Gobe The Collection 1Peak 67mm Japan Optics 12-Layer MRC 10-Piece Filter Kit, Includes UV, CPL, ND1000, FLD and Graduated (Orange/Blue/Gray/Red/Yellow/Green) Filters

Many filters. One stack
Innovative compact storage design reduces weight and saves space in your camera bag while providing robust protection for your filters.

- UV Filter -
The Gobe 67mm UV 1Peak lens filter cuts out haze and sharpens your image while protecting your lens, a requisite filter for every outdoor photographer. It can be left on your lens all day as your exposure settings aren't affected and no additional coloration or contrast is created. Made with Japanese optical glass the Gobe UV filter has incredible sharpness and excellent visible light transmission of up to 99.6%. Finished with 12 layers of Gobe's Multi Resistant Coating (MRC) this filter repels water & grease whilst also greatly reducing ghosting.

- CPL Filter -
The Gobe 67mm CPL 1Peak lens filter blocks sunlight that has been directly reflected toward the camera, known as diffused light. Rotating the CPL allows you to find the best angle to filter the diffused light so you can remove reflections from all surfaces, achieve greater color saturation and a greater contrast. Made with Japanese optical glass for incredible sharpness and excellent light transmittance within the visible wavelengths. It has Gobe's specially developed polarized coating for perfect color neutrality and anti-reflection capabilities. The effects of a CPL filter cannot be replicated well in post editing; making the CPL an essential filter for landscape photographers.

- FLD Filter -
The Gobe FLD 67mm 1Peak lens filter converts fluorescent light to something similar to daylight. Due to white balance advancements in many digital cameras, the FLD filter is more useful with film cameras. This filter will give your shots a natural coloring and natural-looking skin tones.

- ND1000 Filter -
The Gobe 67mm ND1000 1Peak lens filter reduces light intake to eliminate overly bright images, enabling a range of creative possibilities. It can facilitate a slower shutter speed for capturing motion and a wider aperture for a shallower depth field. The Gobe ND1000 allows 0.098% light transmittance, meaning you need to reduce 10 f-stop to achieve the desired light attenuation. Simply put, it reduces the amount of light that hits your camera sensor without affecting the color balance.

Made with professional quality Japanese optical glass and Gobe's precision ND coating this filter has outstanding image sharpness and perfect color neutrality. As well as 12 layers of Multi Resistant Coating (MRC) this filter repels water & grease whilst also greatly reducing ghosting.

- Graduated Orange Filter -
The Gobe 67mm Graduated Orange 1Peak lens filter enhances contrast between yellows and reds. Often paired with a telephoto lens for distance shots and great for creating darkened skies. Made with high-grade optical plastic for light transmittance up to 99.8% (within the visible wavelengths) and precision-engineered gradual color transition for a smooth blending effect. Graduated lens filters help balance the light intensity in one half of your composition while maintaining true lighting conditions in the other half.

- Graduated Blue Filter -
The Gobe 67mm Graduated Blue 1Peak lens filter slightly darkens reds and oranges while lightening blues and greens just a little. It is mostly used for light balancing and creative purposes. It reduces contrast and therefore is rarely used for black-and-white photography. Made with high-grade optical plastic for light transmittance up to 99.8% (within the visible wavelengths) and precision-engineered gradual color transition for a smooth blending effect. Graduated lens filters help balance the light intensity in one half of your composition while maintaining true lighting conditions in the other half.

- Graduated Gray Filter -
The Gobe 67mm Graduated Gray 1Peak lens filter reduces the difference in contrast by evening out the exposure difference between the over bright and over dark areas of your composition. Ideal for shooting the sky on overcast days to bring out the detail in the clouds. Made with high-grade optical plastic for light transmittance up to 99.8% (within the visible wavelengths) and precision-engineered gradual color transition for a smooth blending effect. Graduated lens filters help balance the light intensity in one half of your composition while maintaining true lighting conditions in the other half.

- Graduated Red Filter -
The Gobe 67mm Graduated Red 1Peak lens filter absorbs blue and green while also enhancing black and white contrast making it ideal for creating dramatic cloudscapes. Made with high-grade optical plastic for light transmittance up to 99.8% (within the visible wavelengths) and precision-engineered gradual color transition for a smooth blending effect. Graduated lens filters help balance the light intensity in one half of your composition while maintaining true lighting conditions in the other half.

- Graduated Yellow Filter -
The Gobe 67mm Graduated Yellow 1Peak lens filter absorbs blue. It gives a natural look and is often used for landscape contrast and subjects at an intermediate distance. Also aids compositions with large areas of blue sky. Made with high-grade optical plastic for light transmittance up to 99.8% (within the visible wavelengths) and precision-engineered gradual color transition for a smooth blending effect. Graduated lens filters help balance the light intensity in one half of your composition while maintaining true lighting conditions in the other half.

- Graduated Green Filter -
The Gobe 67mm Graduated Yellow 1Peak lens filter absorbs blue. It gives a natural look and is often used for landscape contrast and subjects at an intermediate distance. Also aids compositions with large areas of blue sky. Made with high-grade optical plastic for light transmittance up to 99.8% (within the visible wavelengths) and precision-engineered gradual color transition for a smooth blending effect. Graduated lens filters help balance the light intensity in one half of your composition while maintaining true lighting conditions in the other half.