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Review Summary
2015-06-08T21:00:00
I shoot sports and finally added this body to my D800. Two very different shooting experiences. The D4 rattles off 11 fps compared to half that on the D800. Heavy, but easy to use as 3 screens mean you can see the info you need with minimal movement of camera. Exterior controls mean you don't have to leave the viewfinder. Great ISO performance compared to the D800.
MARTIN T.
2015-04-19T21:00:00
This thing is lightning fast. I wanted it 3 years ago when I bought my D800 but couldn't justify price. I have never been happy with D800. This is a refurb at a ridiculous price. I wish I bought it 3 years ago! I used to be a photojournalist (in late 80s early 90s). I was a traditionalist...Shot on Manual, manual focus did it all myself. Digital is relatively new starting with D200. I love this body. I am letting it do a lot of the work for me. I still control the camera but I'm now working smarter, not harder. This thing rocks!
David B.
2013-07-30T21:00:00
I just picked up this D4 to expand my options doing sports photography. Compared to the D3s I've been using, the D4 is a bit faster, particularly in burst mode. As expected, the build quality is excellent and features will quickly become second nature to anyone accustomed to using Nikon's high end bodies. One special quirk, however, involves viewing the monitor while wearing polarized sunglasses (as I do all the time when shooting sailboat and sports car racing): the monitor is completely BLACK! One needs to rotate the camera 90 degrees in order to view the image. I've contacted Nikon and they tell me that this is the way it is with this particular body (while it is not the case with the D3s or D700). Not a deal-breaker, but interesting and a bit of a hassle. This is my first "refurbished" purchase and I can report that it seems like a wise decision so far.
Power P.
The Nikon calls their D4 Digital SLR Camera (Refurbished by Nikon USA) a "total professional imaging machine." They would be correct in doing so. Designed for the working photographer, the D4 meets the most-demanding photographer's needs and then some. Packed with features essential to getting the job done and getting it done well this rig is more than a digital camera, it's a shooter's bread and butter.
Building off the basic structure of its predecessor, the D4 goes big in a number of ways which are sure to be appreciated. The camera features a 16.2 MP 36 x 23.9 mm CMOS sensor with Nikon's FX-format and the ExPEED3 image processor. ISO sensitivity can now be extended as low as ISO 50 or as high as 204,800 with a standard range of 100-12,800 ISO. Additionally, 10 frames per second continuous shooting in FX-format for up to 200 shots ensures the decisive moment will not be missed.
The D4 records in RAW, JPEG, TIFF and RAW + JPEG files. Metering options include RGB 3D Color Matrix III metering, center-weighted and spot. Additionally, compatible storage media includes the future of professional storage, xQD memory cards and Type I CompactFlash memory cards (UDMA compliant). Of course, Nikkor AF-S and AF-I lenses are compatible with the D4 body, putting an extensive line of lenses at the photographer's disposal.
Another improvement on D4's little brother would be the slightly bigger LCD screen. Up from 3", the D4 has a 3.2" LCD monitor with a 170-degree viewing angle, approximately 100% frame coverage, automatic monitor brightness control and Live View. In Live View the image can be enlarged up to 46x to make on the spot focus confirmation. Surrounding the monitor are illuminated buttons for ease of use even in low light. Additionally, quick access Live View confirms exposure, white balance, monitor hue, histogram, focus mode, AF area mode and focusing accuracy with ease.
The D4 also boasts stellar auto focus features - like 51 AF points, an AF mode selector switch and fast AF point selection. All three of these components of the AF system ensure accurate, fast shooting whether the subject is a room full of children or a high-speed sporting event.
Of course, the D4 wouldn't be a professional level DSLR if it didn't include full HD video capture. The D4 does so, making it equally a pro videographer's tool as much as a pro photographer's. From 1080p broadcast quality video at 30 or 24 fps to full manual control to the option to add an external mic for stereo audio capture, the D4 isn't just a digital camera that also captures video.
Features like the aforementioned Live View allow the videographer to confirm capture of their footage on the camera's LCD and an external (optional) monitor simultaneously. It also gives you access to Picture Controls to handle the look and feel of the video, in-camera. Peak audio meters also allow the videographer to adjust sound levels manually in 20 incremental steps. Remote start and stop of view using wired and wireless remote accessories is also an option, among many others.
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