Canon RF 24-105mm f/2.8 L IS USM Z Lens, Bundle with 82mm Filter Kit, Lens Wrap, Lens Shade, Cleaning Kit, Lens Pen Cleaner and Microfiber Cleaning Cloth

2025-04-03T20:00:00

This is an amazing lens. I haven't had a chance to use it in the field yet, but I am eager to make it happen.

Derrick S.

Originally posted at

2025-03-16T20:00:00

Amazingly reliable intake great shots I love it The ergonomics is beautiful the technology is amazing

Ahrnbohotos

Originally posted at

2025-03-02T01:52:33

I bought this one to exchange the EF version (28-70L II) of the lens, however, I couldn't find any benefit doing so. The RF 24-105mm is an exceptionally expensive gear, with the same 2.8 aperture, which makes it boring. The design is full plastic that is very prone to scratching and attracts fingerprints. Also, there is no metric indicator about the focusing distance (as opposed to the EF version), which makes it very difficult to focus manually. All in all, the worst investment you could make!

Marton O.

2025-01-17T04:32:34

Amazing, who needs another lens. It's a little weird when shooting people close up, too big, but it's the lens that lives on my camera. Sharp, Great.

Douglas M.

2025-01-06T09:07:03

I am a part-time pro photographer, and this lens does 90% or more of what I need. The quality and sharpness are incredible. Autofocus is fast ane reliable. I love the internal zooming, and the overall build quality is superb. It is not a light lens, but with its coverage, I don't need to swap lenses during any of my event shoots. It is a bit overkill for my studio work, but I sold my Sigma EF 24-105 f/4 Art to get this lens, and I don't regret it one bit. I love that the foot is removable, allowing you to remove it without removing the lens or the entire collar. I've just started doing video work, and I like having the aperture ring on the lens because adjusting it causes much less shake in the camera when I record.

Trevor Y.

2024-11-20T06:45:33

Great lens for video. Typically I will bounce around between a 15-35, 24-70 or a 70-200 for my typical shoot. However, with this new lens I go to it every time and will rarely switch. I currently pair it with my R5C and will try it on my Komodo soon but It is a one and done lens. The only con I would say, which is what everyone says, Is its big. Its not heavy though. But it is about the size of a 70-200 EF lens which I would normally run around with from time to time so it didn't bother me much. I would say if you are cool with the size and like internal zooming go for this but if not go for the 24-70 or 28-70.

Robert B.

2024-11-14T17:50:19

I had the opportunity to use this lens in February 2024 for a week. I was pleasantly surprised that I never took it off my R5. I loved it! in April it became available to purchase again so I bought it. It still holds residence on my R5. Sharpness is phenomenal! 95% of my work is shot on this lens now.

Ellie B.

2024-05-05T08:35:23

Have had the canon 24-105 2/8 for a few weeks - It is everything that I thought it would be .It is a combination of the 24-70 and the 70 -200mm -It is a great low light Lense I shoot photos for the Iridium in New York City the Home les Paul -It allows me to shoot the entire night of images with one Lense. A great advantage

ARNIE G.

2024-04-19T08:29:30

Like many people, I've been waiting for this lens for my entire career. Instantly the ultimate "walk around" lens. I'm not a small person and my hands are large, so I don't mind the size & weight of this lens. I understand how this would be a factor for some. But for me, it feels...right.

JESSE L.

2023-12-20T13:30:09

Pretty Good! First Impressions: Straight out of the box, the lens's build quality struck me. It's a solid piece of gear, typical of Canon's L-series, with dust and moisture resistance, making it reliable for outdoor shoots. It's a bit on the heavier side at 1330g, but when paired with a camera like the EOS R5, the balance is spot on. Design and Handling: The lens doesn't extend when zoomed, a feature I appreciate for both practicality and aesthetics. The inclusion of four control rings (including a stepless aperture ring) adds to the user experience, especially for videographers. The 11-blade diaphragm is a bonus, contributing to that creamy bokeh effect we all love. Optical Performance: With 23 elements, including four ultra-low dispersion lenses, the image clarity is remarkable. The f/2.8 aperture is a game-changer for low-light scenarios and achieving a shallow depth of field. Canon's Air Sphere and Super Spectra coatings are effective in minimizing flare and ghosting, ensuring crisp images even in challenging lighting. Video Features: As a hybrid lens, it's tailored not just for photography but also for video production. The electronic parfocal design and focus breathing suppression are big pluses. The stepless aperture ring, although only operational in video mode at launch, is a feature I found incredibly useful. Image Stabilization: This is where the lens really shines. With up to 5.5 stops of stabilization (8 stops with an IBIS-equipped body), shooting handheld in low light or capturing stable video footage becomes significantly easier. Extras: The compatibility with Power Zoom Adaptors (PZ-E2 and PZ-E2B) is intriguing, especially for video production, though they come at an extra cost. Conclusion: The Canon RF 24-105mm F2.8 L IS USM Z lens is a formidable tool, especially for event and wedding photographers/videographers who need that extra reach beyond 70mm. While its size and weight might be a consideration for some, the optical performance and versatility it offers make it a worthy investment for professionals.

Blain J.