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Review Summary
2024-09-22T20:00:00
Everything came in and looked great.
Mariana
2023-12-26T07:10:19
This camera does one thing and thing only. Bang out perfect portraits. It's slow, big and doesn't have great video features but that's not what you're getting this camera for. You're getting this camera to take excellent portraits that beat every single fiull frame camera on the market
CAMERON A.
2023-12-18T22:50:19
This camera does one thing and one thing only, take amazing portraits. You're not going to get great AF or features like 8K raw, why would you even shoot video on medium format anyway? This is the king of portraiture and for the ridiculously low price, this beats any and I mean ANY full frame camera
CAMERON A.
2023-08-28T22:22:57
Very pleased with the purchase of this camera. I rented it earlier this year and was not sure if I wanted to move up to a larger sensor? should have done it sooner. I like the result when I enlarge my images along with the depth of each now. I has taken some getting use to, but I am managing. I would recommend to my family and friends.
Marlon S.
2023-05-07T08:38:33
Quality construction, logical user menu and design. Image stabilization excellent: offers extra two stops functionality to lenses. Comparatively light. Very happy with this purchase!
MEIKE P.
2023-04-11T20:47:31
I've only had this body and lens a few weeks, so experience is limited. I read every credible review I could find and decided that few if any of the shortcomings described affected my landscape focus. I tend to shoot panoramas for print, so the 100 MP version was an overkill at this point. First impression is that image quality is astounding even with the 35-70 kit lens. Once understood, the menus are logical and quite easy to navigate. I like the breath and fine-grain control of menu variables. An absolute pleasure to use. As yet I haven found anything to complain about; it's a nice start to a new system.
PAUL H.
2023-01-10T03:57:47
The image detail, the dynamic range, the IBIS and the ergonomics make this the best camera I have ever used and one of the easiest to use. I love my old Hasselblad but this is a total game-changer for medium format shooting.
Tom C.
2022-10-07T05:37:20
Previously owned GFX50R, 50S II is great improvement, better handling, better batteries, better cable management and above all, IBIS. With the 50R I used focus peaking, not always successful, the S II I love the focus scale, I wish the focus magnification was easier to read. I am happy with the resolution. For my purposes, I don?t see the need of 100MP. In terms of lenses, I would love to have a Zoom 64-128mm. Could shooting "without a lens" be renamed to ?manual lens?? Thank you!
EDUARD H.
2022-08-23T03:57:48
This is a delightful tool to capture images. We made, easy to use with razor sharp images. The combination of GFX 50 S II + 45-100 f4 lens provides the range needed for my needs. Simple kit, excellent balance and takes care of my needs. As a film user with HASSELBLAD of 35 years, I felt that Fujifilm excellent lenses and GFX format would allow me to produce good images. I have not been disappointed, but truly impressed. Availability of Fujifilm products and high quality optics is my reason for using their equipment for landscape photography.
ROBERT O.
2022-05-06T08:28:47
fine equipment for street work slow to transfer to card but pic great
DR G.
2022-04-01T15:06:49
I absolutely love this camera! This camera has blown my mind away with its quality and color reproduction! Having the large resolution gives me the ability to crop my photos in ways I was never able to! Highly recommend this to anyone looking to get into medium format cameras. This definitely beats the competition with its smaller form factor compared to the rest of the medium format cameras out there.
AVEDIS M.
2022-02-07T19:00:00
This is an impressive camera and brings a ton of value for those looking to bring a noticeable upgrade to their professional work. If you create images on a regular basis and you have a lot of control over your shooting environment, you'll appreciate what this camera brings to the table. Video? Sports? Action? Night? Well, if that's where you do most of your work I'd recommend looking at another camera.
Gajan
2021-12-13T02:41:53
The quality of the images I've been able to capture is outstanding. I've been surprised at how successful I've been when shooting handheld, the camera's IBIS is just that good. After switching to APS-C and Fuji cameras 9 years ago I was ready to get another larger sensor camera. I could have chosen any of the great FF offerings, but I shoot mostly landscape and tabletop and the larger sensor of the GFX 50sII made more sense to me. Not yet 5 stars but getting there, the last star is on me. The camera has a steeper learning curve than I anticipated, especially after shooting the Fuji brand for nearly a decade. The custom settings (C1 to C6) behave in a different way versus the X-Series and the command dials and buttons are also taking more time to get used to. The layout and function aren't bad just different, it's all 'muscle memory' stuff that takes a little time to learn.
Stuart E.
2021-11-04T11:09:24
This is one of the best cameras I have used. It?s size and weight make it easy to transition from studio to outdoor photography.
MATTHEW J.
2021-10-22T14:05:17
Four stars because now I want more (expensive) GF glass! I moved up from an APS-C model to the GFX 50s II and what a difference in size! It's been 6 years since I last used a DSLR and the 50s II is very similar in size and weight to the Canons I used to have... but miles ahead in image quality. Let's say that as of now my X-Pro3 is now my 'pocket camera'. By the way, I've shot zero video in 10 years other than with a smartphone. Nada. So I am certainly not the person to offer an opinion on that feature. Speed of operation is the elephant in the room. Yes, the 50s II is a slower camera by far than most any FF DSLR or mirrorless. I haven't seen an APS-C this slow since the early 2000s. In fact, the 50s II sepcs out pretty close to the Canon 5DII for speed. Focus isn't instant, even exposures seem to take a beat or two longer. But I could care less. I've had very fast cameras and for my way of shooting they were never let off the leash to run. I shoot landscapes, panoramic and intimate. Tabletop photography is another favorite. Even when I shoot cityscapes it's a deliberate process. I found I could pay for speed or I could apply the money to better quality images. Even if you think that you know Fuji, you still have a learning curve. I used my Pro3 and copied all the setting into the GFX, and then found out that there are operational differences. Two examples of many: - The GFX custom settings also lock in the image capture size, which defaults to Fine JPG. Oops. You will need to get familiar with the camera. - Next, the control wheels and the joystick have more flexibility when assigning functions than you are probably used to. You can three-press the front wheel? It will take some muscle memory training time. The 35-70 lens is very, very nice. It would be a disservice to refer to it as a 'kit lens', just as it is with the X-series 18-55. No mistake, there are better GF lenses but the 35-70 isn't just good enough, it's a stellar performer in its own right. That said, after a few days I think I might go for the 50mm as a walkaround lens and keep the 35-70 plus a future 100-200 for those deliberate moments I mentioned above. Would I have chosen the 32-64 if it were less expensive as a kit option? Probably, but it's a bigger and less carry friendly lens for sure. This is not the "medium format digital camera for the masses" as one recent video suggested in its title. The GFX 50s II is the right choice for someone who wants great quality images, is not speed dependant, and maybe has a smaller and lighter walkaround camera option already on their shelf. Even though I sold my X-T body and a few lenses to offset this purchase, I kept the Pro3 and primes. I consider the 50s II an expansion of capabilities rather than a replacement. For the money, my process, and my current gear on hand, the GFX 50sII was a better option than any of the FF or pricier medium format offerings.
Stuart E.
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Black
Japan
Fujifilm G-Mount
51.4 million pixels
43.8 x 32.9mm Bayer array with primary color filter
Ultra Sonic Vibration
SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-256GB) UHS-I / UHS-II
JPEG: Exif Ver.2.3, RAW: 14bit RAW RAF original format, RAW+JPEG, TIFF 8bit RGB (In-camera Raw Conversion Only)
L: (4:3) 8256x6192 (3:2) 8256x5504 (16:9) 8256x4640 (1:1) 6192x6192 (65:24) 8256x3048 (5:4) 7744x6192 (7:6) 7232x6192
S: (4:3) 4000x3000 (3:2) 4000x2664 (16:9) 4000x2248 (1:1) 2992x2992 (65:24) 4000x1480 (5:4) 3744x3000 (7:6) 3504x3000
Auto1/ Auto2/ Auto3 (up to ISO12800)/ ISO100-12800 (1/ 3 step)
ISO50/ 25600/ 51200/ 102400
TTL 256-zone metering, Multi/ Spot/ Average/ Center Weighted
P (Program AE)/ A (Aperture Priority AE)/ S (Shutter Speed Priority AE)/ M (Manual Exposure)
STILL -5.0EV - +5.0EV (1/3EV step)/ MOVIE: -2.0EV - +2.0EV (1/3EV step)
Mechanism: Image sensor shift mechanism with 5-axis compensation
Compensation Effect: Up to 6.5 stops (based on CIPA standard). Pitch/yaw shake only
Digital Image Stabilization: Yes movie mode only
Is Mode Boost: Yes movie mode only
Focal Plane Shutter
Mechanical Shutter:
P mode: 4sec to 1/4000, A mode: 30sec to 1/4000, S/M mode: 60min to 1/4000, Bulb mode: up to 60min
Electronic Shutter:
P mode: 4sec to 1/16000 A mode: 30sec to 1/16000, S/M mode: 60min to 1/16000, Bulb mode: up to 60min
Electronic Front Curtain Shutter:
P mode: 4sec to 1/4000 A mode: 30sec to 1/4000 S/M mode: 60min to 1/4000 Bulb mode: up to 60min
Mechanical + Electronic Shutter:
P mode: 4sec to 1/16000, A mode: 30sec to 1/16000, S/M mode: 60min to 1/16000, Bulb mode: up to 60min
E-Front + Mechanical Shutter:
P mode: 4sec to 1/16000, A mode: 30sec to 1/16000, S/M mode: 60min to 1/16000, Bulb mode: up to 60min
E-Front + Mechanical + Electronic Shutter:
P mode: 4sec to 1/16000, A mode: 30sec to 1/16000, S/M mode: 60min to 1/16000, Bulb mode: up to 60min
1\4000to1\24(dependsontheframerate)
1/125sec. or slower
Approx. 3.0fps (JPEG: Endless, Compressed RAW: 31 Frames, Lossless compressed RAW: 13 Frames, Uncompressed RAW: 8 Frames)
Approx. 1.8fps (JPEG: Endless Lossless Compression RAW: Endless Uncompressed RAW: 8 Frames)
AE Bracketing ((2/3/5/7/9 frames) +/-1/3EV - +/-3EV, 1/3EV step)
Film Simulation Bracketing (Any 3 types of film simulation selectable)
Dynamic Range Bracketing (100%, 200%, 400%)
ISO Sensitivity Bracketing ( +/-1/3EV, +/-2/3EV, +/-1EV)
White Balance Bracketing ( +/-1, +/-2, +/-3)
Focus Bracketing (Auto, Manual)
Single AF/ Continuous AF/ MF
TTL Contrast AF
Contrast: -3.5EV with Low light priority AF-S ON and GF80mmF1.7 attached
Single Point AF: EVF/ LCD: 13 x9/ 25 x17 (Changeable Size of AF Frame Among 6 Types)
Zone AF: 3 x3/ 5 x5/ 7 x7 from 117 Areas on 13 x9 Grid
Wide/Tracking AF: (Up to 9 Area) AF-S: Wide AF-C: Tracking
All
Auto (WHITE PRIORITY, Auto, AMBIENCE PRIORITY)/ Custom1-3/ Color temperature selection (2500K-10000K)/ Dayight, Shade, Fluorescent light 1, Fluorescent light 2, Fluorescent light 3, Incandescent light, Underwater
10sec./ 2sec.
Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing)
1st Curtain/ 2nd Curtain/ Auto FP (HSS)
TTL (Flash Auto / Standard / Slow Sync.) / Manual / Off
Yes (Dedicated TTL Flash compatible)
0.5" Approx. 3.69 millions dots OLED Color Viewfinder
Coverage of Viewing Area vs. Capturing Area: Approx. 100%
Eyepoint: Approx. 23mm (from the Rear End of the Camera's Eyepiece)
Diopter Adjustment: -4-+2m-1
Magnification: 0.77x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1
Diagonal Angle of View: Approx. 38 Degree (Horizontal Angle of View: Approx. 30 Degree )
Built-In Eye Sensor
3.2" Tilt-Type (Three Direction) Touch Screen Color LCD Monitor (Approx. 100% Coverage) , Aspect Ratio 4:3, Approx. 2.36 million dots
AF, Focus Area, Off, Double Tap Setting (ON/Off), Touch Function Setting (ON/Off), EVF Touch Screen Area Setting
Swipe, Zoom, Pinch-in / Pinch-out, Double-tap, Drag (ON/Off Selectable)
1.8", Aspect Ratio 4:3, 303 x230-dot Monochrome LCD Monitor
MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling)
Long GOP
Full HD (1920 x1080) 29.97p/ 25p/ 24p/ 23.98p 50Mbps up to Approx. 120 min.
19 modes: PROVIA/ Standard, Velvia/ Vivid, ASTIA/ Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA/ Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia
+/-5 steps
Yes
Roughness: Strong/ Weak/ Off, Size: Large/ Small
Strong/ Weak/ Off
Strong/ Weak/ Off
Strong/ Weak/ Off
Auto / 100¼ / 200¼ / 400¼ (ISO RESTRICTION: DR100%: No limit/ DR200%: ISO200 or more/ DR400%: ISO400 or more)
100¼ / 200¼ / 400¼ (DR100%: No limit/ DR200%: ISO400 or more/ DR400%: ISO800 or more)
IEEE 802.11b/g/n (standard wireless protocol)
WEP/ WPA/ WPA2 mixed mode
Infrastructure
Bluetooth Ver 4.2 (Bluetooth low energy)
2402 - 2480MHz
USB Type-C (USB3.2 Gen1x1)
HDMI Micro connector (Type D)
3.5mm, stereo mini connector (Microphone)
3.5mm, stereo mini connector (Headphone)
2.5mm, Remote Release Connector
Hot shoe
Synchronized terninal
NP-W235 Li-ion battery (included)
Approx. 455 frames When GF63mmF2.8 R WR is set. (Auto power save ON)
(Full HD) Approx. 80min. Face detection is Off
(Full HD) Approx. 140min @ 29.97p. Face detection set to Off (For Movie Capture)
14 Degree F - 104 Degree F (-10 Degree C - 40 Degree C)
10% - 80% (no condensation)
Approx. 0.4sec.
required, included
lithium ion
non-universal
1
External: 5.91 x 4.1 x 3.43" (150 x 104.2 x 87.2mm)
Minimum Depth: 1.73" (44mm)
31.7 oz (900g) (Approx.) (including battery and memory card)
28.9 oz (821g) (Approx.) (excluding battery and memory card)
35-70mm
11 elements in 9 groups (includes 1 aspherical and 2 ED elements)
28-55mm
Yes
76 Degree -42.7 Degree
f/4.5 - f/5.6
f/32
9 (rounded diaphragm opening)
1/3EV (Wide:18 steps, Tele:16 steps)
13.78" (35cm)
(T) 0.28x
62mm
External: 3.3 x 2.9" (84.9 x 73.9mm) (approx.) (Collapsed position)
3.3 x 3.7" (84.9mm x 96.4mm) (Wide position)
3.3 x 3.7" (84.9 x 95.7mm (Telephoto position)
13.7 oz (390g)
192223194854
Portrait Monster
By CAMERON A.
This camera does one thing and thing only. Bang out perfect portraits. It's slow, big and doesn't have great video features but that's not what you're getting this camera for. You're getting this camera to take excellent portraits that beat every single fiull frame camera on the market
Best Medium Format Camera on the Market
By AVEDIS M.
I absolutely love this camera! This camera has blown my mind away with its quality and color reproduction! Having the large resolution gives me the ability to crop my photos in ways I was never able to! Highly recommend this to anyone looking to get into medium format cameras. This definitely beats the competition with its smaller form factor compared to the rest of the medium format cameras out there.
- GFX50S II Digital Camera -
Step into the world of large format photography with GFX50S II, a GFX System camera that packs a 51.4 MP sensor that's physically bigger than every full-frame sensor by approx. 1.7x, but so wonderfully compact that it's still similar in size to many full-frame cameras. At just 900g (1.98lb) and with a weather-resistant construction, it can certainly be taken everywhere, by creators anywhere. With an incredibly accurate autofocus system, in-body image stabilization that provides up to 6.5 stops stability for complete handheld freedom, and 19 Film Simulation modes-created using over 85 years of color science know-how-GFX50S II is sure to produce outstanding results for creatives of every level.
Move up to Large Format
GFX50S II offers the perfect mix of accessibility and flexibility. Pair it with the newGF35-70mmF4.5-5.6 WR lens and you'll find a wonderfully affordable combination that delivers images from a51.4-megapixel sensor, which makes it the perfect gateway to large format photography. Get outstanding results with professional features that include 19 Film Simulations, advanced autofocusing, and a vast range of exposure controls providing limitless opportunities for creativity.
The Freedom to Create
GFX50S II features a redesigned in-body image stabilization (IBIS) system that is 20%smaller, and 10% lighter, than the version found in GFX100. Despite this reduction in size and weight, it provides up to an impressive 6.5 stops of five-axis stabilization (based on CIPA standards), providing dramatically broad possibilities for image makers wanting to work more freely with slow shutter speeds. Even when light levels are low, and a tripod isn't available, steady images are on the horizon.
Reassuringly Familiar
GFX50S II weighs just 900g (1.98lb) and is similar in size to many to full-frame cameras, which makes the ergonomically contoured handgrip and PASM dial-used to access the camera's main exposure functions-feel wonderfully familiar and accessible. A gorgeous blend of curves and edges, the camera body is finished with a top-plate LCD to display key settings, a redesigned focus lever, and a feather-touch shutter release to turn that familiar feeling into an intuitive image-making experience.
Responsive Autofocus for Ultimate Creativity
Fast, reliable autofocus comes to GFX50S II, thanks to a combination of advanced technologies and Fujifilm's powerful X-Processor 4 imaging engine. Sensor readout speeds have been boosted from 130fps to 250fps compared to GFX50S, enabling razor-sharp responses-whether subject tracking or picking out a face in a crowd. An improved autofocusing algorithm, taken from the latest FUJIFILM X Series and GFX System cameras, boosts focusing performance in all modes, including face and eye detection. The AF system also brilliantly works in tandem with in-body image stabilization (IBIS) to provide up to 6.5 stops of handheld stability. This simply means the camera's autofocusing performance will be upto the task when the creative senses are flowing.
Proven Technologies Deliver Outstanding Results
Fujifilm has been perfecting its color science know-how for more than 85 years-and all the knowledge from this impressive heritage has been poured into GFX50S II. The51.4MP large format sensor uses a specially designed CMOS Bayer array that delivers images with minimal noise and an incredibly wide dynamic range, while 19 Film Simulation modes allow creatives to produce images with colors that stir emotion and memories. Coupled with the ever-growing family of G Mount lenses that can resolve sensors of 100MP or more, this is a camera-and system-that meets the demands of exacting creators seeking the ultimate image quality.
- Fujinon GF 35-70mm f/4.5-5.6 WR Lens -
GF35-70mmF4.5-5.6 WR provides the perfect gateway to the capabilities and possibilities of the large format GFX System. Engineered for discerning stills and video users, this weather-resistant optic is the latest in a long line of lenses renowned for optical excellence; ready for anything, whatever the conditions. Incredibly lightweight, this high-performing standard zoom offers a versatile 28-55mm equivalent focal length, yet weighs just 440g (0.97lb) and measures 73.9mm(2.91in)-so it's never a burden, on or off the camera. It delivers fast and responsive autofocus in as little as 0.17 seconds (when attached to a GFX100 or GFX100S camera), focuses down to just35cm (13.78in) for frame-filling close-up potential, and offers intuitive handling so you'll never miss a creative opportunity.
Start Your GFX Adventure Here
GF35-70mmF4.5-5.6 WR opens the window to an exciting new world of large format photography. Compact and lightweight, it offers the perfect entry point to the GFX System and gives image-makers an opportunity to create with new levels of depth and detail. A feather weight 440g (0.97lb) zoom lens, with 35mm equivalent focal range of 28-55mm and close focusing distance of 35cm (13.78in), it's engineered, like any GFX System lens, to produce images or video with incredible detail and minimal focus breathing.
Blink and You Won't Miss It
GFX System cameras take the experience of creating images on large format out of the studio and into the world, giving globetrotters and studio professionals alike a chance to keep expanding their creative horizons. Attached to GFX100 and GFX100S cameras, GF35-70mm can autofocus in as little as0.17 seconds, bringing even the briefest of moments within reach, so they last a lifetime.
The Weight Is Over
Zoom lenses for large format sensors don't come any more compact and lightweight thanGF35-70mmF4.5-5.6 WR-its minimal measurements are impressive, even for the GFX System! With a closed length of just 73.9mm (2.91in), it's a perfect fit for almost any camera bag and is so lightweight that you'll never want to leave it at home.
A History of Optical Excellence
GFX System lenses are defined by the decades of optical excellence that FUJINON lenses have brought to filmmaking and photography. Representing a history of being the gold standard in image quality, GF35-70mmF4.5-5.6 WR delivers detail, clarity, and outstanding results for any story. Expansive landscapes, delicate portraits, and gritty documentaries are all within reach in the hands of the right storyteller.
Stand up to the Elements
GF35-70mmF4.5-5.6 WR features a weather-resistant design that, when used with a weather-resistant GFX System camera, can tackle most conditions, allowing image-makers to continue creating when others can't. Thanks to a series of seals across the lens body, this versatile zoom confidently repels dust and moisture, operating effortlessly in temperatures as low as 14 Degree F (-10 Degree C). Meet nature's challenges with a lens that is more than ready to rise to the occasion.
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