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Review Summary
The Canon EOS C500 capitalizes on the groundbreaking ergonomic design of the EOS C300 camera, and offers a new Super 35mm, 8.85-megapixel CMOS image sensor, DIGIC DV III Image Processor and an expansive range of recording and output options specifically for 4K and 2K image acquisition. Addressing the discrete needs of cinema and TV, the EOS C500 offers two forms of 4K origination - productions can dynamically select DCI (SMPTE 2048-1:2011 standard) or the alternative television-centric Quad-HD (SMPTE 2036-1:2009 and ITU-R BT.1769 standards) source image formats - and output a selection of 4K, 2K and HD digital sampling formats.
The EOS C500 features uncompressed Canon RAW output for both 4K and 2K recording. The Canon RAW output is delivered to external recording systems via built-in dual 3G-SDI ports. Dual uncompressed HD-SDI out ports supports external live monitoring. HD or 2K content can be written to dual onboard CF cards simultaneously to provide proxy video for offline NLE systems. Canon has collaborated with some of the most respected names in the industry to ensure the standardized 4K/2K output interfaces work with external digital recording units, portable and master monitors and color grading systems - affording maximum flexibility to production and post-production teams. Please Note: This item is not Returnable
Incorporating Canon’s revolutionary Super 35mm 4K CMOS image sensor, the EOS C500 Digital Cinema Camera offers a number of contemporary high-resolution motion imaging choices. The camera delivers uncompressed 2K or HD 4:4:4 RGB video components at up to 60 progressive fps, which are externally recorded. By employing the YCbCr component-video set at a 10-bit depth, the C500 extends that picture-capture rate up to 120 fps. The C500 camera also features a 4K imaging mode that delivers cinema-centric 4096 x 2160 format, or the TV-centric 3840 x 2160 UHDTV format (sometimes called QuadHD).
The EOS C500 fully supports both 4K and 2K image resolutions; as such, it is the ideal choice for demanding video productions across a wide gamut that ranges from high-quality commercials and TV dramas to motion-picture releases. A 4K workflow offers four times the resolution of standard high-definition acquisition, resulting in life-like theatrical presentations, a familiar, film-style workflow, full versatility during post-production, and added flexibility for visual effects.
The EOS C500 offers a range of 10- and 12-bit imaging modes. These comprise: 4K Output Priority Mode in resolutions up to 4096x2160 pixels; 2K Output Priority Mode in resolutions up to 2048x1080 pixels; and internal MXF File format recording up to 50 Mbps, utilizing MPEG-2 data compression at a variety of user-selectable frame rates and image resolutions. The C500 offers two forms of 4K origination. Users can dynamically select either the DCI source-image format – SMPTE 2048-1:2011 standard – or the alternative, TV-centric Quad-HD source-image format – SMPTE 2036-1:2009 and ITU-R BT.1769 standards.
The EOS C500 features a Canon-designed Super 35mm, 16:9 CMOS sensor with full 4K resolution capable of delivering pristine-quality, 8.85-megapixel images needed for commercial applications with minimal moiré and other artifacts. Based on the same technology as the well-received EOS C300, the EOS C500's High-Sensitivity CMOS image sensor has the additional ability to directly output full 4K, 10-bit RAW Bayered data through two dedicated 3G-SDI connectors. During data transfer, the uncompressed information from the EOS C500's 4096x2160 Bayer-type CMOS image sensor is read out and transferred as RAW data to the 3G-SDI output.
Capture images in 4K Cinema RAW or 4K Half Cinema RAW modes at frame rates up to, respectively, 60 fps and 120 fps, with 10-bit resolution. Two Bayer RAW modes are offered in a choice of Digital Cinema Initiatives/DCI 1.895:1 or Quad Full High Definition/QFHD 16:9 aspect ratios. 4K RAW data output from the EOS C500 image sensor can be recorded using about one-third of the space required for 4K RGB data, and Cinema RAW-based recording systems offer an enhanced degree of creative freedom during post-processing.
The EOS C500 features a log gamma setting that sets the camera to maximize dynamic range and provide wide exposure latitude. The files produced using log format are ideal for post-production processes where corrections, color matching and grading are applied. It provides users with a high level of creative freedom in post-production without substantially degrading the image quality. When using Canon Log, the EOS C500 can provide a dynamic range up to 800%.
Get full manual control of all functions, including iris, shutter speed, gain, zoom, focus and audio levels, thereby allowing the camera operators to adapt to both technical and artistic challenges during the shooting. For maximum customization, you have access to Custom Picture Settings, Custom Functions and Custom Display Options to tailor the EOS C500 precisely to your specific needs.
A versatile waveform monitor provides detailed analyses of both overall image brightness and RGB Components.
To check color balance and view the effects of white-balance adjustments, an on-board vectorscope displays real-time image hue and saturation analysis.
During internal CF recording mode, Slow and Fast Motion Mode records at a different frame rate than the playback frame rate for either a fast or slow motion effect. By recording real frames and modifying data playback rate, there is no overall quality loss due to interpolation; maximum image quality is maintained. In HD 1080 mode, fast motion is supported at up to 30-times normal rate and as slow as 1/1.25 sec.; in HD 720 mode, fast motion is supported up to 60-times the normal rate, and as slow as 1/2.5 seconds. In 4K/2K output modes the camera provides variable frame rate control that can be output to external recorders.
Works with all Canon EF lenses: compact primes, super telephotos, specialty Tilt-Shift, Macro and Fisheye lenses.
The EOS C500 comes complete with essential I/O interfaces via professional-grade BNC and multi-pin connectors
Ultra-High Resolution 1.55 Megapixel EVF with approx. 100% field-of-view coverage for accurate image composition, focus and color adjustment.
The EOS C500 can be used with the optional WFT-E6A Wi-Fi transmitter to provide unique capabilities not found in competitive units.
The Canon EOS C500 capitalizes on the groundbreaking ergonomic design of the EOS C300 camera, and offers a new Super 35mm, 8.85-megapixel CMOS image sensor, DIGIC DV III Image Processor and an expansive range of recording and output options specifically for 4K and 2K image acquisition. Addressing the discrete needs of cinema and TV, the EOS C500 offers two forms of 4K origination - productions can dynamically select DCI (SMPTE 2048-1:2011 standard) or the alternative television-centric Quad-HD (SMPTE 2036-1:2009 and ITU-R BT.1769 standards) source image formats - and output a selection of 4K, 2K and HD digital sampling formats.
The EOS C500 features uncompressed Canon RAW output for both 4K and 2K recording. The Canon RAW output is delivered to external recording systems via built-in dual 3G-SDI ports. Dual uncompressed HD-SDI out ports supports external live monitoring. HD or 2K content can be written to dual onboard CF cards simultaneously to provide proxy video for offline NLE systems.
Canon has collaborated with some of the most respected names in the industry to ensure the standardized 4K/2K output interfaces work with external digital recording units, portable and master monitors and color grading systems - affording maximum flexibility to production and post-production teams.
Please Note:
This item is not Returnable