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Review Summary
2025-02-26T05:04:34
Incredible upgrade. A tiny bit larger but I love this camera.
ELY R.
2024-08-13T21:41:36
This is my dream camera, come true. I've owned tons of different film and digital cameras, both in 35mm and medium format, and this, to me, is the single most spectacular camera I've ever used. Incredible detail and amazing, sharp lenses. I use it for both portraits and landscape photography and the more I use it, the more I like it. I had the GFX 100, 100s, and now the 100 II, which is the best of the three. Congratulations to the Fuji team that made this a reality.
Marcelo L.
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102 million pixels
43.8 x 32.9mm Bayer array with primary color filter
Image Processing Engine: X-Processor 5
Ultra Sonic Vibration
SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90 / CFexpress Type B Card (-2TB) / SSD (-2TB)
DCF: Compliant with Design rule for Camera File system (DCF2.0), JPEG: Exif Ver.2.32, HEIF:4:2:2 10bit, RAW: 14bit/ 16bit RAW RAF original format, TIFF: 8bit/ 16bit RGB (In-camera RAW Conversion Only)
L: [4:3] 11648x8736 [3:2] 11648x7768 [16:9] 11648x6552 [1:1] 8736x8736 [65:24] 11648x4304 [5:4] 10928x8736 [7:6] 10192x8736
M: [4:3] 8256x6192 [3:2] 8256x5504 [16:9] 8256x4640 [1:1] 6192x6192 [65:24] 8256x3048 [5:4] 7744x6192 [7:6] 7232x6192
S: [4:3] 4000x3000 [3:2] 4000x2664 [16:9] 4000x2248 [1:1] 2992x2992 [65:24] 4000x1480 [5:4] 3744x3000 [7:6] 3504x3000
FUJIFILM G mount
STILL: AUTO1/ AUTO2/ AUTO3 / ISO80-12800 (1/ 3 step)
MOVIE: AUTO/ ISO100-12800 (1/ 3 step)
STILL: ISO40/ 25600/ 51200/ 102400
MOVIE: ISO25600
TTL 256-zone metering, Multi/ Spot/ Average/ Center Weighted
P (Program AE)/ A (Aperture Priority AE)/ S (Shutter Speed Priority AE)/ M (Manual Exposure)
STILL -5.0EV - +5.0EV (1/3EV step)/ MOVIE: -2.0EV - +2.0EV (1/3EV step)
Image sensor shift mechanism with 5-axis compensation
Up to 8 stops (based on CIPA standard). Pitch/yaw shake only.
Yes (movie mode only) (Image Stabilizer)
Yes (movie mode only)
Focal Plane Shutter
Mechanical Shutter: P mode: 30sec. to 1/4000sec. A mode: 30sec. to 1/4000sec. S/M mode: 60min to 1/4000sec. Bulb mode: up to 60min
Electronic Shutter: P mode: 30sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 60min to 1/32000sec. Bulb mode: up to 60min
Electronic Front Curtain Shutter: P mode: 30sec to 1/4000 A mode: 30sec to 1/4000 S/M mode: 60min to 1/4000 Bulb mode: up to 60min
Mechanical + Electronic Shutter: P mode: 30sec. to 1/32000 A mode: 30sec to 1/32000 S/M mode: 60min to 1/32000 Bulb mode: up to 60min
E-Front + Mechanical Shutter: P mode: 30sec. to 1/32000 A mode: 30sec to 1/32000 S/M mode: 60min to 1/32000 Bulb mode: up to 60min
E-Front + Mechanical + Electronic Shutter: P mode: 30sec to 1/32000 A mode: 30sec to 1/32000 S/M mode: 60min to 1/32000 Bulb mode: up to 60min
8K/DCI8K: 1/4000 to 1/24 sec, 5.8K:1/4000sec. to 1/24 sec., 4.4K: 1/4000sec. to 1/24 sec., 4.8K:1/4000sec. to 1/24 sec., 4.6K(ANAMOR): 1/4000sec. to 1/24 sec., 4K/DCI4K:1/4000sec. to 1/8 sec., FHD: 1/4000 to 1/8 sec.
1/125sec. or slower
CH Approx. 8.7fps(35mm Format Mode ON) (JPEG: 1000+ Frames, Compressed RAW: 1000+ Frames, Lossless compressed RAW: 1000+ Frames, Uncompressed RAW: 1000+ Frames, Compressed RAW + JPEG: 156 Frames, Lossless compressed RAW + JPEG: 148 Frames, Uncompressed RAW + JPEG: 71 Frames)
CH Approx. 5.8fps(35mm Format Mode ON) (JPEG: 1000+ Frames Compressed RAW: 1000+ Frames, Lossless compressed RAW: 1000+ Frames, Uncompressed RAW: 1000+ Frames
Compressed RAW + JPEG: 1000+ Frames, Lossless compressed RAW + JPEG: 1000+ Frames, Uncompressed RAW + JPEG: 1000+ Frames), CH Approx. 5.3fps (JPEG: 1000+ Frames, Compressed RAW: 1000+ Frames, Lossless compressed RAW: 1000+ Frames, Uncompressed RAW: 390 Frames, Compressed RAW + JPEG: 119 Frames, Lossless compressed RAW + JPEG: 119 Frames Uncompressed RAW + JPEG: 98 Frames)
CH Approx. 8.0fps (JPEG: 1000+ Frames, Compressed RAW: 325 Frames, Lossless compressed RAW: 302 Frames, Uncompressed RAW: 76 Frames, Compressed RAW + JPEG: 75 Frames, Lossless compressed RAW + JPEG: 75 Frames, Uncompressed RAW + JPEG: 55 Frames), CH Approx. 5.0fps (JPEG: 1000+ Frames, Compressed RAW: 1000+ Frames, Lossless compressed RAW: 1000+ Frames
Uncompressed RAW: 497 Frames, Compressed RAW + JPEG: 153 Frames, Lossless compressed RAW + JPEG: 152 Frames, Uncompressed RAW + JPEG: 116 Frames)
CL Approx. 2.0fps (JPEG: 1000+ Frames, Compressed RAW: 1000+ Frames, Lossless compressed RAW: 1000+ Frames, Uncompressed RAW: 1000+ Frames, Compressed RAW + JPEG:1000+ Frames, Lossless compressed RAW + JPEG: 1000+Frames, Uncompressed RAW + JPEG:1000+ Frames)
AE Bracketing (Frames: 2, 3, 5, 7, 9 Step: 1/3EV up to +/-3EV steps)
Film Simulation Bracketing (Any 3 types of film simulation selectable)
Dynamic Range Bracketing (100%, 200%, 400%)
ISO Sensitivity Bracketing ( +/-1/3EV, +/-2/3EV, +/-1EV)
White Balance Bracketing ( +/-1, +/-2, +/-3)
Focus Bracketing (AUTO, MANUAL)
Multiple Exposure Yes (Max. 9 frames), Additive, Average, Bright, Dark
Pixel Shift Multi Shot HIGH RESOLUTION + ACCURATE COLOR YES
ACCURATE COLOR: YES
Single AF/ Continuous AF/ MF
Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)
Contrast: -2.5EV with GF80mm F1.7 attached Phase Detection: -5.5EV with GF80mm F1.7
Single point AF: 13 x9/ 25 x17 (Changeable size of AF frame)
Zone AF: 3 x3/ 5 x5/ 7 x7 Custom1-3 from 117 areas on 13 x9 grid
Wide/Tracking AF: Yes (AF-S: Wide/ AF-C: Tracking)
All
Face/eye detection: Yes
Subject detection Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train)
Auto (WHITE PRIORITY, AUTO, AMBIENCE PRIORITY)/ Custom1-3/ Color temperature selection (2500K-10000K)/ Daylight, Shade, Fluorescent light -1, Fluorescent light -2, Fluorescent light -3, Incandescent light, Underwater
Still 10sec. / 2sec.
Movie 10sec. / 5sec. / 3sec.
Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode)
Shoe Mount Flash:1st Curtain/ 2nd Curtain/ AUTO FP (HSS)
Synchronized terminal:1st Curtain/ 2nd Curtain
Shoe mount flash:TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI (When EF-X500 is set / OFF)
Synchronized terminal: Manual
Yes (Dedicated TTL Flash compatible)
0.64" OLED Color Viewfinder Approx. 9.44 million dots
Coverage of Viewing Area vs. Capturing Area: Approx. 100%
Eyepoint: Approx. 21mm (from the Rear End of the Camera's Eyepiece)
Diopter Adjustment: -5-+2m-1
Magnification: 1.00x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1
Diagonal Angle of View: Approx. 47 Degree (Horizontal Angle of View: Approx. 38 Degree )
Built-In Eye Sensor
v.s Capturing Area
3.2" (8.12cm) , Aspect Ratio 4:3, Approx. 2.36 million dots Tilt-Type(Three Direction), Touch Screen Color LCD Monitor
AF, Focus Area, OFF
Double Tap ON/OFF Setting, Touch Function ON/OFF Setting, EVF Touch Screen Area Setting
Swipe, Pinch-in / Pinch-out, Double-tap, Drag
2.09" (5.30cm), Aspect Ratio 4:3, Approx. 320x219-dot, Monochrome LCD Monitor
MOV (Apple ProRes 422 HQ/Apple ProRes 422/Apple ProRes 422 LT/MPEG-4 AVC / H.264, HEVC / H.265, Audio : Linear PCM / Stereo sound 24bit / 48KHz sampling) MP4 AVC/H.264, AAC
All Intra/Long-GOP
5.4K(17:9) (5440x2868)/5.8K(2.35:1) (5824x2476) 29.97p/25p/24p/23.98p ,720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
4.8K(3:2) (4776x3184)/4.6K(1.38:1) (4664x3380)/8K(17:9)(8192x4320) /8K(2.76:1)(8192x2968) 24p/23.98p, 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
4.8K(16:9) (4776x2688)/8K(16:9)(7680x4320) 29.97p/25p/24p/23.98p ,720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
DCI4K/17.9 (4096x2160)/4K/16.9 (3840x2160) 59.94p/50p/29.97p/25p/24p/23.98p ,720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
Full HD(17:9)(2048 x1080)/Full HD(16:9)(1920 x1080) 59.94p/50p/29.97p/25p/24p/23.98p, 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
Full HD High speed rec. (17:9)(2048x1080)/(16:9)(1920x1080) 120p/100p,720Mbps (recording), 360Mbps (recording),200Mbps (recording)
20 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, REALA ACE, PRO Neg.Hi, PRO Neg.Std, Classic Neg, Nostalgic Neg, ETERNA/Cinema, ETERNA BLEACH, BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia)
+/-5 steps
Yes
Roughness: STRONG, WEAK, OFF Size: LARGE, SMALL
Strong, Weak, Off
Strong, Weak, Off
Strong, Weak, Off
AUTO, 100%, 200%, 400%
ISO restriction:DR 100%: No limit, DR 200%: ISO 160 or more, DR 400%: ISO 320 or more
100% / 200% / 400%
ISO restriction: DR 100%: No limit, DR 200%: ISO 200 or more, DR 400%: ISO 400 or more
IEEE802.11a/b/g/n/ac (standard wireless protocol)
WPA/WPA2 mixed mode, WPA3
Infrastructure
Bluetooth Ver. 4.2 (Bluetooth low energy)
2402 - 2480MHz
USB Type-C (USB3.2 Gen2x1)
HDMI connector (Type A)
3.5mm, stereo mini connector (Microphone)
3.5mm, stereo mini connector (Headphone)
2.5mm, Remote Release Connector
LAN Terminal 1000BASE-T, 100BASE-TX, 10BASE-T
Hot shoe
Synchronized terminal
NP-W235 Li-ion battery (included)
Normal Mode: Approx. 540 frames When GF 63mm F2.8 R WR is set Auto power save ON
[8K] Approx. 60min. (29.97p) [4K] Approx. 60min. (59.94p) [Full HD] Approx. 80min. (59.94)
[8K] Approx. 80min.(29.97p) [4K] Approx. 90min. (59.94) [Full HD] Approx. 80min. (59.94p)
14 Degree F - 104 Degree F (-10 Degree - +40 Degree C)
10% - 80% (no condensation)
Required, included
Lithium ion
Non-universal
1
Camera External:
Including EVF: 6 x 4.62 x 3.88" (152.4 x 117.4 x 98.6mm)
Minimum Depth: 1.83" ( 46.5mm)
Excluding EVF: 6 x 4.07 x 2.89" (152.4 x 103.5 x 73.5mm)
Minimum Depth: 1.83" (46.5mm)
Approx. 2.26 lbs (1.02kg) (Including EVF battery and memory card)
Approx. 2 lbs (949g) (Including EVF, excluding battery and memory card)
074101208054
Incredible Upgrade
By ELY R.
Incredible upgrade. A tiny bit larger but I love this camera.
Dream camera, come true
By Marcelo L.
This is my dream camera, come true. I've owned tons of different film and digital cameras, both in 35mm and medium format, and this, to me, is the single most spectacular camera I've ever used. Incredible detail and amazing, sharp lenses. I use it for both portraits and landscape photography and the more I use it, the more I like it. I had the GFX 100, 100s, and now the 100 II, which is the best of the three. Congratulations to the Fuji team that made this a reality.
A powerhouse with advanced video features never before available in a GFX System or X Series camera. This medium format camera is equipped with a new 102MP CMOS II HS Imaging Sensor and X-Processor 5 for improved image quality for both photo and video over its predecessor. It can internally record 4K up to 60p at full sensor width in 4:2:2, capable of outputting 10-Bit Apple ProRes RAW. For cinematographers, the GFX100 II offers Vista Vision, 35mm FF, and 35mm FF Anamorphic formats for various crops and aspect ratios. Native integration of Frame.io Camera to Cloud technology will streamline video workflows with easy, immediate uploads. With eight stops of in-body image stabilization, 8fps continuous mechanical shutter and an improved AI Autofocus algorithm, the Fujifilm GFX100 II Mirrorless Camera is an exceptional tool for both photographers and videographers.
X-Processor 5 features subject detection AF, which delivers an autofocus performance previously unseen on a large format camera. Built using deep-learning AI technology, its advanced AF tracking and detection not only works on human faces and eyes, but also animals, birds, cars, motorcycles, bicycles, airplanes, and trains. With such power on tap, photographers can concentrate on creativity, confident GFX100 II will produce an autofocus performance to match.
GFX100 II uses an updated AF prediction algorithm to deliver reliable performance in sports and other situations where accurate, high-speed motion tracking is needed.
Activating Boost mode on GFX100 II supercharges the display frame rate to approximately 120 frames-per-second – more than enough to keep up with fast-moving subjects.
By improving the pixel structure on the new sensor, standard sensitivity has been extended to ISO 80. Now, photographers can make 16-bit images with wider dynamic range and lower noise than ever before.
GFX100 II supports the HEIF format, a 10-bit image file with over a billion colors. It delivers higher image quality, but uses up to 30% less space than a JPEG.
For the ultimate quality, GFX100 II can produce an ultra-high-resolution 400-megapixel image with a single press of the shutter release.
Using in-body image stabilization to precisely shift the sensor by a half pixel between each frame, GFX100 II makes 20 frames in which every red, green, and blue pixel has the same information. The result is a detail-rich file with almost no false colors visible.
4:2:2 10-bit Internal Recording
Proving itself as a hybrid powerhouse, GFX100 II offers 4K/60p and 8K/30p 4:2:2 10-bit in-camera recording. ISO 100 can also now be used as the standard movie sensitivity for the highest quality footage.
Follow high speed subjects with confidence – GFX100 II’s increased readout rate suppresses rolling shutter for true-to-life results.
Tracking subjects just got easier. Select AF-C mode with Wide/Tracking AF, then simply touch the subject on the rear LCD. GFX100 II will then track the object, even in situations with multiple subjects.
Embrace cloud first workflows and open lines of collaboration with GFX100 II’s World First, no accessary needed integration for Frame.io Camera to Cloud and deliver photos or video straight to the cloud the moment after they are created.
For added precision while using manual focus, a new Focus MAP has been added as a MF assist function.
Combined with a compatible ATOMOS HDMI device, RAW video output from GFX100 II can be recorded as 12-bit Apple ProRes RAW at resolutions up to 8K and frame rates up to 29.97fps.
Extends continuous video recording times with this optional accessory. The fan does not require any additional cables for power and allows GFX100 II to keep recording, even in high-temperature environments.
https://global.fujifilm.com/en
800-659-3854
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