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Review Summary
2025-06-19T20:00:00
Great great product remarkable quality ease of use
Sports b.
2025-06-08T11:33:24
This camera is amazing. I'm a hybrid shooter and this camera helps me capture the best video and photos without compromise
SERGIO M.
2025-05-21T20:00:00
It took me several months to make my mind up to trade in my A1 which was almost 4 years old having bought it soon after it was issued.. I'm so pleased I have moved on despite being very happy with the A1. The new functions included are perfect for wildlife and action photography which is my main interests. If you are reading my feedback with doubt in your, go for it, I'm pleased I did, It's a truly great camera.
BES1
2025-05-05T21:17:30
Extremely versatile camera....Very fast. Colors look like they have even been improved compared to my FX3
Robert A.
2025-04-28T20:00:00
Great camera. Would be greater if SONY's version of the RAW format was compatible with Mac's the way the Mark 1 was. Also, the version is still 1.0 necessitating a complex upgrade right out of the box. For Mac people, this is a problem/
Jim61
2025-04-25T20:00:00
I got the Sony a1 ii about 3 weeks ago and couldn't wait as I have the a6700 and a7iv for sports and to be honest am disappointed in the sharpness and quality of photos. I shoot sports and the only thing I like is pre-capture
Tweety t.
2025-04-13T20:00:00
I bought this A1 ii to replace my A1. The A1 is still a fantastic camera but the A1 ii is just amazing. The auto focus is soo good. the new floppy screen is so convenient. All in all it is the best camera I have ever used. I love it.
swanniboy
2025-04-09T20:00:00
I like the ergonomics over the a1 mk1. Focus acquisition is excellent and a definite improvement. I was disappointed to see the same hot shoe cover as the A1 is still there. It lets water onto the contacts and the camera locks up. I did mention this when I bought the A1 but nothing has been done to address this weakness. If the mk2 locks up in the same way, I will have to resort to using a Nikon hot shoe cover Bs-3 to protect the contacts and prevent damp getting to them. I am not the only one to have this issue but so far it has been ignored by Sony. So a brilliant camera with one potential Achilles heel. Come on Sony listed to your users as I shouldn't have to be going to a third party rival at this price point.
Bluesnappa
2025-04-02T20:00:00
Fully featured camera. Pre-capture and animal/bird tracking a game changer.
Absolute l.
2025-02-09T19:00:00
I have had the camera two weeks now, I can't believe how good it is. I use it mainly for wildlife, the tracking features are second to none, the low light capabilities are just amazing.
Sandy 3.
2025-01-12T19:00:00
I bought the camera when it first launched. I like it even though it has the same spec as the original a1.
Bill852
2024-12-29T19:00:00
I've had the camera for a few weeks now,and enjoying every bit of it,love the customising on the buttons best,and the tilt back screen.
Colin 7.
2024-12-25T19:00:00
I've had my A1 II for a week now but not much chance of using it so far due to the weather and work commitments. However, my initial thoughts. Note: I used the Mark Galer camset with a bit of Colby Brown and my own mods to get me going. I always liked the relatively small size of the Mk1, the Mk2 is larger but more comfortable with the shutter button better placed. The right-hand strap point slightly higher so it no longer rubs on my finger. The power switch is slightly more resistant/stiffer; a definite bonus as my Mk1 was always switching on in my camera bag. Although fractionally lighter, I don't notice it, probably due to the increased size making me think it's actually heavier ?? Low light performance is excellent and the improved IBIS awesome - you can hand hold are very low speeds. AI subject recognition is super-fast and sticky. I have it set to auto and it happily switches between dogs, cats and people. Nice to have the focus bracketing - I use it a lot for macro on my A7RV. I've taken a range of landscape and street photographs with the 24-70GM2 but lack of support for RAW in my chosen editor Capture One is holding me back a bit. I could use JPEG or HEIF but happy to wait. ON1 and Affinity Photo 2 do work with the Mk2 raw so will try them. Looking forward to trying BIF when I get the chance.
TimC_PX
E-Mount
Interchangeable lens digital camera
Approx. 2x
Approx. 1.5x (4K), Approx. 2x (HD)
AUTO(iAuto), Programmed AE (P), Aperture priority (A), Shutter-speed priority (S), Manual (M), Movie (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode), Slow & Quick Motion (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode)
EV-3 to EV20 (ISO100 equivalent with F2.0 lens attached)
Yes
+/- 5.0 EV (1/3 EV, 1/2 EV steps selectable)
Still images: ISO 100 - 32000 (expandable to ISO 50 - 102400), AUTO (ISO 100 - 12800, selectable lower limit and upper limit) Movies: ISO 100 - 32000 equivalent, AUTO (ISO 100 - 12800, selectable lower limit and upper limit) (Recommended Exposure Index)
1200-zone evaluative metering
+/- 3.0 EV (switchable between 1/3 and 1/2 EV steps)
Pre-flash TTL
Sony a System Flash compatible with Multi Interface Shoe, attach the shoe adapter for flash compatible with Auto-lock accessory shoe
Still images: Max. 759 points (phase-detection AF)
Movies: Max. 759 points (phase-detection AF)
Yes (with built-in LED type)
AF Level for Crossing (Still) AF Track for Speed Change (Still) AF Subj. Shift Sensitivity (Movie) AF Transition Speed (Movie) Switch V/H AF Area AF Area Regist. Circ. of Focus Point Focus Map (Movie) AF Assist (Movie)
EV-4 to EV20 (ISO100 equivalent with F2.0 lens attached in AF-S)
Still images: Auto Human Animal Bird Insect Car Train Airplane
Movies: Auto Human Animal Bird Insect Car Train Airplane
Fast Hybrid AF (phase-detection AF / contrast-detection AF)
Opening Angles (approx.): Up 98 Degree , down 40 Degree , side 180 Degree , rotation 270 Degree
2,095,104 dots
Yes
8.0cm (3.2-type) type TFT
Yes
Yes
Yes (HDMI)
Yes
119.88p (200 Mbps) 100p (200 Mbps) 59.94p (150 Mbps / 75 Mbps / 45 Mbps) 50p (150 Mbps / 75 Mbps / 45 Mbps) 23.98p (100 Mbps / 50 Mbps / 30 Mbps)
119.88p (280 Mbps) 100p (280 Mbps) 59.94p (200 Mbps / 100 Mbps) 50p (200 Mbps / 100 Mbps) 23.98p (100 Mbps / 50 Mbps)
29.97p (400 Mbps / 200 Mbps) 25p (400 Mbps / 200 Mbps) 23.98p (400 Mbps / 200 Mbps)
29.97p (520 Mbps / 260 Mbps) 25p (520 Mbps / 260 Mbps) 23.98p (520 Mbps / 260 Mbps)
119.88p (200 Mbps) 100p (200 Mbps) 59.94p (150 Mbps) 50p (150 Mbps) 29.97p (100 Mbps / 60 Mbps) 25p (100 Mbps / 60 Mbps) 23.98p (100 Mbps / 60 Mbps)
119.88p (280 Mbps) 100p (280 Mbps) 59.94p (200 Mbps) 50p (200 Mbps) 29.97p (140 Mbps) 25p (140 Mbps) 23.98p (100 Mbps)
119.88p (100 Mbps / 60 Mbps) 100p (100 Mbps / 60 Mbps) 59.94p (50 Mbps / 25 Mbps) 50p (50 Mbps / 25 Mbps) 29.97p (50 Mbps / 16 Mbps) 25p (50 Mbps / 16 Mbps) 23.98p (50 Mbps)
59.94p (50 Mbps) 50p (50 Mbps) 29.97p (50 Mbps) 25p (50 Mbps) 23.98p (50 Mbps)
59.94p (600 Mbps) 50p (500 Mbps) 29.97p (300 Mbps) 25p (250 Mbps) 23.98p (240 Mbps)
59.94p (222 Mbps) 50p (185 Mbps) 29.97p (111 Mbps) 25p (93 Mbps) 23.98p (89 Mbps)
3840 x 2160 (30p) 3840 x 2160 (25p) 2560 x 1440 (30p) 2560 x 1440 (25p) 1920 x 1080 (30p / 60p) 1920 x 1080 (25p / 50p) 1280 x 720 (30p / 60p) 1280 x 720 (25p / 50p)
MPEG-4 AVC/H.264 MPEG-H HEVC/H.265
AAC-LC 2ch (16bit 48 kHz)
RTMP RTMPS SRT
SLOT1: Multi slot for SD (UHS-I/II compliant) memory card / CFexpress Type A card, SLOT2: Multi slot for SD (UHS-I/II compliant) memory card / CFexpress Type A card
XAVC S: MPEG-4 AVC/H.264 XAVC HS: MPEG-H HEVC/H.265
LPCM 2ch (48 kHz 16 bit), LPCM 2ch (48 kHz 24 bit), LPCM 4ch (48 kHz 24 bit)
JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 5.0 format compliant)
35mm full frame L: 8640 x 5760 (50 M), M: 5616 x 3744 (21 M), S: 4320 x 2880 (12 M)
RAW JPEG HEIF (4:2:0 / 4:2:2) RAW & JPEG RAW & HEIF
14bit RAW: Yes
Yes
Still images (Electronic shutter): 1/32000 to 30 s Still images (Mechanical shutter): 1/8000 to 30 s, Bulb Movies: 1/8000 to 1 s
Auto / Mechanical shutter / Electronic shutter
1/400 s (35mm full frame), 1/500 s (APS-C)
MJPEG YUV420
3840 x 2160 (15p / 30p) 3840 x 2160 (12.5p / 25p) 1920 x 1080 (30p / 60p) 1920 x 1080 (25p / 50p) 1280 x 720 (30p) 1280 x 720 (25p)
LPCM 2ch (16bit 48 kHz)
-4.0 to +3.0 m-1
Approx. 25 mm from the eyepiece lens, 21 mm from the eyepiece frame at -1 m-1 (CIPA standard)
Approx. 0.90x (with 50 mm lens at infinity, -1 m-1)
1.6 cm (0.64 type) electronic viewfinder (Quad-XGA OLED)
NTSC mode: STD 60fps / HI 120fps / HIGHER 240fps, PAL mode: STD 50fps / HI 100fps / HIGHER 200fps
9,437,184 dots
AUTO/Electronic shutter: Hi+: 30 fps Mechanical shutter: Hi+: 10 fps
JPEG Extra fine L: 190 frames JPEG Fine L: 400 frames JPEG Extra fine L: 400 frames RAW: 240 frames RAW & JPEG: 200 frames RAW (Uncompressed): 84 frames RAW (Uncompressed) & JPEG: 80 frames RAW (Lossless Compressed): 100 frames RAW (Lossless Compressed) & JPEG: 86 frames
Yes (4 shots / 16 shots)
Center 8.5 stops and Periphery 7.0 stops (based on CIPA2024 standard. Pitch/Yaw/Roll compensation. With FE 50mm F1.2 GM lens mounted. Long exposure NR off.)
Still images: On / Off
Movie: Dynamic active / Active / Standard / Off
Image sensor-shift mechanism with 5-axis compensation (compensation depends on lens specifications)
Shading, Chromatic Aberration, Distortion, Breathing (Movie)
32 - 104 Degree F (0 - 40 Degree C)
Built-in, stereo Built-in, voice memo
Built-in, monaural
Still images: Approx. 50.1 megapixels max.
Movies: Approx. 42.0 megapixels max.
Approx. 50.5 megapixels
35mm full frame (35.9 x 24.0 mm), Exmor RS CMOS sensor
2500 K - 9900 K
Yes
Yes (Bluetooth Standard Ver. 5.0 (2.4 GHz band))
Yes (with Digital Audio Interface)
HDMI connector (Type-A) 3840 x 2160 (59.94p / 50p / 29.97p / 25p / 23.98p) / 1920 x 1080 (59.94p / 50p / 23.98p) / 1920 x 1080 (59.94i / 50i), YCbCr 4:2:2 10bit / RGB 8bit 7680 x 4320 (29.97p / 25p / 23.98p), YCbCr 4:2:0 8bit / RGB 8Bit 4332x2446 (59.94p / 50p / 29.97p / 25p / 23.98p) , Raw 16bit
Yes (3.5 mm Stereo minijack)
Yes (3.5 mm Stereo minijack)
Yes
Mass-storage / MTP
Yes
Yes (Wi-Fi Compatible, IEEE 802.11a/b/g/n/ac (2.4 GHz band/5 GHz band))
Yes (Bluetooth remote control)
Yes (2.5GBASE-T, 1000BASE-T, 100BASE-TX)
FTP Transfer Func. (Wired LAN, USB Tethering, Wi-Fi) Send to smartphone Remote control via smartphone Remote Shooting
Yes (SuperSpeed USB 10 Gbps (USB 3.2) compatible)
Enlarged display mode Protect Rating Shot Mark (Movie) Divider Frame Crop Photo Capture
Still images: Approx. 3.8 W (with FE 28-70mm F3.5-5.6 OSS lens attached)
Movies: Approx. 6.6 W (with FE 28-70mm F3.5-5.6 OSS lens attached)
Still images: Approx. 4.7 W (with FE 28-70mm F3.5-5.6 OSS lens attached)
Movies: Approx. 7.0 W (with FE 28-70mm F3.5-5.6 OSS lens attached)
Yes (Available with USB Type-C Terminal. USB Power Delivery support)
One rechargeable battery pack NP-FZ100
Movie, actual recording: Approx. 85 min (Viewfinder) / Approx. 90 min (LCD monitor) (CIPA standard)
Movie, continuous recording: Approx. 140 min (Viewfinder) / Approx. 150 min (LCD monitor) (CIPA standard)
Still Images: Approx. 420 shots (Viewfinder) / Approx. 520 shots (LCD monitor) (CIPA standard)
Yes (Available with USB Type-C Terminal. USB Power Delivery support)
Screen Reader Focus Magnifier Focus Map (Movie) Peaking Display Subject Recognition in AF Touch Focus Touch Tracking Touch Shutter Touch AE Multi-angle LCD screen Custom function Enlarge Menu Screen
Soft Skin Effect Creative Look Custom function Picture Profile Time-lapse Auto Framing Pre-Capture Continuous Shooting Speed Boost NR Shooting Framing Stabilizer
Required, Included
Lithium ion
Non universal
1
Approx. 5.37 x 3.87 x 3.37" (136.1 x 96.9 x 82.9mm)
From Grip To Monitor: Approx. 5.37 x 3.87 x 2.87" (136.1 x 96.9 x 72.8mm)
Body: Approx. 1 lbs 7.3 oz (658g)
With Battery and Memory Card: 1 lbs 10.3 oz (743g)
027242930513
Required
Required
Definitely worth upgrading
By TimC_PX
I've had my A1 II for a week now but not much chance of using it so far due to the weather and work commitments. However, my initial thoughts. Note: I used the Mark Galer camset with a bit of Colby Brown and my own mods to get me going. I always liked the relatively small size of the Mk1, the Mk2 is larger but more comfortable with the shutter button better placed. The right-hand strap point slightly higher so it no longer rubs on my finger. The power switch is slightly more resistant/stiffer...
View full Review
Excellent wildlife camera
By Colin 7.
I've had the camera for a few weeks now,and enjoying every bit of it,love the customising on the buttons best,and the tilt back screen.
Get high-quality images even in challenging lighting.
The Alpha 1 II performs Real-time Recognition AF with exceptional accuracy.
Capture with blackout-free 30 frames per second continuous shooting, with full AF/AE tracking.
The Alpha 1 II supports 8K 30p and 4K 120p video recording, ideal for high-quality video production.
Get up to 8.5 stops of correction with 5-axis image stabilization and comfort with the camera body’s ergonomic grip.
The camera is equipped with 2.5G Ethernet LAN and 5GHz Wi-Fi connectivity.
Sony’s Creators' Cloud and FTP support gets files from one place to another instantly.
Enjoy high-speed data recording and uninterrupted shooting in high-resolution formats.
How the Sony a1 II Mirrorless Camera Redefines Professional Photography
The Sony a1 II Mirrorless Camera is a groundbreaking advancement in the realm of professional photography, offering an unparalleled combination of high resolution, speed, and intelligent features. With its impressive 50.1 MP full-frame Exmor RS image sensor, this camera captures extraordinary detail, making it ideal for both stills and video. The BIONZ XR image processing engine ensures real-time data processing, allowing photographers to achieve a higher capture success rate with ease.
Advanced AI-Based Subject Recognition
At the heart of the Sony a1 II is an advanced AI processing unit that enhances subject recognition capabilities. This technology accurately identifies a wide range of subjects, including people, animals, vehicles, and insects. The AI-driven Real-time Recognition AF and Real-time Tracking capabilities have been significantly improved, with human eye recognition enhanced by up to 30%. This ensures precise focus and tracking, even in challenging shooting conditions.
High-Speed Continuous Shooting and Blackout-Free Viewing
The a1 II excels in high-speed continuous shooting, offering up to 30 fps with full AF/AE tracking at 50.1 MP resolution. This feature is complemented by blackout-free viewing, allowing photographers to maintain seamless framing and capture decisive moments effortlessly. The camera's pre-capture capability further enhances timing control, ensuring no critical moment is missed.
Stunning Image Quality and Dynamic Range
Sony's extensive G Master lens lineup works harmoniously with the a1 II's high-resolution sensor, delivering lifelike, high-resolution images. The camera offers selectable RAW image sizes and quality, including compressed RAW, Lossless Compressed RAW, JPEG, and HEIF formats. With a dynamic range of 15 stops at lower sensitivities, the a1 II produces smooth, realistic gradations and maintains high image quality even in low-light conditions.
Enhanced Image Stabilization and Noise Reduction
The a1 II features optical 5-axis image stabilization, achieving an impressive 8.5-step performance at the center. This ensures sharp, blur-free images, even when shooting handheld. The camera also incorporates advanced noise reduction techniques, allowing for clear images at mid to high sensitivities without sacrificing detail.
Innovative Movie Capabilities
For videographers, the Sony a1 II offers high-resolution 8K and 4K recording options. The camera supports 8K 4:2:2 10-bit XAVC HS recording and 4K recording in various formats, including XAVC HS, S, and S-I. High frame rate recording at up to 120p in 4K enables stunning slow-motion effects, while the S-Log3 gamma curve ensures better gradation and color matching with Sony's Cinema Line cameras.
Stability and Precision in Video Shooting
The a1 II's video capabilities are further enhanced by features like Active Mode and Dynamic Active Mode, which combine optical and electronic stabilization for smooth footage. Auto Framing and Framing Stabilizer functions ensure subjects remain perfectly composed, even when the camera is in motion.
In summary, the Sony a1 II Mirrorless Camera is a powerhouse of innovation, designed to meet the demands of professional photographers and videographers. Its combination of high resolution, advanced AI technology, and superior image quality makes it an indispensable tool for capturing stunning visuals with precision and ease.
https://www.sony.com/electronics
800-942-7669
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