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Review Summary
2025-01-07T07:08:06
This is the first medium format camera I've ever owned in thirty years of being a photographer. I've been a Canon shooter for years. But the overwhelming and baffling amount of features and menus in the newer R5 were making me long for a slower, more intimate photography experience. In my few short weeks with this camera? I love it. It feels accessible and exciting. Specifically, I lobe the X-pan aspect ratio. Wish there were more faster lens available for it that support auto-focus.
MICHAEL B.
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Black
102 million pixels
43.8 x 32.9mm GFX 102MP CMOS II with primary color filter
Ultra Sonic Vibration
SD Card (-2GB), SDHC Card (-32GB), SDXC Card (-2TB), UHS-I, UHS-II, Video Speed Class V90, SSD(-2TB)
DCF: Compliant with Design rule for Camera File system (DCF2.0)
JPEG: Exif Ver.2.32/HEIF:4:2:2 10bit/RAW:14bit/16bit RAW (RAF original format)
TIFF: 8bit / 16bit RGB (In-camera Raw Conversion Only)
[L]: [4:3]11648 x 8736, [3:2]11648 x 7768, [16:9]11648 x 6552, [1:1]8736 x 8736, [65:24]11648 x 4304, [5:4]10928 x 8736, [7:6]10192 x 8736
[M]: [4:3]8256 x 6192, [3:2]8256 x 5504, [16:9]8256 x 4640, [1:1]6192 x 6192, [65:24]8256 x 3048, [5:4]7744 x 6192, [7:6]7232 x 6192
[S]: [4:3]4000 x 3000, [3:2]4000 x 2664, [16:9]4000 x 2248, [1:1]2992 x 2992, [65:24]4000 x 1480, [5:4]3744 x 3000, [7:6]3504 x 3000
FUJIFILM G Mount
[Still]: AUTO1/AUTO2/AUTO3/ISO80-12800 (1/3 step)
[Movie]: AUTO/ISO100-12800 (1/3 step)
[Still]: ISO40/ISO25600/ISO51200/ISO102400
[Movie]: ISO25600
TTL 256-zone metering/Multi/Spot/Average/Center Weighted
P (Program AE)/A (Aperture Priority AE)/S (Shutter Speed Priority AE)/M (Manual Exposure)
[Still]: -5.0EV-+5.0EV 1/3EV step
[Movie]: -2.0EV-+2.0EV 1/3EV step
Image sensor shift mechanism with 5-axis compensation
8.0 stops
Yes (movie mode only)
Yes (movie mode only)
Focal Plane Shutter
[P mode]: 30sec. to 1/4000sec
[A mode]: 30sec. to 1/4000sec
[S/M mode]: 60min. to 1/4000sec
[Bulb]: up to 60min.
[P mode]: 30sec. to 1/16000sec
[A mode]: 30sec. to 1/16000sec
[S/M mode]: 60min. to 1/16000sec
[Bulb]: up to 60min.
[P mode]: 30sec. to 1/16000sec
[A mode]: 30sec. to 1/16000sec
[S/M mode]: 60min. to 1/16000sec
[Bulb]: up to 60min
[P mode]: 30sec. to 1/16000sec
[A mode]: 30sec. to 1/16000sec
[S/M mode]: 60min. to 1/16000sec
[Bulb]: up to 60min
[P mode]: 30sec. to 1/16000sec
[A mode]: 30sec. to 1/16000sec
[S/M mode]: 60min. to 1/16000sec
[Bulb]: up to 60min.
[4K/DCI4K]: 1/4000sec. to 1/8 sec
[FHD]: 1/4000sec. to 1/8 sec
[Mechanical shutter]: 1/125sec. or slower
[Electronic shutter]: Approx. 4.1fps (35mm Format Mode ON) [JPEG]: 1000+ frames[Compressed RAW]: 1000+ frames [Lossless compressed RAW]: 96 frames [Uncompressed RAW]: 24 frames [Compressed RAW + JPEG]: 95 frames [Lossless compressed RAW + JPEG]: 51 frames [Uncompressed RAW + JPEG]: 15 frames
[Electronic shutter]: Approx. 3.0fps[JPEG]: 1000+ frames [Compressed RAW]: 508 frames [Lossless compressed RAW]: 45 frames [Uncompressed RAW]: 20 frames [Compressed RAW+JPEG]: 41 frames [Lossless compressed RAW+JPEG]: 29 frames [Uncompressed RAW+JPEG]: 16 frames
[Mechanical shutter]: Approx. 7.0fps [JPEG]: 184 frames [Compressed RAW]: 30 frames [Lossless compressed RAW]: 19 frames [Uncompressed RAW]: 16 frames [Compressed RAW+JPEG]: 16 frames [Lossless compressed RAW+JPEG]: 14 frames [Uncompressed RAW+JPEG]: 12 frames
2 frames/3 frames/5 frames/7 frames/9 frames
Single AF/Continuous AF/MF
Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)
[Contrast]: -2.5EV/GF80mmF1.7 attached
[Phase Detection]: -5.5EV/GF80mmF1.7 attached
[Single point AF]: 13x9 / 25x17 (Changeable size of AF frame)
[Zone AF]: 3x3 / 5x5 / 7x7 / Custom1-3 from 117 areas on 13 x9 grid
[Wide/Tracking AF]: Yes (AF-S: Wide / AF-C: Tracking) [All]: Yes
Still: 10sec./2sec., Movie: 10sec./5sec./3sec.
Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode)
Yes (Dedicated TTL Flash compatible)
0.5" OLED Color Viewfinder/ Approx. 5.76 million dots/[Coverage of Viewing Area vs. Capturing Area]; Approx. 100%/[Eyepoint]: Approx. 24mm (from the Rear End of the Camera's Eyepiece)/[Diopter Adjustment]: -5-+3m-1/[Magnification]: 0.84x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1/[Diagonal Angle of View]: approx. 40 Degree (Horizontal angle of view: approx. 32 Degree )/Built-In Eye Sensor
3.2" Tilt-Type(Three Direction) Touch Screen Color LCD Monitor
AF/Focus Area/OFF/Double Tap Setting (ON/OFF)/Touch Function Setting (ON/OFF)/EVF Touch Screen Area Setting
Swipe, Pinch-in/Pinch-out, Double-tap, Drag
1.80" Monochrome LCD Monitor
[Aspect Ratio]: 4:3
[Dots]: 303x230-dot
1.80" Monochrome LCD Monitor
[MOV]:Apple ProRes 422 HQ, Linear PCM (Stereo sound 24bit / 48KHz sampling)/Apple ProRes 422, Linear PCM (Stereo sound 24bit / 48KHz sampling)/Apple ProRes 422 LT, Linear PCM (Stereo sound 24bit / 48KHz sampling)/HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling)/MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling)
[MP4]:MPEG-4 AVC/H:.264, AAC
All Intra/ Long GOP
DCI4K(17:9): [File size]: 4096 x 2160, [Frame rate]: 29.97p/25p/24p/23.98p, [Bitrate]: 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
4K(16:9): [File size]: 3840 x 2160, [Frame rate]: 29.97p/25p/24p/23.98p, [Bitrate]: 720Mbps/360Mbps/200Mbps/100Mbps
Full HD(17:9): [File size]: 2048 x 1080, [Frame rate]: 59.94p/50p/29.97p/25p/24p/23.98p, [Bitrate]: 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
Full HD(16:9): [File size]: 1920 x 1080, [Frame rate]: 59.94p/50p/29.97p/25p/24p/23.98p, [Bitrate]: 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
20 modes, PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, REALA ACE, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia
+/-5 steps
Yes
[Roughness]:STRONG, WEAK, OFF [Size]:LARGE, SMALL
STRONG, WEAK, OFF
STRONG, WEAK, OFF
STRONG, WEAK, OFF
[Still]:AUTO/100%/200%/400%, ISO restriction:DR100%:No limit, DR200%:ISO160 or more, DR400%: ISO320 or more
[Movie]:100%/200%/400%, ISO restriction:DR100%:No limitDR200%:ISO200 or more, DR400%:ISO400 or more
100%/200%/400%
IEEE802.11a/b/g/n/ac (standard wireless protocol)
WPA/WPA2 mixed mode, WPA3
Infrastructure
Bluetooth Ver. 4.2 (Bluetooth low energy)
2402 - 2480MHz
USB Type-C (USB3.2 Gen2x1)
HDMI Micro connector (Type D)
3.5mm, stereo mini connector (Microphone)
3.5mm, stereo mini connector (Headphone)
2.5mm, Remote Release Connector/Hot shoe/Synchronized terminal
NP-W235 Li-ion battery (included)
Normal Mode: Approx. 530 frames
4K: Approx. 80min. (29.97p)
Full HD: Approx. 70min. (59.94p)
For Movie Capture:
4K: Approx. 120min. (29.97p)
Full HD: Approx. 120min. (59.94p)
14 - 104 Degree F (-10 - 40 Degree C)
10%-80% (no condensation)
Approx. 0.5 sec.
Required, included
Lithium ion
Non-universal
3
External: 5.91 x 4.1 x 3.43" (150 x 104.2 x 87.2mm)
Minimum Depth: 1.73" (44mm)
Including Battery and Memory card: Approx. 31.14 oz (883g)
Excluding Battery and Memory card: Approx. 28.28 oz (802g)
192223256873
Made Photography Fun Again!
By MICHAEL B.
This is the first medium format camera I've ever owned in thirty years of being a photographer. I've been a Canon shooter for years. But the overwhelming and baffling amount of features and menus in the newer R5 were making me long for a slower, more intimate photography experience. In my few short weeks with this camera? I love it. It feels accessible and exciting. Specifically, I lobe the X-pan aspect ratio. Wish there were more faster lens available for it that support auto-focus.
New high-performance GFX 102MP CMOS II sensor and X-Processor 5 imaging engine
FUJIFILM GFX100S II features of a newly developed sensor and processor pairing. The camera houses a high-speed, 102-mmegapixel CMOS chip, alongside X-Processor 5 - leading to a new league of performance. Countless aspects of camera functionality are impacted, from burst frame rates to video recording. As the heart and brain of any camera body, a quality sensor and processor are paramount.
Compact, lightweight body with 5.76m dot electronic viewfinder
The ergonomic build GFX System users have come to know and love is carried over into FUJIFILM GFX100S II - and creatives new to the range will find immediate appeal. The camera is compact and lightweight, meaning large format quality can be utilized in virtually any setting, and essential controls remain accessible and tactile. GFX100S II's EVF adds further pleasure of use, offering 5.76 million dot resolution and 0.84x magnification making it easy to see even in bright outdoor scenes. Those seeking more robust handheld use can add an optional metal handgrip.
Evolved AF, new tracking, AI-driven, down to -5.5EV
FUJIFILM GFX100S II's autofocus performance is built around artificial intelligence, bringing machine learning to the imaging process. New AF tracking capabilities keep a broad variety of subjects tack sharp as they move across frame, during both stills and video creation. Pushing AF even further forward, Face/Eye and Subject Detection modes are available, enabling image makers to prioritize within a scene. When the light dips, GFX100S II's autofocus keeps delivering strong results down to -5.5EV.
Upgraded stills with sensor, 16-bit Raw, ISO 80 and 30% increased DR, HEIF 10-bit, 120fps live view, 400MP pixel shift, REALA ACE
When the finest details of a subject are as vital as the scene itself, reach for FUJIFILM GFX100S II. It features a powerful in-body image stabilization system (IBIS) offering a benefit of up to 8.0 stops that's perfect for confident handheld image making. In Pixel Shift Multi-Shot mode, the IBIS system allows frames up to 400 megapixels to be created, while 16-bit RAW stills benefit from a base sensitivity of ISO 80 and increased dynamic range. Fine 10-bit HEIF files, which use less space than a comparative JPEG, can be created to keep image quality high, while getting more images on a memory card, and the new REALA ACE adds to the already-extensive palette of FUJIFILM Film Simulations based on traditional analog films.
Upgraded movie, 4K/30Pp in G Format, ISO 100, 5-axis EIS, 4:2:2 10-bit in-camera, PR and BM Raw, F-Log2, C2C Native
Not only is FUJIFILM GFX100S II well suited for a professionally specified stills camera creation, it also offers masses of filmmaking potential. Footage can be created up to an industry-standard 4K/30p, utilizing the cinematic sensor size of G format. Broader video quality comes by way of 4:2:2 10-bit in-camera capabilities, with a wide variety of file capture formats available, including ProRes and Blackmagic RAW. Working handheld, creatives can rely on 5-axis image stabilization for smooth footage - while native Frame.io Camera to Cloud compatibility improves collaboration for professional photo and motion allowing the camera slot effortlessly into professional workflows, remote and otherwise.
https://global.fujifilm.com/en
800-659-3854
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