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Review Summary
XLR and 1/4" TRS connectors, HF-shielded, servo-balanced
90 kW bal., 45 kW unbal. at 1 kHz
180 kW bal., 90 kW unbal. at 1 kHz
+4 dBu/-10 dBV (switchable)
+22 dBu balanced and unbalanced
typ. 40 dB, >60 dB at 1 kHz
XLR and 1/4" TRS connectors, Electronically controlled servo-balanced output stage
95 W bal., 50 W unbal. at 1 kHz
21 dBu, +20 dBm balanced and unbalanced
1/4" TS connector, unbalanced, HF-shielded, DC-decoupled
45 kW
+24 dBu
1/4" TS connector, unbalanced, HF-shielded, DC-decoupled
50 W
+21 dBu
20 Hz to 20 kHz, +0/-0.5 dB
0.35 Hz to 200 kHz, +0/-3 dB
115 dB, unweighted, 22 Hz - 22 kHz
0.008% typ. at +4 dBu, 1 kHz, gain 1
0.07% typ. at +20 dBu, 1 kHz, gain 1
0.01% typ. SMPTE
dB at 1 kHz
IRC (Interactive Ratio Control) expander
variable (OFF to +10 dB)
variable (1:1 to 1:8)
<1 msec/50 dB, program-dependent
variable SLOW: 100 msec/1 dB, FAST: 100 msec/100 dB
IKA (Interactive Knee Adaptation) compressor
variable (-40 to +20 dB)
variable (1:1 to infinity:1)
variable (manual or automatic)
wave adaptive compressor
variable (0.3 msec/20 dB to 300 msec/20 dB)
variable (0.05 sec/20 dB to 5 sec/20 dB)
typ. 15 msec for 10 dB, 5 msec for 20 dB, 3 msec for 30 dB
program-dependent, typ. 125 dB/sec
variable (-20 to +20 dB)
IGC (Interactive Gain Control) peak limiter
variable (0 dB to OFF (+21 dBu))
infinity:1
clipper
"zero"
"zero"
program limiter
program-dependent, typ. <5 msec
program-dependent, typ. 20 dB/sec
IDE (Interactive Dynamic Enhancer)
2.5 kHz (lower cut-off frequency)
high-pass filter (6 dB/oct.)
max. 28 dB at 7.5 kHz
120 V-, 60 Hz
18 W
100 -120 V-: T 630 mA H
200 -240 V-: T 315 mA H
44.50 x 483.00 x 217.00mm (1.75 x 19.01 x 8.54")
5.30lbs (11.68lbs)
The Behringer Multicom Pro-XL MDX4600 4 Channel Compressor/Limiter and Peak Limiter provides four channels of Interactive Knee Adaptation (IKA) compression/limiting, housed in a single rack space chassis. A peak limiter on all channels helps prevent clipping of the audio source. Each compressor features program dependent attack and release times with a switchable side-chain filter to help with bass dominated compression. Channels 1/2 and 3/4 can be switched as independent pairs for stereo operation and accurate metering and professional connections provide extensive processing power.