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Review Summary
2025-09-15T12:48:53
The best gear
DANIEL M.
2025-09-13T20:00:00
Since I bought this lens it's pretty much everything I use for most of the time. I do primarily events and with this lens I pretty much never need of another body or another lens. Quality of the image is very good. Of course the cons are the size and the weight but you get used to it. I also use it for portrait, fashion and products.
MarcoG
2025-04-03T20:00:00
This is an amazing lens. I haven't had a chance to use it in the field yet, but I am eager to make it happen.
Derrick S.
2025-03-16T20:00:00
Amazingly reliable intake great shots I love it The ergonomics is beautiful the technology is amazing
Ahrnbohotos
2025-03-02T01:52:33
I bought this one to exchange the EF version (28-70L II) of the lens, however, I couldn't find any benefit doing so. The RF 24-105mm is an exceptionally expensive gear, with the same 2.8 aperture, which makes it boring. The design is full plastic that is very prone to scratching and attracts fingerprints. Also, there is no metric indicator about the focusing distance (as opposed to the EF version), which makes it very difficult to focus manually. All in all, the worst investment you could make!
Marton O.
2025-01-17T04:32:34
Amazing, who needs another lens. It's a little weird when shooting people close up, too big, but it's the lens that lives on my camera. Sharp, Great.
Douglas M.
2025-01-06T09:07:03
I am a part-time pro photographer, and this lens does 90% or more of what I need. The quality and sharpness are incredible. Autofocus is fast ane reliable. I love the internal zooming, and the overall build quality is superb. It is not a light lens, but with its coverage, I don't need to swap lenses during any of my event shoots. It is a bit overkill for my studio work, but I sold my Sigma EF 24-105 f/4 Art to get this lens, and I don't regret it one bit. I love that the foot is removable, allowing you to remove it without removing the lens or the entire collar. I've just started doing video work, and I like having the aperture ring on the lens because adjusting it causes much less shake in the camera when I record.
Trevor Y.
2024-11-20T06:45:33
Great lens for video. Typically I will bounce around between a 15-35, 24-70 or a 70-200 for my typical shoot. However, with this new lens I go to it every time and will rarely switch. I currently pair it with my R5C and will try it on my Komodo soon but It is a one and done lens. The only con I would say, which is what everyone says, Is its big. Its not heavy though. But it is about the size of a 70-200 EF lens which I would normally run around with from time to time so it didn't bother me much. I would say if you are cool with the size and like internal zooming go for this but if not go for the 24-70 or 28-70.
Robert B.
2024-11-14T17:50:19
I had the opportunity to use this lens in February 2024 for a week. I was pleasantly surprised that I never took it off my R5. I loved it! in April it became available to purchase again so I bought it. It still holds residence on my R5. Sharpness is phenomenal! 95% of my work is shot on this lens now.
Ellie B.
2024-05-05T08:35:23
Have had the canon 24-105 2/8 for a few weeks - It is everything that I thought it would be .It is a combination of the 24-70 and the 70 -200mm -It is a great low light Lense I shoot photos for the Iridium in New York City the Home les Paul -It allows me to shoot the entire night of images with one Lense. A great advantage
ARNIE G.
2024-04-19T08:29:30
Like many people, I've been waiting for this lens for my entire career. Instantly the ultimate "walk around" lens. I'm not a small person and my hands are large, so I don't mind the size & weight of this lens. I understand how this would be a factor for some. But for me, it feels...right.
JESSE L.
2023-12-20T13:30:09
Pretty Good! First Impressions: Straight out of the box, the lens's build quality struck me. It's a solid piece of gear, typical of Canon's L-series, with dust and moisture resistance, making it reliable for outdoor shoots. It's a bit on the heavier side at 1330g, but when paired with a camera like the EOS R5, the balance is spot on. Design and Handling: The lens doesn't extend when zoomed, a feature I appreciate for both practicality and aesthetics. The inclusion of four control rings (including a stepless aperture ring) adds to the user experience, especially for videographers. The 11-blade diaphragm is a bonus, contributing to that creamy bokeh effect we all love. Optical Performance: With 23 elements, including four ultra-low dispersion lenses, the image clarity is remarkable. The f/2.8 aperture is a game-changer for low-light scenarios and achieving a shallow depth of field. Canon's Air Sphere and Super Spectra coatings are effective in minimizing flare and ghosting, ensuring crisp images even in challenging lighting. Video Features: As a hybrid lens, it's tailored not just for photography but also for video production. The electronic parfocal design and focus breathing suppression are big pluses. The stepless aperture ring, although only operational in video mode at launch, is a feature I found incredibly useful. Image Stabilization: This is where the lens really shines. With up to 5.5 stops of stabilization (8 stops with an IBIS-equipped body), shooting handheld in low light or capturing stable video footage becomes significantly easier. Extras: The compatibility with Power Zoom Adaptors (PZ-E2 and PZ-E2B) is intriguing, especially for video production, though they come at an extra cost. Conclusion: The Canon RF 24-105mm F2.8 L IS USM Z lens is a formidable tool, especially for event and wedding photographers/videographers who need that extra reach beyond 70mm. While its size and weight might be a consideration for some, the optical performance and versatility it offers make it a worthy investment for professionals.
Blain J.
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Canon RF Mount
Full Frame
24-105mm
Auto Focus
f/2.8
Standard Zoom
with Filter Kit
Designed For Use With: Canon EOS R, Canon EOS R1, Canon EOS R3, Canon EOS R5, Canon EOS R5 Mark II, Canon EOS R6, Canon EOS R6 Mark II, Canon EOS R8, Canon EOS RP
Compatible With Restrictions: Canon EOS R10, Canon EOS R50, Canon EOS R7
Canon RF
Dustproof/Splashproof, Weather Resistant, Image Stabilization
82mm
17.7" / 45cm
82 mm (Front)
5.5 Stops correction with In-lens Optical Image Stabilization (8.0 stops correction with EOS R series in-body coordinated Image stabilization)
84° to 23° 20
0.08x (at 24 mm), 0.29x (at 105 mm)
4 UD elements, 3 Aspheric elements
Canon SSC (Super Spectra Coating), ASC (Air Sphere Coating), Flourine coating
Yes (Full Weather Sealing)
2.9 lbs (1.33kg)
3.5 x 7.8" (88.5 x 199mm)
192223250291, 013803371086, 4719850594343, 840014139958, 049383206685, 884613258726
* If using a APS-C Lens on a Full Frame Camera OR Full-Frame Lens on a APS-C Camera then Image sensor will be narrowed down to APS-C size.
For any questions about compatibility with this product, call us at 800-223-2500 or you can email us any time.
Pretty Good
By Blain J.
Pretty Good! First Impressions: Straight out of the box, the lens's build quality struck me. It's a solid piece of gear, typical of Canon's L-series, with dust and moisture resistance, making it reliable for outdoor shoots. It's a bit on the heavier side at 1330g, but when paired with a camera like the EOS R5, the balance is spot on. Design and Handling: The lens doesn't extend when zoomed, a feature I appreciate for both practicality and aesthetics. The inclusion of four control rings (inc...
View full Review
Perfect for events and portraits
By MarcoG
Since I bought this lens it's pretty much everything I use for most of the time. I do primarily events and with this lens I pretty much never need of another body or another lens. Quality of the image is very good. Of course the cons are the size and the weight but you get used to it. I also use it for portrait, fashion and products.
For professional photographers and videographers seeking a versatile and high-performing lens, the RF 24-105mm f/2.8 L IS USM Z Lens is a groundbreaking choice. As the world's first lens to offer a 24-105mm focal length combined with a consistent f/2.8 aperture, it provides exceptional full-frame coverage and the ability to zoom beyond the traditional 70mm limit to a true portrait-length 105mm.
This lens is a comprehensive solution for a wide range of applications, including weddings, events, photojournalism, portraiture, studio work, and video creation. Its superior optical performance, facilitated by the large diameter RF mount and short back focus, ensures a maximum aperture of f/2.8 across its entire zoom range. This feature allows continuous shooting up to the frequently used 105mm without the need for lens switching, expanding your creative possibilities for both photo and video shooting.
The RF 24-105mm f/2.8 L IS USM Z Lens also supports optional Canon Power Zoom Adapters, bridging the worlds of photography and film. These adapters enable smooth, high-precision zoom control during video shooting, with easy attachment and detachment without the need for special tools.
Boasting eleven aperture blades and a large f/2.8 aperture, this lens produces a beautiful, almost circular bokeh effect, even when stopped down. The wide aperture also enables faster shutter speeds in low light situations, helping to prevent subject blur.
Equipped with an iris ring for precise lens aperture control, the RF 24-105mm f/2.8 L IS USM Z Lens offers video users manual control over exposure adjustment and the degree of background blur. This lens also features a minimum focusing distance of approximately 1.5 ft., allowing you to get close to your subjects and capture subtle details more expansively and clearly.
For consistently sharp results, this lens features built-in optical Image Stabilization, providing enhanced shake reduction for up to 5.5 stops of shake correction. When paired with an EOS R-series camera with In Body Image Stabilization (IBIS), the Coordinated IS allows for up to 8.0 stops of correction.
The RF 24-105mm f/2.8 L IS USM Z Lens also features two Nano USM (ultrasonic motors) focus drive system, powering both its autofocus and its "floating" optics to ensure maximum image quality.
Designed with a fixed-length lens barrel and balanced center of gravity, this lens offers excellent handling for any shooting style. It also comes with a tripod mount that can be easily attached and detached with a lock release button, without the need for special tools.
Built to last, the RF 24-105mm f/2.8 L IS USM Z Lens boasts the durability and endurance expected from an L-series lens. Weather-resistant sealing is applied to areas such as the operation rings and switch panel to help prevent water and dust from entering the unit. A fluorine coating is applied on the front lens to prevent water, oil, and other surface residue like fingerprints from sticking to the lens, facilitating quick and easy cleaning without the use of solvents.
This bundle also includes Hoya 82mm UV and CPL Filters, enhancing your photography experience by protecting your lens and improving image quality. The UV filter shields your lens from harmful ultraviolet rays, while the CPL filter reduces glare and reflections, ensuring your images are clear and vibrant.
In summary, the RF 24-105mm f/2.8 L IS USM Z Lens and Hoya 82mm UV and CPL Filters bundle is a comprehensive solution for photographers and videographers seeking superior performance, versatility, and durability.
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