X-Rite ColorChecker Video XL Target with Configurable Carrying Case

ColorChecker Video XL Target and Carrying Case
Includes ColorChecker Video XL target and durable, configurable carrying case.

Case features are:
• Black polyester exterior and soft tricot interior
• Elastic straps in corners keep target secure
• Lie flat or self-standing
• Carry handle can easily be used to attach to c-stand or clamp
• Carry strap is shoulder length and ideal for transporting
• Zippered back pocket for storage.

ColorChecker Video XL

Color Balance and Control for Longer and Wider shots from Capture to Edit

X-Rite ColorChecker Video XL is designed for those longer and wider shots when you need a larger reference target. It will speed up your color correction process and save you hours in post. Use it to nail exposure, match multiple cameras and maintain consistency during changing light, so you can tell your story as perfectly as possible.

Filmmakers, DITs, Editors and Colorists: Get to your ideal color place faster!
The ColorChecker Video XL provides an extra-large format for effortlessly capturing the target at greater distances and wider angles. It provides the same chromatic colors, skin tones and gray reference chips of the standard size ColorChecker Video, but twice as large. You'll be able to eliminate the need to move your camera closer or adjust the focal length of your lens, shoot in the same lighting condition that is falling on your subject and minimize color casting from any surrounding light. You'll also be able to increase the capture resolution for more accurate post-production work. The ColorChecker Video XL works with popular filmmaking tools like waveform, vectorscope, zebras and more.

The X-Rite ColorChecker Video XL is designed for those longer and wider shots when the space between your camera and subject is too great to capture a smaller target.

Ideal for large production environments such as:
• Cine-Wide Shots: Landscape, Cityscape, Custom Sets
• Event Filmmaking: Concerts, Churches, Sports, Stage
• Aerial Filmmaking

Using a ColorChecker Video XL target at capture gets you to a worry-free, color balanced, consistently neutral and an ideally exposed place faster than ever before. It's an essential color tool you won't want to be without, saving you valuable time from pre-production through post.

ColorChecker Video XL is an extra-large all-in-one durable and rigid video target.

Use ColorChecker Video targets for a variety of applications, including:
• Setting perfect exposure
• Matching multiple cameras
• Color grading
• Gray balancing
• Editing for mixed lighting

3rd Party Software Support
ColorChecker Video is supported in these 3rd party software solutions for improved color grading efficiencies.

• DaVinci Resolve
• 3DLUT Creator

Features

Speed up your process and Save hours in post
Including the ColorChecker Video XL target in your production will allow everyone on your team - from producer and cinematographer to editor and colorist - to work with consistent color information. This saves time from pre-production through post and helps you get to your creative look faster.

Achieving the proper color balance and exposure for video can be challenging. F-stops don't always match. Ambient lighting conditions change. Multiple cameras and lenses have different looks, even if they are the same brand and model. When you are on a large set, larger venue, or capturing aerial shots, it can be even more challenging to capture small reference targets. This adds up to quality challenges and increased workload in post-production for your colorist or editor.

ColorChecker Video XL Target
Speed up your color grading workflow by achieving ideal exposure and color balance, whether shooting with one camera or multiples. The ColorChecker Video XL target is twice the size of our standard Video target and includes the same series of chromatic color chips, skin tone chips, gray chips and illumination check chips. This layout is designed for ideal performance when used with vectorscopes and waveforms, whether on camera or in software.

Chromatic Colors
Two rows of six chromatic color chips, both saturated and de-saturated are specifically designed to align with the primary color axis on a vectorscope. These colors provide two levels of color information to more quickly correct for color casts and achieve an ideal color balance.

Skin Tones
Ranging from light to dark with subtle undertones to better reproduce accurate flesh tones. This row is positioned on the outer edge of the target for easy alignment on the vectorscope.

Large Gray Levels
Four larger steps for even gray balance, including white, 40IRE gray, deep gray and high gloss black. These levels are ideal for determining proper exposure whether you use a waveform, zebras, or false colors. Use these levels to align the exposure and contrast of cameras you may be matching and ensure that mid-tones are rendered accurately. They are positioned in the center of the target for maximum ease.

Linear Grayscale
six color chips for achieving even gray balance. This row addresses highlight and shadow regions.

Illumination Check Chips
black and white chips at two corners to better assist in determining even illumination across the target.