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Review Summary
Accidents happen where life happens. Protect your favorite Adorama products and purchase a protection plan to stay covered from accidental damage, mechanical or electrical failure, and more.
If we can’t fix it, we’ll replace it at no additional cost.
Protect your product from drops, spills, and more.
Enjoy your gear without fear. We have you covered!
When regular use of your product over time results in mechanical or electrical failure.
We will never charge you a deductible after the purchase of a plan.
Our claims process is simple & easy and our customer service team is happy to help.
Adorama Protect powered by Extend is available for purchase to customers in the United States. Not available for purchase Internationally or in U.S. Territories.
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Interchangeable lens digital camera
Sony E-mount Lenses
35mm full frame (35.8x23.9mm), "Exmor" CMOS sensor
Number of pixels (effective): Approx. 24.3 megapixels
Number of pixels (total): Approx. 24.7 megapixels
Image sensor aspect ratio: 3:02
Color filter: R, G, B primary color
Anti-Dust function: Yes
Anti-Dust system: Charge protection coating on optical filter and image sensor shift mechanism
Anti-Dust operation (auto):Cleaning Mode
Memory Stick PRO Duo, Memory Stick PRO-HG Duo, Memory Stick XC-HG Duo, SD memory card, SDHC memory card (UHS-I compliant), SDXC memory card (UHS-I compliant)
JPEG (DCF Ver. 2.0, Exif Ver.2.3, MPF Baseline compliant), RAW (Sony ARW 2.3 format)
35mm full frame L: 6000 x 4000 (24M), M: 3936 x 2624 (10M), S: 3008 x 2000 (6.0M)
APS-C L: 3936 x 2624 (10M), M: 3008 x 2000 (6.0M), S: 1968 x 1312 (2.6M)
35mm full frame L: 6000 x 3376 (20M), M: 3936 x 2216 (8.7M), S: 3008 x 1688 (5.1M)
APS-C L: 3936 x 2216 (8.7M), M: 3008 x 1688 (5.1M), S: 1968 x 1112 (2.2M)
Wide: horizontal 12,416 x 1,856 (23M), vertical 5,536 x 2,160 (12M), Standard: horizontal 8,192 x 1,856 (15M), vertical 3,872 x 2,160 (8.4M)
RAW - RAW & JPEG - JPEG Extra fine - JPEG Fine - JPEG Standard
Yes
13 types: Posterization (Color), Posterization (B/W), Pop Color, Retro Photo, Partial Color (R/G/B/Y), High Contrast Monochrome, Toy Camera(Normal/Cool/Warm/Green/Magenta), Soft High-key , Soft Focus(High/Mid/Low), HDR Painting(High/Mid/Low), Rich-tone Monochrome, Miniature(Auto/Top/Middle(H)/Bottom/Right/Middle(V)/Left), Watercolor, Illustration(High/Mid/ Low)
Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn leaves, Black & White, Sepia,Style Box(1-6), (Contrast (-3 to +3 steps), Saturation (-3 to +3 steps), Sharpness (-3 to +3 steps))
Yes (Off / PP1-PP7) Parameters: Black level, Gamma (Movie, Still, Cine1-4, ITU709, ITU709 [800%], S-Log2), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset
Off, Dynamic Range Optimizer (Auto/Level (1-5)), Auto High Dynamic Range (Auto Exposure Difference, Exposure Difference Level (1-6 EV, 1.0 EV step))
sRGB standard (with sYCC gamut) and Adobe RGB standard compatible with TRILUMINOS Color
Yes
XAVC S - AVCHD format Ver. 2.0 compliant - MP4
Video compression: XAVC S:MPEG-4 AVC/H.264, AVCHD: MPEG-4 AVC/H.264, MP4: MPEG-4 AVC/H.264
Audio recording format: XAVC S:LPCM 2ch - AVCHD: Dolby Digital (AC-3) 2ch, Dolby Digital Stereo Creator - MP4: MPEG-4 AAC-LC 2ch
Posterization (Color), Posterization (B/W), Pop Color, Retro Photo, Partial Color (R/G/B/Y), High Contrast Monochrome, Toy Camera(Normal/Cool/Warm/Green/Magenta), Soft High-key
Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn leaves, Black & White, Sepia,Style Box(1-6), (Contrast (-3 to +3 steps), Saturation (-3 to +3 steps), Sharpness (-3 to +3 steps))
Yes (Off / PP1-PP7) Parameters: Black level, Gamma (Movie, Still, Cine1-4, ITU709, ITU709 [800%], S-Log2), Black Gamma, Knee, Color Mode, Saturation, ColorPhase, Color Depth, Detail, Copy, Reset
xvYCC standard (x.v.Color when connected via HDMI cable) compatible with TRILUMINOS Color
Audio Level Display - Audio Rec Level - Dual Video REC - TC/UB (TC Preset/UB Preset/TC Format/TC Run/TC Make/UB Time Rec) - Auto Slow Shutter - REC Control - HDMI Info. Display (on / OFF) - HDMI Output (1920 x 1080(60p), 1920 x 1080(60i), 1920 x 1080(24p),, YCbCr 4:2:2 8bit / RGB 8bit)
Long exposure NR: On/Off , available at shutter speeds longer than 1 sec.
High ISO NR: Normal/Low/Off
Auto/ISO 100 to 51200
Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent < Warm White / Cool White / Day White / Daylight> / Flash /Underwater/ Color Temperature <2500 to 9900K> & color filter / Custom
Yes
3 frames, H/L selectable
Fast Hybrid AF(phase-detection AF/contrast-detection AF)
"Exmor" CMOS sensor
35mm full frame: 117 points (phase-detection AF) APS-C: 99 points (phase-detection AF) / 25 points (contrast-detection AF)
EV-1 to EV20 (ISO100 equivalent with F2.0 lens attached)
AF-S (Single-shot AF), AF-C ( Continuous AF), DMF (Direct Manual Focus), Manual Focus
Wide (117 points (phase-detection AF), 25 points(contrast-detection AF)) / Zone / Center / Flexible Spot (S/M/L) / Lock-on AF ( Wide / Zone / Center / Flexible Spot (S/M/L))
Yes (only with LA-EA2 or LA-EA4 attached(Sold separately))
Yes
Yes
Predictive control, Focus lock
Yes(with Built-in LED type)
Range: Approx. 0.3m - approx. 3.0m (with FE 28-70mm F3.5-5.6 OSS attached)
1200-zone evaluative metering
"Exmor" CMOS sensor
EV-1 to EV20 (at ISO100 equivalent with F2.0 lens attached)
Multi-segment - Center-weighted - Spot
AUTO(iAuto/Superior Auto) - Programmed AE (P) - Aperture priority (A) - Shutter-speed priority (S) - Manual (M) - Movie (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) ) - Sweep Panorama - Scene Selection
Portrait - Sports Action - Macro - Landscape - Sunset - Night Scene - Hand-held Twilight - Night Portrait - Anti Motion Blur
+/- 5.0EV(1/3 EV, 1/2 EV steps selectable)
(with exposure compensation dial : +/- 3EV (1/3 EV steps))
Locked when shutter button is pressed halfway. Available with AE lock button. (On/Off/Auto)
Still images: ISO 100-25600 equivalent (1/3 EV step), (ISO numbers up from ISO 50 can be set as expanded ISO range.), AUTO (ISO 100-6400, selectable lower limit and upper limit)
Movies: ISO 200-25600 equivalent (1/3 EV step) / AUTO (ISO 200-6400, selectable lower limit and upper limit)
Type: 1.3 cm (0.5 type) electronic viewfinder (color)
Number of dots:2 359 296 dots
Brightness control: Auto/Manual (5 steps between -2 and +2)
Color temperature control: Manual (5 steps)
Field coverage: 100%
Magnification: approx. 0.71 x (with 50mm lens at infinity, -1m-1)
Diopter adjustment: -4.0 to +3.0m-1
Eye point: Approx. 27mm from the eyepiece lens, 22mm from the eyepiece frame at-1m-1 (CIPA standard)
Graphic Display
Display All Info.
No Disp. Info.
Digital Level Gauge
Histogram
Type:7.5cm (3.0-type)TFT
No. of dots(total): 1,228,800 dots
Brightness control: Manual (5 steps between -2 & +2), Sunny Weather mode
Adjustable angle: Up by approx. 107 deg, Down by approx. 41 deg
WhiteMagic: Yes
Real-time image-adjustment display: On/Off
Quick Navi: Yes
Focus Check: Yes Focus Magnifier (35mm full frame: 5.9x, 11.7x - APS-C: 3.8x, 7.7x)
Zebra: Yes
Peaking MF; Yes
Marker Display: Yes
Grid Line: Yes
Graphic Display - Display All Info - No Disp. Info - Digital Level Gauge - Histogram - For viewfinder -
Modes: On/On (Regist. Faces)/Off
Face registration: Yes
Face selection: Yes
Still images
Approx. 2x
Smart zoom (Still images): 35mm full frame: M:approx 1.5x, S:approx 2x - APS-C: M:approx 1.3x, S:approx 2x
Digital zoom (Still images): 35mm full frame: L:approx 4x, M:approx 6.1x, S:approx 8x - APS-C: L:approx 4x, M:approx 5.2x, S:approx 8x
Digital zoom (Movie): 35mm full frame: approx 4x - APS-C: approx 4x
Electronically-controlled, vertical-traverse, focal-plane type
Shutter speed: Still images:1/8000 to 30 sec, Bulb, Movies: 1/8000 to 1/4(1/3 steps) up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode)
Flash sync. speed: 1/250 sec.
Electronic Front Curtaion Shutter: Yes(ON/OFF)
Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)
Compensation effect: 4.5 steps (based on CIPA standard. Pitch/yaw shake only. With Sonnar T* FE 55mm F1.8 ZA lens mounted. Long exposure NR off.)
Control: Pre-flash TTL
Flash compensation: +/- 3.0 EV (switchable between 1/3 and 1/2 EV steps)
Flash bracketing: 1/3, 1/2, 2/3, 1.0, 2.0, 3.0 EV steps, 3/5 frames selectable
Flash off - Autoflash - Fill-flash - Slow Sync. - Rear Sync. - Red-eye reduction (on/off selectable) - Wireless Hi-speed sync.
Sony a System Flash compatible with Multi Interface Shoe, attach the shoe adapter for flash compatible with Auto-lock accessory shoe
Yes
Single Shooting - Continuous shooting (Hi/Lo selectable) - Self-timer (10/2 sec delay selectable) - Self-timer (Cont.) (with 10 sec delay 3/5 frames selectable) - Bracket: Single - Bracket: Cont. - White Balance - DRO bracket - Continuous shooting: Hi: max. 5 fps, Lo: max. 2.5 fps
Single (with or without shooting information Y RGB histogram & highlight/shadow warning) - 9/25-frame index view - Enlarged display mode (L: 18.8x, M: 12.3x, S: 9.4x, Panorama (Standard): 25.6x, Panorama (Wide): 38.8x) - Auto Review (10/5/2 sec,Off) - Image orientation (Auto/Manual/Off selectable) - Slideshow - Panorama scrolling - Folder selection (Date/ Still/ MP4/ AVCHD/XAVC S)- Forward/Rewind (movie) - Delete - Protect
View on Smartphone - Send to Computer - View on TV - One-touch remote - One-touch sharing
One-touch remote - One-touch sharing
1/8" Headphone, 1/8" Microphone, HDMI D (Micro), Micro-USB, Multi Interface Terminal
Built-in stereo microphone or XLR-K2M/ECM-XYST1M (sold separately)
Built-in, monaural Speaker
Exif Print, Print Image Matching III, DPOF setting
Custom key settings
Programmable Setting (Body 2 sets /memory card 4 sets)
Peripheral Shading, Chromatic Aberration, Distortion
One rechargeable battery pack NP-FW50
Approx. 270 shots (Viewfinder) / approx. 350 shots (LCD monitor) (CIPA standard)
Movies (actual recording) Approx. 60 min (Viewfinder) / Approx. 65 min (LCD monitor) (CIPA standard)
Yes
AC Adapter AC-PW20 (sold separately)
With Viewfinder: Still images: approx. 3.5W (with FE 28-70mm F3.5-5.6 OSS lens attached), Movies: approx. 4.2W (with FE 28-70mm F3.5-5.6 OSS lens attached)
With LCD screen: Still images: approx. 2.6W (with FE 28-70mm F3.5-5.6 OSS lens attached), Movies: approx. 4.2W (with FE 28-70mm F3.5-5.6 OSS lens attached)
required, included
lithium ion
1
-
Approx. 5 x 3 7/8 x 2 3/8" (126.9 x 95.7 x 59.7mm) excluding protrusions
With battery and Memory Stick PRO Duo included Approx.: 21.1 oz (599g)
Body Only: 19.6 oz (556g)
28 to 70mm
f/3.5 to 5.6
f/22 to 36
Sony E
Full-Frame
75 Degree to 34 Degree
11.81" (30cm)
0.19x
9 Elements in 8 Groups
7, Rounded
Autofocus
Yes
55 mm (Front)
2.85 x 3.27" (72.5 x 83mm)
10.41 oz (295g)
192223162570
a7 II Full Frame ILC Body with Standard Zoom Lens
The a7 II is the world's first full-frame camera with 5-axis image stabilization and provides camera shake compensation for wide-ranging mountable lenses. Compact and refined for intuitive operation, it offers enhanced Fast Hybrid AF that delivers lightning-fast focusing, super-wide coverage, and exceptionally effective tracking of fast-moving subjects.
5-axis image stabilization
The a7 II dramatically expands your range of expression by compensating for five types of camera shake during handheld shooting of still images and movies. The highly effective 4.5-step compensation lets you confidently zoom in on faraway subjects, snap detailed close-ups, capture night scenes and more-all with minimal camera shake blur.
Compatibility with wide-ranging mountable lenses
New 5-axis image stabilization lets you enjoy unparalleled handheld shooting freedom with more of your favorite mountable lenses. The short flange-back distance in the E-mount a7 II contributes to broad lens compatibility.
Automatic optimization for every a lens
Confidently use your favorite E-mount and A-mount lenses, knowing the a7 II analyzes information from the lens to optimize depiction performance and 5-axis image stabilization for the particular lens you mount. When using E-mount lenses with optical stabilization (OSS), the a7 II combines the best of in-lens and in-camera image stabilization.
High-performance Fast Hybrid AF
The newly enhanced Fast Hybrid AF system delivers extremely high-speed response, highly accurate prediction, and wide area coverage for autofocusing and tracking you can always depend on. It's remarkably fast for a full-frame camera AF system (30% faster than the a7) and accurately predicts subject movement so you can steadfastly track your subject.
Focal plane phase-detection AF with A-mount lenses
The a7 II offers focal plane phase-detection AF even when an A-mount lens is mounted5 via LAEA3(LA-EA16) mount adapter. So you can take advantage of the wide AF coverage, high-speed response, high tracking capability and high optical performance of A-mount lenses.
35 mm full-frame 24.3 MP Exmor CMOS sensor
The image sensor delivers beautiful images from corner to corner, with stunning 24.3 MP resolution. Enjoy low noise, extremely wide dynamic range, and amazingly rich and subtle gradations. Innovations that only Sony could achieve reproduce details more faithfully so that every scene looks incredibly real.
BIONZ X image processing engine
BIONZ X faithfully reproduces textures and details in real time, as seen by the naked eye, thanks to its extra high-speed processing capabilities. Together with front-end Large Scale Integration that accelerates processing, it renders more natural details, more realistic images, and richer tonal gradations, and produces less noise when shooting still images and movies.
Supports 14-bit uncompressed RAW format
New compatibility with 14-bit uncompressed RAW format lets you choose the optimal format for your needs. The camera thereby ensures supreme quality of tonal gradation to maximize the benefit of the image sensor's wide dynamic range.
Robust magnesium alloy body
The remarkably compact and lightweight body is solidly built to withstand the rigors of shooting in the field. It's the ideal blend of light weight, solid reliability, and steady handling, thanks to a top cover, front cover, and internal structure constructed of rigid magnesium alloy.
Robust lens mount
The strength and rigidity of the body and lens mount were enhanced to provide an especially solid foundation for mounting large, heavy lenses, such as super telephoto lenses and those preferred for movie shooting.
Enhanced grip and shutter button
The refined shape and height of the grip gives you a more secure grasp of the camera even when a large lens is mounted. This also contributes to more confident operation of the shutter button and dials. Moreover, the shutter button was reshaped and shifted forward for more natural shooting with less camera shake.
Full-frame expression without the bulk
The a7 II packs powerful moviemaking capabilities in extremely compact dimensions. You can create movies of breathtaking visual and sound quality with exquisite background blur, remarkably clear details, and sensitivity that brings dark scenes to vibrant life. Features like Picture Profile and P/A/S/M modes further expand your creative options.
High-contrast, high-resolution XGA OLED Tru-Finder
The viewfinder offers impressive visibility that contributes to stress-free, intuitive operation. You can accurately monitor what will appear in your final images because it faithfully displays the effects of your various camera settings. Moreover, an advanced three-lens optical system offers rich tonal gradation and extremely high contrast.
Stable viewfinder image
Monitor the stabilizing effects of camera shake compensation in the viewfinder or LCD screen while shooting still images by pressing the shutter button halfway or magnifying the image, and while shooting movies by entering movie mode. Even when using a telephoto or macro lens, you can fine-tune framing and focusing with stress-free stability.
Lock-on AF tracking
It's easy to keep moving subjects in focus with enhanced Lock-on AF, which analyzes even more information from the scene to ensure usage of the optimal AF point for smooth, stable autofocusing. Its ability to detect and track moving subjects is significantly improved, thanks to Sony's advanced proprietary image analysis technology.
Detail reproduction and diffraction-reducing technologies
Detail reproduction technology depicts details more faithfully with a more natural sense of dimension, while diffraction-reducing technology suppresses the effects of diffraction to faithfully reproduce fine details even when shooting at small aperture settings.
Area-specific noise reduction
Area-specific noise reduction selectively divides the image into areas based on patterns (such as edges, textures, and flat areas like blue skies), then applies the most appropriate noise reduction to each area to markedly reduce noise and achieve a new level of clarity.
Picture Profile
Fine-tune the look of movies before shooting by adjusting gradation, color adjustment, and detail. Adjusted parameters can be saved with other settings as a profile, and up to seven profiles can be stored for later recall.
S-Log gamma setting
This proprietary Sony gamma setting, featured in professional camcorders, creates a 1,300% wider dynamic range for smooth expression of gradation with reduced whiteout and blackout. Through color grading in postproduction, you can make the most of the low-noise image and super-rich detail to achieve various types of image expression.
FE 28-70 mm f/3.5-5.6 OSS Lens
The Full Frame all-round performer
FE 28-70 mm F3.5-5.6 OSS Standard Zoom (SEL2870)
Combining impressive optical performance with lightweight, compact convenience, the SEL2870 makes an ideal everyday lens. The popular 28-70 mm zoom range covers a variety of uses, from landscapes to portraits and snapshots. Built-in Optical SteadyShot image stabilization keeps images sharp and noise-free.
Capture smooth, blur-free images
Built-in Optical SteadyShot image stabilization within the lens provides smooth, blur-free photos and videos when shooting handheld.
Smooth defocusing
Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing, or bokeh.
Refined optical performance
Aspherical lens elements minimize distortion while ED (Extra-low Dispersion) glass elements provide superior contrast, resolution, and color fidelity.
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