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Review Summary
2022-07-20T21:44:18
I previously had the SL2, and, while the 47mp was great if shooting at low ISO, I sort of felt like the extra pixels are garbage pixels once I got over ISO 800. Plus, I have to do composites for work, so I'd end up downsampling to 18mp or so anyway to make the layers manageable in photoshop. The SL2-S has much better ISO performance and the colors just look better. For my personal stuff, I have a wide format printer and print fairly large prints often. Even when considering cropping photos and printing large, I'd still choose the SL2-S over the SL2. When comparing to other brands, both the SL2 and SL2-S are great overall. They just adapt to anything. The Canon TS-E 17mm f/4L Tilt-Shift Lens works great on this camera with Sigma MC-21 adapter. That's my workhorse lens for my paid work. It feels like it's a native lens it's so seamless. I also use several M mount lenses on this body via the M to SL adapter. Using the user profiles, it's easy to have an M Lens profile that makes using them a breeze. For example, I have the back dial adjust ISO, the front dial adjust shutter speed, the aperture ring is on the lens . . .all key stuff at your fingertips. I have the joystick set to punch in magnification if you press it, so choosing focus point and then punching in to focus is one easy motion. . . and you can turn the front dial once punched in for an even stronger magnification boost. I still prefer my rangefinder for M glass since that focus accuracy doesn't matter if you're wide open or stopped down, but this is the next best thing. And you can definitely get better critical focus . . . it's just a little slower than a rangefinder for manual lenses. .. .but still better than any other camera I've tried with adapted M lenses. Leica seemed to really design this to work easily with M glass. I have some native SL lenses, the 50m APO Summicron and the 24-90 zoom. Both are great on this body and produce outstanding images. I mainly use them in my tiny studio I have set up because the native Leica glass are BIG lenses and not necessarily fun to lug around. For me, I tend to carry the body and a 35mm Summilux-M on it whenever I'm using it to document my family out and about because the SL lenses are so large. I've heard the 45mm Sigma is the best of both worlds.. .functions like a native Leica SL lens with a size that's smaller than an M lens and much much lighter when you figure in the weight of the M adapter also. . .so maybe consider that as a great first all around lens if you buy this camera.
KEVIN F.
2021-05-28T09:10:49
I came back into the Leica fold post Hasselblad X1D. Decision was to upgrade the really sluggish X1D or move back to Leica. Similar to the X1D the SL2S is built like a tank, and I feel similarly nice in the hand. Despite being heavier it?s easy to carry around all day. The files coming out of the camera are outstanding. Obviously smaller, but the camera makes up in speed (way way a faster). Plus I can use my manual Leica and Zeiss M glass so overall despite the downgrading in pixels I am super happy. Great camera,
CARSTEN S.
2021-01-28T12:13:13
This camera is durable and dependable. I love how fast it responds, its phone app is a game changer for me. After covid hit my needs changed. I needed a camera that can shoot amazing video and photo that is easy to travel with. I did what I had to do and traded in my BM mini ursa. I was heart broken to get rid of my old reliable for this new camera. This camera didnt disappoint as its 10 bit video is gorgeous, and the almost 100 MP muiltshot is stunning.
ANDREW M.
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CMOS sensor, pixel pitch: 5.94 microm / Fullframe (24.6 MP): 6072 x 4056 pixels / APS-C (10.6 MP): 3984 x 2656 pixels
5 axis Body Image Stabilization. Camera stabilizes up to 5.5 stops.
RGB color fi lter, UV/IR fi lter, no low-pass fi lter
Leica Maestro series (Maestro III)
Photo: DNG (raw data), DNG + JPG, JPG (DCF, Exif 2.31)
Video: MP4: H.264/MPEG-4 AVC (Audio Format: 2ch 48 kHz/16 bit, AAC), MOV: H.264/MPEG-4 AVC (Audio Format: 2ch 48 kHz/16 bit, LPCM)
DNG: 6000 x 4000 pixels (24 MP), JPG: 6000 x 4000 pixels (24 MP), 4272 x 2848 pixels (12.2 MP), 2976 x 1984 pixels (5.9 MP) APS-C: DNG: 3963 x 2624 pixels (10.3 MP), JPG: 3963 x 2624 pixels (10.3MP), 2736 x 1824 pixels (5 MP), 1920 x 1280 pixels (2.5MP)
DNG: 14 bit, 12 Bit (super high continous shooting), JPG: 8 bit
Picture: sRGB
Video: Rec. 709/Rec. 2020 (HLG/L-Log)
DNG: approx. 44 MB, JPG: depending on resolution and image content.
Video: unlimited, max. fi le size: 96 GB
Video mode: P - A - S - M / Cine mode: M
35 mm - C4K (17:9) 4096x2160 pixels (Sensor range: 6000 x 3168 pixels)
35 mm - 4K (16:9) 3840x2160 pixels (Sensor range: 6000 x 3368 pixels)
35 mm - Full HD (16:9) 1920x1080 pixels (Sensor range: 6000 x 3368 pixels)
APS-C - C4K (17:9) 4096x2160 pixels (Sensor range: 4128 x 2176 pixels)
APS-C - 4K (16:9) 3840x2160 pixels (Sensor range: 3984 x 2240 pixels)
APS-C - Full HD 1920x1080 pixels (Sensor range: 3984 x 2240 pixels)
MOV C4K: 59,94 B/s, 4:2:0 / 8 Bit (SD), 4:2:2 / 10 Bit (HDMI), APS-C, H.264, Long GOP, 150Mbps
MOV C4K: 50 B/s, 4:2:0 / 8 Bit (SD), 4:2:2 / 10 Bit (HDMI), APS-C, H.264, Long GOP, 150Mbps
MOV C4K: 29,97 B/s, 4:2:2 / 10 Bit (SD & HDMI), 35mm & APS-C, H.264, ALL-I, 400Mbps
MOV C4K: 25 B/s, 4:2:2 / 10 Bit (SD & HDMI), 35mm & APS-C, H.264, ALL-I, 400Mbps
MOV C4K: 24 B/s, 4:2:2 / 10 Bit (SD & HDMI), 35mm & APS-C, H.264, ALL-I, 400 Mbps
MOV 4K: 59,94 B/s, 4:2:0 / 8 Bit (SD), 4:2:2 / 10 Bit (HDMI), APS-C, H.264, Long GOP, 150 Mbps
MOV 4K:50 B/s 4:2:0 / 8 Bit (SD), 4:2:2 / 10 Bit (HDMI), APS-C, H.264, Long GOP, 150 Mbps
MOV 4K:29,97 B/s 4:2:2 / 10 Bit (SD & HDMI), 35mm & APS-C, H.264, ALL-I, 400 Mbps
MOV 4K:25 B/s 4:2:2 / 10 Bit (SD & HDMI), 35mm & APS-C, H.264, ALL-I, 400 Mbps
MOV 4K:23,98 B/s 4:2:2 / 10 Bit (SD & HDMI), 35mm & APS-C, H.264, ALL-I, 400 Mbps
MOV FHD: 180 B/s 4:2:0 / 8 Bit (SD & HDMI), APS-C, H.264, Long GOP, 20 Mbps
MOV FHD:150 B/s 4:2:0 / 8 Bit (SD & HDMI), APS-C, H.264, Long GOP, 20 Mbps
MOV FHD:120 B/s 4:2:0 / 8 Bit (SD & HDMI), 35mm & APS-C, H.264, Long GOP, 20 Mbps
MOV FHD:100 B/s 4:2:0 / 8 Bit (SD & HDMI), 35mm & APS-C, H.264, Long GOP, 20 Mbps
MOV FHD:59,94 B/s 4:2:2 / 10 Bit (SD & HDMI), 35mm & APS-C, H.264, ALL-I, 200 Mbps
MOV FHD:50 B/s 4:2:2 / 10 Bit (SD & HDMI), 35mm & APS-C, H.264, ALL-I, 200 Mbps
MOV FHD:29,97 B/s 4:2:2 / 10 Bit (SD & HDMI), 35mm & APS-C, H.264, ALL-I, 200 Mbps
MOV FHD:25 B/s 4:2:2 / 10 Bit (SD & HDMI), 35mm & APS-C, H.264, ALL-I, 200 Mbps
MOV FHD:23,98 B/s 4:2:2 / 10 Bit (SD & HDMI), 35mm & APS-C, H.264, ALL-I, 200 Mbps
MP4 4K: 59,94 B/s 4:2:0 / 8 Bit (SD & HDMI), APS-C, H.264, Long GOP, 150Mbps
MP4 4K: 50 B/s 4:2:0 / 8 Bit (SD & HDMI), APS-C, H.264, Long GOP, 150Mbps
MP4 4K: 29,97 B/s 4:2:0 / 8 Bit (SD & HDMI), 35mm & APS-C, H.264, Long GOP, 100 Mbps
MP4 4K: 25 B/s 4:2:0 / 8 Bit (SD & HDMI), 35mm & APS-C, H.264, Long GOP, 100 Mbps
MP4 4K: 23,98 B/s 4:2:0 / 8 Bit (SD & HDMI), 35mm & APS-C, H.264, Long GOP, 100 Mbps
MP4 FHD: 180 B/s 4:2:0 / 8 Bit (SD & HDMI), 35mm & APS-C, H.264, Long GOP, 20 Mbps
MP4 FHD:150 B/s 4:2:0 / 8 Bit (SD & HDMI), 35mm & APS-C, H.264, Long GOP, 20 Mbps
MP4 FHD:120 B/s 4:2:0 / 8 Bit (SD & HDMI), 35mm & APS-C, H.264, Long GOP, 20 Mbps
MP4 FHD:100 B/s 4:2:0 / 8 Bit (SD & HDMI), 35mm & APS-C, H.264, Long GOP, 20 Mbps
MP4 FHD:59,94 B/s 4:2:0 / 8 Bit (SD & HDMI), 35mm & APS-C, H.264, Long GOP, 28 Mbps
MP4 FHD:50 B/s 4:2:0 / 8 Bit (SD & HDMI), 35mm & APS-C, H.264, Long GOP, 28 Mbps
MP4 FHD:29,97 B/s 4:2:0 / 8 Bit (SD & HDMI), 35mm & APS-C, H.264, Long GOP, 20 Mbps
MP4 FHD:25 B/s 4:2:0 / 8 Bit (SD & HDMI), 35mm & APS-C, H.264, Long GOP, 20 Mbps
MP4 FHD:23,98 B/s 4:2:0 / 8 Bit (SD & HDMI), 35mm & APS-C, H.264, Long GOP, 24 Mbps
8/10 bit for recordings on SD card, 10 bit via HDMI output
Rec. 709, L-Log Rec. 2020, HLG Rec. 2020
Resolution: 5,760,000 dots, 120 fps, magnification: 0.78x, aspect ratio: 4:3, frame coverage: 100%, exit pupil position: 21 mm, setting range +2/-4 diopters, with eye sensor for automatic switchover between viewfinder and LCD panel, time delay 0.005 s
3.2" (backlight LED) with anti-fingerprint and anti-scratch coating, 2,100,000 pixels (dots), format 3:2, touch control available
1.28" highly reflective trans-reflective monochrome LCD, 128 x 128 pixels, viewing angle 120 Degree ; anti-fingerprint coating
Electronically controlled focal plane shutter/electronic shutter
Mech. shutter: bulb, 30 min to 1f8000 s / Electr. shutter function: 60 s to 1f16000 s / Flash Synch: up to 1/250 s
Two-stage (1st stage: Activation of the camera electronics including autofocus and exposure metering, 2nd stage: Taking the picture)
Delay time: 2 s or 12 s
Single
Single Continuous Low Speed (2 fps)
Continuous Medium Speed (5 fps)
Continuous High Speed (9 fps without AFc/AE/WB)
Continuous Super Speed (25 fps with electr. shutter function without AFc/AE/WB)
Interval Shooting
Exposure Bracketing
Multishot Generates 2 DNGs: 1x 24 MP, 1x 96 MP (8 pictures are combined into one high-res image)
Automatic (Autofocus in modes iAF/AFs/AFc/Touch AF) or manual. With manual setting: Auto Magnification and Focus Peaking optionally available as focus aids
Based on contrast metering and depth mapping
Smart AF (autonomously selects AFs and AFc), AFs (picture taken only after successful focusing), AFc (picture can be taken at any time), AF setting can be saved
Spot (can be shifted), Field (can be shifted), Multi-Field, Zone (can be shifted), Face detection, object Tracking, optional Touch AF
225
TTL (feThrough The Lens' exposure metering)
Spot, Center-Weighted, Multi-Field
Automatic program (P), Aperture priority (A): manual aperture setting, Shutter priority mode (S): manual shutter speed setting Manual (M): manual setting for shutter speed and aperture
+/-3 EV in 1f3 EV increments or 1/2 EV increments
3 or 5 exposures, up to +/-3 EV, in 1f3 EV increments Shift function: up to +/-3 EV
Auto ISO: ISO 100 to ISO 100000
Manual: ISO 50 to ISO 100000
Automatic (Auto), Daylight 5200 K, Cloudy 6000 K, Shadow 7000 K, Tungsten 3200 K, HMI 5600 K, Fluorescent Warm 4000 K, Fluorescent Cold 4500 K, Flash 5400 K, Gray Card Live View, Gray Card, Color Temperature 2000 K to 11500 K
About the accessory shoe
1f250 s, slower shutter speeds available, automatic changeover to TTL linear flash mode with HSS-compatible Leica flash units if sync time is undercut
Using center-weighted TTL pre-flash metering with Leica flash units (SF 26, 40, 58, 60, 64) or with system-compatible flash units, flash remote control SF C1
SF 40: +/-2 EV in 1f2 EV increments
SF 60: +/-2 EV in 1f3 EV increments
Stereo internal + microphone input 3.5 mm stereo jack + power supply voltage (approx. 2.5 V)
Mono internal + headphones output 3.5 mm stereo jack
The Leica FOTOS app is required to use the WLAN function. The Leica app is available from the Apple App Store or the Google Play Store. Compliant with Wi-Fi IEEE802.11b/g/n, 2.4 GHz, channel 1-11 (2412-2462 MHz) and Wi-Fi IEEE802.11ac, 2.4 GHz & 5 GHz, channel 39-48 (5180-5240 MHz), channel 52-64 (5260-5320 MHz), channel 100-140 (5500-5700 MHz) (standard WLAN protocol), encryption method: WLAN-compatible WPA/WPA2
Bluetooth v4.2 (Bluetooth Low Energy (BLE)), 2402 to 2480 MHz
Via Leica FOTOS app
English, German, French, Italian, Spanish, Russian, Japanese, Simplified Chinese, Traditional Chinese, Korean
(Leica BP-SCL4) Lithium-ion rechargeable battery, rated voltage: 7.2 V (DC); capacity: 1860 mAh (min.); charging time: approx. 140 min (after deep discharge); manufacturer: Panasonic Energy (Wuxi) Co. Ltd., Made in China Approx. 510 shots (according to CIPA standard, with auto power-off 10s), approx. 1430 shots (according to CIPA standard, adjusted shooting cycle, with auto power-off 5s)
USB charger function in standby mode or when switched off, USB power supply when switched on
(Leica BC-SCL4) Input: AC 100f240 V, 50/60 Hz, 0.25 A, automatic switchover; Output: DC 8.4 V 0.85 A; Manufacturer: Salom Electric (Xiamen) Co., Ltd., Made in China
Mirrorless full-frame system camera
4 GB
DNG: > 999 recordings
JPG: > 999 recordings
UHS-II (recommended), UHS-I, SD/SDHC/SDXC memory card
Full-metal housing made of aluminum and magnesium, leatherette, cover, splash-water protected in compliance with IEC standard 60529 (protection type IP54).
Leica L bayonet with contact strip for communication between lens and camera
14 to 104 Degree F (-10 to +40 Degree C)
ISO accessory shoe with additional control contacts, HDMI jack 2.0b Type A, USB 3.1 Gen1 Type C, Audio-Out 3.5 mm/ Audio-In 3.5 mm, communication interface in the base cover for multifunction hand grip
A 1f4 DIN 4503 (1f4") with stainless steel in the base
Required, included
Lithium-Ion
1
-
13.392 Wh
5.75 x 4.21 x 3.27" (146 x 107 x 83mm)
Without battery: 30 oz (850g) Approx.
With battery: 32.8 oz (931g) Approx.
192223178663
The ability to do great Photo, Video & Travel.
By ANDREW M.
This camera is durable and dependable. I love how fast it responds, its phone app is a game changer for me. After covid hit my needs changed. I needed a camera that can shoot amazing video and photo that is easy to travel with. I did what I had to do and traded in my BM mini ursa. I was heart broken to get rid of my old reliable for this new camera. This camera didnt disappoint as its 10 bit video is gorgeous, and the almost 100 MP muiltshot is stunning.
Built like a tank and results like a M
By CARSTEN S.
I came back into the Leica fold post Hasselblad X1D. Decision was to upgrade the really sluggish X1D or move back to Leica. Similar to the X1D the SL2S is built like a tank, and I feel similarly nice in the hand. Despite being heavier it?s easy to carry around all day. The files coming out of the camera are outstanding. Obviously smaller, but the camera makes up in speed (way way a faster). Plus I can use my manual Leica and Zeiss M glass so overall despite the downgrading in pixels I am supe...
View full Review
LEICA SL2-S
Two worlds. One Choice
For photographers and videographers who seek outstanding imaging performance to express both still and moving visual stories, the new Leica SL2-S is the ideal choice to capture brilliant photographs and cinematic videos through an intuitive camera that is built to last. With its new 24MP CMOS-BSI sensor and separate modes/menus for photo and video, the new Leica SL2-S offers the best of both mediums in one all-metal, state-of-the-art body.
Best Of Both Worlds: A Full Frame Camera
Perfectly Suited For Action Photography And High-End Video
The new 24 MP CMOS-BSI full-frame sensor, the first backsideilluminated sensor from Leica, is designed to deliver the legendary Leica look for photo and video
Professional video capabilities with 4K 10bit 4:2:2 and C4k 10bit 4:2:2
Made in Germany: High quality milled aluminum top cover and bottom, complete with IP54-rated weather sealing protection
The fast all-around camera with Capture One 21 Full Support and Adobe Lightroom Optimization
Seamless support of a wide range of lenses from the L-Mount Alliance, the Leica M-System and Leitz Cine lenses
Fast shooting speed up to 25 fps for DNG and a 4GB buffer
Multishot Mode with up to 96MP
A professional Photo and Video Camera that delivers outstanding results and is built to be a future proof investment.
An ideal camera for the photographer who wants to shoot in the most demanding situations. With fast, endless shooting thanks to the latest Maestro III processor, outstanding low-light performance up to 100,000 ISO, and full support with Capture One 21 tethered shooting, the Leica SL2-S is suited for all applications - from the field to the photo studio to the film production set.
Fast Shooting Speed and Professional Video Capabilities
In addition to the extraordinary performance in shooting photos at high speed of up to 25 fps in DNG, the SL2-S can perform exceptionally demanding video production tasks. Recording 4K at 10bit 4:2:2 and C4k at 10bit 4:2:2 video, combined with Leica L-Log and integrated viewing LUTs (Look Up Tables) make the compact Leica SL2-S a great alternative to more cumbersome cinema cameras.
The intuitively organized photo and video menu systems avoid constant time-consuming readjustments in sub-menus - meaning that the camera is correctly configured and ready to always shoot, even when quickly switching between photo and video modes.
Separate photo and video modes make the Leica SL2-S the most intuitive tool for professional high-end production.
A full-fledged video camera for the most discerning videographer, shooting up to 4K and C4K at 60p 10bit 4:2:2, with integrated viewing LUTs and endless filming in a robust body with efficient cooling and no worry of overheating.
Made In Germany: High Quality Milled
Aluminium Top Cover And Bottom With Ip54-Rated Protection
The only mirrorless full frame system camera designed and crafted in Germany, next to the Leica M, with an unmatched all-metal solid construction and elegant leatherette wrap. The IP54 certification of the SL2-S ensures an elevated protection against threats of weather. Less worry about water and dirt means creatives can focus more on getting the perfect shot.
With an all metal, state-of-the art German-built hardware, the SL2-S is built to last and keep its value in time.
A Versatile All-Round Camera With Capture One 21 Integration
Full support in Capture One 21 enables Photographers to use tethered shooting and Professional RAW image editing in every production environment.
Seamless Support Of An Expansive Range Of Lenses
Powered by a wide range of highperforming Leica SL lenses, L-Mount Alliance lenses as well as M-lenses and the Leitz Cine lenses, highly appreciated by filmmakers, the SL2-S offers unlimited creative possibilities.
The SL2-S is supported by an expansive high performance lens portfolio for photo and video production.
The Leica SL2-S is a premium-segment, German-engineered hybrid stills & video camera that delivers unparalleled imaging performance powered by an expansive range of high-performing Leica SL-Lenses, empowering photographers and videographers alike to manifest their visual creativity.
Features at a Glance
New Autofocus algorithm for improved eye/face/head/body recognition and focus tracking
Internal 10 Bit 4K/60p & 50p with HEVC video compression (h.265)
Long-GOP recording for 10 Bit codecs with 150 - 200 MB/s (same Image Quality as All-Intra, less than half of data volume)
Segmented Video (1 minute segments to avoid data loss)
Individual Viewing-LUT upload function
Enhanced Live View for better low light image composition control
Image Overlay. Allows alignment of the camera position on basis of a previous taken image, that is displayed in a transparent mode in the EVF or on the LCD
Automatic Follow Focus operation
Wave form monitor for professional exposure control
Color bar with audio signal as reference for correct color grading and sound control in postproduction
Time Code input
Tally Mode
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