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Review Summary
2024-12-31T19:00:00
Implementing 120 photos per second, pre-capturing, AI tracking, all shutter speed flash sync, and flexibility to define function keys helped me to improve the successful rate for nature and macro photography. It was a lot of fun testing the ability to capture subtle moments of birds and using high shutter speed to take flower photos under windy situations with flash. The results were highly acceptable because I didn't do cropping.
KiYn
2024-11-30T19:00:00
Amazing camera! Low light not a issue as I feared.
Oginjo
2024-11-18T06:02:21
I shoot wildlife, travel and some sports. I bought this while my A1 was broken do to a drop. (It was eventually replaced by Extend) I shot a professional soccer match with it, and it performed superbly. Action was captured on the first try, colors were great and LED flicker was not problem at night. Best tool for this use, and also terrific with fill flash, since any shutter speed will work in the Global Shutter. Now the reason why this will not be my Goto body. First, 24mp is just not enough resolution for songbirds, small animals and any other application where you need to crop. APS-C modes which work nicely on the A1 or A7R V are almost useless. The noise levels are also higher than you would expect with that resolution. It is nothing like the low-light capabilities of the 24mp A7III. Second, the continuous shutter is so fast that it takes some getting used to. Even limited in the settings, it is faster than anything you have ever held in your hands. It is very easy to blow through thousands, even tens of thousands of shots in a single shoot if you don't have a light touch on the shutter button and throttle back the high setting in the setup menu. Low continuous shooting is in the range of the fastest DSLR and with the High+, you are essentially taking a video in a slow motion setting. Pre-capture extends this even more. This can be a cool capability, but I never seem to come back from a shoot with less than 2,000 shots and from a sporting with less than 8,000. This means lots of time in post processing for not much difference in those frames. All in all, it is an awesome tool, but it needs to be used with caution. I don't see it being the body I grab first for anything but sports. I am looking forward to an updated A1 with this focus system. It would be the ultimate birding/wildlife tool.
Gene V.
2024-07-13T20:00:00
Good with its interested problem with the global shutter. Now comes the but? make the native iso 100.
Phil852
2024-07-13T20:00:00
Good with its interested problem with the global shutter. Now comes the but? make the native iso 100.
Phil2513
2024-06-13T20:00:00
The 7 day Sony Loaner Program is what pushed me over the edge. I bought the camera over a month ago and have been enjoying the new features almost every day since.
Louu
2024-05-17T20:00:00
I got this camera to complement my A1 but ended up completely replacing the A1. The main reason for purchase is virtually unlimited x-sync that allows me to shoot all sorts of action with strobes in bright daylight. I can get 30 fps shot at 1/12800s fully synced with my Godox strobes (no HSS!) easily with this camera. If you think about it - 30 fps is basically a movie! This is just mind blowing. Auto-focus is great, it's more reliable compared to the A1 thanks to the more advanced ML image recognition. Long time ago I started a petition for Sony to add a pre-shooting buffer to the A1, which of course was ignored but I'm happy to see this feature on the A9 III. It definitely helps to capture more cool moments while shooting sports. Another thing where this camera shines is VIDEO. Thanks to GS, panning looks out of this world. 8 stop IBIS + digital produce footage comparable to Steadicam in smoothness. Overall I'm very happy with this camera, and looking forward to seeing other GS powered cameras from Sony, hopefully with more megapixels for better details. Thanks!
FranklinSportsPhoto
2024-05-15T03:48:16
This camera is unbelievable for sports/action. I got shots I never believed were possible. Whether you are a professional sports photographer or a passionate amateur who wants amazing photos of your kids playing sports, the 120 FPS really opens up possibilities that no other camera can compare to. I also really enjoy the pre-capture feature. It makes getting the right shots a breeze because you just have to wait for the action to happen and then start clicking--knowing you will be capturing all the action you need. Highly recommended and worth the money.
Robert W.
2024-04-03T20:00:00
Im a disabled photography so I really love Sony cameras due to the customisable aspect. This camera body has a better shutter button position than my Sony A1. The tracking is really fast and it catches the body or eye a lot quicker than the Sony A1 So far this came is perfect. You can still crop lots on your photos. The A1 is the one to get if you enlarge your photos or mega crop, if not this camera will suit every need
lukey87
2024-02-03T19:00:00
I have only Owned this camera for a few weeks but in that short time it has revolutionised my photography. A game changer. Superb piece of craftsmanship from Sony.
KevastleyJA
2024-02-03T19:00:00
I have only Owned this camera for a few weeks but in that short time it has revolutionised my photography. A game changer. Superb piece of craftsmanship from Sony.
KJArt
E-mount
35mm full frame (35.6 x 23.8 mm), Exmor RS CMOS sensor
Approx. 25.2 megapixels
Still images: Approx. 24.6 megapixels max., Movies: Approx. 20.3 megapixels max.
Yes
2500 K - 9900 K
Yes
JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 5.0 format compliant)
35mm full frame L: 6000 x 4000 (24 M), M: 3936 x 2632 (10 M), S: 3008 x 2000 (6.0 M)
XAVC S: MPEG-4 AVC/H.264, XAVC HS: MPEG-H HEVC/H.265
LPCM 2ch (48 kHz 16 bit), LPCM 2ch (48 kHz 24 bit)2, LPCM 4ch (48 kHz 24 bit)2
Yes
Yes
Yes
Yes (HDMI)
SLOT1: Multi slot for SD (UHS-I/II compliant) memory card / CFexpress Type A card, SLOT2: Multi slot for SD (UHS-I/II compliant) memory card / CFexpress Type A card
Fast Hybrid AF (phase-detection AF / contrast-detection AF)
Still images: Max. 759 points (phase-detection AF), Movies: Max. 627 points (phase-detection AF)
EV-5 to EV20 (ISO100 equivalent with F2.0 lens attached)
Human, Animal, Bird, Insect, Car, Train, Airplane
Human, Animal, Bird, Insect, Car, Train, Airplane
AF Level for Crossing (Still), AF Track for Speed Change (Still), AF Subj. Shift Sensitivity (Movie), AF Transition Speed (Movie), Switch V/H AF Area, AF Area Regist., Circ. of Focus Point, Focus Map (Movie), AF Assist (Movie)
Yes (with Built-in LED type)
1200-zone evaluative metering
EV-5 to EV17 (ISO100 equivalent with F2.0 lens attached)
+/- 5.0 EV (1/3 EV, 1/2 EV steps selectable)
Still images: ISO 250 - 25600 (expandable to ISO 125 - 51200), AUTO (ISO 250 - 12800, selectable lower limit and upper limit), Movies: ISO 250 - 25600 equivalent, AUTO (ISO 250 - 12800, selectable lower limit and upper limit)
Yes
1.6 cm (0.64 type) electronic viewfinder (Quad-XGA OLED)
9 437 184 dots
Approx. 0.90x (with 50 mm lens at infinity, -1 m-1)
-4.0 to +3.0 m-1
Approx. 25 mm from the eyepiece lens, 21 mm from the eyepiece frame at -1 m-1 (CIPA standard)
NTSC mode: STD 60fps / HI 120fps / HIGHER 240fps, PAL mode: STD 50fps / HI 100fps / HIGHER 200fps
8.0 cm (3.2-type) type TFT
Yes
2 095 104 dots
Opening Angles (approx.): Up 98 Degree , down 40 Degree , side 180 Degree , rotation 270 Degree
Soft Skin Effect, Creative Look, Custom function, Picture Profile, Time-lapse, Auto Framing, Pre-Capture, Continuous Shooting Speed Boost, NR Shooting
Approx. 2x
Approx. 1.5x (4K), Approx. 2x (HD)
Electronic shutter
Still images: 1/80000 to 30 s, Bulb, Movies: 1/8000 to 1 s
1/80000 s, 1/500 s
Image sensor-shift mechanism with 5-axis compensation (compensation depends on lens specifications)
8.0 stops (based on CIPA standard. Pitch/yaw shake only. With FE 50mm F1.2 GM lens mounted. Long exposure NR off.)
Still images: On / Off, Movie: Dynamic active / Active / Standard / Off
Pre-flash TTL
+/- 3.0 EV (switchable between 1/3 and 1/2 EV steps)
Sony a System Flash compatible with Multi Interface Shoe, attach the shoe adapter for flash compatible with Auto-lock accessory shoe
Hi+: 120 fps
Enlarged display mode, Protect, Rating, Shot Mark (Movie), Divider Frame, Crop, Photo Capture
Screen Reader, Focus Magnifier, Focus Map (Movie), Peaking Display, Subject Recognition in AF, Touch Focus, Touch Tracking, Touch Shutter, Touch AE, Multi-angle LCD screen, Custom function
Mass-storage / MTP
Yes
Yes (SuperSpeed USB 5 Gbps (USB 3.2) compatible)
Yes
Yes (Wi-Fi Compatible, IEEE 802.11a/b/g/n/ac (2.4 GHz band/5 GHz band))
Yes (Bluetooth Standard Ver. 5.0 (2.4 GHz band))
HDMI connector (Type-A), 3840 x 2160 (30p / 25p / 24p) / 1920 x 1080 (60p / 50p / 24p) / 1920 x 1080 (60i / 50i), YCbCr 4:2:2 8bit / RGB 8bit, 4672 x 2628 (59.94p / 29.97p / 23.98p), Raw 16bit
Yes (with Digital Audio Interface)
Yes (3.5 mm Stereo minijack)
Yes (3.5 mm Stereo minijack)
Yes (Bluetooth remote control)
Yes (1000BASE-T, 100BASE-TX, 10BASE-T)
FTP Transfer Func.(Wired LAN, USB Tethering, Wi-Fi), Send to smartphone, Remote control via smartphone, PC Remote
MJPEG, YUV4209
3840 x 2160 (15p / 30p), 3840 x 2160 (12.5p / 25p), 1920 x 1080 (30p / 60p), 1920 x 1080 (25p / 50p), 1280 x 720 (30p), 1280 x 720 (25p)
LPCM 2ch (16bit 48 kHz)
Built-in, stereo, Built-in, voice memo
Built-in, monaural
Shading, Chromatic Aberration, Distortion, Breathing (Movie)
One rechargeable battery pack NP-FZ100
Approx. 400 shots (Viewfinder) / Approx. 530 shots (LCD monitor) (CIPA standard)
Approx. 90 min (Viewfinder) / Approx. 95 min (LCD monitor) (CIPA standard)
Approx. 145 min (Viewfinder) / Approx. 150 min (LCD monitor) (CIPA standard)
(Movie, Continuous Recording)
Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)
Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)
Still images: Approx. 4.8 W (with FE 28-70mm F3.5-5.6 OSS lens attached), Movies: Approx. 6.8 W (with FE 28-70mm F3.5-5.6 OSS lens attached)
Required, included
Lithium ion
NP-F
2
Approx. 5.35 x 3.81 x 3.26" (136.1 x 96.9 x 82.9mm)
Approx. 5.35 x 3.81 x 2.86" (136.1 x 96.9 x 72.8mm) (From grip to monitor)
Body Only: Approx. 21.7 oz (617g)
Approx. 24.76 oz (702g) (With Battery and Memory Card Included)
24 to 70mm
f/2.8
f/22
Sony E
Full-Frame
84 Degree to 34 Degree
8.3" (21cm)
0.32x
20 Elements in 15 Groups
11, Rounded
Autofocus
No
82 mm (Front)
3.5 x 4.7" (88 x 120mm)
6" (152mm)
1.5 lbs (695g)
192223281783, 192223193239, 735163165098, 735163165357, 840014139651, 192223021419, 192223227651, 192223216853, 843367120895, 027242923775, 027242927803, 027242929722, 840014139507, 840014139958, 192223152045, 192223251755, 192223199699
The epic a9III
By KevastleyJA
I have only Owned this camera for a few weeks but in that short time it has revolutionised my photography. A game changer. Superb piece of craftsmanship from Sony.
Exceptional
By FranklinSportsPhoto
I got this camera to complement my A1 but ended up completely replacing the A1. The main reason for purchase is virtually unlimited x-sync that allows me to shoot all sorts of action with strobes in bright daylight. I can get 30 fps shot at 1/12800s fully synced with my Godox strobes (no HSS!) easily with this camera. If you think about it - 30 fps is basically a movie! This is just mind blowing. Auto-focus is great, it's more reliable compared to the A1 thanks to the more advanced ML image r...
View full Review
- Alpha a9 III Camera -
Enhance your creative potential with the Sony Alpha a9 III Mirrorless Camera, a trailblazer in imaging technology. This sophisticated device stands as the world's first camera to boast a full-frame stacked 24.6 MP CMOS image sensor with a global shutter system, setting a new standard for high-quality, distortion-free photography. The innovative global shutter captures every pixel simultaneously, ensuring that even the swiftest subjects are frozen in time without the slightest hint of rolling shutter distortion.
With the Alpha a9 III, experience the pinnacle of performance with blackout-free, high-speed continuous shooting at an astonishing 120 fps, complete with full AF/AE tracking. This powerful feature allows for seamless viewing and precise subject capture, making it an ideal choice for professional photographers who demand accuracy and speed.
The camera's maximum shutter speed of an unprecedented 1/80,000 second enables the capture of ultra-fast action with remarkable clarity. When paired with compatible Sony flash units, such as the HVL-F60RM2 or HVL-F46RM, the Alpha a9 III provides even illumination across the frame, enhancing your ability to shoot in diverse lighting conditions.
At the heart of the Alpha a9 III lies the Exmor RS image sensor, a marvel of engineering with a stacked CMOS architecture and integral memory. This sensor not only delivers high resolution but also supports high-speed processing with minimal delay, ensuring that every detail is captured with precision.
The BIONZ XR image processing engine amplifies the camera's capabilities, offering up to eight times the processing power of its predecessors. This engine efficiently handles the vast amount of data from the sensor, enabling real-time processing and significantly improving image quality across all shooting modes, including the ability to capture high-quality 14-bit RAW images.
For those seeking to minimize noise, the Composite RAW Shooting feature is a game-changer. By merging multiple images using Sony's Imaging Edge Desktop software, photographers can achieve exceptionally high image quality with reduced noise, even at higher ISO settings.
The Alpha a9 III's advanced optical 5-axis image stabilization ensures that camera shake is effectively countered, providing an 8.0-step stabilization advantage. This sophisticated system, along with compatible stabilized lenses, allows for sharp, blur-free images even when shooting handheld at telephoto focal lengths.
Autofocus and tracking are taken to new heights with the camera's 759 phase-detection points, covering approximately 95.6% of the image area. The Fast Hybrid AF system combines phase-detection and contrast-detection AF for unparalleled precision, ensuring that rapidly moving and unpredictable subjects are captured with ease.
Customizable focus areas, including new XS and XL sizes, allow for tailored focusing strategies, ensuring that your subject remains sharp regardless of the surrounding environment. Additionally, the camera's flash synchronization capabilities at up to 1/80,000 second shutter speed open up a world of creative lighting opportunities.
The Alpha a9 III also addresses the challenges of artificial lighting with flicker-free shooting modes, ensuring consistent exposure and color when shooting under fluctuating lighting conditions. Moreover, the global shutter system eliminates the common issue of flash banding, providing a clear advantage in event photography.
For videographers, the Alpha a9 III excels in 4K movie recording, free from rolling shutter effects, and offers both full-frame and Super 35mm format options. This powerful, advanced camera is designed to meet the rigorous demands of professional photography and videography, making it a top choice for those seeking to elevate their visual storytelling.
- FE 24-70mm f/2.8 GM II Lens -
If you're seeking a lens that combines Sony's cutting-edge technology with stunning G Master resolution and exquisite bokeh, look no further than the FE 24-70mm F2.8 GM OSS II lens. This lens, the world's lightest Full Frame F2.8 constant aperture Standard Zoom lens, is designed to maximize the potential of today's advanced still and movie cameras with its significantly evolved AF performance.
The FE 24-70mm F2.8 GM OSS II lens offers superb image quality that rivals the best prime lenses. Its excellent contrast at high spatial frequencies ensures superb resolution even at F2.8. The lens features two high-precision XA (extreme aspherical) elements, two ED (Extra-low dispersion) glass elements, two Super ED glass elements, and a floating focus mechanism that control aberration, delivering sharp, clear images at all zoom and aperture settings.
Despite its advanced features, this lens is the smallest and lightest F2.8 24-70mm zoom in its class, weighing just 24.6 oz (695 g), making it 20% lighter than the previous model. Its compact size and excellent mobility make it an ideal choice for professional or enthusiast use in a wide range of situations.
The lens also boasts beautiful G Master bokeh that extends throughout the zoom range, thanks to advanced optics and a new 11-blade aperture unit. Two precision XA elements manufactured to 0.01 -micron surface precision suppress onion ring bokeh, while ED glass elements prevent color bleeding for natural-looking circular bokeh.
The FE 24-70mm F2.8 GM OSS II lens also offers fast, precise AF and excellent response, thanks to four of Sony's original XD (extreme dynamic) Linear Motors, a floating focus mechanism, and advanced lens control. It supports shooting at up to 30 frames per second or up to 4K 120p with a compatible camera body.
The lens also offers excellent close-up performance with a minimum focusing distance of just 8.3" (0.21 m) at 24 mm and 11.8" (0.30 m) at 70 mm, with a maximum magnification of 0.32x. The lens' design also suppresses internal reflections that can reduce clarity when shooting landscapes, sports, and a variety of other subjects.
The FE 24-70mm F2.8 GM OSS II lens is also designed for visual creators, with advanced lens design that reduces focus breathing, focus shift, and axial shift when zooming. The lens also features a dedicated aperture ring, click/de-click and iris lock switches, a zoom smoothness switch, customizable focus hold buttons, and a dust and moisture resistant design for extra reliability in challenging conditions.
The lens also features two spherical elements that use ED (Extra-low Dispersion) glass, plus two more that use Super ED glass to significantly reduce chromatic aberration for sharp reproduction without color bleeding. The front lens element features a fluorine coating that repels water, oil, and other contaminants, while making it easier to wipe off any contaminants or fingerprints that do become attached to the lens surface. The lens also comes with a petal-shaped, bayonet mount lens hood.
https://www.sony.com/electronics
800-942-7669
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