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Review Summary
2020-06-30T10:22:46
Having worked with 4x5 film camera which was stunning and has movements, wanted to max out quality and depth of field / sharp focus, without the time commitment of film developing, scanning, etc. 35mm is also portable and widely supported which is a plus. Don’t have the budget for a phase one. Shooting with 5DsR, tripod, wireless release, ISO 100. Largely nature still life, some landscape, or fine art type work. Lens is a pleasure, tough to find any deals used or gray market. Sharp. Haven’t compared with Sigma 50mm ART.
CHARLES W.
2020-06-30T10:21:22
Having worked with 4x5 film camera which was stunning and has movements, wanted to max out quality and depth of field / sharp focus, without the time commitment of film developing, scanning, etc. 35mm is also portable and widely supported which is a plus. Don’t have the budget for a phase one. Shooting with 5DsR, tripod, wireless release, ISO 100. Largely nature still life, some landscape, or fine art type work. Lens is a pleasure, tough to find any deals used or gray market. Sharp. Haven’t compared with Sigma 50mm ART. Tripod is pretty big, solidly built. Good value-add.
CHARLES W.
2017-12-15T08:08:02
I bought the 50mm to complete a set of Canon TS-E lenses including 17mm F/4L, 24mm F/3.5L II, 50mm F/2.8L Macro, 90mm F/2.8L Macro, and 135mm F/4L Macro. These are lenses for meticulously composed shots. The 50mm is perhaps the most versatile lens, not only just because of the focal length, but also because of its full set of features. 1. At F/2.8, it is at least on par with the EF L zooms. 2. It's far sharper than any 50mm lens, or any wide-to-medium lenses. It also has less color fringing. 3. The tilting function allows simulating certain shallow DOF effect by larger F number 50mm lenses. 4.Shifting correction may not be as dramatic as the 17mm and 24mm, but can be usefil, especially when used with 5. Macro shots. The macro is 0.5x max. Unless small insects are the intended subjects, it's good enough for flowers, toy models, etc. 6. Using tilting in macro mode is interesting and useful. Therefore, it will be the 50mm I would choose, if only one is allowed, as it can do basically all other 50mm can, except for auto focusing. Talking about issues, there aren't many really. I noticed that when the lens is tilted, the focus shifts. This is different from the wide TS-E lenses. So, I have to focus after tilting. I would usually need the live view for focusing. However, surprisingly, the viewfinder auto focusing indicator also works after tilting. And it works for all focusing points (1D X tested). Another problem is auto exposure and auto white balance may be incorrect after tilting. This is after updating to the latest firmware, which was supposed to fix this issue. So, to use this lens, lock in exposure and white balance first, tilt/shift, and then focus. A sturdy tripod and a tripod head are therefore needed. These issues are consistent for all the new TS-E macro lenses by the way.
YONG W.
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Canon EF Mount
Full Frame
Macro, Standard
All Cine Cameras: ARRI ALEXA Mini, Blackmagic Design Cinema Camera, Blackmagic Design Cinema Camera, Blackmagic Design Cinema Camera, Blackmagic Design Cinema Camera 6K, Blackmagic Design PYXIS 6K, Blackmagic Design Pocket Cinema Camera 6K, Blackmagic Design Pocket Cinema Camera 6K G2, Blackmagic Design Pocket Cinema Camera 6K Pro, Blackmagic Design Production 4K, Blackmagic Design URSA 4.6K, Blackmagic Design URSA Cine 12K, Blackmagic Design URSA Mini 4.6K, Blackmagic Design URSA Mini 4K, Black
Canon TS-E, Canon L Series
Tilt/Shift
with Filter Kit
2273C002
Black
Manual Focus
10.63" / 27cm
50mm
f/2.8
77mm
46° 00
f/32
0.5x
Air Sphere and Subwavelength Coatings
One Aspherical Element
Two Ultra-Low Dispersion Elements
No
No
No
No
12 Elements / 9 Groups
9
34 oz (945g)
(Dia. x L): 3.4 x 4.5" (86.9 x 114.9mm)
192223250734, 013803291094, 4719850594343, 024066068132, 024066067999, 840014139958
* If using a APS-C Lens on a Full Frame Camera OR Full-Frame Lens on a APS-C Camera then Image sensor will be narrowed down to APS-C size.
For any questions about compatibility with this product, call us at 800-223-2500 or you can email us any time.
Models | SKU: CA5028BD MFR: 2273C002 BD $2,275.99 $2,611.54 Save:$335.55 (13%) In Stock | $1,158.00 $1,358.00 Save:$200.00 (15%) In Stock | $399.00 $403.99 Save:$4.99 Temporarily On Backorder Although this item is temporarily on Backorder, you can order it now and it will ship as soon as it arrives. Your card will only be charged once item is shipped. |
---|---|---|---|
Compatibility | Canon 1DS Mark II, Canon 1DX, Canon 1DX Mark II, Canon 1DX Mark III, Canon 5D, Canon 5D Mark II, Canon 5D Mark III, Canon 5D Mark IV, Canon 5DS, Canon 5DS R, Canon 6D, Canon 6D Mark II, Canon T7i | Canon 1DS Mark II, Canon 1DX, Canon 1DX Mark II, Canon 1DX Mark III, Canon 5D, Canon 5D Mark II, Canon 5D Mark III, Canon 5D Mark IV, Canon 5DS, Canon 5DS R, Canon 6D, Canon 6D Mark II, Canon T7i | Canon 60DA |
Special Features | Tilt/Shift | Weather Resistant | - |
Kit Style | with Filter Kit | Base | Base |
Lens Type | Macro, Standard | Macro, Standard | Macro, Standard |
Filter Size | 77mm | 67mm | 62mm |
Fixed Focal Length | 50mm | 50mm | 60mm |
Lens Mount | Canon EF Mount | Canon EF Mount | Canon EF Mount |
Maximum Aperture | f/2.8 | f/2 | f/2.8 |
These are lenses for meticulously composed shots
By YONG W.
I bought the 50mm to complete a set of Canon TS-E lenses including 17mm F/4L, 24mm F/3.5L II, 50mm F/2.8L Macro, 90mm F/2.8L Macro, and 135mm F/4L Macro. These are lenses for meticulously composed shots. The 50mm is perhaps the most versatile lens, not only just because of the focal length, but also because of its full set of features. 1. At F/2.8, it is at least on par with the EF L zooms. 2. It's far sharper than any 50mm lens, or any wide-to-medium lenses. It also has less color fringing. ...
View full Review
Solid
By CHARLES W.
Having worked with 4x5 film camera which was stunning and has movements, wanted to max out quality and depth of field / sharp focus, without the time commitment of film developing, scanning, etc. 35mm is also portable and widely supported which is a plus. Don’t have the budget for a phase one. Shooting with 5DsR, tripod, wireless release, ISO 100. Largely nature still life, some landscape, or fine art type work. Lens is a pleasure, tough to find any deals used or gray market. Sharp. Haven’...
View full Review
After meticulous design and engineering, the TS-E 50mm f/2.8L Macro Lens emerges as a superior tool for photographers seeking precision and control. This lens, bundled with Hoya 77mm UV and CPL Filters, is a part of Canon's expanded line of TS-E lenses, spanning from ultra-wide angle to mid-telephoto.
The TS-E 50mm f/2.8L Macro Lens boasts an L-series optical formula, incorporating two UD lens elements. This advanced composition enhances image quality, making it an excellent choice for a range of photography genres, including macro, advertising, and architecture.
The lens offers extensive tilt-and-shift movements, allowing photographers to manipulate perspective and depth of field with remarkable precision. This feature, combined with its high-quality optics, makes it a powerful tool for creating stunning, professional-grade images.
Designed for both studio and field use, the TS-E 50mm f/2.8L Macro Lens is reliable and versatile. It features large, easily operated knobs and locking mechanisms for quick adjustments and secure settings. Its sophisticated construction ensures durability, while its minimum focusing distance of 10 in./0.27m provides convenience for close-up shots.
Whether you're a working professional or an enthusiastic hobbyist, the TS-E 50mm f/2.8L Macro Lens with Hoya 77mm UV and CPL Filters offers a level of performance that can elevate your photography to new heights.
800-652-2666
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