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Review Summary
2026-07-20T20:00:00
After owning the fx3, a7siii and a74 for a span of 5-6 years now. I decided to switch to canon because I was blown away from the footage of a video subcontractor I used for a production of mine. The c50 has been a blast to own for the last month. Looking to buy a c80 possibly or r5c maybe as a b cam.
Tony R.

2026-07-13T20:00:00
Love this little camera and all of it's features. I never thought I'd buy a canon, but I am VERY impressed with this camera. I am moving from my RED Komodo and I needed a nice run and gun camera that I can quickly pickup and film with. I love the CFexpress support and there are a LOT of good YouTube videos explaining this camera.
MrYon

2026-06-05T12:24:45
I do love this camera. If you're coming from a R5c I don't personally know that the open gate is worth the upgrade but going from an R6 to this is a game changer. This thing is a work horse. I can shoot long form content with no issues whatsoever.
Justin K.
2026-05-06T16:29:54
The best camera what I had. 16 stops off dynamic range is the best
Yaroslav S.
2025-12-09T19:00:00
Canon is simply superb with the camera collection that they have right now. With this C50, its gonna be a next level.
NithinVadlamudi

2025-12-09T19:00:00
I feel the pain of the other user. I did have to wait a couple extra weeks for mine to deliver. I have it now and I'm in love
7FMedia

2025-12-08T19:00:00
Initially, the camera launch date was postponed from November 24 to December 9, and when December 9 arrived, the camera was simply unavailable. I simply do not understand how this is possible and what was the point of making an preorder if you are waiting for a camera that is constantly being postponed.
Aoki

2025-09-17T20:00:00
I really want this and maybe someone can give me one!
mark_1230

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Browse our FAQ
Black
1x Intelligent Hot Shoe
1x 1/4"-20
23 to 113 Degree F (-5 to 45 Degree C) at 60 to 85% Humidity
Full Frame:
Canon Log 2: 1600% / 15+ stops (at ISO 800)
Super 35mm:
Canon Log 2: 1600% / 16 stops (at ISO 800)
Canon RF
Yes: Cooke /i
Full-Frame CMOS
34.2 Megapixel (7144 x 4790)
No
No
No
Stills & Video
Electronic Rolling Shutter
1/16000 to 30 Seconds
Dual Base: 800 / 6400
Native: 100 to 25,600 (100 to 25,600 Extended)
Dual Base: 400 / 3200*
Native: 800 to 51,200 (800 to 102,400 Extended)
*Base ISO Is Dependent on Selected Color Space
16 Stops
Auto
Yes
Preset
Video Mode:
Daylight (5600K), Tungsten (3200K), Kelvin (2000K-15000K, 100K or 5-mired increments), Set A, Set B
Photo Mode:
AWB, Daylight, Shade, Cloudy, Tungsten, Fluorescent, Flash, Manual, Color Temp (100K increments)
Automatic, Continuous-Servo AF, Manual Focus, One-Shot AF
Raw 12-Bit
6960 x 4640 at 24.00/25/29.97/23.98 fps
6960 x 3672 at 23.98/50/24.00/25/29.97/59.94 fps
5036 x 2656 at 23.98/50/24.00/25/29.97/59.94 fps*
2524 x 1332 at 23.98/50/24.00/25/29.97/59.94 fps*
XF-HEVC S 4:2:2/4:2:0 10-Bit
6912 x 4608 at 24.00/25/29.97/23.98 fps
4096 x 2160 at 23.98/50/24.00/25/29.97/59.94 fps
3840 x 2160 at 23.98/50/24.00/25/29.97/59.94 fps
2048 x 1080 at 23.98/50/24.00/25/29.97/59.94 fps
1920 x 1080 at 23.98/50/24.00/25/29.97/59.94 fps
H.
Cinema RAW Light (CRM) / XF-AVC (MXF) / XF-AVC S (MP4) / XF-HEVC S (MP4)
Yes
Canon Log 2, Canon Log 3, Hyper Gamma
Stereo
Raw, XF-AVC: 4-Channel, 24-Bit at 48 kHz via LPCM Audio
XF-HEVC S: 2-Channel, 16-Bit at 48 kHz via AAC LC Audio
XF-HEVC S: 4-Channel, 24-Bit at 48 kHz via LPCM Audio
XF-AVC S: 2-Channel, 16-Bit at 48 kHz via AAC LC Audio
XF-AVC S: 4-Channel, 24-Bit at 48 kHz via LPCM Audio
RTP, RTSP, SRT, UDP
920 x 1080 at 50i, 50p, 59.94i, 59.94p (4.0 to 9.0 Mb/s)
Slot 1: SD/SDHC/SDXC
Slot 2: CFexpress Type B (CFast 2.0) [VPG-400 or Faster Recommended]
No
1x HDMI Output
2x XLR 3-Pin Mic/Line Input on Included Handle (+48 V Phantom Power)
1x 1/8" / 3.5 mm TRS Stereo Microphone Input on Camera Body (Plug-in Power)
1x 1/8" / 3.5 mm TRS Stereo Headphone Output
1x USB-C
1x 2.5 mm Sub-Mini (Remote) Control
1x USB-C (Ethernet, UVC 1.5) (Shared with Power Input)
1x DIN 1.0/2.3 (Timecode) Input/Output
1x Proprietary
Wi-Fi / 2.4 GHz Radio/RF / 5.8 GHz Radio/RF
Yes: Android & iOS
App Name: Canon App
No
Articulating 3" Touchscreen LCD
Canon LP-E6 Series
Required, Included
Lithium-ion
Non-universal
1
5.6 x 3.5 x 3.7" / 143 x 88 x 95 mm
8.7 x 9.4 x 7.3" / 222 x 239 x 186 mm (With Handle, Mic Holder)
23.5 oz / 665 g (Body Only)
2.4 lb / 1110 g (With Battery, Handle, Recording Media)
192223273276 | 013803389760 | 013803148381








Canon’s EOS C50 is designed to be the crossover between a hybrid camera and a Cinema EOS camera with a professional video workflow. This compact, Netflix-approved camera delivers advanced recording formats with professional audio options, powerful autofocus, and even high-resolution still images. When you can’t compromise performance but demand the most compact-sized body, the EOS C50 is the go-to choice for hybrid creators on nearly any production.
A newly developed 7K full-frame CMOS sensor sits at the heart of the EOS C50. This sensor is capable of producing incredibly low image noise and enables oversampled 4K recording that renders sharper footage with improved colors and reduced moiré. A full-frame sensor also offers a shallow depth of field and the cinematic perspective preferred by many pro-level filmmakers.
The C50 is Canon’s first Cinema EOS camera to offer Full Frame 3:2 Open Gate recording, making footage more versatile in post-processing for multiple aspect ratios. In today’s world, this means more possibilities for sharing in aspect ratios optimized for different platforms. When using anamorphic lenses or creating cinematic crops, this also provides the creator with additional flexibility.

Internal Cinema RAW Light recording is available up to 7K60p in 17:9, or up to 7K30p in the full 3:2 Open Gate mode, offering users maximum flexibility during color grading while maintaining smaller file sizes for faster file transfer and more footage on a single card. The EOS C50 can also capture oversampled 4K video, 4K120p, and simultaneous 2K crop recording to expand your post-production workflow. The EOS C50 supports both Canon Log 2 and Canon Log 3, allowing for maximum dynamic range while preserving highlight and shadow detail for professional color grading. Canon Log also integrates with other cameras in the Cinema EOS lineup, allowing you to use this camera on larger productions seamlessly.

The EOS C50 comes equipped with Canon’s Dual Base ISO technology to maximize image quality in a variety of lighting conditions. With a sensor that is optimized at two native sensitivity settings, noise is minimized while maximizing dynamic range in challenging light conditions.
Canon has opted to leverage its latest Dual Pixel CMOS AF II system that can provide fast and highly accurate autofocus with superb subject recognition. This allows the camera to detect and track eyes, faces, heads, bodies, animals, and vehicles while maintaining reliable focus throughout complex movements, even when a subject turns away from the camera. The EOS C50 also includes a Dual Pixel Focus Guide which provides users with front and back focus indicators that assist with manual focus pulls.

The EOS C50 is a true hybrid camera with a dedicated Photo mode that completely overhauls the interface based on Canon’s EOS R mirrorless cameras. By switching between cinema and photography modes, creators can capture professional-level video and high-resolution still images in one camera body. While shooting in photo mode, the EOS C50 captures 32MP images and can shoot at up to 40fps in burst mode. If you’re covering any project requiring both video and still images, the C50’s hybrid capabilities make it an excellent choice.

An included detachable top handle adds two full-size 3-pin XLR inputs with 48V phantom power, in addition to a dedicated record button and zoom rocker. An intelligent hot shoe also allows for wireless audio communication, and SRT protocols are supported for direct IP streaming of audio and video.

The C50 has internal support for anamorphic de-squeeze, allowing users to preview footage by toggling the de-squeeze options in the camera menu. There are five de-squeeze magnification options: OFF, 2x, 1.8x, 1.5x, and 1.3x.

Built-in Frame.io Camera-to-Cloud support allows footage to be uploaded directly from the camera for immediate collaboration. For large teams, this is crucial so that editors and production teams can review and begin working with footage as it is being shot to significantly reduce turnaround time.

Using Canon’s XC Protocol allows for remote camera control over IP using the built-in WiFi connection or a USB-C Ethernet adapter. Canon’s RC-IP100 and RC-IP1000 controllers can be used in addition to third-party remote control systems to make the EOS C50 suitable for live events and multi-camera broadcasts.
The EOS C50 comes with an RF mount, allowing it to be used on Canon’s impressive RF mirrorless lenses. It also supports PL cinema lenses through an optional PL-RF Mount Adapter. This adapter allows cinema lenses to transmit lens metadata directly to the camera, giving workflow advantages to professional productions that use this high-end cinema glass.
While we don’t typically see top-notch connectivity options on compact camera bodies, the C50 is an exception. Notable ports include a full-size HDMI output, USB-C, a DIN timecode terminal, microphone input/headphone output, remote terminal, and support for Ethernet connectivity with compatible USB-C adapters. Built-in WiFi further expands the capabilities for remote shooting and networking, making it versatile for nearly any project. Real-time IP streaming, UVC/UAC output, and remote control are available via WiFi or USB-C.
In addition to the compact size, the C50 has a few ergonomic features that are well thought out. Vertical shooting support has been designed to better serve today’s content creators with a dedicated vertical shooting interface. The C50 can output vertical-format crops simultaneously while recording 4K/UHD footage, making it versatile for producing multiple aspect ratios of the same clip in camera. A detachable handle unit provides additional connectivity and ports but can be removed easily for fast-and-light shoots. Dual card slots are also available and support simultaneous recording even when shooting in RAW codecs. One card slot supports CFexpress Type-B and the other supports UHS-II SD cards. Finally, a 3.0” 1.62m dot LCD touchscreen is fully articulating, making it easier to use at all angles while shooting.
The C80 is Canon’s premium compact full-frame cinema camera, while the C70 is an excellent Super 35 workhorse and the C50 is Canon’s smallest and most affordable full-frame cinema camera. All three cameras share Canon’s top-tier color science, RF mount, and pro cinema workflows, but they differ in sensor technology, recording capabilities, autofocus, and connectivity. The C50 is an excellent choice if you need a portable yet powerful sensor that can capture outstanding stills and video all in one camera.
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