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Review Summary
2019-08-26T11:49:24
It is so worth it. Sadly I had to sell my house, and I live in a cardboard box in nyc now to afford it. But great pictures!
Briton
2016-12-07T10:24:43
point shoot and it works.
EMILY F.
2016-11-29T11:10:57
Upgraded from the C100 mkI to the Mk2 and love it. Functionally and design is still great, 4k was a great upgrade
Kirk S.
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Browse our FAQ
- Master Caddy II
- 12V-3A AC Power Supply
- Breakout XLR Cable
- HPRC Hard Flight Case
- 2.5mm Female to Dual 2.5mm Male Control Cable
- 2x NP-F750 5200mAh Batteries
- Fast Charger
- USB 3.0 Docking Station
- Coiled D-Tap to DC Barrel Cable
- 4x Master Caddy II Drive Caddies
- AC Power Adapter
- HDR Sunhood
Approx. 8.85 megapixels (4096 x 2160): When 4096 x 2160 or 2048 x 1080 is selected as the resolution
Approx. 8.29 megapixels (3840 x 2160): When 3840 x 2160 or 1920 x 1080 is selected as the resolution
CMOS (single-panel)
Equivalent to Super 35mm
Dual DIGIC DV 5
PL Mount
(1) Manual exposure based on shutter setting, iris setting, ISO / GAIN setting and ND filter setting
(2) Push auto iris control, auto iris control (Light metering system selection, shift possible)
Speed, Angle, Clear Scan, Slow, or Off mode selected
Either 1/3 or 1/4 steps selected as speed increment
1/2-stop, 1/3-stop or fine setting selected
(1) Push auto iris control
(2) Auto iris control (Available only with some EF lenses (to be disclosed in the official version of the technical document))
ISO: 1 step, 1/3 step settings
[100, 160, 25600, 102400] (When the sensitivity is expanded)
GAIN: Normal [-6dB, -2dB,- 42dB, 54dB]
Fine: Setting in 0.5dB step increments possible (When the sensitivity is expanded)
5 density settings (2, 4, 6, 8, 10 stops) [when expansion is selected]; Motorized drive
DAF (Dual Pixel CMOS AF) supported
Manual focus, one-shot AF, continuous AF, AF-Boosted MF, face detection AF (Only lenses that support AF functions can be used in any of these modes.)
MPEG-4 AVC / H.264
Linear PCM (16bit / 24bit- 48 kHz - 4ch)
MXF
410/310/225/210/160Mbps Intra-frame 50Mbps Long GOP 35 or 24Mbps Long GOP (for proxy recording on SD cards)
Intra-frame recording
Resolution : 4096 x 2160 / 3840 x 2160 / 2048 x 1080 / 1920 x 1080
Color Sampling: YCC422 10bit / RGB444 (12bit /10bit)
Only with 2048 x 1080 or 1920 x 1080; 29.97P, 23.98P, 25.00P and 24.00P
Long GOP recording
Resolution: 2048 x 1080 / 1920 x 1080
Color Sampling: YCC422 10bit
Movies: Long GOP recording only (Proxy recording using low bit rate)
Resolution: 2048 x 1080 / 1920 x 1080
Color Sampling: YCC420 8bit
Photo: JPEG
Resolution: 2048 x 1080 / 1920 x 1080
14.4 V DC
BP-A30 (provided with camcorder) / BP-A60
16.7 V DC
CG-A10
Movie recording, custom picture settings, metadata 2-slot
Recording of movies and photos (JPEG), custom pictures, metadata, menus and other data possible
Normal playback, fast forward (at speeds of 5x, 15x, 60x), fast reverse (at speeds of 5x, 15x, 60x), frame forward, frame reverse, forward skip, reverse skip, rec review
3x4 (clip) index screen [Original, OK mark, check mark, shot mark, expand, proxy, photo (SD card) index displays available
Clip metadata display, custom picture data display
Clip deletion, clip copying
GP-E1
WFT-E6/WFT-E8
7.1"
1920 x 1200
325
16:9 native
REC709 HDTV
3D LUT (.cube format)
2x, 1.5x, 1.33x, Panasonic 8:3
SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit
Yes
Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm
Sony SGamut / SGamut3 / SGamut3.cine, Canon Cinema / BT2020 / DCI P3 / DCI P3+, Panasonic V Gamut, Arri Alexa Wide Gamut
10-bit (8+2 FRC)
1500nit (+/- 10% at center)
Yes / Yes
Yes / Yes
1x HDMI (2.0)
Quad link 4 x 3G SDI or up to 12G single link SDI
Uncompressed true 10-bit or 8-bit 422 (camera dependent)
1x HDMI (2.0)
1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G
Uncompressed true 10-bit or 8-bit 422 (playback file dependent)
720p 50/60, 1080i 50/60
1080p 24/25/30/50/60/100/120/200/240
2160p 24/25/30/50/60
720p 50/60, 1080i 50/60
1080pSF 24/25/30
1080p 24/25/30/50/60/100/120/200/240
2160p 24/25/30/50/60
720p 50/60, 1080i 50/60
1080p 24/25/30/50/60/100/120/200/240
2160p 24/25/30/50/60
720p 50/60, 1080i 50/60
1080p 24/25/30/50/60/100/120/200/240
2160p 24/25/30/50/60
Sony FS700, FS-5, FS-7, FS-7MkII:
4K DCI; 24/25/30/50/60p
4K UHD; not supported in camera
2K; 24/25/30/50/60/100/120/200/240p
1080; not supported in camera
Canon C300MKII/C500 CDNG:
4K DCI; 24/25/30p
4K UHD; 24/25/30p
2K; not supported in camera 1080; not supported in camera
Panasonic VariCam LT, EVA1: 5.7K DCI; 24/25/30p (EVA1 ProRes RAW only)
4K DCI; 24/25/30/50/60p
4K UHD; 24/25/30/50/60p
2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera
24/25/30pSF > 24/25/30p (2:2 pulldown)
60i > 24p (3:2 pulldown)
Yes - Loop-out and playback (Not available in RAW)
2 or 8ch 24-bit, camera dependent
12ch 48kHz 24-bit
2ch balanced XLR analog in/out
Dynamic range >90dB
Max signal level +24dBu
Max analog gain +52dB
48V Phantom Power for Mic
Auto HDMI Trigger
Supported Protocols - Canon, Sony, Atomos Open Standard
SDI trigger camera selectable
LANC control - Slave
Yes / Yes / Yes
No support
All recorded files can playback. Playback in slow motion >= 100fps
All recorded files can playback. Playback in slow motion >= 100fps
Yes (HD 8s, 4K 2s)
Yes
Yes (10 tags available)
2.5" SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives
2.5" SATA to USB 2.0/3.0
Supported Applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+ EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / Autodesk Smoke 2015
FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools
10 - 33W
NP-F series and supporting accessories
6.2V to 16.8V
5200mAh - up to 1.5hrs (monitor & record 4K 30p)
7800mAh - up to 2.2hrs (monitor & record 4K 30p)
1 x DC in (6.2 - 16.8V)
Primary-secondary battery system
Change batteries without losing power
Loop batteries continuously
High quality lightweight ABS Polycarbonate for durability & portability
Built-in armor protection
Camera (WxHxD):
With Thumb Rest: 5.9 x 7.2 x 7.2" (14.99 x 18.29 x 18.29cm) (Approx.)
Shogun:
Recorder (WxHxD): 8.4 x 5 x 1.8" (21.34 x 12.70 x 4.57cm)
Master Caddy Case: 75 x 105 x 12mm (2.95 x 4.13 x 0.47")
Camera:
Body Only: 4.4 lbs (2.00kg)
Shogun:
Without batteries & media: 25.0 oz (708.74g)
With stand: 40.7 oz (1153.82g)
192223032255 | 013803269482 | 814164020718 | 814164020787

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100% worth it!
By Briton
It is so worth it. Sadly I had to sell my house, and I live in a cardboard box in nyc now to afford it. But great pictures!
Great Product
By Kirk S.
Upgraded from the C100 mkI to the Mk2 and love it. Functionally and design is still great, 4k was a great upgrade
- - Canon EOS C300 Mark II Camera - -
The EOS C300 Mark II Digital Cinema Camera is an evolutionary 2nd generation Cinema EOS 4K camera system with a wide range of new and improved features including 4K/2K/Full HD internal and external recording (including 4K RAW output) and a new 10-bit Canon Log 2 Gamma. This powerful new camera also features an expanded dynamic range of 15 stops, improved Dual Pixel CMOS Autofocus, innovative focus assist engineering and CFast recording technology. Redesigned with the help of user input, the EOS C300 Mark II Digital Cinema Camera helps to deliver more creative flexibility for professional studio motion picture production applications, as well as independent productions, TV dramas, commercials, news features, sports and more.
The EOS C300 Mark II Digital Cinema Camera integrates a re-designed imaging system of advanced components. These include a newly developed 8.85 Megapixel Canon Super 35mm 16:9 CMOS image sensor that supports up to 4K (DCI) recording with a maximum resolution of 4096 x 2160 pixels and a high-speed readout for reduced rolling-shutter distortion. Working in concert with its dual Canon DIGIC DV5 image processors, data from the 4K sensor delivers Over-Sampling HD Processing for reduced-moir 2K(DCI)/Full 1080-60p HD recording and Dual-Pixel CMOS Auto Focus with an expanded focusing area and Face Detection (in combination with Canon EF lenses).
The dual DIGIC DV5 image processors also help to reduce visual noise and enable high-sensitivity shooting at a maximum speed of ISO 102,400 (+54dB) for sharp, clear image capture using only ambient lighting. In addition to its sensor and processors, the EOS C300 Mark II camera also incorporates a trio of XF-AVC H.264 codecs that enable in-camera 4K (DCI) recording to dual CFast card slots and 2K/Full HD recording to an SD card slot. For external recording and monitoring, twin 3G-SDI outputs capable of 4K RAW output are included on the rear of the camera body Users can choose among multiple recording modes, resolutions and frame rates to meet their production needs.
Canon 8.85 Megapixel Super 35mm CMOS Sensor
The heart of any Canon camera is its superb image-sensor technology. The EOS C300 Mark II Digital Cinema Camera integrates an 8.85 Megapixel Super 35mm 16:9 CMOS sensor that supports 4K (DCI) recording with a maximum resolution of 4096 x 2160 pixels. The camera fully utilizes the image data delivered by this 4K CMOS sensor to also enable Over Sampling HD Processing for 2K (DCI) and Full HD1080/60p recording.
Each pixel in this CMOS imaging sensor also maintains a wide pixel pitch that maximizes the amount of light that falls on to each photo site, thus enhancing the EOS C300 Mark II's sensitivity while also minimizing noise and supporting ISO speeds of up to 102,400 for extreme low-light imaging. This sensor also reduces data-readout time to about half of what it was in the original EOS C300 Camera, which results in a significant reduction in rolling-shutter artifacts. The information yielded from the 4K sensor is fully utilized to enable high-image-quality 2K (DCI)/Full HD recording (Over Sampling HD Processing) and to support multi-purpose production needs.
Dual DiG!C DV 5 Image Processors
The EOS C300 Mark II Digital Cinema Camera's re-designed imaging system includes dual DiG!C DV 5 image processors, which work in concert with the camera's advanced Super 35 CMOS sensor and XF-AVC codec to enable a wide variety of image quality and feature improvements. These include 15 stops of dynamic range, Canon Log 2 recording, Dual Pixel CMOS AF, simultaneous 4K and HD proxy recording and 2K/Full HD frame rates of up to 120 fps.
Internal CFast 4K Recording Technology
CFast (CompactFast) 2.0 cards are the next-generation mass-storage media employed by the EOS C300 Mark II for in-camera 4K video recording. The EOS C300 Mark II Digital Cinema Camera features two CFast card slots, each of which is protected by a convenient hinged cover. The camera also includes an SD card slot for HD and Proxy recording. For example, the camera can simultaneously record 4K on two CFast (2.0) cards along with 2K proxy images on its SD card for off-line editing.
Canon Log Gamma 2/ACES/Rec. 2020 Support
The EOS C300 Mark II Digital Cinema Camera features a new log gamma designated as Canon Log Gamma 2, which was designed explicitly for the camera's 10-bit recording capabilities. The files produced using Log format are ideal for color correction/grading in post-production, providing users with a high level of creative freedom while minimizing degradation of image quality. When using Canon Log 2, the Cinema EOS C300 Mark II can provide a dynamic range up to 1600%.
Dual Pixel CMOS AF Technology
The EOS C300 Mark II Digital Cinema Camera features the newest generation in Canon Dual Pixel CMOS AF Technology. Each pixel in the camera's CMOS sensor is configured with two photodiodes. Two independent image signals can then be detected at each photo site. By implementing phase-difference AF, smooth focusing is accomplished using Canon EF lenses with much higher speed and accuracy than was possible with previous technologies. The DAF focusing area has been expanded on the EOS C300 Mark II Digital Cinema Camera to approximately 80% (vertically) x 80% (horizontally) of the image area. The focusing area can also be moved using the camera's 4-direction key, allowing the user more control of AF operation.
Dual Pixel Focus Guide
Utilizing the Dual Pixel CMOS AF information focus-assist information is displayed on the screen. It employs a truly innovative user interface that enables the user to see if they are focused in front of or behind the subject through visual observation and allows quick and accurate manual focus to be achieved.
Canon XF-AVC Codec
The EOS C300 Mark II Digital Cinema Camera incorporates the new Canon XF-AVC codec that allows 4K image data to be recorded internally onto CFast (2.0) cards. (The camera features two CFast card slots and an SD card slot.) This makes it easy for users to record high quality compressed 4K images in the camera body without the need for external recorders. If full uncompressed RAW recording is needed, the EOS C300 Mark II Digital Cinema Camera can output its signal through dual 3G-SDI outputs to an external recorder.
Slow- and Fast-Motion Recording (Up to 120 fps)
The EOS C300 Mark II Digital Cinema Camera features shooting speeds ranging from 1 fps (for time-lapse filming) to its highest speed of 120 fps (in 2K/Full HD). A wide range of expressive effects are made possible for creative digital filmmaking.
- - Shogun Inferno - -
Set your set ablaze with Shogun Inferno, the ultimate 7" HDR monitor/recorder. Record ProRes RAW, ProRes, DNxHR or CDNG.
Record ProRes RAW
Unlock the true potential of your RAW cinema camera with the Shogun Inferno. Preserve your sensor's pristine pixels in ProRes RAW at up to 5.7kp30, 4kp120 DCI/UHD and 2kp240 DCI/HD. CDNG supports up to 4kp30 DCI. Inferno is compatible with Sony FS series, Canon C300MKII/C500 or Panasonic EVA-1/Varicam LT.
10-bit ProRes/DNxHR up to 4Kp60
Video from any camera or digital video source can be captured via SDI or HDMI. Record up to 10-bit 4:2:2 in ProRes or DNxHR codecs at 4Kp60 or 2Kp240, depending on the camera's capability. The depth and quality of the image is preserved with data rates of up to 1.8Gbs, 220MB/s.
Bright, vibrant HDR images anywhere
The 7" 1920x1200 1500nit high bright HDR display allows you to see your images with unparalleled accuracy. Nail focus and exposure, even outside in daylight. The AtomHDR panel shows 10+ stops of HDR resolved in real time from RAW/Log/PQ/HLG sources.
Balanced XLR monitor & record
Eliminate the need for a separate audio recorder. Add 48V stereo mics via the balanced XLR breakout cable. Select Mic or Line input levels, record up to 12 channels of digital audio from HDMI or SDI. Monitor selected stereo via the 3.5mm headphone jack. There are dedicated meters, gain controls and adjustments for frame delay.
Professional monitoring tool
Shogun Inferno has extensive monitoring tools, including custom 3D LUTs, false color, peaking, movable 1-1 and 2-1 pixel magnification, waveform, RGB parade, vector scope. You can even calibrate for color accuracy.
Portable Playback Deck
The ultimate battery-powered playback deck, review and playout footage anywhere - scrub through, jog frame-by-frame and even watch back in slow motion. Metadata tag footage as you go to mark favorites, rejects and more. Bring your footage into your timeline and immediately filter your tags.
Quad SDI & HDMI 2.0 In/Out
Seamlessly connect any SDI or HDMI device for monitoring and recording. Cross convert between HDMI 2.0 and 1.5G/3G/6G/12G/Quadlink SDI in almost any combination and eliminate the need for specialist converters.
Edit HDR in the field
After shooting, immediately feed HDR into your Shogun directly from your Final Cut Pro X timeline using an I/O box for mobile HDR grading. We support any NLE or Grading suite that support our file formats - basically all of them!
- - Atomos Accessory Kit - -
The Atomos Accessory kit is the ideal companion to your Atomos Flame or Inferno Series monitor recorder. Providing all the accessories for your devices including 2x 5200mAh battery, fast charger, Dtap to DC cable, 4x Master Caddy, USB drive docking station and HDR sunhood. These fit into a custom black HPRC rugged case with shoulder strap and formed foam inserts.