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Review Summary
2017-04-06T14:58:54
This Mixer is top notch for the serious musician. It was hard at first to make the purchase due to it's price tag.But once i put it to use, very happy with the unit. It is really quiet,the spec sheet it true to the numbers. I wanted to purchase a second and learned that Ashly raised the price by $ That puts the unit at $ I'm going to try the Samson SM10 @ $ it's getting great praise. Then this will let me know if the Ashly is worth the high end price for a few db's on a spec sheet. But if you have the budget and want a solid noise free stereo line mixer for rack keyboards and sound modules. Also for live sound or to your audio interface. This unit to me so for is the best,But your getting what you pay for.
WESTCO W.
THD at +20 dBu, 20Hz-20kHz: <0.02%
IMD (SMPTE) at +20dBu: <0.01%
Residual Output Noise (all levels at min): <-100dBu
Master Out, Level & 1 Input Level at nominal: <-90dBu
Inputs or Sub-inputs to Master Outputs (levels at nominal) 0dB
Input to Master Output (levels at max) 30dB
Input in Mic Position to Master Outputs (ch1 or ch2) 61dB
Sub-inputs to Master Outputs (master level at max) 15dB
Adjacent Inputs or Input to Output (at 1kHz) <-80dB
Adjacent Inputs or Input to Output (at 20kHz) <-60dB
VU Meters Two 5-segment LED meters, 0VU = +4dBu
Activated when internal signal is 3dB below clipping
100-240VAC, 50-60Hz, 30W
TUV, CE, FCC, RoHS
19 x 1.75 x 9.4" / 482.6 x 44.45 x 238.76mm
7.7lbs / 3.49kg
Great Stereo Mixer
By WESTCO W.
This Mixer is top notch for the serious musician. It was hard at first to make the purchase due to it's price tag.But once i put it to use, very happy with the unit. It is really quiet,the spec sheet it true to the numbers. I wanted to purchase a second and learned that Ashly raised the price by $ That puts the unit at $ I'm going to try the Samson SM10 @ $ it's getting great praise. Then this will let me know if the Ashly is worth the high end price for a fe...
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The Ashly LX-308B 8-Channel Stereo Line Level Rack Mountable Mixer can be used on its own any time stereo line level sources need to be combined together. Some typical applications for the LX-308B would include boardroom sound systems, multimedia sound distribution, broadcast studios, mobile broadcast units, satellite downlink distribution and live sound reinforcement or studio sessions.
Each input of the LX-308B has a pair of balanced 1/4" TRS line input jacks, with level and pan controls on the front panel. All inputs may be used either balanced or unbalanced. Channels one and two are switchable for mic or line level to allow the use of dynamic microphones directly into those inputs without the need for separate preamplification. An input on/off switch with LED status indicator provides for convenient channel muting when needed. Two, five-segment LED meters indicate Left and Right stereo output. Separate Left and Right clip indicators monitor all important signal points to warn of any possible overload distortion.
The LX-308B has both Left and Right outputs on 1/4" TRS phone jacks (all outputs may be used either balanced or unbalanced). Left and Right level controls, variable panning and stereo mute switch are found on the front panel, as in an independent Mono output. Stereo headphones may be conveniently connected to the front of the mixer and this output has its own level control. A 3.5mm stereo line in jack on the front panel offers a convenient input alternative for MP3 players and smartphones via channel 8. Pre-Master sub inputs and outputs may be used for linking the LX-308B to other mixers, such as the Ashly MM-508 eight-input stereo microphone model. The LX-308B provides precise line-level mixing control in a single space rack-mountable package.