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Review Summary
CMOS sensor
4096 x 2304 (4096 x 2160 DCI-compliant)
Super 35 mm-equivalent
RGB Bayer
Global shutter
12-bit
1/frame rate to 1/50,000 sec.
PL mount
START, CENTER, END
Pre-roll function: Adjustable playback position
Remote control, GPI
Digital gain: 0 dB, 6 dB, 12 dB, 18 dB, 24 dB, 30 dB, 36 dB, 42 dB
Analog gain: 0 dB, 3 dB, 6 dB, 9 dB, 12 dB
PRESET: 3200K, 5600K, 6500K, 9300K
AUTO WHITE
Black level set via R, G, B, Master
Linear matrix: RB, RG, GR, GB, BR and BG
Gamma1, Gamma0.45,Gamma0.50, HDTV, CINEMA
Knee point and Knee slope setting
On/Off, horizontal (H), vertical (V)
5-pin XLR (female) x 1 (stereo), balanced, high impedance
Input level: -60 dBu/-50 dBu/-40 dBu
Phantom power supply: +48 V/OFF
4K video output:
3G-SDI (Level-A), 3840 x 2160, 75Ohms, 4x BNC
Output formats: 1080/59.94p, 1080/50p
VF output:
HD-SDI
Output formats: 1080/59.94i, 1080/50i
Embedded: 2x channels (1 stereo pair), 48 kHz, synchronous
Iris control: 12-pin D-sub (female), manual/auto
Intercom headset: 1x 4-pin XLR (female)
24 fps: 352.5 sec.
60 fps: 141.7 sec.
120 fps: 70.8 sec.
180 fps: 47.2 sec.
240 fps: 35.4 sec.
300 fps: 28.3 sec.
360 fps: 23.6 sec.
1 to 16 spaces
SSD Cartridge
Approx. 2TB (accepts two 2TB cartridges, 4TB in total)
Equivalent to 211 sec. of RAW material per cartridge at 360 fps
1000 frames in approx. 45 sec.
Hot-swappable (unused cartridge only)
3G-SDI (Level-A), 3840 x 2160, 75Ohms, 8x BNC (Two 4K channels)
Output format: 1080/59.94p, 1080/50p
2x HD-SDI (1x VF output, 1x AUX output)
(Down converted signals of 4K material, with menus and markers layered on VF output)
Output formats: 1080/59.94i, 1080/50i
HD-SDI
Input format: 1080/59.94i, 1080/50i
BB: NTSC: 0.429 Vp-p
PAL: 0.45 Vp-p
Tri-sync: 1x +/-0.3 Vp-p
Internal or external sync (BB or Tri-sync)
Ethernet: 1x 100Base-TX/1000Base-T (for remote control unit and remote control panel connection)
Intercom CLEAR-CAM, 2W, 4W
Camera: 100 V to 240 V AC (Supplied from the base station. Maximum distance: 1 km)
Base Station: 100 V to 240 V AC
Camera: Approx. 100W
0 to 40 deg. C (32 to 104 deg. F)
30% to 85% (no condensation)
Camera: 180 x 210 x 325mm (7.09 x 8.27 x 12.80") (excluding protrusions)
Base Station: 430 x 88 x 500mm (16.93 x 3.46 x 19.69")
Camera: 8.5kg (18.74lbs)
Unbeatable Mobility to Capture the Moment
A new FT-ONE camera is here, building on the breakthrough of super slow-motion 4K shooting. Separating the camera head from the body offers exceptional mobility, enabling unprecedented shooting positions or angles for live sports or other events. Expand your creative horizons by combining super slow-motion 4K shooting-a highlight of FT-ONE cameras-with the superior mobility of this model.
More convenient camera head
At about 180 x 210 x 325 mm and 8.5 kg, the camera head is smaller and lighter than that of the original FT-ONE, yet it remains full-featured. The camera operator is linked optically and via an intercom system. Such a maneuverable camera head can be used where larger cameras cannot, as part of a system that expands creative possibilities.
Superb mobility at many live events
Camera operators have room to roam when covering live events, thanks to the 1 km range of the optical connection between the camera head and base station.
Fast 500 fps shooting at 4K
By adding mobility to the fast 4K shooting introduced by the FT-ONE, the FT-ONE-S can capture exciting moments better than ever.
Super 35 mm sensor
Capture live events with the sense of depth of TV dramas or movies. Content is immersive and beyond the reach of ordinary HD cameras with 2/3-inch image sensors. Even familiar scenes look more exciting.
12-axis color correction
In video output, color correction along 12-axis surpasses ordinary trichromatic correction. Specific colors can be corrected by adjusting hue and saturation on the 12-axis. This is convenient for on-site color-matching between scenes or when ensuring color consistency with video from other cameras.
Base Station
Designed for installation in vans or where events are covered, the base station features solid construction. Exceptionally reliable, it also eliminates the need for a control computer. FT-ONE-S base station meets all broadcast needs in a core system. Communication with the camera includes tally signals, shooting feedback and intercom functionality. Besides powering the camera head, the base station receives video and controls super slow-motion material. For material transfer, the base station accommodates two SSD cartridges which can hold nearly 7 minutes of material in all.