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Review Summary
2021-12-12T12:48:45
Incredible keyboard workstation. Play on.
MICHAEL V.
2017-10-08T05:28:37
If you are looking at it, you know what it is. I most likely only use 3% of its capability. Love it
MEHRON M.
88 key: RH3 (Real Weighted Hammer Action 3)
SGX-2 Premium Piano (Acoustic Piano)
EP-1 MDS Electric Piano (Electric Piano)
HD-1 High Definition Synthesizer (PCM)
AL-1 Analog Synthesizer (Analog Modeling)
CX-3 Tonewheel Organ (Tonewheel Organ Modeling)
STR-1 Plucked String (Physical Modeling)
MOD-7 Waveshaping VPM Synthesizer (VPM Synthesis)
MS-20EX Component Modeling Technology (Analog Modeling)
PolysixEX Component Modeling Technology (Analog Modeling)
SGX-2: 100 voices
EP-1: 104 voices
HD-1: 140 voices
AL-1: 80 voices
CX-3: 200 voices
STR-1: 40 voices
MOD-7: 52 voices
MS-20EX: 40 voices
PolysixEX: 180 voices
314MB (ROM 1,505 Multisamples, 1,388 Drumsamples)
EXs1 - ROM Expansion
EXs2 - Concert Grand Piano
EXs3 - Brass and Woodwinds
EXs4 - Vintage Keyboards
EXs5 - ROM Expansion 2
EXs6 - SGX-1 German D Piano
EXs7 - SGX-1 Japanese C Piano
EXs8 - Rock Ambience Drums
EXs9 - Jazz Ambience Drums
EXs17 - SGX-2 Berlin D Piano
EXs18 - KORG EXs Collections
Approximately 2GB
598 User memory, 187 Preload
Support for stereo multisamples, synchronization of individual notes and tempo-based settings
Virtual Memory Technology (VMT) plays large samples directly from the internal SSD
Full key stereo sampling, Chromatically sampled at up to 12 velocity levels, no looping
Damper resonance and mechanical noise are reproduced
Modeled String Resonance. Una Corda sample support
EXs6:SGX-1 German D Piano
EXs7:SGX-1 Japanese C Piano
EXs12:SGX-1 Austrian D Piano (Option Sound libraries)
8 velocity levels, no Una Corda samples
EXs17:Berlin D Piano
12 velocity levels, includes Una Corda samples
64 (With the factory settings, the 16 varieties of EXs12 SGX-1 Austrian D Piano do not produce sound
The EXs12 option must be downloaded.)
Damper Resonance
Damper Noise
Mechanical Noise
Note Release
String Resonance
Una Corda
Tine and reed-type electric pianos powered by Multi-Dimensional Synthesis (MDS) and vintage effects
Tine EP I, Tine EP II, Tine EP V, Tine EP DMP, Reed EP200, Reed EP200A
Harmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack Brightness, Hammer Width
Tine Type
Preamp Volume, Tone (Treble, Bass), Vibrate (On/Off, Intensity, Speed), Amp/Cabinet (On/Off, Drive)
Reed Type
Preamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed), Amp/Cabinet (On/Off, Drive)
Small Phase, Orange Phase, Black Phase, Vintage Chorus, Black Chorus, EP Chorus, Vintage Flanger, Red Comp, VOX Wah
Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope
Single: only OSC1, Double: OSC1 and OSC2
Double mode lets you layer two completely separate synth voices, each with their own velocity-switched oscillator, dual filter, EGs, LFOs, etc
Drums: One drum kit, Double
Drums: Two drum kits
Virtual Memory Technology (VMT) plays large samples directly from the internal SSD
8 velocity zones per oscillator, with switching, crossfades and layering
Each zone can play mono or stereo Multisamples or Wave Sequences
Two multi-mode filters per voices (low-pass, high-pass, band-pass and band-reject), Four-mode filter routings (single, serial, parallel and 24dB mode)
Per voice non-linear driver and low boost circuit
Three bands, with sweep-able mid
Three envelope generators, two LFOs per voice, common LFO, four key tracking generators, AMS (Alternate Modulation Source), two AMS mixers
Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope
Common Step Sequencer, AMS (Alternate Modulation Source), Common LFO, 2 Key Tracking Generators
Three bands, with sweep-able mid
Ultra-low-aliasing oscillators
OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM and Sync
External audio can be processed through the ring modulator, filter, driver, amp and EQ
Two multi-mode filters (low-pass, high-pass, band-pass and band-reject) with four types of filter routings (single, serial, parallel and 24dB mode)
Multi Filter mode (only Filter-A; modulatable mix of Low Pass, High Pass, Band Pass and dry input, for creating a wide variety of unique filter types and effects)
Per-voice non-linear driver and low boost circuit
Five Envelope generators, four per-voice LFOs, two AMS Mixers; Per-voice Step Sequencer
Phase-synchronous tonewheels (clean and vintage modes), percussion, key click, wheel brake
Four additional, user-specified drawbars and expanded percussion
Rotary speaker, vibrato/chorus, amp modeling with overdrive, 3-band EQ
Controlled via nine front-panel sliders (via Tone Adjust)
Upper, Lower (even in EX mode)
Two AMS mixers
Includes physically modeled damping, decay, dispersion, nonlinearity, harmonics, dual pickups and more
Most string parameters can be controlled in real-time
Three independent excitation sources can be used simultaneously: Pluck, Noise and PCM
16 preset pluck" types, with modulatable width and randomization. Noise generator with saturation and dedicated low pass filter
PCM Oscillator:
KORG's ultra-low-aliasing technology, as introduced in the HD-1
4 velocity zones per oscillator
Uses any mono Multisamples, including ROM, EXs, User Sample Bank or Sampling Mode
Supports Virtual Memory
Excitation Filter: Dedicated 2-pole multimode filter for shaping the string excitation
Filter can be enabled/disabled separately for each excitation source
Low Pass, High Pass, Band Pass and Band Reject modes
Run real-time audio through the string, including feedback through effects
Modeled feedback includes modulate-able instrument-to-amp distance and orientation
Dual multi-mode filters per voice; Single, Serial, Parallel (with split stereo output) and 24dB (4-pole) configurations. Low Pass, High Pass, Band Pass and Band Reject modes
Multi Filter Mode (Filter A only)
Modulatable mix of Low Pass, High Pass, Band Pass and dry input, for creating a wide variety of unique filter types and effects
Combines Variable Phase Modulation (VPM), Waveshaping ring modulation, PCM sample playback and subtractive synthesis; Able to convert-load SYX files
6 VPM/Waveshaper/Ring Modulation Oscillators:
Phase and modulatable pitch per oscillator
101 Waveshaper tables plus modulatable Drive and Offset
Use as oscillators or as Waveshapers or Ring Modulators for other signals
PCM Oscillator:
KORG's ultra-low-aliasing technology, as introduced in the HD-1
4 velocity zones per oscillator
Uses any mono Multisamples, including ROM, EXs, User Sample Bank or Sampling Mode. Supports Virtual Memory
Run real-time audio through the VPM Oscillators and filters
Dual multi-mode filters per voice. (Low Pass, High Pass, Band Pass and Band Reject modes)
Two types of filter looping (Parallel and 24 dB 4-Pole")
Multi Filter mode (Filter A only):
Modulatable mix of Low Pass, High Pass, Band Pass and dry input, for creating a wide variety of unique filter types and effects
Supports both preset algorithm (78 types) selection and free patching
Three 2-in, 1-out mixers for scaling and merging audio, fully modulatable, with phase inversion
Main 6-input stereo mixer, with modulatable pan and volume, plus phase inversion
10 Envelopes, 4 per-voice LFOs, 9 Key Tracking generators, Per-voice Step Sequencer, 4 standard AMS Mixers plus 4 simple AMS Mixers
Ultra-low-aliasing oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise Generator
Run real-time audio through the synthesis engine and ESP (External Signal Processor)
12dB/octave High Pass and Low Pass self-resonant filters
ESP section:
24dB/octave Low Cut and High Cut filters, available per voice
Patchable audio and modulation, at audio rates
Keyboard: Keyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV In
VCO: VCO1+VCO2 External Frequency Control In, VCO1 Out, VCO2 Out
VCF: External Signal In, External HP Filter Cutoff Frequency Control In, External LP Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF Out
VCO+VCF: Total External Modulation In
EG: EG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger In, EG1 Trigger In, EG2 Envelope Signal Reverse Out
MG: Triangle Out, Rectangle Out
Noise Generator: Pink Noise Out, White Noise Out
Sample and Hold: Clock Trigger In, Sample Signal In, S/H Out
Modulation VCA: Control Voltage In, Signal In, Signal Out
Manual Controller: Control Wheel Out, Momentary Switch
ESP: Signal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger Out
Others: EXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 Out
VCA: External Initial Gain Control In, VCA In
Use incoming audio as a trigger and/or CV source
Original DAR (Delay, Attack, Release) and HADSR (Hold, Attack, Decay, Sustain, Release) EGs 1 &2, Original MG (with MIDI sync), Sample-and- Hold, MVCA, KRONOS: 4 additional multi-stage Envelopes, 4 additional per-voice LFOs and 4 AMS Mixers
VCO: Saw, Pulse, PWM
ub Oscillator: Off, 1 octave below, 2 octaves below
24dB (4-Pole) Octave Low Pass self-resonant filter
Integrated Polysix Chorus, Phaser and Ensemble
Integrated MIDI-synced arpeggiator, with adjustable Range, Mode and Latch
Polysix: Original ADSR EG and MG (with MIDI sync)
KRONOS: 2 additional multi-stage Envelopes, 2 additional per-voice LFOs and 4 AMS Mixers
16 Maximum
Keyboard and velocity splits, layers and crossfades of up to 16 Programs and/or external MIDI Devices
Tone adjust parameter function modifies program settings and the master keyboard function controls external MIDI devices
Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope
Assignable stereo/mono samples with 8 velocity zones per oscillator (with crossfade functions)
2,560 (1,792 [896 HD-1+896 EXi] come preloaded)
1,792 (512 come preloaded)
264 (78 come preloaded)
256 GM Level2 preset programs + 9 GM Level 2 drum preset programs
128 set lists, 128 slots per set list
Each set list provides a 9-band graphic EQ and a Tone Adjust function that allows program settings to be adjusted
Transpose setting
Hold Time setting of Smooth Sound Transition (SST) supported for each slot
Open Sampling System (resampling, In-Track sampling)
RAM: 16-bit/48 kHz stereo/mono sampling
DISK: 16 or 24-bit/48 kHz
RAM: Depends on the amount of available PCM RAM
DISK: Maximum 80 minutes stereo (879MB: 16bit)
16,000 samples/4,000 multisamples (128 indexes per multisample)
Direct sampling (ripping) from audio CD (CD-DA)
KORG format, AKAI S1000/S3000 data (with advanced Program parameter conversion); SoundFont 2.0, AIFF and WAVE formats
Time Stretch, Time Slice, Crossfade Loop and other standard editing features.
Insert Effects: 12, stereo in/stereo out
Master Effects: 2, stereo in/stereo out
Total Effects: 2, stereo in/stereo out
Timbre EQ: One 3-band EQ for each timbre/track
Effect Types: 197
Modulation: Dynamic modulation and common LFO
Effects Control Busses: Stereo side-chaining for compressors, gates, vocoders, etc.
Effect Presets: Total 783 preset, maximum 32 per effect (preset user)
One module in Program mode, four modules in Combination and Sequencer modes
2,048 presets, 1,536 Users (96 come Preload)
On/Off, Latch, Chord, Assign, Module, Control, KARMA Real-time Control Sliders [1] [8], KARMA Scene [1] [8], KARMA Switches [1] [8], KARMA Wave-Sequencing, GE Sub Category, Freeze Randomize, Time Signature Control, Tempo Synchronize, Auto RTC (Real Time Control) setup
718 preset (common with the preset patterns of the MIDI sequencer) 1,000 user patterns
Patterns created in Sequencer mode can be converted to drum track user patterns
Trigger Mode/Sync/Zone settings can be specified
16-track MIDI sequencer + 16-track hard disk recorder + 1 master track
200 songs
1/480
40.00 300.00 (1/100 BPM resolution)
400,000 MIDI events or 300,000 audio events
16 tracks plus the master track
718 preset/100 user patterns (per song)
18 preset/16 user template songs
16-track playback, 4-track simultaneous recording, WAV file format 16bit/24bit.
RPPR (Real-time Pattern Play and Record) (1 Pattern set per song), Auto Song Setup function
Load, save, utility, audio CD burning, audio CD playback, data filer function (save/load MIDI System Exclusive data), CD-R/RW (UDF format read/write), ISO9660 Level
Vector joystick, joystick, ribbon controller, switches 1 & 2
Control Surface:
Control Assign Switches:
Assigns the Control Surface to Timber/Track, Audio, External, Real-time Knobs/KARMA, Tone Adjust/EQ
Mixer Knobs Switch:
Assigns the Mixer Knobs to either Channel Strip or Individual Pan, Reset Control Switch, Solo Switch, Knobs 1-8, Switches 1-8(Upper Row), Switches 1-8 (Lower Row), Sliders 1-8, Master Slider
KARMA Control: On/Off, Latch, Module Control RUM TRACK: On/Off
TouchView graphical user interface, 8 inch color TFT, SVGA (800x600 dots), adjustable brightness
Analog:
(MAIN) L/MONO, R:
1/4" TRS Balanced
Output Impedance: 350 Ohms Stereo; 175 Ohms Mono (L/MONO Only)
Nominal Level: +4.0 dBu
Maximum Level: +16.0 dBu (when load impedance is 600 Ohms or greater)
MAIN VOLUME knob controls only AUDIO OUTPUT (MAIN) L/MONO and R
Individual 1-4:
1/4" TRS Balanced
Output Impedance: 350 Ohms Stereo; 175 Ohms Mono
Nominal Level: +4.0 dBu
Maximum Level: +16.0 dBu (when load impedance is 600 Ohms or greater)
Headphones:
1/4" stereo phone jack, Output impedance: 33 Ohms, Maximum Level: 60+60 mW (when load impedance is 33 Ohms)
MAIN VOLUME knob (link with AUDIO OUTPUT (MAIN))
Digital:
S/P DIF:
Optical, 24-bit, IEC60958, EIAJCP-1201, Sample Rate: 48 kHz, (the same signals as L/MONO, R)
Digital output of the same signals as AUDIO OUTPUT (MAIN) L/MONO and R
USB-B:
24-bit, Sample Rate: 48 kHz, 2 channels
(Digital output of the same signals as AUDIO OUTPUT
Analog:
Audio Inputs 1 and 2:
1/4" TRS Balanced MIC/LINE input level switches, LEVEL knobs
Input Impedance: 10 kOhms
Nominal Level: LINE
+4 dBu (LEVEL knob = min), 36 dBu (LEVEL knob = max)
Nominal Level: MIC
22 dBu (LEVEL knob = min), 62 dBu (LEVEL knob = max)
Maximum Level: LINE
+16 dBu (LEVEL knob = min), 24 dBu (LEVEL knob = max)
Maximum Level: MIC
-10 dBu (LEVEL knob = min), 50 dBu (LEVEL knob = max)
Source Impedance: 600 Ohms
Signal to noise ratio: 95 dB (typical)
Dynamic range: 95 dB (typical)
Crosstalk: 95 dB, at 1 kHz (typical)
Digital:
S/P DIF:
Optical, 24-bit, IEC60958, EIAJCP-1201, Sample Rate: 48 kHz
USB-B:
24-bit, Sample Rate: 48 kHz, 2 channels
Damper pedal (half damper supported), assignable switch, assignable pedal
In, Out, Thru
2x USB A (TYPE A), For connection to external USB devices (QWERTY keyboards, MIDI controllers, ethernet adaptors and storage)
1x USB B (TYPE B), MIDI/audio interface
MIDI: 1 (16 channel) input / 1 (16 channel) output
Audio: 2 channel input / 2 channel output
60GB SSD (2.5")
Optional installation of second internal SSD
60W
20Hz-22kHz, +/-1.0dB, 10kOhms load
20Hz-22kHz, 0.01%, 10kOhms load (typical)
95dB (typical)
95dB (typical)
95dB, at 1kHz (typical)
56.42 x 14.61 x 5.83" / 143.31 x 37.11 x 14.81cm
53.13lbs / 24.10kg
4959112120020
Korg Kronos 88 key
By MICHAEL V.
Incredible keyboard workstation. Play on.
Overall best current workstation available.
By MEHRON M.
If you are looking at it, you know what it is. I most likely only use 3% of its capability. Love it
When ambition, imagination and technology converge-the results are spectacular. Witness KRONOS. Created by KORG to satisfy today's most demanding, accomplished performers and producers-as well as tomorrow's visionary leaders-KRONOS embodies over 50 years of artistic vision and production expertise. With nine distinct synthesis engines and a complete suite of performance and productions tools, KRONOS is simply the most versatile synthesizer ever made.
KRONOS restores the magic, the thrill and the promise that only a visionary new instrument can provide. And KRONOS delivers on that promise. Every resources and technology of service to the modern musician has been refined, perfected and integrated into a single instrument and is available on demand. Multiple state-of-the-art sound generation techniques represent the pinnacle of software realization. Onboard effects open the door to processing any internal or external audio source with dazzling results. Multitrack audio and MIDI recording deliver efficient studio operations in a mobile platform. Hands-on hardware includes an assignable control surface, dual joysticks, ribbon controller, top-of-the line keyboard action and KORG's revolutionary tap-and-drag color TouchView display. Best of all, KRONOS integrates all of these music-making resources into a single instrument in ways that no software setup or hardware platform can rival.
KRONOS easily delivers everything you'd expect, plus many things you've only dreamed of. Set List mode keeps all of your custom settings and performance notes organized in the display for on-the-fly selection. Smooth Sound Transitions eliminate note and effect dropouts when switching sounds or modes. Connect virtual patch cables, select sounds, plus edit envelopes and sequences-all using the eight-inch color TouchView display. Add to that advanced sequencing, KARMA and Drum Track composition tools. Enjoy exclusive KORG wavesequencing, MS-20 filtering and the impossibly-rich Polysix chorus. And only KORG boasts the finest sound-design team on the planet, so you can always sound your very best.
Nine Distinct Sound Engines
Each of the individual KRONOS sound engines is eminently qualified to operate as a stand-alone synthesizer. And each one represents the cutting-edge technology available for that type of sound creation. Exacting programming parameters, real-time controllers, integrated effects and assignable modulation routings provide incredible control for the creating custom edits or for the ambitious sound designer.
Enhanced SGX-2 Grand Piano Sound Engine
The KRONOS piano engine has always offered huge collections of non-looped/natural decay stereo samples, recorded for every key, with additional unique tools to customize the piano to your needs. Inheriting all of this SGX-1 functionality, the new enhanced SGX-2 Grand Piano engine introduces the new Berlin Grand piano to the existing deep German Grand and lively Japanese Grand. The Berlin Grand offers resonant piano sound with a striking sense of depth. Other enhancements to the SGX-2 engine included Sympathetic String Resonance and newly-recorded Una Corda (soft pedal - literally "one-string") samples.
Massive Sound Selection
KRONOS comes equipped with thousands of sounds, created using various synthesis modes and calling upon over approximately 21GB of preset waveform data covering a variety of genres. Each one has been carefully crafted by the KORG Sound Design team. The internal SSD offers a generous 62GB capacity, providing enormous space for user sampling or downloading KRONOS Sound Libraries. These optional expansion KRONOS Sound Libraries add new professionally programmed sounds-without the need to add any new hardware. Artist Signature Programs provide the priceless sounds actually used by top-ranking musicians. Additional Song Programs are named for the classic rock and pop songs whose signature keyboard sounds these programs recreate. Use these universally well-known sounds to pay homage to the originals or as the basis for personal sonic explorations.
Innovative Set List Mode
KRONOS can organize all of the resources you need to get through a song-or a set-using the Set List mode. Using the Set List mode, the TouchView display can host 16 color-coded touch-screen buttons; each one can instantly call up the appropriate Preset, Combination or Sequence-regardless of mode! You can even add handy performance notes ("Sing on Chorus;" "Transpose Down;" "Wait for Sax Solo;" etc.) to each one. The Set List mode even adds a nine-band graphic EQ, allowing the overall tone to be tweaked to match the venue. New in OS version 3.0, Set List mode now allows for deeper customization with many slot color options, text size variations and a full-screen text editor. Connecting a USB computer keyboard makes it simple to enter text and numeric values.
Color TouchView Display-Now with Touch-Drag Capability
In addition to simply selecting a sound or choosing a parameter with the touch of a finger, the enhanced Touch-Drag ability allows more detailed control of parameter values. Interactive instruments and panel graphics provide the ability to do everything from adjusting the lid of a grand piano to connecting patch cable on a semi-modular synthesizer model. The TouchView display also hosts a convenient new Search Function, allowing you to search for (and preview) sounds based on their titles.
KARMA
First appearing on KORG's Karma Music Workstation in 2002, this revolutionary algorithmic music technology instantly produces sophisticated phrases, drum grooves and full-blown backing tracks. Based on the notes and chords you play-and the intuitive operations you perform with the knobs, sliders and switches-KARMA can create musical effects that exceed anything you imagined. Now in its greatly-enhanced second generation and offering features like KARMA Wave-Sequencing, Note Mapping and 8 scenes per layer, KARMA is standard equipment on your new KRONOS. It will expand your conception of a song and will be an enormous asset to your live performances.
Drum Tracks
This function that plays drum patterns automatically was included and highly acclaimed on the M3 music workstation/synthesizer that appeared in 2007. KRONOS is the latest KORG Workstation to offer the Drum Tracks features. First appearing in 2007, Drum Tracks can create everything from a simple reference beat to an outline rhythm track on up to a full-blown drum track for your music productions. Expanded for use in the KRONOS, Drum Tracks now includes professional drum performances and is ready and able to generate grooves that capture the distinctive feel of a pro drummer and that challenge the capabilities of stand-alone drum machines.
Open Sampling System
Using KORG's Open Sampling System, KRONOS can quickly sample an external audio source, regardless of whether KRONOS is in the Program, Combination or Sequencer modes. The Open Sampling Mode can even resample the performance of the KRONOS itself. The user sample bank, which extends the convenience of the Exs sample library to user samples, allows custom samples to be loaded and played, taking advantage of the gigantic SSD capacity. AIFF, WAV, SoundFont 2.0 and AKAI S1000/3000 format samples can be loaded into memory via USB memory. Additionally, you can use a USB Ethernet adapter to exchange large amounts of sample data with your computer at high speed. Instruments or samples that you've previously created on your PC can be used to construct a music production setup based on just the KRONOS itself.
16-Track MIDI Sequencer / 16-Track Audio Recorder
KRONOS features a sequencer/recording section that offers both 16 MIDI tracks plus 16 audio tracks; a great resource for putting together a dazzling performance or a brilliant production. MIDI sequencing makes it easy to capture ideas, inspiration and pro-quality phrases using the KARMA, Drum Track or RPPR (Realtime Pattern Play/Recording) functions. The 16-track audio recorder simultaneously captures up to four tracks of 16-bit/24-bit uncompressed data at a sampling rate of 48 kHz. Play along with recorded tracks, add effects and then resample the KRONOS itself and place the resampled WAV files directly in a track. When polishing your tracks, feel free to use mixer automation and editing functions such as copy, paste and normalize to get the results you want. Plug in a USB CD-burner and assemble your album right from the TouchView display!
16 Onboard Effect Processors
KRONOS provides 16 internal effects to add impact to your sonic creations. Each of the 12 Insert effects can be applied to individual or multiple timbres in a combination or to individual or multiple tracks of the sequencer. In addition, two Master effects can be applied to sends 1/2 and two Total effects can be applied to all tracks at the final stage of the sound. A separate three-band EQ is provided for every timbre, for every sequencer track and for every audio track for adjusting subtle tonal balances or for creatively modifying the overall sound.
USB/MIDI Host Ports Accommodate MIDI Control Surfaces
Any class-compliant USB-MIDI controller can be connected directly to the KRONOS. If you connect a KORG pad-equipped USB MIDI controller (nanoPAD, nanoPAD2, padKONTROL), pads 1 through 8 of the controller are automatically mapped to the virtual chord pad function of the KRONOS, allowing them to be used to play drums, trigger chords or to switch chords in chord mode.