PACKAGE INCLUDES:
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2 Year
$189.99
3 Year
$219.99
4 Year
$279.99
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Review Summary
2024-11-06T07:03:48
Great Purchase!!!
FRANK V.
2024-09-22T20:00:00
The specs speeks for itself, it's a very capable camera for all kinds of photography.
Tibor
2023-12-27T12:28:20
Great buy. Had no questions about quality or authenticity
CHARLES D.
2023-04-22T14:54:49
This camera is amazing! I've been using the A7iii for 2ish years and it was super nice. But when I upgraded to the A7siii? Incredible. It was night and day difference. The standard colors the camera gives are amazing. The 4K is fantastic. It is easily one of the best cameras for sports videography EVER! If you want to see examples, check out my Instagram @mkh.video
MICHAEL H.
2022-08-26T20:00:00
the amazing result when I took a shot on this camera.thanks to sony
ramganesh
2022-08-12T19:49:54
Love it. Massive upgrade from my A7SII.
Paul A.
2022-06-21T05:59:24
Great camera! Worth the wait while it was on backorder.
CHAD L.
2022-05-27T06:56:37
The camera is great just feels like plastic and does not come with a charger
FRANCISCO S.
2022-03-14T08:24:59
This camera has excellent versatility, starting with the size that makes it portable with a great advantage of recording 10 bit 4:2:2 4K. A single person can operate this camera because of the auto focus capabilities. Is it meant for higher quality it?s necessary, this camera can be paired with an external monitor to provide 16 bit easily achieving the cinematic look. This is the best compact video camera from Sony far.
JORDAN L.
2022-03-07T11:39:27
Great camera, nice service
A P.
2022-03-03T09:09:09
Best camera I?ve ever had, and paired with the rsc2 I?m able to get the shot I need with little fuss. Highly recommend
MATT F.
2022-02-23T18:24:22
this camera is excellent and gives me a lot of room to grow as a film maker. I am excited about this camera and hope it will help me take my freelance career to the next level. the 10 bit color and 4k shooting modes makes this camera a tool to use.
David C.
2022-02-23T18:18:34
this camera is excellent and gives me a lot of room to grow as a film maker. I am excited about this camera and hope it will help me take my freelance career to the next level. the 10 bit color and 4k shooting modes makes this camera a tool to use.
David C.
2022-02-02T10:18:24
This camera really is worth the hype. I mean what other camera is on backorder for over a year and still hasn't gone on sale because it doesn't need a price drop to sell!! Get your hands on one of these and watch your video game level up! Great weight, love the images and video it produces, Full-Frame 4K in 120fps?! Yeah you get the idea.
Austin B.
2022-01-28T03:40:44
Love this camera? don?t ever see the need to upgrade for atleast the next ten years???????????
chris c.
2022-01-17T02:43:23
Performance is awesome
Gwen S.
2022-01-11T15:27:48
I do not regret this debt
Kevin B.
2022-01-11T07:38:19
Been waiting for this for a long time. Exactly what the Dr. ordered.
NATHANIEL G.
2021-12-30T03:15:28
It?s a beast. I came from the A7sii and this camera is better in literally every way. Worth every penny
DAVID F.
2021-11-24T11:47:43
very nice product
kamaljit s.
2021-11-21T11:11:39
Got the A7S III after trading my Fuji XT4 for it with Adorama. Since getting that camera I have uploaded or finished over six client work with it, and I can clearly see that the production quality and value as increased. The low light and autofocus of the camera are outstanding. Will be getting the A7 IV once it's out from Adorama to use as my B-Cam.
Asuquo E.
2021-11-21T05:46:03
Best camera out under $4k
Theodore U.
2021-10-13T08:25:57
We bought this camera for the purpose of getting atmosphere shots at our events. It exceeds the expectations for doing that. This is one of the best cameras out there right now, and I highly recommend it to anyone.
ZACK M.
2021-09-02T20:00:00
Amazing camera!
Brandon
2021-08-31T08:52:41
I am absolutely in love with the purchase
kent g.
2021-08-18T20:00:00
everything came in and looked great
Andrea
2021-08-05T08:30:23
Previously I bought the A7s3 from Amazon and had a problem with the sensor creating a white vertical line over the image after 5 days. Amazon's support was slow and not knowledgeable. They had me troubleshoot by "Wiping the front of the lens" or "Taking out the battery and re-insert". After I received my refund, which took around 2 weeks, I decided to purchase the camera at Adorama instead. No problems whatsoever. The staff here know their stuff and are very nice.
TOMMY D.
2021-07-19T08:30:41
Amazing mirrorless video camera
Scott M.
2021-07-19T08:30:05
This camera just rules.
Scott M.
2021-06-25T12:12:40
Great camera, but should have bought it from B&H. This is because I ordered a bunch of stuff with it, and Adorama held up the order from shipping because something was backordered.
Nathan W.
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Browse our FAQ
Interchangeable lens digital camera
E-mount
35mm full frame (35.6 x 23.8mm), Exmor R CMOS sensor
Approx. 12.1 megapixels
Approx. 12.9 megapixels
3:2
R, G, B primary color
Yes (Charge protection coating on Optical Filter and ultrasonic vibration mechanism)
JPEG (DCF Ver. 2.0, Exif
Ver. 2.32, MPF Baseline compliant)
HEIF (MPEG-A MIAF compliant)
RAW (Sony ARW 4.0 format compliant)
35mm full frame L: 4240 x 2832 (12M), M: 2768 x 1848 (5.1M), S: 2128 x 1416 (3.0M)
APS-C L: 2768 x 1848 (5.1M), M: 2128 x 1416 (3.0M), S: 1376 x 920 (1.3M)
35mm full frame L: 3776 x 2832 (11M), M: 2464 x 1848 (4.6M), S: 1888 x 1416 (2.7M)
APS-C L: 2464 x 1848 (4.6M), M: 1888 x 1416 (2.7M), S: 1232 x 920 (1.1M)
35mm full frame L: 4240 x 2348 (10M), M: 2768 x 1560 (4.3M), S: 2128 x 1200 (2.6M)
APS-C L: 2768 x 1560 (4.3M), M: 2128 x 1200 (2.6M), S: 1376 x 776 (1.1M)
35mm full frame L: 2832 x 2832 (8M), M: 1840 x 1840 (3.4M), S: 1408 x 1408 (2.0M)
APS-C L: 1840 x 1840 (3.4M), M: 1408 x 1408 (2.0M), S: 912 x 912 (0.8M)
RAW (Compressed / Uncompressed)
JPEG (Extra fine / Fine / Standard)
HEIF (4:2:0 / 4:2:2) (Extra fine / Fine / Standard)
RAW & JPEG
RAW & HEIF
Yes
ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6)
Yes (Off / PP1-PP10) Parameters: Black level, Gamma (Movie, Still, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset
Off, Dynamic Range Optimizer
sRGB standard (with sYCC gamut) and Adobe RGB standard compatible with TRILUMINOS Color. BT.2020 standard.
XAVC S
XVAVC HS
XAVC S: MPEG-4 AVC/H.264
XAVC HS: MPEG-H HEVC/H.265
LPCM 2ch(48kHz 16bit), LPCM 2ch(48kHz 24bit), LPCM 4ch(48kHz 24bit), MPEG-4 AAC-LC 2ch
ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6)
Yes (Off / PP1-PP10) Parameters: Black level, Gamma (Movie, Still, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset
BT.2020 standard compatible with TRILUMINOS Color
3840 x 2160 (4:2:0, 10bit, NTSC) (Approx.):
120p (200Mbps)
60p (150Mbps / 75Mbps / 45Mbps)
24p (100Mbps / 50Mbps / 30Mbps)
3840 x 2160 (4:2:0, 10bit, PAL) (Approx.):
100p (200Mbps)
50p (150Mbps / 75Mbps / 45Mbps)
3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.):
120p (280Mbps)
60p (200Mbps / 100Mbps)
24p (100Mbps / 50Mbps)
3840 x 2160 (4:2:2, 10bit, PAL) (Approx.):
100p (280Mbps)
50p (200Mbps / 100Mbps)
3840 x 2160 (4:2:0, 8bit, NTSC) (Approx.):
120p (200Mbps)
60p (150Mbps)
30p (100Mbps / 60Mbps)
24p (100Mbps / 60Mbps)
3840 x 2160 (4:2:0, 8bit, PAL) (Approx.): 100p (200Mbps)
50p (150Mbps)
25p (100Mbps / 60Mbps)
3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.):
120p (280Mbps)
60p (200Mbps)
30p (140Mbps)
24p (100Mbps)
3840 x 2160 (4:2:2, 10bit, PAL) (Approx.):
100p (280Mbps)
50p (200Mbps)
25p (140Mbps)
1920 x 1080 (4:2:0, 8bit, NTSC) (Approx.):
120p (100Mbps / 60Mbps)
60p (50Mbps / 25Mbps)
30p (50Mbps / 16Mbps)
24p (50Mbps)
1920 x 1080 (4:2:0, 8bit, PAL) (Approx.):
100p (100Mbps / 60Mbps)
50p (50Mbps / 25Mbps)
25p (50Mbps / 16Mbps)
1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.):
60p (50Mbps)
30p (50Mbps)
24p (50Mbps)
1920 x 1080 (4:2:2, 10bit, PAL) (Approx.):
50p (50Mbps)
25p (50Mbps)
3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.):
60p (600Mbps)
30p (300Mbps)
24p (240Mbps)
3840 x 2160 (4:2:2, 10bit, PAL) (Approx.):
50p (500Mbps)
25p (250Mbps)
1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.):
60p (222Mbps)
30p (111Mbps)
24p (89Mbps)
1920 x 1080 (4:2:2, 10bit, PAL) (Approx.):
50p (185Mbps)
25p (93Mbps)
NTSC mode: 1fps,2fps,4fps,8fps,15fps,30fps,60fps,120fps, 240fps
PAL mode: 1fps,2fps,3fps,6fps,12fps,25fps,50fps,100fps, 200fps *4
Yes
Yes
Yes
Yes (1280 x 720 (Approx. 6Mbps), 1920 x 1080(Approx. 9Mbps), 1920 x 1080(Approx. 16Mbps))
Yes
Yes
Yes
Yes (HDMI)
Yes
SD memory card
SDHC memory card (UHS-I/II compliant)
SDXC memory card (UHS-I/II compliant)
CFexpress Type A memory card
SLOT1: Multi slot for SD (UHS-I/II compliant) memory card / CFexpress Type A card, SLOT2: Multi slot for SD (UHS-I/II compliant) memory card / CFexpress Type A card
Simult. Rec, Sort, Auto Switch Media, Copy
FAT12, 16, 32, exFAT
Long exposure NR: On/Off, available at shutter speeds longer than 1 sec.
High ISO NR: Normal / Low / Off
Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Flash / Underwater / Color Temperature (2500 to 9900K) & color filter / Custom
Yes (Shut. Halfway Down / Cont. Shooting / Off)
Fast Hybrid AF (phase-detection AF / contrast-detection AF)
Exmor R CMOS sensor
35mm full frame: 759 points (phase-detection AF), APS-C mode with FF lens: 345 points (phase-detection AF), with APS-C lens: 285 points (phase-detection AF) / 425 points (contrast-detection AF)
EV-6 to EV20 (ISO100 equivalent with F2.0 lens attached)
AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus
Wide / Zone / Center / Flexible Spot / Expanded Flexible Spot / Tracking
[Still images] Human (Right/Left Eye Select) / Animal, [Movie] Human (Right/Left Eye Select)
Predictive control
Focus lock
AF Track Sens. (Still)
AF Subj. Shift Sensitivity (Movie)
AF Transition Speed (Movie)
Switch V/H AF Area
AF Area Regist.
Circ. of Focus Point
Yes (with Built-in LED type)
Approx. 0.3m - approx. 3.0m (with FE 28-70mm F3.5-5.6 OSS lens attached)
Phase-detection
1200-zone evaluative metering
Exmor R CMOS sensor
EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)
Multi-segment
Center-weighted
Spot (Standard / Large)
Spot
Entire Screen Avg.
Highlight
AUTO (iAuto)
Programmed AE (P)
Aperture priority (A)
Shutter-speed priority (S)
Manual (M)
Movie (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode)
Slow & Quick Motion (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode)
+/- 5.0EV (1/3 EV, 1/2 EV steps selectable) (with exposure compensation dial: +/- 3EV (1/3 EV steps))
Bracket: Cont., Bracket: Single, 3/5/9 frames selectable. (Ambient light, Flash light)
Locked when shutter button is pressed halfway. Available with AE lock button. (On/Off/Auto)
Still images: ISO 80-102400 (ISO numbers up from ISO 40 to ISO 409600 can be set as expanded ISO range.), AUTO (ISO 80-12800, selectable lower limit and upper limit), Movies: ISO 80-102400 equivalent (ISO numbers up to ISO 409600 can be set as expanded ISO range.), AUTO (ISO 80-12800, selectable lower limit and upper limit)
Yes
1.6 cm (0.64 type) electronic viewfinder (Quad-XGA OLED)
9,437,184 dots
Brightness, Color temperature, Magnifi.
100%
Approx. 0.90x (with 50mm lens at infinity, -1m-1)
-4.0 to +3.0m
Approx. 25mm from the eyepiece lens, 21mm from the eyepiece frame at -1m-1 (CIPA standard)
Histogram, Real-time image-adjustment display, Digital level gauge, Grid line, Focus check, Peaking MF, Zebra, Movie marker, Emphasezed display during REC
NTSC mode: STD 60fps / HI 120fps, PAL mode: STD 50fps / HI 100fps
7.5cm (3.0-type) type TFT
Yes
1,440,000 dots
Manual (5 steps between -2 and +2), Sunny Weather mode
Histogram, Real-time image-adjustment display, Digital level gauge, Grid line, Focus check, Peaking MF, Zebra, Movie marker, For viewfinder, Monitor Off, Emphasezed display during REC
Opening Angle:Approx. 176 deg., Rotation Angle:Approx. 270 deg.
Yes, Focus Magnifier (35mm full frame: 2.1x / 4.1x, APS-C: 1.5x / 3.0x)
Face Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority
Yes
Yes
Yes
Yes
Yes
Yes
Yes
Yes
Yes
Approx. 2x
Approx. 1.5x (4K), Approx. 2x (HD)
35mm full frame: M: approx. 1.5x, S: approx. 2x
APS-C: M:approx. 1.3x, S: approx. 2x
35mm full frame: L: approx. 4x, M: approx. 6.1x, S: approx. 8x
APS-C: L: approx. 4x, M:approx. 5.2x, S: approx. 8x
35mm full frame: approx. 4x
APS-C: approx. 4x
Electronically-controlled, vertical-traverse, focal-plane type
Mechanical shutter / Electronic shutter
Still images: 1/8000 to 30 sec, Bulb, Movies: 1/8000 to 1/4 (1/3 steps), up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode)
1/250 sec.
Yes (ON/OFF)
Yes (ON/OFF)
Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)
5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE 50mm F1.4 ZA lens mounted. Long exposure NR off.)
[Still images] On / Off, [Movie] Active / Standard / Off
Pre-flash TTL
No
+/- 3.0 EV (switchable between 1/3 and 1/2 EV steps)
Flash off
Autoflash
Fill-flash
Slow Sync.
Rear Sync.
Red-eye reduction (on/off selectable)
Wireless
Hi-speed sync.
Sony a System Flash compatible with Multi Interface Shoe, attach the shoe adapter for flash compatible with Auto-lock accessory shoe
Yes
Yes (Light signal: Available with Fill-flash, Slow Sync., Hi-speed sync. / Radio signal: Available with Fill-flash, Rear Sync., Slow Sync., Hi-speed sync.)
Single Shooting
Continuous shooting (Hi+/Hi/Mid/Lo selectable)
Self-timer
Self-timer (Cont.)
Bracket: Single
Bracket: Cont.
White Balance bracket
DRO bracket
10 sec. delay / 5 sec. delay / 2 sec. delay / Continuous self-time / Bracketing self-timer
Continuous shooting: Hi+: 10 fps, Hi: 8 fps, Mid: 6 fps, Lo: 3 fps
JPEG Extra fine L: over 1000 frames
JPEG Fine L: over 1000 frames
JPEG Standard L: over 1000 frames
RAW: over 1000 frames
RAW & JPG: over 1000 frames
RAW (Uncompressed): over 1000 frames
RAW (Uncompressed) & JPG: over 1000 frames
Single (with or without shooting information Y RGB histogram & highlight / shadow warning)
Index view
Enlarged display mode (L: 10.6x, M: 6.92x, S: 5.32x)
Auto Review
Image orientation
Folder selection (Date / Still / Movie)
Protect
Rating
Display as Group
Yes
Mass-storage / MTP
Yes
Yes (SuperSpeed USB 5Gbps (USB 3.2) compatible)
Yes (NFC forum Type 3 Tag compatible)
Yes (Wi-Fi Compatible, IEEE 802.11a/b/g/n/ac (2.4GHz band/5GHz band))
Yes (Bluetooth Standard Ver. 5.0 (2.4GHz band))
HDMI connector (Type-A)
3840 x 2160 (60p / 50p / 30p / 25p / 24p) / 1920 x 1080 (60p / 50p / 24p) / 1920 x 1080 (60i / 50i), YCbCr 4:2:2 10bit / RGB 8bit
4264 x 2408 (60p / 50p / 30p / 25p / 24p), Raw 16bit
Yes (with Digital Audio Interface)
Yes (3.5 mm Stereo minijack)
Yes (3.5 mm Stereo minijack)
Yes (IR remote control / Bluetooth remote control)
Yes
FTP Transfer Func.(Wired LAN(USB-LAN), USB Tethering, Wi-Fi)
View on Smartphone
Remote control via Smartphone
NFC One-touch remote
PC Remote
BRAVIA Sync (Control for HDMI)
PhotoTV HD
NFC One-touch sharing
Built-in, stereo
Built-in, monaural
Exif Print, Print Image Matching III
Yes
Yes
Yes
Yes
Yes (Body 3 sets /memory card 4 sets)
Peripheral Shading, Chromatic Aberration, Distortion
One rechargeable battery pack NP-FZ100
Approx. 510 shots (Viewfinder) / approx. 600 shots (LCD monitor) (CIPA standard)
Approx. 80 min. (Viewfinder) / Approx. 95 min. (LCD monitor)
(CIPA standard)
Approx. 130 min. (Viewfinder) / Approx. 135 min. (LCD monitor)
(CIPA standard)
Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)
Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)
Still images: approx. 4.3W (with FE 28-70mm F3.5-5.6 OSS lens attached), Movies: approx. 7.6W (with FE 28-70mm F3.5-5.6 OSS lens attached)
Still images: approx. 3.3W (with FE 28-70mm F3.5-5.6 OSS lens attached), Movies: approx. 7.3W (with FE 28-70mm F3.5-5.6 OSS lens attached)
32 - 104 degrees F (0 - 40 degrees C)
Approx. 5.12 x 3.87 x 3.25" (128.9 x 96.9 x 80.8mm)
Approx. 5.12 x 3.87 x 2.75" (128.9 x 96.9 x 69.7mm) From Grip to Monitor
1.35 lbs (614g) Body
1.54 lbs (699g) with battery and memory card included
24 to 70mm
f/2.8
f/22
Sony E
Full-Frame
84 Degree to 34 Degree
1.25' (38cm)
0.24x
18 Elements in 13 Groups
9, Rounded
Autofocus
None
82 mm (Front)
3.45 x 5.35" (87.6 x 136mm)
1.95 lbs (886g)
192223168510, 23709417, 192223021532, 192223216853, 027242895065, 027242920569, 818373026059, 818373020514, 840014139507, 840014197293, 840014139958
If you’re planning to expand your video equipment with more advanced gear, moving up to one of these best 4K cameras is one of the best decisions you can make.
In this article, we’ll help you find the best kind and mod...
Absolutely unique at this price, and without real competition for most video use up our $72K ARRI.
By Andrew D.
We use a range of video and stills cameras, from Canon, Panasonic, SONY, ARRI and Phase One. This is the first camera that I have used that enables an entirely new level of low-light creative video and stills options-- far beyond our new Canon R5, the ARRI or anything else we have.
Wonderful wonder!
By Walter P.
Just great, excelent sensor! I use a7SIII for video and Nikon Z system for photos and after trying Canon RF mount too, this 2 systems are far superior thanks to quality on E mount glass and Z glass. You earn avoiding Chromatic Aberrations of expensive RF glasses and softness.
About The Alpha a7S III Mirrorless Camera
Let us introduce you to the pinnacle of photographic technology, the Alpha a7S III Mirrorless Camera. This groundbreaking device sets a new standard in sensitivity, speed, and image quality, making it an essential tool for professional photographers and videographers.
At the heart of the Alpha a7S III lies an innovative 12.1MP backside illuminated full-frame sensor. This advanced sensor offers twice the readout speed of its predecessors, enabling ultra-clean, low-light images up to an impressive ISO 409,600. With a dynamic range of over 15 stops and a 3x reduction in rolling shutter, this camera captures every detail with exceptional clarity and precision.
But the innovation doesn't stop there. The Alpha a7S III also features Sony's acclaimed fast hybrid autofocus system, equipped with 759 phase detection AF points. This sophisticated system ensures rapid, precise focus, capturing every moment with breathtaking accuracy.
To further enhance your creative possibilities, the Alpha a7S III is powered by the new BIONZ XR processing engine. This powerhouse delivers eight times more processing power than previous models, enabling up to 120p 4K 10-bit 4:2:2 recording and full pixel readout in all recording modes.
Whether you're shooting stills or video, the Alpha a7S III Mirrorless Camera offers a comprehensive feature set designed to meet the needs of professionals. With Bluetooth connectivity, a clean HDMI output, a microphone input, and a touchscreen display, this camera is as versatile as it is powerful. Plus, it's compatible with Sony's E-mount lens system, offering a wide range of lens options for every shooting scenario.
In conclusion, the Alpha a7S III Mirrorless Camera is more than just a camera; it's a testament to Sony's commitment to pushing the boundaries of photographic technology. Experience the difference today.
About The FE 24-70mm f/2.8 GM Lens for Sony E
For professional photographers and enthusiasts alike, the Sony FE 24-70mm f/2.8 GM Lens for Sony E-mount cameras is a versatile and high-quality choice. This lens is expertly designed to work in perfect harmony with your mirrorless camera's autofocus and digital image processing capabilities. The E-mount connection ensures a seamless fit with your Sony camera, enhancing your photography experience.
The lens boasts 18 elements that maintain a consistent f/2.8 aperture throughout the zoom range, delivering rapid and high-quality results even at 70mm. The extra-low dispersion glass and the Nano AR coating work together to reduce chromatic aberrations and eliminate unwanted reflections, ensuring distortion-free and vibrant images.
This lens is not just about capturing distant subjects; it can focus on objects as close as 15 inches away at 24mm, allowing you to get closer to the action. It's also an excellent choice for portrait photography, as it covers the standard portrait range. While it's designed for full-frame cameras, it's also compatible with APS-C E-mount cameras, producing a 35mm equivalent focal length of 36-105mm.
The Sony FE 24-70mm f/2.8 GM Lens is equipped with a zoom lock button to prevent the lens from telescoping downward when you're on the move. The fast, quiet autofocus combines with manual focusing rings for easy control and precise focusing.
Featuring some of the most advanced lens technologies, this lens is the ultimate choice for those seeking superior optical performance for portrait, travel, event photography, or even simple everyday shooting. The lens is built with three aspherical elements, including a newly developed, extremely precise XA (extreme aspherical) element that reduces aberration and delivers ultimate resolution throughout the entire zoom and aperture range, as well as from corner to corner of all image files.
The lens features a 9-bladed aperture that maintains a near circular shape at all settings and is coated with Sony's original Nano AR coating to suppress reflections and ensure spectacular contrast and clarity. The lens has a direct drive SSM (Super Sonic wave Motor) focusing system that works with incredible efficiency thanks to a new set of algorithms that position the lens elements quickly and accurately. The motor is smooth and quiet, making it an ideal choice for shooting both still images as well as movies.
To maximize usability, the lens is dust and moisture resistant and features a compact, streamlined design that includes AF/MF switch as well as focus hold, zoom lock and hood release buttons. Two new matching filters for the FE24-70mm F2.8 GM lens have also been introduced, including the VF-82MP MC protector and VF-82CPAM Circular PL filter. This lens is a testament to Sony's commitment to delivering innovative and reliable photography equipment.
https://www.sony.com/electronics
800-942-7669
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