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Review Summary
2020-11-04T07:38:54
This was everything I thought it would be and then some. I especially like how you can copy files directly from your computer to the L-20 via the USB connection, and assign them to individual channels, and vice versa (the L-20 mode switch just need to be set to "Card Reader"). That overrides one of the two downsides, which are: in interface mode, 22 in, but only 4 out. The other being no way to group channels. Originally I thought the Monitor Out buttons, when set to Master, would rout that mix to the mains. I'm not a big fan of the compressor either - I have two other small mixers with single knob compressors, and they are a lot better. I am still very happy with it, and knowing what I know now, would still buy this over the other alternatives. Just know that it is not a x32 substitute.
Carlton W.
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Mono (MIC/LINE): 16
Stereo (LINE): 2
Master Out: 1
Monitor Out: 6
Phones: 1
Type: XLR/TRS combo jacks (XLR: 2 HOT, TRS: TIP HOT)
Input gain
Pad Off: +16 - +60dB
Pad On: - 10 - +34 dB
Hi-Z On: +6 - +50 dB
Input impedance
XLR: 3 k Ohm
TRS: 10 k Ohm /1 M Ohm (when Hi-Z ON)
Maximum input level
Pad Off: 0 dBu (at 0 dBFS)
Pad On: +26 dBu (at 0 dBFS)
Phantom power: +48 V
Type: TS phone/RCA pin (unbalanced) jacks
Maximum input level : +10 dBu
Type: XLR jacks (balanced)
Maximum output level :+14.5 dBu
Output impedance: 100 Ohm
Connected to monitor speakers with balanced output:
Type: TRS phone jacks (balanced)
Maximum output level: +14.5 dBu
Output impedance: 100 Ohm
Connected to connected to headphones with unbalanced output:
Type: Standard stereo phone jacks
Maximum output level: 42 mW + 42 mW at 60 Ohm
Output impedance: 100 Ohm
Type: Standard stereo phone jacks
Maximum output level: 42 mW + 42 mW at 60 Ohm
Output impedance: 100 Ohm
1
6
2
40-600 Hz, 12dB/OCT
High: 10 kHz, +/- 15 dB, shelving
Mid: 100 Hz - 8 kHz, +/- 15 dB, peaking
Low: 100 Hz, +/- 15 dB, shelving
12
20 Types
22 at 44.1/48/96 kHz
20
WAV 44.1/48/96 kHz, 16/24-bit, mono/stereo
4 GB - 32 GB SDHC cards (Class 10 or higher)
64 GB - 512 GB SDXC cards (Class 10 or higher)
Recording: 22 channels
Playback: 4 channels
24-bit
USB 2.0
Class
USB 2.0 High Speed
44.1/48/96 kHz
44.1 kHz: -1.0 dB, 20 Hz - 20 kHz
96 kHz: -3.0 dB, 20 Hz - 40 kHz
Actual measurements: -128dB EIN (IHF-A) at +60dB/150Ohm input
LCD with backlight (128 x64 resolution)
AD-19 AC adapter (DC12V 2A)
24 W maximum
External: 17.5 x 15.2 x 3.25" (445 x 388.4 x 82.6mm)
Main unit only: 8.17 lb (3.71kg)
Did not disappoint!
By Carlton W.
This was everything I thought it would be and then some. I especially like how you can copy files directly from your computer to the L-20 via the USB connection, and assign them to individual channels, and vice versa (the L-20 mode switch just need to be set to "Card Reader"). That overrides one of the two downsides, which are: in interface mode, 22 in, but only 4 out. The other being no way to group channels. Originally I thought the Monitor Out buttons, when set to Master, would rout that m...
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Discover unparalleled control and versatility with the LiveTrak L-20, a 20-channel digital mixer and multitrack recorder engineered for the professional music producer and live performer. This robust console elevates your audio production with its capacity to mix, monitor, and record intricate arrangements seamlessly.
Boasting 20 discrete audio channels, including 16 mono mic/line inputs and two stereo inputs, the LiveTrak L-20 ensures a bigger, more dynamic sound for your projects. Each channel is equipped with an independent 3-band mid-parametric EQ, allowing for precise tonal shaping. The 16 mono inputs feature dedicated compressor controls, offering dynamic range management for each channel to ensure clear, balanced audio.
Capture every nuance of your performance with the LiveTrak L-20's 22-track recording capability. Directly record 20 discrete channels plus a stereo mix onto an SD card, all in stunning 24-bit/96 kHz audio quality. With an impressive -128 dBu EIN and +60 dB maximum input gain, the L-20's advanced preamps deliver the cleanest signal for your recordings.
For complex productions, the L-20's six custom monitor mixes are indispensable. Each musician can enjoy a tailored mix with dedicated effects, easily switchable between powerful headphone outputs and balanced line outputs for stage monitors. The 7th output is reserved for the FOH engineer, ensuring the main mix and sub-mixes meet the musicians' and audience's expectations.
The LiveTrak L-20's expansive interface doubles as a 22-in/4-out USB audio interface, integrating seamlessly with your DAW or streaming software. Even while recording to an SD card, route inputs from your computer into the L-20 to blend with live inputs, creating a cohesive mix of live and pre-recorded elements. Class compliant mode further extends connectivity to iOS devices for a streamlined setup.
Wireless mixing is at your fingertips with the free "L-20 Control" iOS mobile app. Remotely adjust fader levels, EQ, effects sends, and more, all from the convenience of your device. The app also allows you to manage your Effects Library and Scene Library, ensuring you have full control over your audio landscape. For optimal wireless communication, a Zoom Bluetooth adapter (such as the BTA-1) is required, enabling control from up to 10 meters away in an open indoor space.
The LiveTrak L-20 is the epitome of durability, high-quality, and advanced technology, making it the perfect choice for those seeking a professional-grade digital mixer and multitrack recorder. Its versatility and comprehensive feature set make it a standout option for anyone looking to produce more complex musical arrangements with ease.