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Review Summary
CMOS sensor (single-panel) equivalent to Super 35 mm
Approx. 9.84 megapixels (4206 x234O)
Approx. 8.85 megapixels (4096 x 2160): When 4096 x 2160 or 2048 x 1080 is selected as the resolution
Approx. 8.29 megapixels (3840 x 2160): When 3840 x 2160 or 1920 x 1080 is selected as the resolution
Canon EF mount [EF lens group supported (including EF-S lenses), EF cinema lens group supported]
Manual exposure based on shutter setting, iris setting, ISO/gain setting, and ND filter setting
Push auto iris control, auto iris control (Light metering system selection, shift possible)
Speed, Angle, Clear Scan, Slow, or Off mode selected
Either 1/3 or 1/4 steps selected as speed increment
1/2-stop, 1/3-stop or fine setting selected
(1) Push auto iris control
(2) Auto iris control *
* Available only with some EF lenses (to be disclosed in the official version of the technical document)
ISO: 1 step, 1/3 step settings [*100 - 160 - 25600 -*102400] *When the sensitivity is expanded
Gain: Normal [*-6dB - -2dB - 42dB - *54d8]
Fine: Setting in 0.5d8 step increments possible * When the sensitivity is expanded
5 density settings (2,4,6,8(*), 10(*) stops) [(*) when expansion is selected]
Motorized drive
DAF (Dual Pixel CMOS AF) supported Manual focus, one-shot AF, continuous AF, AF-Boosted MF, face detection AF (Only lenses that support AF functions can be used in any of these modes.)
4" (10.1 cm diagonal) color wide-screen LCD with 16:9 aspect ratio
Approx. 1.23 million dots (854 x RGB x 480), 100% field of view coverage
0.46" (1.18 cm on the diagonal), color organic EL display with a widescreen 16:9 aspect ratio
Approx. 1.17 million dots (1024 x RGB x 576), 100% field of view ratio
Kelvin setting (setting range: 2000K to 15000K), daylight, tungsten, settings (A/B)
Frame rate: 59.94 Hz, 50.00 Hz, 24.00 Hz
59.94 Hz mode 59.94i / 59.94P / 29.97P / 23.98P
50.00 Hz mode 50.00i / 50.00P / 25.00P
24.00 Hz mode 24.00P
CFast card: Movie recording, custom picture settings, metadata 2-slot
SD Card: Recording of movies and photos (JPEG), custom pictures, metadata, menus and other data possible
MPEG-4 AVC/H.264
Linear PCM (16bit/24bit- 48 kHz - 4ch)
MXF
Intra 410 / 225 / 210 / 110Mbps, LongGOP 50Mbps, LongGOP 35 or 24Mbps (for proxy recording on SD cards)
CFast card: Intraframe recording
Resolution : 4096x2160 / 3840x2160 / 2048x1080 / 1920x1080
Signal configuration : YCC422 10bit/(*)RG8444 (12bit/10bit) (*) Only with 2048x1080 or 1920x1080; 29.97P, 23.98P, 25.00P and 24.00P
LongGOP recording
Resolution : 2048x1080 / 1920x1080
Signal configuration : YCC422 10bit
SD Card: Movies: LongGOP recording only (*)
Resolution : 2048x1080 / 1920x1080
Signal configuration: YCC420 8bit
Photo: JPEG
Resolution : 2048x1080 / 1920x1080
(*) Proxy recording using low bit rate
Count-up: Drop frame(*) or non-drop frame
Operation mode: Rec run, free run, regeneration
(*) Only in the 59.94 Hz mode
Slow & Fast motion recording (max. 120 fps supported), frame recording, pre-recording, interval recording
Relay recording, double slot recording, 4K RAW output, custom picture settings, color bar, peaking display, zebra display, My Menu settings, waveform monitor display, edge monitor display, customized functions, function assignment buttons (1 to 11), key lock, marker displays, Enlarged display, custom display Browser remote control using WFT unit, peripheral illumination correction, monaural microphone, fan control, magnification chromatic aberration compensation, GPS information recording, etc.
Normal playback, fast forward (at speeds of 5x, 15x, 60x), fast reverse (at speeds of 5x, 15x, 60x), frame fonruard, frame reverse, forward skip, reverse skip, rec review
3x4 (clip) index screen [Original, OK mark, check mark, shot mark, expand, proxy, photo (SD card) index displays available]
Clip metadata display, custom picture data display
Clip deletion, clip copying
GENLOCK terminal (also serves as SYNC OUT terminal), TIME CODE terminal (input output switching), REMOTE terminal, MIC terminal, AUDIO terminal
MON.terminal, REC OUT terminal, HDMI OUT terminal, headphones terminal, SYNC OUT terminal (also serves as GENLOCK terminal), TIME CODE terminal (input output switching), VIDEO terminal
Expansion system terminal (WFT/other unit)
Input: INPUT terminal (XLR) x 2, VIDEO terminal
Output: AUDIO terminal
14.4V DC (battery pack), 16.7 V DC (DC-IN)
Dual Digic DV 5
660685196421
Required
Required
Canon introduces the EOS C300 Mark II Touch Focus Kit with a new set of included accessories, the highlight of which is the included 4" Touchscreen LCD Monitor (LM-V1), enabling touchscreen auto focus. Also included is the Canon MA400 XLR accessory, which is a separate XLR unit. Canon spent a lot of time rethinking how the C300 Mark II could be rigged using the LM-V1 Touch Screen LCD and the MA400 XLR accessory. Using these two accessories instead of the traditional "clamshell" Monitor/XLR unit allows for a more flexible and arguably more streamlined set-up.
Additionally, if a user doesn't need XLR, they can now rig the C300 Mark II with the LCD only, allowing for an incredibly small set-up. This also allows easier rigging with Gimbal Stabilizers. Top Handle is still included! The LCD and XLR accessory can be configured in many ways with or without the top handle.
Here are the new items included in this kit:
Canon LM-V1, Touchscreen LCD (the same unit included with C200)
Canon MA-400, XLR accessory
Camvate Mount To Shoe Adapter (C0993)
Manfrotto 492 LCD Micro Ball Head (492LCD)
(It does not include the C300 Mark II "clamshell" Monitor/XLR unit)
Canon 8.85 Megapixel Super 35mm CMOS Sensor
The heart of any Canon camera is its superb image-sensor technology. The EOS C300 Mark II Digital Cinema Camera integrates an 8.85 Megapixel Super 35mm 16:9 CMOS sensor that supports 4K (DCI) recording with a maximum resolution of 4096 x 2160 pixels. The camera fully utilizes the image data delivered by this 4K CMOS sensor to also enable Over Sampling HD Processing for 2K (DCI) and Full HD1080/60p recording.
Each pixel in this CMOS imaging sensor also maintains a wide pixel pitch that maximizes the amount of light that falls on to each photo site, thus enhancing the EOS C300 Mark II's sensitivity while also minimizing noise and supporting ISO speeds of up to 102,400 for extreme low-light imaging. This sensor also reduces data-readout time to about half of what it was in the original EOS C300 Camera, which results in a significant reduction in rolling-shutter artifacts.
Dual DiG!C DV 5 Image Processors
The EOS C300 Mark II Digital Cinema Camera's re-designed imaging system includes dual DiG!C DV 5 image processors, which work in concert with the camera's advanced Super 35 CMOS sensor and XF-AVC codec to enable a wide variety of image quality and feature improvements. These include 15 stops of dynamic range, Canon Log 2 recording, Dual Pixel CMOS AF, simultaneous 4K and HD proxy recording and 2K/Full HD frame rates of up to 120 fps.
Internal CFast 4K Recording Technology
CFast (CompactFast) 2.0 cards are the next-generation mass-storage media employed by the EOS C300 Mark II for in-camera 4K video recording. The EOS C300 Mark II Digital Cinema Camera features two CFast card slots, each of which is protected by a convenient hinged cover. The camera also includes an SD card slot for HD and Proxy recording. For example, the camera can simultaneously record 4K on two CFast (2.0) cards along with 2K proxy images on its SD card for off-line editing.
Canon Log Gamma 2/ACES/Rec. 2020 Support
The EOS C300 Mark II Digital Cinema Camera features a new log gamma designated as Canon Log Gamma 2, which was designed explicitly for the camera's 10-bit recording capabilities. The files produced using Log format are ideal for color correction/grading in post-production, providing users with a high level of creative freedom while minimizing degradation of image quality. When using Canon Log 2, the Cinema EOS C300 Mark II can provide a dynamic range up to 1600%. Users can now set the Canon Log 2 gamma profile which achieves a uniform output n a wide area of the log space making it easy to perform post-processing.
Dual Pixel CMOS AF Technology
The EOS C300 Mark II Digital Cinema Camera features the newest generation in Canon Dual Pixel CMOS AF Technology. Each pixel in the camera's CMOS sensor is configured with two photodiodes. Two independent image signals can then be detected at each photosite. By implementing phase-difference AF, smooth focusing is accomplished using Canon EF lenses with much higher speed and accuracy than was possible with previous technologies. The DAF focusing area has been expanded on the EOS C300 Mark II Digital Cinema Camera to approximately 80% (vertically) x 80% (horizontally) of the image area. The focusing area can also be moved using the camera's 4-direction key, allowing the user more control of AF operation.
The EOS C300 Mark II Digital Cinema Camera also offers Face Detection AF using Canon EF lenses in addition to providing this capability with existing STM lenses.
Dual Pixel Focus Guide
Utilizing the Dual Pixel CMOS AF information focus-assist information is displayed on the screen. It employs a truly innovative user interface that enables the user to see if they are focused in front of or behind the subject through visual observation and allows quick and accurate manual focus to be achieved.
Canon XF-AVC Codec
The EOS C300 Mark II Digital Cinema Camera incorporates the new Canon XF-AVC codec that allows 4K image data to be recorded internally onto CFast (2.0) cards. (The camera features two CFast card slots and an SD card slot.) This makes it easy for users to record high quality compressed 4K images in the camera body without the need for external recorders. If full uncompressed RAW recording is needed, the EOS C300 Mark II Digital Cinema Camera can output its signal through dual 3G-SDI outputs to an external recorder.
Slow- and Fast-Motion Recording (Up to 120 fps)
The EOS C300 Mark II Digital Cinema Camera features shooting speeds ranging from 1 fps (for time-lapse filming) to its highest speed of 120 fps (in 2K/Full HD). A wide range of expressive effects are made possible for creative digital filmmaking.
Multiple Recording Modes (HD/2K/4K)
Multiple recording modes, resolutions and frame rates make the EOS C300 Mark II Digital Cinema Camera creatively flexible and able to work in any production environment.
Fully Compatible with New and Existing EF-Mount Lenses
A major aspect of the creative filmmaking potential of the EOS C300 Mark II Digital Cinema Camera is its compatibility with the full range of more than 100 Canon EF and EF-S photographic lenses (including specialty tilt-shift and fisheye models) and Canon's 4K CN-E Cinema prime and zoom lenses (including the ENG-style" Canon CINE-SERVO zooms). Improved EF lens communication capabilities of the EOS C300 Mark II Digital Cinema Camera provide the display of CN-E Cinema lens T-values, compatibility with Dual-Pixel CMOS AF, lens metadata acquisition and chromatic aberration correction.
PL and Locking EF Mount Options
Users wishing to employ PL-mount lenses can convert their EOS C300 Mark II Digital Cinema Camera at a Canon Service Center. The EOS C300 Mark II can be modified at a later point in time for a fee by authorized Canon Cinema EOS service centers for users who prefer either locking EF mount or PL mount.
Versatile and Refined Ergonomics
The EOS C300 Mark II Digital Cinema Camera builds on the innovative and efficient ergonomic design of the original, while also providing new advantages. Redesigned from the ground up to maximize shooting comfort and usability improvements asked for by users, the EOS C300 Mark II Digital Cinema Camera's modular design allows different components to be added or removed as needed to not only meet the demands of a particular shooting envi