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2 Year
$89.99
3 Year
$109.99
4 Year
$139.99
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Review Summary
2025-02-09T19:00:00
Camera arrived looking brand new, but after turning it on for the first time i noticed hundreds of little colorful dot all over the screen. I dont want to return it but now im stuck sending it in for screen repair and waiting even longet to actually enjoy the camera...im a little upset about that. I thought canons quality control would have been better.
tboscoe85
2025-01-08T19:00:00
My refurbished R10 arrived quickly and appeared to be in new condition. Where it excel, as many have noted, is with its auto focus. I'm using it with the RF100-400 and RF100-500 for bird photography. Where it comes up short is with the very loud mechanical shutter that is probably causing shutter shock that is responsible for some blurring in images. Using electronic shutter gets you the usual bending lines due to its slow read out speed. The kit lens is...really pretty mediocre. I'm hoping we'll get those higher quality third party lenses soon for our Canon RF-S cameras. Or, if Canon wanted to give us an update of their old EF 17-55 F2.8 that'd be even more awesome.
CraigC
2024-12-29T07:18:39
This is a nice APC setup for lighter, more compact carry situations. Still can use full frame RF lenses with the increased reach of a crop factor of 1.6 applied. Makes a good compliment to my full frame R cameras and is small enough not to be obtrusive in travel/vacation situations. God features for the most part. Would be nice if it had IBIS, but for this price, having stabilization on the lens works very well. Lens is plenty sharp and has a good range of focal lengths. Paired with a WA, makes a great travel setup with Canon quality and compatibility. Uses a different battery than my FF, but not a real big problem in general.
DENNIS Y.
2024-12-19T04:29:18
I am just learning about real photography, and the photos have all come out better than anything I have taken before. This is a great starter kit. I will upgrade and add to it as I learn more.
Neil M.
2024-11-21T19:00:00
unit was received damaged (LCD screen, more than 15 dead pixels) despite assurances that the refurbishment process would catch these issues. Returned for free through RMA process, but took nearly two weeks to get an RMA, label generated, and credit issued
RS1421
2024-10-21T20:00:00
I love this Camera! It's works great! Very lightweight and easy to carry around on vacation. It looks new out of the box. So far, all of my photos have been sharp and clear with the kit lens. I did own the 80D, but that camera was simply too heavy to lug around all day. I took some 4K60 videos, they are very clear and looks nice on my 4K tv. I don't mind the crop factor, I can work around that as I have the RF 10-18 on order. Overall, I'm really happy with this purchase I bought it on sale for $599.
MichaelC
2024-10-17T20:00:00
Great value. Takes great photos and it looks like it was completely unused. A few stuck pixels on the back screen, but pictures are perfect. And the stuck pixels are now only noticeable if you go looking for them. I'll certainly take that trade-off for buying refurbished at a substantial discount vs brand new. Can't speak to the kit lens as I purchased a faster lens in roughly the same focal range to pair with this camera. Still working through customization options and other features, but so far, I like what I've seen and I have no major complaints. I really appreciate how light the mirrorless bodies and lenses are together. I used to have a 77D and EF lenses - what a difference in weight!
JaB1
2024-09-25T20:00:00
I got one of these after using the same old Canon DSLR for about 14 years. I'm so happy with this camera, and it's convinced me that gear makes a difference. The game-changers for me are previewing the exposure of the image through the viewfinder, the autofocus (especially animal and eye detection), and the depth-of-field display simulation setting (you can see the depth of field constantly instead of having to hold down a button or review each image after taking it). The kit lens is lightweight and practical. The battery life is pretty great when taking photos, but it will run out quickly if you record long videos. No issues with the refurbished model-it looks and works like new.
crunchy_leaves
2024-09-20T20:00:00
The camera buying process is not an easy one. I was a bit of a newbie when I began my research, but I'd call myself an intermediate. I had done some photography using my school's cameras before, but this blew me away. I was worried this was too inexpensive compared to other higher-end alternatives, but I made the right decision. The camera is excellent for any type of photography. I have to do a lot of school sports, and I've never had any issues. The kit lens covers anything I need. I might get a zoom lens down the line, but for everyday use, it's fantastic. The automatic modes have improved so much on newer cameras that there's hardly a need to adjust many settings on your own. I think anybody who got this would love it, and I would buy this over any camera in this price range.
JackSnaps
2024-07-17T20:00:00
Great body, great workout ethics, strong and lean, fit for any adventure.
sonoflaw
2024-07-14T20:00:00
Great body, great workout ethics, strong and lean, fit for any adventure.
sonoflaw
2024-07-12T20:00:00
Camera bought in February 2023. I was actually contemplating the move to mirrorless for some time then (from trusty old 50D supplementing 5Dm2) and was evaluating whether I should get The R7 (which several people were discouraging me against) or R10. Eventually I settled for R10 reasoning it would be pretty much a stop-gap before I decide it is wirth to get a mirrorless FF camera. Boy, I was in for a surprise! Despite its price, the camera doesn't feel cheap in any way. Sure, it may not have weather sealing, nickel-alloy body, two card slots and a battery, that can be treated seriously, but what it offers is worth every penny. And it offers A LOT. For starters 12 fps burst rate with UHS-II compatible card slot when used wisely will let you forget there's actually buffer limit. And image quality is more than decent - maybe not perfect, but for the price you get a proven sensor, latest imaging processor and very fine focusing and subject tracking. In fact fine enough to ditch my DSLRs and use the camera for almost a full year. With RF 18-150 lens it weights barely over 1 kg. It has wireless connectivity out of the box and works excellent with remote control software. Also it can operate and charge from an USB power bank - and that alone makes that tiny battery far less of a burden to the point you actually stop caring. I also got it with EF mount ring which made the transition even smoother. Needless to say, it works perfect with every EF/EF-S lens I had. What I don't like: - RF-S lenses move vignetting to almost an artistic level. Sure, you can fix it in postprocessing - especially when you're shooting RAW mainly, but that requires lens definitions/references and they're NOT perfect as of yet (even Canon's own DPP software can get illumination correction VERY wrong); - the flash is a nice addition, but what R10 has is bare minimum and, as with many new Canon cameras, third-party lamps are pretty much hit-or-miss; - the camera is in general very responsive, but it does have a noticeable shutter lag and digital shutter is usable for static shots mostly - sensor readout is just too slow.
Rambo
2024-07-07T20:00:00
At the time I purchased, the R10 with RF-S 18-45mm kit was on sale for a lower price than body only which is why I bought it. I would otherwise not recommend the kit lens if you have other options as the 18-45mm is chintzy, dim, and really not wide enough for a standard zoom. If you stop down, the center sharpens up nicely, but the corners don't really and it is a very limiting lens. That said, the R10 is fantastic. Plastic fantastic, but still fantastic. It doesn't feel premium in any way, but it still feels like it will hold up to regular use. It's very compact and light, but quite capable with great autofocus and a comfortable hand grip and ergonomics with all the buttons and dials and joysticks and burst mode you expect from a more expensive camera. Image quality is really nice, too. My biggest wishes are for weather sealing so I could use it comfortably year-round in the Pacific Northwest, though Canon frustratingly doesn't really offer any compact weather-sealed lenses, for better battery life, and a quieter shutter. The mechanical shutter seriously is so loud and unpleasant, and the e-shutter is not very usable due to slow readout speed.
TGG
2024-04-27T20:00:00
Looks like new???Use it without any problem for weeks.really like it .
Neil
2024-04-16T20:00:00
Great light weight camera perfect for traveling or any activity that requires having a camera with you for a long period of time. Camera was packed perfectly and I could not tell that it was refurbished. Pictures have great color saturation with bright punchy exposures. A perfect experience dealing with Canon USA direct.
Moderntimes
2024-03-24T20:00:00
When they say there is no weather-proofing that's absolutely true, even to the point of humidity/fog. I'm unsure which, but it was never near water/rain, stopped working after a month and after going through the process of sending it in (which you pay for, even when within warranty), I was told there was evidence of corrosion. I received the camera back after almost a month within this process. I've been using another brand dslr for 12 years in all conditions, absolutely no issues. I was wanting to switch to Canon after a lot of reading, but I'll sell the lenses and go back to the other company I'm not allowed to name.
Notimpressed
2024-03-15T20:00:00
I previously reviewed this camera and only gave it 3 stars. One of my reasons for that rating was a problem I had with the R10 introducing chromatic aberration in JPEGs using my Tokina 10-17mm F3.5-4.5 Fisheye lens. Today I spoke with a Canon tech, and he instructed me how to correct the problem. Canon has no way for me to edit old reviews, so the best I can do is to make a new review. The tech instructed me to turn off lens aberration correction in camera menu 5. It was set to "standard" and the Camera said, "No Data, unable to correct". After I disabled this option, more options came up. Chromatic aberration was listed as "on". After I turned that option "off", the camera no longer introduces unwanted chromatic aberrations in JPEGs with my Tokina fisheye lens. Therefore, there is a way to fix the problem, it just requires more work. Canon has always had good technical service. That is very important with today's increasingly complex cameras. They are to be commended for that. I still have issues with the R10. They are mostly related to the small size of the R10. I keep hitting buttons I don't want to, and it is hard to use the very small knobs. The built-in flash is very underpowered and does not pop up very high, leading to the front of adapted lenses shading the built-in flash. The underpowered flash pushes the camera to use very high ISOs, which affects image quality. The R10 actually handles high ISOs pretty well, so most users will be pleased with their flash pictures. 3 of the 4 native RF-S lenses that Canon currently sells for the R10 are very slow (F4.5-6.3 or F5.0-7.1). I purchased the only native RF-S lens with a decent maximum aperture, the Canon 18-150mm F3.5-6.3. It covers a wide focal length range that covers most shooting situations. It operates well with the built-in flash. It is fairly heavy, so it unbalances the camera when hanging from my neck because the R10 body is so light. Adapted lenses are even more front heavy. Because of the very small selection of native RF-S lenses, and the very slow apertures of those that Canon does sell, I tend to usually use adapted DSLR lenses on the R10, which are out of proportion to the size of the diminutive R10. It is apparent that Canon wants to encourage users to use full frame RF lenses on the R10, hoping they will upgrade later to a full frame body. While I was hoping the R10 could replace my Canon 70D it really can't. The body is just too small, with all the problems I mentioned. It appears to be a replacement for the M cameras which Canon recently discontinued. This unfortunately leaves all Canon M customers with the unhappy prospect of starting a whole new system, because M lenses can't be mounted on RF or RF-S bodies & it leaves partial frame DSLR users, like me, with no good larger size mirrorless option with a decent built-in flash. When you do all or nothing thinking, you usually end up with nothing. Therefore, at the present time, the R10 is the best Canon mirrorless body available with a built-in flash, despite its weaknesses. The camera does take good pictures if the light is not too contrasty. It does not do well in contrasty light. It is a highly capable camera with many high-end features. The manual is over 900 pages. I am still learning how to use it after 5 months. if you have a lot of full frame EF mount DSLR lenses, the Metabones .71X Ultra Speedbooster works well with the R10, even off brand lenses. All 3rd party partial frame lenses come with EF mounts, not EF-S mounts so they also will work with the speedbooster & many even cover the full frame. The speedbooster compresses the image circle of full frame lenses to fit the smaller partial frame R10 sensor. Effective focal length range of the converted lens is very close to what you see in the viewfinder of a 35mm film camera, but it will be less than if you mounted the lens on a full frame mirrorless body, like the Canon R6 Mk II. Film camera viewfinders crop the image compared to what is recorded on the film. Film gets cropped when printed, scanned or mounted in slide mounts. The viewfinder shows you effective output. Mirrorless cameras, on the other hand, crop nothing, so they change the effective focal length range of full frame lenses compared to when used on a 35mm film body. A 28-80mm lens on a full fame mirrorless body will act like a 26-73mm lens on a 35mm film camera body. I prefer the output of the speedbooster, because it gives me almost identical results as when used on the 35mm film camera that I purchased those lenses for. The speedbooster is shorter than the Canon EF-RF adapter, thus I get no shading from the front of my 28-80mm full frame lens when used on the R10 with the built-in flash. The 1 stop aperture boost is a nice extra. Partial frame DSLR lenses used on a R6 Mk II get cropped to less than 10MP. On the R10 they are 24MP with the Canon EF-RF adapter, & full frame lenses are 24MP when used with the speedbooster. It is a win-win.
Wndml01
2024-03-13T20:00:00
I have had this camera about 5 months now. I have discovered most of its strengths & weaknesses. It is capable of excellent work under good lighting conditions; however, it struggles in contrasty light. Highlights get washed out & shadows are very dark. Detail can't be recovered Photoshop. Lightened shadows become gray & very grainy with no detail. Available light pictures have acceptable, but not great color under fluorescent lighting & highlights exhibit little detail. My main objections to the camera are related to its very small size. Canon currently only makes 4 RF-S lenses for it & 3 of the 4 are extremely slow (F4.5-6.3 or F5.0-7.1). I bought the 18-150mm lens because it was the only one with a decent aperture, F3.5 at wide angle. All the other RF-S lenses look like toys with dime sized front elements. Because the body is so small it is hard to use the small knobs & switches. I keep hitting buttons I don't want to, especially when I take vertical pictures. The built-in flash doesn't pop up very high & it is very underpowered. my partial fame Canon 70D's built in flash has 2 1/2 times the power. This makes the camera use very high ISOs for flash, which hurts image quality & flash range. It actually does better than I expected because the camera seems to handle high ISOs fairly well. Because of the limited lens selection of RF-S lenses, with most being horribly slow, I mostly use DSLR lenses with the EF-RF adapter. All my DSLR zoom lenses vignette with the built-in flash because it doesn't pop up high enough. Only my 22mm pancake doesn't vignette with the built-in flash. All these problems could have been avoided if the body were larger. Non-native EF & EF-S lenses with an adapter on such a small body create balance issues. Even the native EF-S 18-150mm lens balances poorly on the R10, because the lens is fairly long & it is pretty heavy. The biggest problem I found is that when I use my Tokina 10-17mm F3.5-4.5 fisheye lens & I take a picture with the EF-RF adapter the JPEG has serious chromatic aberration, but It is not coming from the lens. This lens works perfectly on my Canon 70D or if I use it with a Metabones Speedbooster on the R10, instead of with the Canon EF-RF adapter. There is no CA in the raw file. I will attach both pictures to illustrate this problem. The JPEG with CA is an, out of the camera, JPEG & the one with no CA is a JPEG converted from raw. I took the picture as Raw + JPEG. Both the Canon 10-18mm & 18-45mm RF-S lenses produce serious barrel distortion (& probably CA) that get corrected in-camera by the processing engine, when output as JPEGs. I learned this on reviews of those 2 lenses. Such an approach is less than ideal. A poor lens corrected digitally is not as good as a good lens that needs no correction. The R10 processing engine must be trying to correct non-existent CA in my Tokina lens & is therefore introducing CA as a result. That is the only way this can happen. I have shot professionally, so I am technologically proficient enough to shoot raw & convert the file to a JPEG to prevent this problem, amateurs are not. With the exception of the problems I mentioned, all my Canon EF & EF-S lenses & all my off-brand EF mount lenses work very well with the Canon EF-RF adapter. They all auto-focus well. All of my full frame Canon & off-brand lenses & 3 of my 4 off-brand partial frame lenses, that fill a full frame, work well using the Metabones Speedbooster on the R10. In fact some work better. My 28-80mm full fame kit lens does not vignette with the R10's built-in flash with the speedbooster because the speedbooster is shorter than the Canon EF-RF adapter & the 28-80mm full fame lens is shorter at wide angle than the partial frame equivalent 18-55mm lens is at wide angle. The R10 is a very complicated camera. The manual is over 900 pages, therefore it has a lot of capability, if you can master it. If the body were larger so it would balance well with adapted lenses so was easier to use with larger buttons & dials, it had a more powerful built-in flash & if it didn't have the CA problem with my Tokina fisheye lens I would give it a much better rating.
Wndml01
2024-03-11T20:00:00
After having taken a few hundred photos with this kit I am more than pleased with my purchase. Great kit.
TomS
2024-03-02T19:00:00
I bought the R10 with 18-150mm lens kit a month ago. The camera has a lot of nice features and in some circumstances takes amazing pictures. It does not do well in contrasty light, however. Highlights get washed out and shadows are really dark. Lightened the shadows in Photoshop just turns them gray. very grainy & reveals no details. But that is not the worst thing the R10 does. Now comes the ugly. When I use my Tokina 10-17mm fisheye partial frame sensor digital lens with the Canon adapter at 10mm it shows horrible chromatic aberration all across the frame at both wide & small apertures. This same lens exhibits no CA on my Canon 70D at 10mm or with my Canon 35mm camera at 15mm (the lens fills a full frame sensor at 15mm). I am attaching pictures to demonstrate this condition. I will try to include blow ups of the edge of the frame also. I have only seen this condition with my fisheye lens. It does not seem to happen with even my super wide Canon 10-22mm DSLR lens. The only way I found to use my Tokina zoom fisheye lens without this happening on the R10 is to use it with a Metabones Speedbooster with the lens zoomed to 14.5mm, instead of the regular Canon adapter. Then the images are the same coverage & look very similar to those that come out of my 20MP Canon 70D DSLR. This is obviously not caused by the lens or it would happen with my 70D at the same zoom setting. It does not. The R10 sensor is doing something weird. Incidentally, the Metabones produces amazing pictures with the R10 using full frame DSLR lenses of any make, including off brand Canon mount lenses sold for partial frame sensor DSLRs. Many of them fill a full frame sensor. It works perfectly with all my Canon EF, Sigma, Tamron & Tokina lenses with EF mount, including my Tokina zoom fisheye.
Wndml01
2024-02-19T19:00:00
It works beautifully, everything is so smooth. A. Definite upgrade from my dslr.
Adg
2024-01-19T19:00:00
I picked up this R10 w/lens kit for about half of the price of a new one. Having the 1 year warranty makes all the difference for peace of mind. I've bought multiple Canon refurbished cameras and lenses and have never had a problem.
Dan K.
2024-01-14T19:00:00
Bought this on year end sale. You can't beat $499 price. Excellent value. Handheld night shots are amazing.
NeoChase
2024-01-09T19:00:00
Bought this on year end sale for $499. Except the box, felt like a new camera is delivered. Camera is working perfectly.
Srihari
2024-01-05T19:00:00
Bought it during year end sale. Fast delivery and looks brand new!
Padellone
2024-01-04T19:00:00
And excellent budget mirrorless camera, especially if you can catch one on deep discount during one of Canon's refurbished sales. With excellent ergonomics (compared to the R100 or R50) and reasonable compactness, especially with the bundled lens, this camera can fit in larger pockets or medium to largish purses. If you're coming from a smartphone or older DSLR/mirrorless, the autofocus will seem magical with the way it can lock onto humans, birds, or general vehicles. Excellent quality video as well, up to 4K60fps, and no artificial limits on duration. Do note though that video options while in stills/photography mode are extremely limited, and the custom C1 & C2 dial settings can only be assigned to photo mode, not video: this means quickly switching between photo and (fully customized) video is not possible on the R10, which is extremely disappointing considering how easy it is on the R7. While the bundled RF-S18-45mm lens is serviceable and worth it if the price of this bundle isn't much higher than that of body-only, I would highly recommend considering the RF-S 18-150mm bundle instead, as that lens is superior optically and much more versatile.
A D.
2024-01-02T19:00:00
Great camera and even better value. Thank you Canon.
Milorad
2024-01-02T19:00:00
Camera was in perfect working condition and no signs of wear !
Matthias
2023-12-31T19:00:00
Its so so nice for video ?? and 499$ is a perfect price
Canonmen
2023-12-27T19:00:00
Purchased a refurbished R10 with 18-45 kit lens. All items were well packed and looked like new. If it had not been packed differently than new I would have never known it was used. I have bought quite a few items directly from Canon USA and I've never had an issue. Always excellent products, and quick shipping.
M S.
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Browse our FAQ
Digital single-lens non-reflex AF/AE camera
DIGIC X
SD card
SD card speed class-compatible.
Compatible with UHS-II
Eye-Fi cards and Multimedia cards (MMC) are not supported.
Canon RF-S/RF lens group (excluding EF, EF-S and EF-M lenses)
When using Mount Adapter EF-EOS R: Canon EF or EF-S lenses (excluding EF-M lenses)
Canon RF mount
CMOS sensor (compatible with Dual Pixel CMOS AF)
Approx. 24.2 megapixels
Approx. 22.3 x 14.9 mm
Approx. 3.72 microm square
Approx. 25.5 megapixels
3:2 (Horizontal: Vertical)
RGB primary color filters
Installed in front of the image sensor, non-detachable
Compliant to Design rule for Camera File system 2.0 and Exif 2.31.
Still: JPEG, HEIF, RAW, Dual Pixel RAW, Raw Burst, C-RAW (CR3); Movies: ALL-I, IPB, IPB Light
(1) 1 shot only
(2) Every shot
(1) Focus Bracketing
(2) Interval Timer
(3) Bulb Timer
(4) Multi-Shot NR
3:2 Aspect Ratio
Large/HEIF/RAW: 6000 x 4000
Medium: 3984 x 2656
Small 1: 2976 x 1984
Small 2: 2400 x 1600
4:3 Aspect Ratio
Large: 5328 x 4000
Medium: 3552 x 2664
Small 1: 2656 x 1992
Small 2: 2112 x 1600
RAW: 6000 x 4000
16:9 Aspect Ratio
Large: 6000 x 3368
Medium: 3984 x 2240
Small 1: 2976 x 1680
Small 2: 2400 x 1344
RAW: 6000 x 4000
1:1 Aspect Ratio
Large: 4000 x 4000
Medium: 2656 x 2656
Small 1: 1984 x 1984
Small 2: 1600 x 1600
RAW: 6000 x 4000
Simultaneous recording of any combination of RAW/C-RAW and JPEG/HEIF image-recording quality is supported.
Selectable between sRGB and Adobe RGB
Auto
Standard
Portrait
Landscape
Fine Detail
Neutral
Faithful
Monochrome
User Defined 1-3
Auto (Ambience priority/White priority)
Day Light
Shade
Cloudy
Tungsten light
White fluorescent light
Flash
Custom (Custom WB)
Color temperature
Option between ambience priority and white priority settings.
Blue/amber bias: +/-9 levels
Magenta/green bias: +/-9 levels
Corrected in reference to the current WB mode's color temperature.
Blue/amber and magenta/green shift can be set at the same time.
OLED color electronic viewfinder; approx. 2.36 million dots resolution
Approx. 100% vertically and horizontally relative to the shooting image area (with image quality L, at approx. 22mm eyepoint).
Approx. 0.95x / Approx. 28 degrees (with 3:2 display, a 50mm lens at infinity, -1 m--1)
Approx. 22mm (at -1 m-1 from the eyepiece lens end)
Approx. -3.0 to + 1.0 m-1 (dpt)
Dual Pixel CMOS AF
AF area: Horizontal: Approx. 100% x Vertical: Approx. 100%
Stills: Max. 651 zones (31 x 21)
Movies: Max. 527 zones (31 x 17)
EV -4 to 20 (f/1.2 lens, center AF point, One-Shot AF, at room temperature, ISO 100)
Full HD 29.97fps : EV -3.5 to 20
With an f/1.2 lens, center AF point, One-Shot AF,at room temperature, ISO 100
Whole area AF
Spot AF
1-point AF
Expand AF Area (Above, below, left and right/Around)
Expand AF Area: Around
Flexible Zone AF 1,2,3
People, Animals, Vehicles, No Priority
AF / MF
Applies when an RF or RF-S lens without a focus mode switch is attached.
When lenses with a focus mode switch are attached, the setting on the lens takes precedence.
Yes
Real-time metering with image sensor (384 [24x16 zone metering])
Evaluative metering
Partial metering (approx. 5.8% of the area at the center of the screen)
Spot metering (approx. 2.9% of the area at the center of the screen)
Center-weighted average metering
Still Photo Shooting : EV -2 to 20 (at room temperature, ISO 100)
Movie Recording: EV 0 to 20 (at room temperature, ISO 100)
Auto AE lock
The metering mode for AE lock after one-shot focus can be customized in the AE lock meter menu
User-applied AE lock
In the Fv, P, Tv, Av and M modes, enabled with the AE lock button. (Press again to update.)
Enabled in all metering modes.
Mechanical shutter & Electronic 1st curtain: 15 fps
Electronic shutter: 23 fps
Mechanical
Electronic 1st-Curtain
Electronic Shutter (1st and 2nd curtain - silent)
When [Mechanical] or [Elec. 1st- curtain] is set: 1/4000-30 sec, bulb
When [Electronic] is set: 1/4000-30 sec.
Mechanical Shutter: 1/200 sec.
Elec. 1st-curtain: 1/250 sec.
Soft-touch electromagnetic release
10-sec. delay, 2-sec. delay
Ambience priority, standard, flash priority
Yes
Canon EX- and EL-series Speedlites
Evaluative (Face Priority)
Evaluative
Average
Mechanical Shutter
1/200-30 sec. auto
1/200-1/60 sec. auto
1/200 sec. (fixed)
Electronic 1st curtain
1/250-30 sec. auto
1/250-1/60 sec. auto
1/250 sec. (fixed)
Provided for EX- and EL-series Speedlites
+/-3 stops in 1/3- or 1/2-stop increments
E-TTL each shot
E-TTL 1st shot
Dual Pixel CMOS AF II
Supported
+/-3 stops in 1/3- or 1/2-stop increments
Not supported
The camera warns of rising internal temperatures by means of icons and indicators.
Estimated recovery times are indicated below. These are affected by various factors such as ambient temperature, continued camera operation and the selected shooting resolution. The time until full record time is available, will vary with ambient temperature.
TFT color, liquid-crystal monitor
3.0-inch (screen aspect ratio of 3:2)
Approx. 1.04 million dots
Approx. 100% vertically/horizontally
Manually adjustable to one of seven brightness levels
29 (English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Ukraine, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Czech, Hungarian, Vietnamese, Hindi, Romanian, Turkish, Arabic, Thai, Simplified/Traditional Chinese, Korean, Malay, Indonesian, Japanese)
The white areas with no image data will blink.
Brightness and RGB
The Quick Control screen is accessed by pressing the Quick Control button during still photo shooting.
Single image (select image)
Select range
All images in a folder
All images on card
Unprotect all images on card
All found images (only during image search)
Unprotect all found images
Except protected images
Select images to erase
Select range
All images in folder
All images on card
All found images
Images can be sent via Wi-Fi to a PictBridge-compatible (Wireless LAN) printer and printed.
Compliant to DPOF Version 1.1
IEEE 802.11b/g/n
DS-SS modulation (IEEE 802.11b)
OFDM modulation (IEEE 802.11g/n)
2.4 GHz band
Frequency: 2412 to 2462 MHz Channels: 1 to 11 channels
Images can be viewed, controlled, and received using a smartphone.
Remote control of the camera using a smartphone is possible depending on the Camera Connect specifications.
Images can be sent to a smartphone.
Firmware can be downloaded and saved to a card in the camera using Camera Connect.
The camera can be controlled via Wi-Fii using EOS Utility.
Supported.
Still photos (RAW, C-RAW, HEIF, and JPEG) and movies (MP4) can be uploaded to image.canon server album.
With the image.canon server, images can be sent to social media or a photo album link can be sent (by the image.canon specifications).
Bluetooth Specification Version 4.2 compliant (Bluetooth low energy technology)
GFSK modulation
Hi-Speed USB (USB 2.0) equivalent
Terminal type: USB Type-C
For computer communication / smartphone communication
USB battery charging / camera power supply
HDMI micro OUT terminal Type D (Resolution switches automatically) / CEC not compatible
Images can be displayed through the HDMI output and on screen at the same time.
Images will not be displayed unless (NTSC) or (PAL) is properly set according to the video system of the TV set.
Provided
3.5mm diameter stereo mini jack
Not Supported
Remote Switch RS-60E3 type terminal supported
Compatible with the Wireless Remote Control BR-E1
Supported
LP-E17
With the USB Power Adapter PD-E1, in-camera charging is possible when camera is off.
Automatic battery check when the power switch is turned ON.
Displayed in 4 levels
Approx. 0.4 sec.
Based on CIPA testing standards.
32-104 Degree F (0-+40 Degree C)
85% or less
Required, included
Lithium-ion
LP-E17
1
Approx. 4.82 x 3.46 x 3.28" (122.5 x 87.8 x 83.4mm)
Approx. 13.48 oz (382.15g) (Body Only)
Approx. 15.14 oz (429.2g) (With battery and Memory Card)
18-45mm
f/4.5 - f/32
RF Mount
Canon EOS R-series, APS-C and full-frame (automatic APS-C sensor cropping if used on full-frame EOS R-series cameras)
0.20m (at 18mm)
0.16x (at 45mm)
Approx. 153 x 102mm (at 18mm) to approx. 137 x 92mm (at 45mm)
Approx. 74 Degree 20' - 33 Degree 40'
7 elements in 7 groups
2x Aspherical elements
Canon SSC (Super Spectra Coating)
1.92" (49mm)
7
4 stops correction with In-lens Optical Image Stabilization (6 stops correction with EOS R5 in-body coordinated Image stabilization)
Canon STM (Leadscrew type STM)
Yes
(Supports both ONE SHOT AF and SERVO AF with compatible EOS R-series cameras)
EOS R - Approx. 80% x 80%
EOS R5 - Approx. 80% x 80%
EOS R7/R10 - Approx. 100% x 100%
Dual-function Manual focus ring / Control Ring (selected using camera menu)
Electronic ring system
Full-time Manual focus possible
No physical limit to ring rotational angle
None - focus mode selected in camera menu
None - must be selected in camera menu
None
Distance scale available in EVF or Live View LCD screen of compatible EOS R-series cameras
None
None
Approx. 2.7 x 1.7" (68.9 x 44.3mm)
Approx. 4.6 oz (130g)
192223221741, 013803343502, 619659188801, 811709010548, 840014139958, 192223084001
Novice DSLR user has found the right camera
By KC C.
First, I'm a beginner using a digital SLR (was a Canon SLR devotee for decades), but just spent 2 weeks with it in the US SW. There is an early learning curve, but once certain buttons, settings and vocabulary were understood, its use was easy. Tried some settings, the info displayed is helpful and I did get some interesting photos. Plus, it was quickly obvious the ability to take multiple albeit slightly different angles of the same scene was fun. I think it will be interesting to simply t...
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Incredible Entry Mirrorless Camera for Vacations!
By HV88
As someone who hasn't owned a true camera in over a decade and strictly relied on a cell phone for all my photography, I forgot how much of a difference proper photography equipment makes. With covid restrictions loosening up and vacation travel becoming easier, I bought this camera as a nice entry level mirrorless camera for my first vacation to Costa Rica. First thing that popped out at me was just how compact this camera was. Packing and carrying this camera around is a breeze! The kit len...
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About The EOS R10 Mirrorless Camera with RF-S 18-45mm f/4.5-6.3 IS STM Lens
What sets the EOS R10 Mirrorless Digital Camera Body apart is its fusion of high-quality imaging and advanced technology, tailored for content creators eager to elevate their visual storytelling. The camera boasts a robust 24.2 Megapixel CMOS (APS-C) sensor, ensuring each image is captured with stunning resolution, whether you're shooting in the bright light of day or under the stars. The EOS R10's prowess extends to its high-speed shooting capabilities, with a 15 FPS mechanical shutter that freezes fast-moving subjects in razor-sharp detail, making it an ideal choice for sports, wildlife, and candid street photography.
The EOS R10's innovative DIGIC X image processor not only empowers 4K video capture but also excels in noise reduction, allowing for continuous shooting without compromising on image quality. This mirrorless marvel is designed with a sleek, lightweight body, making it a versatile companion for creators on the go. Its compatibility with Canon's extensive range of RF-S, RF, EF, and EF-S lenses, including the use of the Mount Adapter EF-EOS R, means the EOS R10 is not only backward compatible but also future-proof.
Canon's Dual Pixel CMOS AF technology, renowned for its smart, speedy autofocus, is integrated into the EOS R10, featuring people, animal, and vehicle subject detection. This ensures your subject remains in clear focus, even amidst the most dynamic scenes. For videographers, the EOS R10 offers optimized video features, including Movie Servo AF for professional-grade 4K video capture, subject detection, and tracking, ensuring your footage is both sharp and cinematic.
The accompanying RF-S 18-45mm f/4.5-6.3 IS STM Lens is a testament to Canon's commitment to innovation and versatility. Designed specifically for smaller APS-C sensors, this lens provides a standard zoom range (35mm equivalent of 29-72mm) in a compact form factor, perfect for everyday use. Its retraction mechanism and lightweight design make it an excellent choice for photographers seeking quality without the bulk.
The lens's lead screw-type stepping motor (STM) delivers smooth, quiet autofocus, ideal for capturing video with minimal background noise. Optical Image Stabilization offers up to 4 stops of correction, and when used with a compatible EOS R camera featuring In Body Image Stabilization (IBIS), the Coordinated IS can provide up to 6 stops of correction. This advanced stabilization system ensures sharp images in various lighting conditions, reducing the need for a tripod.
The RF-S 18-45mm f/4.5-6.3 IS STM Lens also features two aspherical elements and Canon's Super Spectra Coating, which work together to produce high-quality images with minimal aberrations and flare. This lens is not just a tool but an extension of your creativity, ready to capture life's fleeting moments with clarity and precision. Whether you're exploring the great outdoors or documenting the everyday, the EOS R10 with the RF-S 18-45mm lens is your reliable partner in creative expression.
About The Extreme PRO 64GB UHS-I U3 SDXC Memory Card
It's time to elevate your creativity with the SanDisk Extreme PRO 64GB UHS-I U3 SDXC Memory Card, our most potent SD UHS-I memory card to date. Designed for high-performance photography and videography, this card boasts shot speeds of up to 90MB/s and UHS Speed Class 3 (U3) recording. This enables you to capture stunning, high-resolution, and stutter-free 4K UHD video, making it an ideal choice for professional photographers and videographers.
Experience the advantage of faster post-production workflows with transfer speeds reaching up to 200MB/s, thanks to SanDisk's QuickFlow Technology. When paired with the SanDisk Professional PRO-READER SD and microSD (sold separately), you can achieve maximum transfer speeds, optimizing your workflow efficiency.
The SanDisk Extreme PRO SD UHS-I card is not just about speed; it's also about capturing the action as it unfolds. With shot speeds of up to 90MB/s, you won't miss a beat, making it perfect for action photography and live events.
For those who require speed for 4K UHD video capture, this card delivers. Its high-performance capabilities ensure stunning, uninterrupted 4K UHD video capture, meeting the demands of professional videography.
Rated UHS Speed Class 3 (U3) and Video Speed Class 30 (V30), this memory card is designed for sequential burst mode shots. Capture every moment without missing a beat, making it ideal for fast-paced photography sessions.
Durability is a key feature of the SanDisk Extreme PRO SD UHS-I card. Built for and tested in harsh conditions, it's temperature-proof, waterproof, shock-proof, and x-ray-proof. Whether you're shooting in the desert or the Arctic, this card is designed to withstand the elements.
Additionally, the card includes an offer for RescuePRO Deluxe 2-year data recovery software. This feature allows you to restore images you accidentally deleted, providing an extra layer of security for your precious memories. With the SanDisk Extreme PRO 64GB UHS-I U3 SDXC Memory Card, you can trust in reliable, high-speed performance, and durable construction.
About The Alpine 160 Multi-Device Shoulder Bag
The Slinger Alpine 160 Multi-Device Shoulder Bag is a 'just-right', ready-for-action with instant access to camera and video gear. Compact in design yet rich with space to fit a DSLR of MSLR with a spare lens and flash or house a moderate video camcorder with accessory light. Lightweight and perfectly balanced, this bag combines all the elements of a backpack providing secure and easy access to gear. All the while, keeping organized with flexible, 3 cushioned Velcro dividers to customize the plush interior partitions that protect equipment. Fashioned with staunch fabrics and water-resistant materials, oversized nylon closures, the Alpine series is tailor-made to hold everything a traveling photographer might dream up: a mirrorless camera and lens, a video camera, a snappy superzoom travel camera, plus essential belongings. The top lid zippered mesh windowed compartment house delicates like SD cards and filters. Slinger has got you covered - a great camera bag if you're looking for something less bulky for those more casual photo excursions - and adorned in the Slinger black and tangerine theme.
About The 49mm Digital Essentials Filter Kit, with Ultra Violet (UV), Circular Polarizer and Neutral Density 2 (ND2) Filters, with Case
Where clarity meets creativity, the ProOptic Digital Essentials Filter Kit stands as an indispensable trio for photographers aiming to elevate their image quality. This comprehensive kit includes three essential filters, each serving a unique purpose to enhance your photography.
The Ultra Violet (UV) Filter is a staple for any outdoor photographer. By absorbing the ultraviolet rays that naturally fill the atmosphere, it ensures your outdoor photographs are crisp and clear, free from the haze that can often diminish the impact of a great shot. This multi-coated UV filter is not only beneficial for color photography but also for black and white imagery, maintaining the true balance of your scene without affecting exposure levels. Acting as a shield, it also offers invaluable protection for your lens against scratches and damage, extending the life of your valuable equipment.
Next in the kit is the Circular Polarizer (CPL) Filter, a tool that significantly reduces glare and reflections from non-metallic surfaces, enhancing the natural colors and contrast in your images. Ideal for capturing the vividness of skies, the richness of foliage, or the clarity of water, the CPL filter allows you to control the amount of polarization with a simple rotation. This flexibility enables you to achieve the perfect balance between the subject and its surroundings, adding depth and dimension to your photographs. The filter's variable effect, with a factor ranging from 1.25x to 2x, provides versatility without compromising on the quality of metallic surfaces or flash photography.
Completing the set is the Neutral Density 2 (ND2) Filter, an essential component for managing light in bright conditions. By evenly reducing light entry without altering color, the ND2 filter opens up new possibilities for achieving a shallow depth of field or capturing motion with elegance and precision. It's an invaluable asset not only for photographers but also for filmmakers who require control over their exposure settings. With a filter factor of 2x, it effectively reduces light by one f/stop, allowing for the use of high-speed films or digital settings in well-lit environments.
Each filter in the ProOptic Digital Essentials Filter Kit is crafted with high-quality components, from optically precise elements to lightweight yet durable metal rims, ensuring compatibility and performance with today's multi-coated lenses. Whether you're capturing a serene beach sunset, experimenting with creative compositions, or shooting in challenging light conditions, this versatile, easy-to-use, and high-quality filter kit is an affordable solution for photographers and videographers seeking to enhance their craft.
Encased in a protective carrying case, these filters are ready to accompany you on your photographic journey, ensuring that you're prepared to capture every scene with the utmost quality. Choose the ProOptic Digital Essentials Filter Kit for a reliable and creative addition to your photography gear.
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