zoom range I am using. 2. The autofocus is really bad, probably worst than in my R7 camera, despite the Face Priority mode which would have been nice, but not working properly. 3. The battery is pretty mediocre, but costs a furtune! 4 The LCD panel is full of garbage, the hinge already came off from the body of the camera. Poor engineering. 5. It is prone to be get scratched due to the plastic of the body, especially the upper part. I can't beleive I paid for this camera almost the same amount as my little apartment did cost. Ugggghhhh.
gipsz
2022-11-24T05:54:59
I am using this gear for more than a year now, but I really want to get rid of it. It has a ridiculous amount of antialiasing and jittering, which makes all my recording totally unusable. You would be better of to pick up a Canon EOS R7, which handles the job much better. Look at the footage I recorded with the C70 and see the jittering effect around the letters in the footage here. [Andorama removed the clip.]
Marton O.
2022-07-15T20:00:00
The c70 enabled me to step into a true professional video workflow. As a hybrid shooter (relying on the r5 w/external recorder for video, that still overheated on 1/2 day shoots it?s amazing to finally have a professional cinema body for video and not worry about overheating or bringing extra gear to record audio. Getting the c70 has enabled me to eliminate an external video recorder and the file sizes are much easier to edit and way smaller in size. Having an external audio recorder is no longer needed since the c70 has built in 4-channel recorder with amazing pre-amps. And the best for last, the dynamic range and image quality is the best I?ve ever edited with. Especially mind-blowing since the file size of xf-avc is a quarter the size of what the r5 recorded at. Will definitely buy another as my business grows.
Brian B.
2022-05-19T09:09:48
The perfect compact cinema camera PERIOD.
Emmanuel S.
2022-05-02T09:55:50
Price quoted was fair and reasonable. Procurement process was smooth and easy . Shipmnet was right on time as promised
RUBEN M.
2022-04-21T08:23:49
Great camera and fast delivery!!
Mark M.
2022-04-19T20:33:34
I have use the C70 for about a year and just really fascinated with the amazing blockbuster image quality that produces with amazing colors
Eberth B.
2022-04-03T11:10:26
Awesome camera, especially now with new firmware for RAW files
COBY N.
2022-04-03T08:57:08
My new favorite camera!!!! I love everything about it except the mini xlr situation.
CRISTA R.
2022-03-21T20:00:00
The c70 is undoubtedly the best cinema camera that you can buy for the price. It comes with so many features packed in that would need to be added to most other cameras at a cost. Internal ND filters, a slew of audio inputs, and fully remappable keys, you can literally attach a lens and shoot right away. Coming from Nikon, Clog2 has been great to color grade with and the dual gain sensor makes low light footage have great shadow detail and highlights. I made a decision to cancel my Red Komodo order for this and I'm glad that I did.
Shaded M.
2022-03-10T10:29:43
Really awesome camera. Super simple to use, great size and ergos.
Anthony H.
2022-02-12T19:00:00
bought this few months agio , mixed emotions. raw light is good, hinge problem
boby
2022-01-12T19:00:00
Incredible camera, a bit worried about the screen but its perfect. Just wish auto focus worked better in low light but not a biggie. Perfect image and usability. Paired with the canon focal reducer its a beast.
Billy P.
2021-12-19T09:20:23
Great camera overall, natively it is a super 35 mm without a 1.5 crop. Using the focal adapter you get the full frame equivalent. I also have no focal canon adapter and for using EF lenses. The auto focus seems more responsive with the non-focal adapter. I didn't get to try RF lenses yet.
Jason R.
2021-09-25T20:00:00
The C70 is my very first cinema camera. For decades I have only been using camcorders; only one being a 1-inch type (actually approx 16mm. So this unit was a serious update. It's also my very first interchangable lens video equipment. I only have the RF 24-70 f/2.8L for now. It can be quite compact without the top handle; I'm connecting a small stereo mic to the hot shoe (connects via 3.5mm cable). Weight isn't too bad at around 5.5 to 6 lbs. Pros... Super 35 sensor with very high dynamic range. Really like how you can record two different codecs simultaneously. This really helped to save money on cards. I'm currently using a 256 GB V90 card in the main slot and 128 GB V90 card in the secondary slot. I then set it up to record XF-AVC 10-bit 4:2:2 All-I to the first card and the Long-GOP version to the secondary card. The quick menu system is very convenient; really easy to change commonly-used settings. Very intuative menu system as well. Incredible amount of customization available. I rented the 0.71x adapter and was able to use my EF 50mm f/1.2L. That was incredible. Having light-gathering capability of f/0.9, I could shoot very dark scenes with just ISO 400 (shutter at 1/48; 180-degree mode with true 24 fps). Cons... The only feature I kinda miss from camcorders is having a rocker-style zoom. I know it exists for cine-servo type lenses which are way beyond my budget. Still, this hasn't prevented me from capturing content at all; I just think about capturing content differently now. Which is probably a really good thing.
rs e.
2021-08-05T14:20:21
Great image quality and easy to use. Good upgrade for any DSLR/mirrorless shooters. Only concern is the subpar build quality and the autofocus is nothing in comparison to an R5. Still sufficient for professional work nonetheless
MAX L.
2021-07-21T10:33:33
For a cinema camera...this is a remarkable entry point! I had the C100 Mk II and very much enjoyed the image quality the camera offered, but ended up selling the body because the size was just too big for the projects I worked on at the time. The C70 has resolved that issue for me. This camera is very adaptable, portable and the image quality is amazing. Very happy with this camera.
Kenyon G.
2021-04-09T20:00:00
I have now used my C70 for a couple of weddings and I am very pleased with the investment. I am able to match footage with my Canon 5D Mk IV with C-Log upgrade and the pair make a great duo. I also have the EF .71x adapter which makes me EF L lenses even more powerful when paired with this camera. When using the adapter on the C70 and mounting my 24-70 2.8L lens I am able to pretty closely match the framing of the 16-35 f2.8L on my Mk IV when shooting in 4k giving me a lot of options editing on a 1080 timeline. For the price point I feel this camera delivers excellent value.
KGerb
2021-04-06T08:57:55
This was a great update to my C100 mark II. Smaller form factor too.
MICHAEL K.
2021-03-10T07:39:27
So far my favorite camera in 2021. I bought this guy a few weeks back and I love the image coming out of camera. Used it on many commercial projects along side my RED Dragon. Perfect travel doc camera as it fits anywhere my DSLR would. Love the built in ND filters, gives me so much more space not having to lug around heavy ND and big Mattebox. Balances great on my Ronin. Color grades well in Davinci! Overall very excited. Thanks again Adorama & Lewis for the wonderful customer support!
DAVID B.
2021-02-16T08:58:40
Great camera, I’m completely in love with it.
JEAN R.
2021-02-11T19:00:00
This cinema camera is simply perfect in every way! Dynamic range is epic, low light performance magnificent, ND filters built in... Can't say enough about this masterpiece. Simply glorious! P.S. FIRST!
Ren
2021-02-11T11:07:38
A great little camera. I've paired it with the Zacuto cage and Kameleon EVF and a side handle. Like many of us, I was going between this and the Komodo for single shooter work and determined this was just more versatile and customizable in the long run. Image is excellent. AF is excellent. Mini-XLRs are a slight pain but once I got the proper cables all was well.
LAURA F.
2021-01-07T18:50:40
Awesome experience from start to finish. Upgraded from the c100 and couldn't be happier! The only down side I could find was the material used on the top handle is a bit rough to the touch.
BRYCE S.
2020-12-22T07:30:35
I didn’t realize how frustrated I would be without an EVF, I use one when going into the menu and making adjustments checking settings I bought a third party EVF arriving soon, a hassle because it’s another thing to attach and power
RICHARD M.
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Browse our FAQ
4096x2160: when 4096 x 2160 or 2048 x 1080 is selected as the resolution (Approx. 8.85 megapixels)
3840 x 2160: when 3840 x 2160 or 1920 x 1080 is selected as the resolution (Approx. 8.29 megapixels)
4206 x 2280; Approx. 9.6 megapixels
CMOS
Super 35mm
4K: 26.2 x 13.8 (29.6 mm diagonal)
UHD: 4K: 24.6 x 13.8 (28.2 mm diagonal)
Super 35mm, Super 16mm (cropped)
6.4 microm
Progressive
1
RGB Primary Color Filter (Bayer Array)
DiG!C DV 7
Default Mount: RF Mount
Not Available
Not Available
1.5x/2.0x/2.5x/3.0x
Mechanical ND filter system with option of clear, 2, 4, and 6 stops; 8 and 10 stops in extended mode
Available
Available
Available (RF Lenses only)
Available
1. Manual exposure based on shutter setting, iris setting, ISO/gain setting, and ND filter setting
2. Push auto iris control, auto iris control
3. Auto ISO mode
Standard, Spotlight and Backlight
Normal Setting -6dB to 54dB
Fine Setting -2dB to 54dB in 0.5 dB increments
100 to 102,400
Not Available
Not Available
-2.0 to +2.0 in 0.25 point intervals
3 Modes: OFF; Speed; Angle; Slow Shutter; Clear Scan
Speed Mode is selected in 1/3 or 1/4 stop increments
59.94Hz/24.00Hz: 1/12 to 1/2000
50.00Hz: 1/15 to 1/2000
59.94Hz/50.00Hz/24.00Hz: 360, 240, 180, 120, 90, 60, 45, 30, 22.5, 15, 11.25
Can be set to 1/2 stop, 1/3 stop or Fine.
1. Push auto iris control
2. Auto iris control (Compatible lens required)
Dual Pixel CMOS AF with EOSxITR
Manual focus, Continuous AF, One-Shot AF, AF-Boosted MF, Face Detection AF
Only lenses that support AF functions can be used in AF modes
59.94 Hz, 50.00 Hz, 24.00 Hz
59.94 Hz mode: 59.94i/59.94P/29.97P/23.98P
50.00 Hz mode: 50.00i/50.00P/25.00P
24.00 Hz mode: 24.00P
XF-AVC Mode:
Resolution: 4096x2160/3840x2160
Frame Rates: 59.94p / 29.97p / 23.98p / 50.00p / 25.00p / 24.00p
Resolution: 2048x1080/1920x1080
Frame Rates: 59.94p / 29.97p / 23.98p / 50.00p / 25.00p / 24.00p
Resolution: 1280x720
Frame Rates: 59.94p/50p
MP4 Mode:
Resolution: 4096x2160 / 3840x2160
Frame Rates: 59.94p / 29.97p / 23.98p / 50.00p / 25.00p / 24.00p
Resolution: 2048x1080 / 1920x1080
Frame Rates: 59.94p / 29.97p / 23.98p / 50.00p / 25.00p / 24.00p/ 59.94i / 50i
Resolution: 1280x720
Frame Rates: 59.94p / 50p
Cinema Gamut, BT.709, BT.2020
Canon 709, BT.709, Wide DR, Canon Log 2, Canon Log 3, PQ, HLG
RAW Recording/ Cinema RAW Light: RAW HQ (high quality), RAW ST (standard quality), and RAW LT (light recording)
XF-AVC: MPEG-4 AVC/H.264 (10bit, 8bit (proxy))
MP4(HEVC): H.265/HEVC (10bit)
MP4(H.264) : MPEG-4 AVC/H.264 (8-bit)
XF-AVC: Linear PCM (24bit, 48kHz) 4-channel recording
MP4 (1) : MPEG-2 AAC LC (16-bit, 48 kHz, 2-channel)
MP4 (2) : Linear PCM (16-bit, 48 kHz, 4-channel)
XF-AVC Intraframe:
410 Mbps: 19 Minutes
310 Mbps: 25 Minutes
160 Mbps: 50 Minutes
XF-AVC Long GOP:
260 Mbps: 30 Minutes
160 Mbps: 50 Minutes
50 Mbps: 160 Minutes
XF-AVC Long GOP:
35 Mbps: 229 Minutes
24 Mbps: 334 Minutes
17 Mbps: 472 Minutes
H.265 MP4:
225 Mbps: 35 minutes
170 Mbps: 47 minutes
135 Mbps: 59 minutes
100 Mbps: 80 minutes
50 Mbps: 160 minutes
35 Mbps: 229 minutes
12 Mbps: 668 minutes
9 Mbps: 891 minutes
H.264 MP4:
150 Mbps: 53 minutes
35 Mbps: 229 minutes
8 Mbps: 1003 minutes
SD Card x 2 slots
(Still Images (JPEG), Custom Picture Data, Clip Metadata, and menu settings); SD/SDHC/SDXC Supported
XF-AVC: MXF (OP-1a)
MPEG4: MP4
HEVC: MP4
SDHC card: (up to 32 GB): FAT32
SDXC card (more than 32 GB): exFAT
File division unit: 4 GB for FAT32, none for exFAT
999 (per media)
Linear PCM; 4-Channel; 24-Bit; 48 kHz
Stereo/Monaural
2 - Mini-XLR inputs (Auto and Manual level settings)
External microphone terminal: (3.5 mm diameter)
Up to 4 channel audio recording is supported.
Available; -12dB, -6 dB, 0dB or +12 dB
Available
- Infinity to +18dB
Available; +48V
16 Settings; Volume is muted at lowest setting
Available; Volume Adjustable
Available (off, -12, -18, or -20 dB)
Clip Display: 3x4 Index Display.
Clip Playback: Forward Search (x5, x15, x60), Reverse Search (x5, x15, x60), Forward frame Advance, Reverse Frame Advance, Record Review, Skip to next clip, skip to previous clip
Clip information Display: Clip Metadata display, custom picture settings
Playback Functions: Clip Delete
Photo Playback: index, single playback, delete, protect
Available; Records at a different frame rate then the playback rate allowing for fast and slow motion effects:
Super35 Sensor Mode:
XF-AVC Recording Mode:
Available Frame Rates: 23.98P/24P: 12-120
29.97P: 15-120
25P/50P: 15-120
59.94P: 15-120
MP4 Recording Mode:
Available Frame Rates: 23.98P/24P: 12-180
29.97P: 15-180
25P/50P: 15-180
59.94P: 15-180
Super16(Crop) Sensor Mode:
XF-AVC Recording Mode:
Available Frame Rates: 23.98P/24P: 12-180
29.97P: 15-180
25P/50P: 15-180
59.94P: 15-180
MP4 Recording Mode:
Available Frame Rates: 23.98P/24P: 12-120
29.97P: 15-180
25P/50P: 15-180
59.94P: 15-180
Relay Recording; Double-Slot Recording
Available; Images captured to SD Card
Available (HDR Compatible);
(a) Line display
(b) Line + spot: Line display over a red waveform in a red frame.
(c) Line select display
(d) RGB (parade)
(e) YPrPb (parade)
Output gain can be selected as either 1x or 2x. With gain set to 2x, the vertical axis (Y-position) offset value can be chosen.
When gamma is set to PQ, a PQ index (nits index) can be displayed. When gamma is set to HLG, an HLG index (0.0-1.0 relative index) can be displayed.
Available
Available
Peaking (2 types), Zebra Pattern, Magnify, Black and White Mode, Focus Guide
Not Available
Yes, 3 seconds cache (Audio and Video)
Drop Frame (DF) and Non-Drop Frame (NDF)
Regeneration, Record Run, Free Run and External Source
Available
Kelvin Setting:
2,000K to 15,000K in 100K increment
-20CC to +20CC in 1 CC increments
Daylight (5,600K); Tungsten (3,200K), Custom A, Custom B
Available
20 Custom Picture settings
Custom pictures can be adjusted using the following settings and saved for later recall:
Gamma, Black, Black Gamma, Low Key Saturation, Knee, Sharpness, Noise Reduction, Skin Detail, Selective Noise Reduction, Color Matrix, White Balance, Color Correction, Setup Level
Custom Pictures can be saved to an SD card for later use or transferring between cameras
Yes; LCD panel and EVF information display can be customized
Available marker options include center, horizontal, grid, aspect, safety zone, and user marker.
With user markers, user can set their preferred size and position.
Markers can be displayed in yellow, blue, green, red, black, gray, or white.
13 total assignable buttons on body
Color bars compliant with SMPTE, EBU, or ARIB standards can be selected depending on system frequency selected
59.94 Hz: f/10 (2048x1080/59.94P) or f/14 (1920x1080/29.97P)
50.00 Hz: f/11 (2048x1080/50.00P) or f/16 (1920x1080/25.00P)
All values for ISO 800, 2000 lux, and reflectance rate of 89.9%
Canon Log 2: 1600% / 16+ stops (ISO 800)
Canon Log 3: 1600% / 14 stops (ISO 800)
3.5" (8.8 cm diagonal) color wide-screen LCD
Approx. 2,760,000 dots (1280 x RGB x 720)
16:9
100%
Brightness, Contrast, Color, Sharpness, and Luminance
Yes; BNC Connector (Input and Output)
Yes (Type A)
4096x2160/3840x2160)/1920x1080/1280x720
2 - Balanced 3-pin XLR (Mic Level, Mic Level with phantom power and Line Level)
3.5mm Microphone terminal
Available; 3.5mm stereo mini-jack
Remote A (Standard - LANC Compatible or RC-V100)
Remote Control through Wi-Fi/LAN Adapter
Available
Remote Controller RC-V100 (Optional)
14.4V DC (Battery Pack)
14.4 V DC (battery pack), 24.0 V DC (DC IN)
BP-A Series (BP-A30, BP-A60)
CA-CP200L (for Camera and Battery charger CG-A20)
Performance requirements: 32 Degree F to 104 Degree F (0 Degree C to 40 Degree C), 85% (relative humidity)
Operating requirements: 23 Degree F to 113 Degree F (-5 Degree C to 45 Degree C), 60% (relative humidity)
English, Japanese, Chinese, German, Spanish, French, Italian, Korean, Russian
Automatic Calendar range January 1st, 2020 through December 31, 2050
World Clock support - UTC time setting: Setting range from +14:00 to -12:00
5.12 x 6.29 x 4.56" (130.2 x 160 x 115.9mm) (Approx.) (Body Only)
RF Camera body: 2.6 lbs (1.17Kg) (Approx.)
Battery Pack BP-A30: 7.9 oz (225g) (Approx.)
Compact Power Adapter CA-CP200L: 10.2 oz (290g) (Approx.) (Not including AC cable)
Battery Charger CG-A20: 5.10 oz (145g) (Approx.)
Mic holder unit: 2.0 oz (56g) (Approx.)
Body cap: 0.60 oz (17g) (Approx.)
Required, included
Lithium ion
Non-universal
1
24-105mm
f/2.8 - f/22
RF Mount
Canon EOS R-series, full-frame and APS-C (focal length equivalent to approx. 38.4-168mm when used on an APS-C camera)
1.48' (0.45m) (at 24mm), 1.48' (0.45m) (at 105mm)
0.08x (at 24 mm), 0.29x (at 105 mm)
At Minimum Focus Distance:
24mm: approx. 16.0 x 10.7" (408 x 272mm)
105mm: Approx. 4.8 x 3.2" (121 x 80mm)
Approx. 84 Degree - 23 Degree 20'
23 elements in 18 groups
4 UD elements, 3 Aspheric elements
Canon SSC (Super Spectra Coating), ASC (Air Sphere Coating), Fluorine coating
82mm
11
5.5 Stops correction with In-lens Optical Image Stabilization (8.0 stops correction with EOS R series in-body coordinated Image stabilization)
(Two) Canon Nano USM focus motors
Yes (Supports both ONE SHOT AF and SERVO AF with compatible EOS R-series cameras)
EOS R/RP/Ra/R100 - Approx. 88% x 100%
EOS R5/R6 - With face + tracking-priority AF: Approx. 100% x 100%
Other than with face + tracking-priority AF: Approx. 90% x 100%
EOS R3, R6, Mark II, R8 R7, R10, R50 - For whole area AF: Approx. 100% x 100%
For non-whole area AF when subject has been detected: Approx. 100% x 100%
When subject has not been detected: Approx. 90% x 100%
Yes, with click stops (click stops can be removed by a Canon service facility, for a fee)
Electronic ring system
Full-time Manual focus possible
No physical limit to ring rotational angle
Yes
None (Electronic distance scale possible in viewfinder or LCD monitor, with compatible EOS R-series cameras)
Provided: Full/1 m to infinity
Yes
3.5 x 7.8" (88.5 x 199mm)
2.9 lbs (1.33kg)
660685261624
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Amazing image quality and amazing files to edit!
By Brian B.
The c70 enabled me to step into a true professional video workflow. As a hybrid shooter (relying on the r5 w/external recorder for video, that still overheated on 1/2 day shoots it?s amazing to finally have a professional cinema body for video and not worry about overheating or bringing extra gear to record audio. Getting the c70 has enabled me to eliminate an external video recorder and the file sizes are much easier to edit and way smaller in size. Having an external audio recorder is no lo...
View full Review
Best Video Camera I've ever owned
By rs e.
The C70 is my very first cinema camera. For decades I have only been using camcorders; only one being a 1-inch type (actually approx 16mm. So this unit was a serious update. It's also my very first interchangable lens video equipment. I only have the RF 24-70 f/2.8L for now. It can be quite compact without the top handle; I'm connecting a small stereo mic to the hot shoe (connects via 3.5mm cable). Weight isn't too bad at around 5.5 to 6 lbs. Pros... Super 35 sensor with very high d...
View full Review
Experience the pinnacle of professional filmmaking with the EOS C70 Cinema Camera, a compact yet powerful device that boasts an RF 24-105mm f/2.8 L IS USM Z Lens. This high-quality, advanced camera is designed to deliver stunning 4K resolution images and videos, thanks to its Super 35mm DGO Sensor.
The EOS C70 Cinema Camera is a sophisticated piece of equipment, offering a plethora of built-in features such as ND Filters, mini XLRs, and a direct touch rotatable LCD screen. It also features Dual Pixel CMOS Autofocus for sharp, clear images, and an impressive battery life for extended shooting sessions.
This innovative camera is compatible with Canon's expanding line of high-performance RF Lenses, making it a versatile choice for different shooting scenarios. Its Super 35mm DGO Sensor generates 16+ stops of total dynamic range, maintaining low noise levels and prioritizing saturation for bright areas.
The EOS C70 Cinema Camera is designed for convenience, with dual SD card slots for simultaneous recording in different formats, and a direct touch rotatable LCD screen for easy on-the-spot changes. It also offers a choice between Canon Log 2 or Canon Log 3 Gamma, and can capture frame rates up to 120 fps in 4K or up to 180 fps in 2K CROP mode.
The camera's compact design and built-in ergonomic grip make handheld shooting easy and comfortable. It also features a built-in RF mount for compatibility with Canon's high-performance RF Lenses. For increased flexibility, the EOS C70 is also compatible with Canon's award-winning EF lenses using the Mount Adapter EF-EOS R 0.71x.
The RF 24-105mm f/2.8 L IS USM Z Lens is a world-first, offering a consistent f/2.8 aperture throughout its entire zoom range. This lens excels in low light conditions and is perfect for weddings, events, photojournalism, portraiture, studio work, and video creation. It also supports optional Canon Power Zoom Adapters for smooth, high-precision zoom control during movie shooting.
In conclusion, the EOS C70 Cinema Camera with RF 24-105mm f/2.8 L IS USM Z Lens is a professional-grade camera that offers high-resolution imaging, advanced features, and compatibility with a wide range of lenses. It's the perfect tool for filmmakers and videographers seeking to capture high-quality footage in a variety of scenarios.
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