Digital Audio Interfaces

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Accessories Kit (4)Base (239)With Headphones (11)With XLR Cable (16)with Headphone & 2x XLR Cable (8)with Headphone & 4x XLR Cable (5)with Headphone & XLR Cable (24)with Headphone, XLR Cable & Pop Filter (6)with Mic, Broadcast Arm & Headphone (7)with Mic, Stand & Headphone (5)

Tascam MM-2D-X 2-Channel Mic/Line In/Out Dante Converter, XLR Connectors

SKU: TSMM2DXMFR: MM-2D-X

Pristine audio: Mic/Line Input Dante Converter.
Low latency: Built-in DSP mixer for seamless audio.
XLR connectors: Professional-grade audio interface.
Dante connectivity: Flawless digital audio transfer.
Compact build: Integrate into any studio setup.

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Focusrite Clarett+ 4Pre 8-Ch Audio Interface, with 2x Headphones, 2x XLR Cable

SKU: FRCRTP3PREBMFR: AMS-CLARETT-PLUS-4PRE B

Clarett+ 4Pre: Pristine audio interface quality.
Low latency ensures seamless recording sessions.
Versatile I/O: 18-in/8-out for studio flexibility.
Stable drivers offer reliable connectivity.
Pro software suite included for enhanced workflow.

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^$767^.89

$865.85

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Shure ANIUSB-MATRIX Dante Audio Network Interface with Matrix Mixing

SKU: SHANIUSBMATRMFR: ANIUSB-MATRIX

Shure ANIUSB-MATRIX: Pristine audio interface.
Dante network interface: Low latency audio.
USB audio interface: Seamless computer integration.
Matrix mixing: Flexible input/output routing.
Digital audio interface: High-quality conversion.

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^$803^.00

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Aviom D400 A-Net Distributor

SKU: AVID400MFR: D400

Distribute A-Net signals with this Aviom interface.
Expand your audio system using Pro16e A-Net connectivity.
Reliable audio distribution with shielded Cat-5e cables.
Power personal mixers via RJ45 connectors (24VDC).
Optimize workflow with low-latency audio transfer.

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Turtle AV Phoenix 8x8 Dante Audio Bridge

SKU: TUPHOENIX8MFR: TAV-PHOENIX8

Superior audio interface ensures pristine sound quality.
Seamless Dante connectivity for professional audio networks.
Robust 8-input/8-output configuration for versatility.
Experience ultra-low latency for critical applications.
Advanced audio processing with 8-band EQ.

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^$999^.00

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Tascam IF-AN16/OUT 16-Channel Analog Output Interface Card

SKU: TSIFAN16OUTMFR: IF-AN16/OUT

16-Channel Analog Output Interface Card included.
Ensures high audio quality for professional results.
Compatible with DA-6400/DA-6400dp 64-Channel Recorders.
Low latency for seamless audio output.
D-Sub 25-pin connector for reliable connectivity.

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^$1,029^.00

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Tieline Euro ISDN G5 Codec Module for TLR5200 BRI

SKU: TEISDNEUROG5MFR: TLISDNEUROG5

Enhance TLR5200 BRI with Euro ISDN codec module.
Seamless digital audio interface integration.
Ensure low latency for professional audio quality.
Stable drivers guarantee reliable connectivity.
Expand input/output options for your Tieline codec.

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^$1,050^.00

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Black Lion Audio Micro Clock MkIII XB Signal Generator

SKU: BLMCRCLK3XBMFR: MICRO CLOCK MKIII-XB

Achieve superior audio quality with low jitter.
Experience stable clocking for digital audio.
Sync your studio with multiple BNC word clock outputs.
AES/EBU connectivity ensures pro audio integration.
Enhance your digital interface with S/PDIF output.

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^$1,099^.00

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Antelope Audio Zen Tour Synergy Core Desktop 18x26 Thunderbolt 3 Audio Interface

SKU: ANZENTSYNCREMFR: ZEN TOUR SYNERGY CORE

Pristine sound quality with Antelope Audio interface.
Low latency recording via Thunderbolt 3 interface.
18x26 digital audio interface for studio recording.
Synergy Core provides powerful audio processing.
Flexible input/output connectivity for all setups.

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Focusrite RedNet TNX Portable Dante Audio Interface

SKU: FRAMSREDNETMFR: AMS-REDNET-TNX

Low Latency: Thunderbolt 3 audio interface.
High-Quality: Pristine digital audio performance.
Dante Connectivity: Dual RJ45 Ethernet ports.
Driver Stability: ASIO/WDM for Windows, CoreAudio for Mac.
I/O Count: 128x128 channels at various sample rates.

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Lindell Audio DACX 2-Channel Digital to Analog Converter

SKU: LNDACXMFR: DAC-X

Pristine audio quality with <0.002% THD.
Versatile connectivity: XLR, RCA, USB inputs.
Low latency digital audio for pro recording.
Supports up to 192 kHz sample rates.
Balanced XLR outputs for studio monitors.

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RME ADI-642 8-Channel 24-Bit/192kHz MADI/AES Format Converter

SKU: RMADI642MFR: ADI642

RME ADI-642: Pristine 24-Bit/192kHz Audio Quality.
Seamless MADI/AES Conversion for Pro Audio Setups.
Low Latency: Ensures Flawless Digital Audio Transfers.
72x74 Routing Matrix: Ultimate Signal Control.
Rock-Solid Driver Stability: Dependable RME Performance.

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Tascam ML-32D 32-Channel In/Out Dante/Analog Converter

SKU: TSML32DMFR: ML-32D

32-Channel Dante/Analog Converter for pristine audio.
Low latency ensures seamless digital audio interface.
Pro studio build quality for reliable, lasting use.
Flexible input/output options via D-sub 25-pin.
Stable drivers guarantee smooth audio performance.

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$3,399.00

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Green-Go BridgeX 4-Port Interface

SKU: GROBRIDGEXMFR: GGO-BRIDGEX

Green Go Interface: Seamless audio connectivity.
BridgeX: Low latency for professional recording.
PoE powered: Streamline setup, reliable power.
4-Port Interface: Expand your audio input/output.
Green Go: Superior sound quality guaranteed.

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Focusrite RedNet D64R 64-Channel MADI-Dante Bridgeface

SKU: FRREDNETD64RMFR: AMS-REDNET-D64R

Seamless MADI-Dante Bridge for audio interface.
64-channel digital audio interface for pro setups.
Low latency ensures pristine audio quality.
RedNet interface offers flexible connectivity.
Stable drivers guarantee reliable performance.

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Universal Audio Apollo x16 Gen 2 Rackmount Audio Interface w/Essentials+ Pug-Ins

SKU: UAPX16G2ESSMFR: APX16G2-ESS

Apollo x16: Pristine audio interface quality.
Thunderbolt 3: Ultra-low latency performance.
16 Line Inputs: Extensive I/O connectivity.
UAD Plug-ins: Realtime audio processing.
Premium build: Durable studio recording interface.

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Universal Audio Apollo x16D Rackmount Audio Interface w/Dante, Ultimate+ Pug-Ins

SKU: UAPX16DG2ULTMFR: APX16DG2-ULT

Apollo x16D: Unrivaled audio interface quality.
Low latency: Thunderbolt 3 for seamless recording.
Ultimate+ Plugins: Expand your sonic possibilities.
Dante connectivity: Advanced network audio routing.
Pristine A/D & D/A: Mastering-grade conversion.

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Focusrite Pro RedNet A16R MkII 16x16 Analog I/O Dante Audio Interface

SKU: FRSRDA16RMK2MFR: AMS-REDNET-A16R-MKII

Pristine audio: 120dB dynamic range converters.
Low latency: Dante audio interface for pro use.
Versatile I/O: 16x16 analog connectivity via DB25.
Dual network ports: Redundant & switched modes.
Pro software: Seamless integration via Dante network.

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RME ADI-6432 R Bidirectional 64 Channel 24-Bit/192kHz MADI/AES Format Converter

SKU: RMADI6432RMFR: ADI6432 R

64-Channel MADI/AES Converter: High Fidelity audio.
Low Latency conversion for professional recording.
Seamless DAW Compatibility via MADI & AES/EBU I/O.
Multiple Inputs: MADI, AES/EBU, Word Clock, MIDI.
192kHz Digital Audio Interface for pristine sound.

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BSS Soundweb London BLU-101 Conferencing Processor with AEC

SKU: BSSBLU101MFR: BSSBLU101M

Pristine audio quality with low latency processing.
12 analog inputs for versatile audio connectivity.
AEC algorithms ensure clear conferencing audio.
Soundweb London integration for networked systems.
Flexible control via Ethernet for remote access.

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RME M-32 AD 32-Channel High-End Analog to MADI/ADAT Converter

SKU: RMM32ADMFR: M32AD

Pristine audio quality w/ high-end AD conversion.
Low latency MADI/ADAT interface for pro recording.
32 balanced analog inputs via TRS & D-sub connectors.
Flexible input/output connectivity for any studio.
Software control for Mac & Windows included.

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BSS BLU-320 Input Output Expander with Digital Audio Bus and CobraNet

SKU: BSSBLU320MFR: BSSBLU320M-US

Expansive I/O: Up to 16 analog/digital audio inputs.
Low Latency: Ensures tight audio synchronization.
CobraNet Audio: Seamless network audio integration.
Digital Audio Bus: High-bandwidth, 256 channels.
Software Config: Flexible audio routing control.

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Apogee Electronics Symphony I/O Mk II 16x16 SE Thunderbolt Audio Interface

SKU: AES216X16SEMFR: SYM2-16X16SE

Pristine audio quality: 129dB dynamic range.
Ultra-low latency via Thunderbolt connectivity.
16x16 analog I/O for extensive connectivity.
Flawless driver support ensures stable performance.
Premium AD/DA converters for studio recording.

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Apogee Electronics Symphony I/O Mk II 16x16 SE Pro Tools HD Audio Interface

SKU: AES216X16STPMFR: SYM2-16X16SE-PTHD-PLUS

Pristine audio quality with this HD audio interface.
Low latency for seamless recording and playback.
Extensive input/output connectivity options provided.
Pro Tools HD compatibility ensures smooth workflow.
Premium Apogee interface at a competitive price.

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BSS Soundweb London BLU-805 Networked Signal Processor

SKU: BSSBLU805MFR: BLU-805

Pristine audio quality with advanced signal processing.
Low latency ensures seamless digital audio transfer.
Flexible input/output connectivity via card based I/O.
Software configurable for customized audio routing.
Robust build quality; 19" rack mountable chassis.

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Built-in mics versus preamp-style units

We’ve got two broad types of audio interfaces. Those called “portable” units, or even just “audio recorders,” usually have their own built-in mics. These mics are much better than anything in your computer or smartphone. The Tascam DR-22WL actually uses high quality condenser mics. Many portable units are even equipped with WiFi, so they don’t need a USB cable to connect to a laptop or phone. If you’re a reporter or recording live music (legally, of course), a portable audio interface is excellent.

For home music production, you’ll want a “preamp” style audio interface, like the Sound Devices MixPre-3 II. These require external microphones and are usually not outfitted with WiFi. However, they’re much better at dealing with the multiple tracks and a high volume of non-live recording data.

How many tracks do I need?

Roughly speaking, you’ll need at least one track for each instrument you’re recording. That’s why 4-track recorders have been the standard for home music recording for decades: guitar, bass, drums, and voice. It’s possible to use a 1-track audio interface, recording dozens or even hundreds of tracks on top of each other as long as your computer has the RAM. But if you’re recording many players at the same time, you’ll need more tracks.

A basic 4-5 track audio interface will be sufficient for solo musicians who may occasionally want to record a demo with their band. But if you want better quality, for example by using multiple mics and tracks for a drum set, you’ll need either a nice separate audio mixer, or an audio interface like the Tascam DP-24SD, which gives you a whopping 24 tracks to work with.

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Do I really need an audio interface?

Built-in mics versus preamp-style units

How many tracks do I need?

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