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Review Summary
2013-10-21T21:00:00
I was looking for a small camera with a viewfinder. My now aging Oly EP-1 is fine, but very hard to see LCD in bright light, and just can't get into the arm's length holding thing; too shaky for critical focussing. Saw demo EP-2 with VF-2 electronic finder with A BONUS, the Oly 17mm f2.8 lens included! A great deal. Now have a viewfinder, and more stability when composing photos closeup, or with 40-150mm zoom lens. Quality of image in VF-2 is much better for manual focus and image viewing in any light situation. I was instantly impressed by the VF-2. Now I feel my carry-around kit is more complete. Being well-seasoned age of 64, I don't want to lug my DSLR and heavy lenses around unless I need them for critical bird photography. Now, I just grab the small canvas bag, go lite, and still have the flexibility to make great photos as I see them! The only non-perfect things are can't use external flash with viewfinder in place, but I can accept that, and not the perfect small camera for bird photography, but again, with the VF-2 to help with focus and giving the user three-point stability of having the camera at eye level, it is adequate for a light grab and go camera kit. Sorry folks, I can't give the kit 5 stars, but I'd rate it 4.5 stars if I could select a half star!
ROBERT S.
2010-07-25T21:00:00
I bought the EP-2 for travel as a small replacement to my DSLR. The size is perfect for carrying around all day. Image quality is as good as my DSLR when shooting jpg with very low noise up to ISO 800. Autofocus is fast and accurate in good light; but a little slow in low light situations. Battery lasts for about 300 shots, a little shorter life than my DSLR and P&S cameras. I have used Pentax 110 and LTM legacy lenses on EP-2 with excellent results. Manual focus assist with EV-2 is a real plus. I would definitely buy the EP-2 again.
Robert H.
2009-12-20T19:00:00
I ordered this little guy as soon as Adorama had it listed, so I got mine Dec. 15 and have had a chance to play with it a bit. Most people who are "in the know" realize that a lot of the excitement behind the micro four-thirds cameras is because the mount can be adapted to almost any kind of 35mm lenses... that means people are putting Leica M-bayonet and screw-mount lenses, old M-42 screw mount lenses of all kinds, and old manual focus Nikon, Canon, Olympus, Pentax...many, many lenses can work on these. If, that is, you know a thing or two about what you're doing. Many people have whined that the EP-2 doesn't have much that's different from the cheaper EP-1. Nope...you can put those complaints to bed, because the differences between the cameras are very significant, especially for those who want to try old manual-focus lenses with it. First of all, it's black. That's just superficial, but it does match much better if you're going to happen to be using (and prefer) black lenses with it. Most important is its viewfinder. While it does take some getting used to (it looks a little odd sitting on the camera at first, but with the right lens looks great), it offers you superb resolution. Basically, pop on your lens adapter, mount your old lens, put the camera on center-weighted metering (I recommend) and aperture priority shooting, set the image stabilization to the focal length you're shooting, look through that viewfinder, and get shooting! I did a test of still indoor subjects (so yes, motion wasn't a factor) and shot a 135mm f/2.8 lens -- which works like a long 270mm f/2.8 with the smaller micro 4/3 sensor -- with razor-sharp results at 1/5 of a second. So basically, if available light photography is your game, there is very serious potential for this little camera to be your secret weapon. Get any fast, sharp 50mm from the 35mm film format and it will perform like a 100mm with the sensor crop factor, mount it on this little beast, and you are sporting an image-stabilized 100mm f/1.7, 1.4, etc. That just happens to be the "zone" I usually work in -- from 80mm to 135mm in many cases -- and the EP-2's viewfinder makes it a pleasure to use. It's very crisp and allows for precise focusing, if your manual focusing skills are up to snuff. In low light, I should note that the viewfinder will struggle to maintain brightness, but so will any regular prism you'll be looking through. I tested it in almost no-light situations to see if I could focus at all, and yep, I could. I managed to get very sharp, great color images doing exactly that. On that note, keep on top of the white balance. The auto white balance works well in some situations, but outdoors in shade I found the "shade" setting much more accurate and inside, it's often easiest to just go to "custom WB" and set the color temperature. Remember that the light colors people think of as "warm" -- orange tones and so on -- are actually "cold" in terms of indoor lighting temperatures, such as that incandescent lighting that gives you a very orange tone. So especially indoors, orange light = cooler temps around 3500-4000K, and warm light is actually bluish. Image quality looks very high so far. I haven't tested it to high-high ISOs like 3200, but you can move it incrementally in small steps, so just push it as far as you need to to get an adequate shutter speed for what you're shooting. In many cases, you won't have to go far...again, you've got the potential for using a very fast lens with in-body image stabilization that works quite well, and you can often shoot down to an eighth or even a fifth of a second hand-held. Practice your technique, and you might be amazed at what you can do with this... One drawback is that I'd thought this would be a typical electronic viewfinder camera, which doesn't have a real shutter in the traditional sense. With many of those, the shutter noise is simply a sound effect, which you can turn off and then be shooting very stealthily indeed. The EP-2 does have a real shutter, but I find the noise is pretty quiet and not obtrusive at all. The little thing definitely grows on you. Two bits of advice: get a second battery (battery life is good, but you'll burn through it with extensive shooting) and get either the Olympus or aftermarket bottom case. Much of the outer body is metal, but its bottom could be a weak point with the plastic battery/memory card cover and could use a little extra protection, in my opinion. The EVF attachment seems sturdy, but I'll have to figure out what kind of bag I want to throw this in and whether I'd take the EVF off for transport. It is much better to focus manual lenses with the EVF than the LCD screen, but the LCD screen responds quickly and is very useable in that respect (as owners of the EP-1 know, I'm sure). The external microphone could dramatically improve sound for video, and that expansion port on the EP-2 will allow for future expandability. What about flash? Well, I actually got this to focus mainly on available light photography, but flash is a consideration. Mounting a flash on the camera will force you to take off the EVF. Also, this camera is fairly small in that regard, so a big flash mounted on it will not balance well. I'm not sure about this yet, but I believe the camera can remotely trigger an Olympus FL-36R or FL-50R, I think in manual mode (not sure about remote TTL). So I might belt one of those onto my shoulder or something, remotely trigger and bounce a flash around, and just shoot the EP-2 otherwise as I have been. I'll try some different things to see what works best. How is the 17mm f/2.8 Olympus lens? How is the auto focus? Ask me again in awhile...I'll get to it sometime. I'm sure it's great, and it'll work well when I need a wider angle for general work. But in the meantime, I'm having too much fun popping a bunch of super-sharp old lenses on this thing and basking in the feel of quality manufacture from an earlier time. That may not be your shtick; I'm a bit of a nut and shoot 35mm film gear all the time. The bottom line is that this camera could be nothing that out of the ordinary...or, for the right user, it's a whole different ballgame. I'm sure having a great time.
AARON M.
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Interchangeable Lens Type Live View Digital Camera
SD Memory Card(SDHC compatible) Class 6 is recommended for Movie shooting
17.3 mm (H) x 13.0 mm (V)
Micro Four Thirds Mount
12.3 million pixels
High speed Live MOS Sensor
Approx. 13.1 million pixels
Approx. 13.1 million pixels
1.33 (4:3)
Primary color filter (RGB)
Fixed type
Hybrid type
Supersonic Wave Filter (dust reduction system for image sensor)
DCF, DPOF compatible/Exif, PRINT Image Matching III
RAW (12-bit lossless compression), JPEG, RAW+JPEG
[RAW] 4032 x 3024 pixels
[JPEG] 4032 x 3024 pixels - 640 x 480 pixels
4032(H)x3042(V) (approx. 1/1.5 lossless compressed) Approx. 13.9MB
Set1(LF): 4032(H)x3042(V) (1/4 compressed) Approx. 5.7MB
Set2(LN): 4032(H)x3042(V) (1/8 compressed) Approx. 2.7MB
Set3(MN): 2560(H)x1920(V) (1/8 compressed) Approx. 1.1MB
Set4(SN): 1024(H)x768(V) (1/8 compressed) Approx. 0.3MB
4032 x 3024 Super fine (1/2.7 compressed) Approx. 8.2MB
4032 x 3024 Fine (1/4 compressed) Approx. 5.7MB
4032 x 3024 Normal (1/8 compressed) Approx. 2.7MB
4032 x 3024 Basic (1/12 compressed) Approx. 1.8MB
3200 x 2400 Super fine (1/2.7 compressed) Approx. 5.4MB
3200 x 2400 Fine (1/4 compressed) Approx. 3.4MB
3200 x 2400 Normal (1/8 compressed) Approx. 1.7MB
3200 x 2400 Basic (1/12 compressed) Approx. 1.2MB
2560 x 1920 Super fine (1/2.7 compressed) Approx. 3.2MB
2560 x 1920 Fine (1/4 compressed) Approx. 2.2MB
2560 x 1920 Normal (1/8 compressed) Approx. 1.1MB
2560 x 1920 Basic (1/12 compressed) Approx. 0.8MB
1600 x 1200 Super fine (1/2.7 compressed) Approx. 1.3MB
1600 x 1200 Fine (1/4 compressed) Approx. 0.9MB
1600 x 1200 Normal (1/8 compressed) Approx. 0.5MB
1600 x 1200 Basic (1/12 compressed) Approx. 0.4MB
1280 x 960 Super fine (1/2.7 compressed) Approx. 0.9MB
1280 x 960 Fine (1/4 compressed) Approx. 0.6MB
1280 x 960 Normal (1/8 compressed) Approx. 0.3MB
1600 x 1200 Super fine (1/2.7 compressed) Approx. 1.3MB
1600 x 1200 Fine (1/4 compressed) Approx. 0.9MB
1600 x 1200 Normal (1/8 compressed) Approx. 0.5MB
1600 x 1200 Basic (1/12 compressed) Approx. 0.4MB
1280 x 960 Super fine (1/2.7 compressed) Approx. 0.9MB
1280 x 960 Fine (1/4 compressed) Approx. 0.6MB
1280 x 960 Normal (1/8 compressed) Approx. 0.3MB
AVI Motion JPEG(30fps)
HD: 1280(H)x720(V) Aspect 16:9
SD: 640(H)x480(V) Aspect 4:3(VGA)
1/12
Max 2GB(limited by AVI format)
HD: 7min, SD: 14min
HD: 7min, SD: 14min
Wave Format Base
Stereo PCM/16bit, 44.1kHz
Image Sensor(High Speed Live MOS) type
1
Normal Mode
Grid Line Mode
Histogram Mode(3 types)
Magnified View Mode
Comparable View Mode
OFF Mode (for OVF user)
x7, x10
Aperture value, Shutter speed, Auto Bracket, AE Lock, AF mode, IS, Shooting Mode, Battery Check, My Mode, Internal Temperature Warning, Face Detection, Histogram, Number of storable still pictures, Record mode, ISO, Sequential shooting, Self-timer, White Balance, Metering Mode, AF confirmation mark, Exposure Compensation Value, Spot metering Area
Only when E-system Flash attached : Flash Mode, Flash Status, Flash intensity Control, Super FP
Max 8 frames of face detection can be displayed
High speed imager AF
Built in (Imager shift image stabilizer)
3 modes (2 dimensional activation, 1 dimensional activation in landscape frame to vertical direction moving, 1 dimensional activation in portrait frame to horizontal direction moving ), OFF
input focal length 8, 10, 12, 16, 18, 24, 28, 30, 35, 40, 48, 50, 55, 65, 70, 75, 80, 85, 90, 100, 105, 120, 135, 150, 180, 200, 210, 250, 300, 350, 400, 500, 600, 800, 1000
Approx.4EV steps (in maximum effect with 50mm lens)
2 - 1/4000 sec. (Not available when Bulb is selected)
Shifting electronic image (so called Digital IS)
HyperCrystal LCD AR(Anti-Reflective) coating
3.0 inches
100%
+7 levels and -7 levels
A-B: +7 levels and -7 levels, G-M: +7 levels and -7 levels
Imager Contrast Detection AF system
When non High-speed imager AF compatible lens is used, it works as AF assist
Single AF (S-AF) / Continuous AF (C-AF) / Manual Focus (MF) / S-AF + MF / AF tracking (C-AF + TR)
11-area multiple AF with the contrast detection system (Auto, selectable in option)
Auto from all 11 area, Single area from 11 area
Auto from 25 area when Face detection is ON
Free selection (from 225points) when Magnified View Mode is selected
Not available
Locked at first position of Shutter button in Single AF mode
Available
When rotation of focus ring is detected under S-AF+MF or MF mode, LV is magnified automatically
TTL Image Sensor metering system
(1) Digital ESP metering (324-area multi pattern metering)
(2) Center weighted average metering
(3) Spot metering (approx. 1% for the viewfinder screen. Highlight / shadow bases are available)
EV 0 - 18 (Digital ESP metering, Centre weighted average metering, Spot metering)
(At normal temperature, 50mm f2, ISO 100)
(1) i Auto (2) P: Programme AE (Programme shift can be performed) (3) A: Aperture priority AE
(4) S: Shutter priority AE (5) M: Manual (6) Scene select AE (7) Art Filter
Portrait, Landscape, Macro, Sport, Night + Portrait, Children, High Key, Low Key, DIS mode, Nature
AUTO: ISO 200 - 6400(customizable, Default 200-1600) / Manual ISO 100 - 6400, 1/3 or 1 EV steps, Movie ISO 160-1600
+/-3 EV in 1/3, 1/2, 1 EV steps selectable
Available
3 frames in 0.3, 0.5, 0.7, 1EV steps selectable
1/6 EV step, +/- 1EV range
High speed Live MOS sensor
8 settings (3000K - 7500K
Lamp (3000K), Fluorescent 1 (4000K), Fluorescent 2 (4500K), Fluorescent 3 (6600K), Daylight (5300K), Flash (5500K), Cloudy (6000K), Shade (7500K)
+/-7 steps in each A-B/G-M axis (in Auto WB / Preset WB mode / One touch WB)
1 setting can be registered at Kelvin temperature (2000K - 14000K)
1 custom setting can be registered
3 frames in 2, 4, 6 steps selectable in each A-B/G-M axis.
sRGB, Adobe RGB
i-Enhance, Vivid, Natural, Portrait, Muted, Monotone
Contrast, Sharpness and Saturation level available in 5 steps for i-Enhance, Vivid, Natural, Portrait and Muted
Contrast and Sharpness level available in 5 steps for Monotone. Effect level available in 3 steps for i-Enhance
Yellow, Orange, Red or Green filter available for Monotone
Sepia, Blue, Purple or Green tone available for Monotone
4 levels (Auto, High key, Normal, Low key)
Computerized focal-plane shutter
60 - 1/4000 sec
Bulb: up to 30 min. (selectable longest time in the menu. Default: 8 min)
1/3, 1/2, or 1EV steps selectable
Operation time: 12 sec., 2 sec. (cancel available)
Available (with optional RM-UC1 Remote cable.)
Not Available
Single-frame shooting, Sequential shooting, Self-timer
Approx. 3 frames/sec. in sequential shooting
RAW mode: Max. 10 frames.
JPEG mode: Depends on compression ratio and no. of pixels (Large normal mode: approx. 12 with Toshiba Super High Speed type "Class 6" 4GB)
Not available
E-system Flash(FL-50R, FL-36R, FL-50, FL-36, FL-20, FL-14)
TTL Auto, Auto, Manual, FP-TTL-AUTO, FP-MANUAL
Auto, Red-eye reduction, Red-eye reduction slow sync., Slow sync at 1st curtain, Slow sync at 2nd curtain, Fill-in, Manual (1/4, 1/16, 1/64), Off
1/30-1/180
Up to +/-3 EV in 0.3, 0.5, 1 EV steps
Pop Art, Soft Focus, Pale&Light Color, Light Tone, Grainy Film, Pin Hole, Diorama, Cross Process
2 frames
Auto gain, Live View, Exposing on Recorded picture
4:3(Default)/3:2/16:9/6:6
Aspect ratio is recorded as Exif data, JPEG: JPEG image is produced based on the aspect ratio
2-axis
Rear LCD monitor
Only White version is approved by Color Universal Design Organization
Battery information, Shooting mode, Shutter speed, Aperture value, Exposure compensation value,
Exposure compensation indicator, Exposure indicator, Flash intensity compensation indicator, Date,
NR setting, WB, WB compensation value, Record mode, Flash Status, Record mode, Image size,
Drive mode, Flash intensity compensation value, Metering mode, Recordable still image number, Fo
Battery information, Shooting mode, Shutter speed, Aperture value, Exposure compensation value,
Exposure compensation indicator, Exposure indicator, Flash intensity compensation indicator, Date,
NR setting, WB, WB compensation value, Record mode, Flash Status, Record mode, Image size,
Drive mode, Flash intensity compensation value, Metering mode, Recordable still image number, Fo
Single-frame
Information Display
Index Display(4/9/16/25/49/100 frames, Calendar)
Close-up (2 - 14X)
Movie (w/sound, FF/REW/Pause)
Picture rotation (auto mode available),
Slideshow(Still/Movie/Still+Movie, Slide show w/BGM/BGM+Sound/Sound)
Japan: Japanese, English (Additional one language is possible to download.)
Others: English, French, German, Spanish, Italian, Japanese, Korean, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croat, Slovenian, Hungarian, Greek, Slovakian, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian, Bulgarian, Rumanian, Indonesian, Malay, Thai
2 setting recordable
Single frame, All, Selected frames(from Index)
Single frame, Selected frames, All Frames, Release protect (Single/All selected)
RAW development based on settings of the camera(including Art Filter)
Shadow adjustment, Red-eye fix, Trimming, Monotone, Sepia, Saturation (color depth), Resize (producing another file, 1280x960, 640x480, 320x240), e-portrait
Up to 3 RAW images
Print reservation (DPOF), Direct print (PictBridge compatible)
USB 2.0 High Speed for storage and camera control through Multi-connector(MTP mode is available
HDMI(HD/Stereo Sound), VIDEO-OUT(SD/Mono Sound)
Dedicated multi-connector (Video: NTSC/PAL selectable, Optional Remote cable RM-UC1 is available
Mini HDMI type-C(1080i/720p/576p/480p)
Hot shoe
No
Accessory port
BLS-1 Li-ion battery (included)
Available (1, 3, 5, 10 min., off selectable)
Approx. 300 shots (with BLS-1 and Toshiba Class 6 SDHC 4GB card under CIPA testing standard)
Not Available
0 - 40 Deg (operation) / -20 - 60 Deg (storage)
30 - 90% (operation) / 10 - 90% (storage)
No
17mm (35mm equivalent focal length 34mm)
6 Elements in 4 Groups, including Aspherical Lens
65 Degree
0.2m
0.11x (35mm equivalent Maximum Image Magnification 0.22x)
118.2 x 158.3mm
5 (Circular Aperture Diaphragm)
F2.8
F22
Diameter 37mm
4.74in (W) x 2.75in. (H) x 1.37 in (D) / 120.5 mm (W) x 70mm (H) x 35mm (D) (excluding protrusions)
Diameter 57 x 22mm
11.1oz/335g (body only), 13.6/385g (body, battery and media)
71g
Olympus 1 year warranty
050332172203
A Low-Light Warrior? For the Right User
By AARON M.
I ordered this little guy as soon as Adorama had it listed, so I got mine Dec. 15 and have had a chance to play with it a bit. Most people who are "in the know" realize that a lot of the excitement behind the micro four-thirds cameras is because the mount can be adapted to almost any kind of 35mm lenses... that means people are putting Leica M-bayonet and screw-mount lenses, old M-42 screw mount lenses of all kinds, and old manual focus Nikon, Canon, Olympus, Pentax...many, many lenses can wo...
View full Review
Excellent travel camera
By Robert H.
I bought the EP-2 for travel as a small replacement to my DSLR. The size is perfect for carrying around all day. Image quality is as good as my DSLR when shooting jpg with very low noise up to ISO 800. Autofocus is fast and accurate in good light; but a little slow in low light situations. Battery lasts for about 300 shots, a little shorter life than my DSLR and P&S cameras. I have used Pentax 110 and LTM legacy lenses on EP-2 with excellent results. Manual focus assist with EV-2 is a real pl...
View full Review
The Olympus E-P2 is a 12.3-megapixel interchangeable lens camera and it blends the high-quality still images of a DSLR with High Definition (HD) video, stereo Linear PCM audio recording and in-camera creativity - all inside an ultra-portable, easy-to-use body.
The E-P2 also brings a new twist to the PEN lineup an accessory port which accommodates the included VF-2 electronic view finder or optional external microphone adapter (SEMA-1).
A wide-angle pancake lens with a convenient focal length (equivalent to 34mm on a 35mm camera) for shooting everything from landscapes and portraits to close-ups. A slim design with an overall length of just 22 mm ensures the camera remains compact and easy to carry even when the lens is mounted. With its digital-dedicated design and superior performance this lens maximizes the camera's performance for clear, high-quality imaging.
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