Digital Audio Interfaces

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Digital Audio Interfaces

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Accessories Kit (4)Base (243)with Broadcast Arm (4)with Headphone & 2x XLR Cable (7)with Headphone & XLR Cable (24)with Headphone, XLR Cable & Pop Filter (6)With Headphones (12)with Mic, Broadcast Arm & Headphone (7)with Mic, Stand & Headphone (6)With XLR Cable (17)

Focusrite Clarett+ 2Pre 8-Ch 10-In/4-Out Interface with Mic, Stand & Headphone

SKU: FRCRTP2PRECMFR: AMS-CLARETT-PLUS-2PRE C

Clarett+ 2Pre: Pristine audio interface quality.
Low latency ensures seamless recording sessions.
Versatile I/O: Connect mics, instruments, & more.
Includes software suite for complete production.
Pro studio sound: Mic, headphones, & stand included.

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Tieline Euro ISDN G5 Codec Module for TLR5200 BRI

SKU: TEISDNEUROG5MFR: TLISDNEUROG5

Enhance TLR5200 BRI with Euro ISDN codec module.
Seamless digital audio interface integration.
Ensure low latency for professional audio quality.
Stable drivers guarantee reliable connectivity.
Expand input/output options for your Tieline codec.

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Tieline Euro ISDN G3 Codec Module for TLF300/ TLM600/ TLR300B

SKU: TEISDNEUROG3MFR: TLISDNEUROG3

Euro ISDN G3 Codec Module enhances Tieline units.
Seamless integration with TLF300, TLM600, TLR300B codecs.
High-quality audio I/O module for professional use.
Ensures reliable connectivity for critical audio links.
Tieline module offers superior sound quality.

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Rode RodeCover Pro Polycarbonate Cover for RodeCaster Pro

SKU: RDRCPCOVERMFR: RCPCOVER

Protect your RodeCaster Pro with this cover.
Durable polycarbonate material ensures longevity.
Shield from dust, spills, and accidental impacts.
Clear cover provides visibility of your console.
Lightweight design adds minimal bulk to setup.

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Behringer 2 Pack UCA222 USB/Audio Interface with 2x Hosa Phone to RCA Cable

SKU: BEUCA222K2MFR: 000-A3100-00010 K2

Ultra-low latency USB audio interface ensures quality.
2-In/2-Out interface offers versatile connectivity.
Digital output for pristine audio recording quality.
Includes software bundle for immediate audio creation.
High-resolution converters deliver superior sound.

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^$63^.60

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TC Helicon All-Metal Adjustable Desk Stand for GO XLR

SKU: TCHGOXLRDKSTMFR: 0014-AAA86-000

Durable metal stand for TC Helicon GoXLR.
Stable desk stand ensures optimal audio quality.
Adjustable height for perfect studio placement.
All-metal build guarantees long-term reliability.
In-line power switch adds convenience and control.

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Sonos 3.5mm to USB-C Adapter, White

SKU: SOLDNGL1WMFR: LDNGLWW1

Seamless audio interface: USB-C to 3.5mm adapter.
High-quality audio: Connect Sonos to devices easily.
Low latency input for optimal audio performance.
Compact design: Portable audio solution at 3.94".
White Sonos adapter: Ensures broad software compatibility.

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Built-in mics versus preamp-style units

We’ve got two broad types of audio interfaces. Those called “portable” units, or even just “audio recorders,” usually have their own built-in mics. These mics are much better than anything in your computer or smartphone. The Tascam DR-22WL actually uses high quality condenser mics. Many portable units are even equipped with WiFi, so they don’t need a USB cable to connect to a laptop or phone. If you’re a reporter or recording live music (legally, of course), a portable audio interface is excellent.

For home music production, you’ll want a “preamp” style audio interface, like the Sound Devices MixPre-3 II. These require external microphones and are usually not outfitted with WiFi. However, they’re much better at dealing with the multiple tracks and a high volume of non-live recording data.

How many tracks do I need?

Roughly speaking, you’ll need at least one track for each instrument you’re recording. That’s why 4-track recorders have been the standard for home music recording for decades: guitar, bass, drums, and voice. It’s possible to use a 1-track audio interface, recording dozens or even hundreds of tracks on top of each other as long as your computer has the RAM. But if you’re recording many players at the same time, you’ll need more tracks.

A basic 4-5 track audio interface will be sufficient for solo musicians who may occasionally want to record a demo with their band. But if you want better quality, for example by using multiple mics and tracks for a drum set, you’ll need either a nice separate audio mixer, or an audio interface like the Tascam DP-24SD, which gives you a whopping 24 tracks to work with.

Digital Audio Interfaces

Focusrite Clarett+ 2Pre 8-Ch 10-In/4-Out Interface with Mic, Stand & Headphone

Ways to Save

Tieline Euro ISDN G5 Codec Module for TLR5200 BRI

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Tieline Euro ISDN G3 Codec Module for TLF300/ TLM600/ TLR300B

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Rode RodeCover Pro Polycarbonate Cover for RodeCaster Pro

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Behringer 2 Pack UCA222 USB/Audio Interface with 2x Hosa Phone to RCA Cable

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TC Helicon All-Metal Adjustable Desk Stand for GO XLR

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Sonos 3.5mm to USB-C Adapter, White

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Do I really need an audio interface?

Built-in mics versus preamp-style units

How many tracks do I need?

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