


Review Summary
2015-10-14T14:56:39
Totally would recommend this pack to anyone who is seriously trying record live drums. Very happy with them. One of the favorite aspects of this collection is the kick drum mic that offers two out puts (one as a dynamic and the other as a condenser.) Love blending the two
ConCon
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Acoustical: Dynamic, moving coil
Super-cardioid
40 to 16000Hz
1.4 mV / Pa (-57 dBV)
< 500 ohms
Gold plated 3-pin XLR
Acoustical: Dynamic, moving coil
Cardioid
60 to 16000 Hz
2.5 mV / Pa (-52 dBV)
< 500 ohms
Gold plated 3-pin XLR
Acoustical: Dynamic, moving coil
condenser, permanently polarized
31.7mm / 1.25"
22.4mm / 0.88"
Cardioids, condenser and dynamic
20 to 16000Hz, dynamic, depending on EFR setting
20 to 20000Hz, condenser, depending on EFR setting
= // = FFR, 'Flat Frequency Response'
+ // = Dynamic EFR, 'Dynamic Enhanced Frequency Response'
+ // + Dual EFR, 'Dual Enhanced Frequency Response'
0.4 mV / Pa (-69 dBV) dynamic
2 mV / Pa (-54 dBV) condenser
+ // = Dynamic EFR: 0.4 mV / Pa (-69 dBV) dynamic
2 mV / Pa (-54 dBV) condense
+ // + Dual EFR: condenser and dynamic matched at 1 mV / Pa (-60 dBV)
28 dB-A (IEC 61672-1), condenser, FFR
122 dB-A, condenser
150 dB, 0 dB pre-attenuation
160 dB,10 dB pre-attenuation
170 dB, 20 dB pre-attenuation
10 dB, 20 dB, switchable
< 500 ohms, dynamic
< 200 ohms, condenser
48 V + / - 4 V (IEC 61938)
2 mA (IEC 61938)
Gold plated 3-pin and 5-pin XLR
1.5m / 4.92' dual shielded Y-cable, 5-pin XLR into two 3-pin XLRs
Acoustical: pressure & pressure gradient transducers, externally polarized
20.32mm / 0.80"
Cardioid Omni
20 to 20000Hz
9 mV / Pa (-41 dBV), cardioid
8 mV / Pa (-42 dBV), omni
79 dB-A
15 dB-A, cardioid (IEC 61672-1)
16 dB-A, omni (IEC 61672-1)
124 dB-A
139 dB, 0 dB pre-attenuation
145 dB, 6 dB pre-attenuation
151 dB, 12 dB pre-attenuation
157 dB, 18 dB pre-attenuation
6 dB, 12 dB, 18 dB, switchable
12 dB / octave at 40Hz
6 dB / octave at 150Hz
6 dB / octave at 300Hz
< 150 ohms
> 1000 ohms
48 V + / - 4 V (IEC 61938)
6.6 mA (IEC 61938)
Gold plated 3-pin XLR
DTP 340 TT Mic: 41 x 94mm / 1.61 x 3.70"
MTP 440 DM Mic: 39 x 159mm / 1.54 x 6.26"
DTP 640 REX Mic: 71Dia. x 158mmia. / 2.80 x 6.22"
LCT 340 Mic: 24Dia. x 160mm / 0.94Dia. x 6.30"
DTP 340 TT Mic: 153g / 5.40oz
MTP 440 DM Mic: 280g / 9.88oz
DTP 640 REX Mic: 755g / 26.63oz
LCT 340 Mic: 200g / 7.05oz
847986000873







Very Solid Drum Mic Collection
By ConCon
Totally would recommend this pack to anyone who is seriously trying record live drums. Very happy with them. One of the favorite aspects of this collection is the kick drum mic that offers two out puts (one as a dynamic and the other as a condenser.) Love blending the two
The DTP Beat Kit Pro 7 is an elite full-spectrum drum set designed for an ever growing number of professional drummers and sound engineers looking for a high-performance all-rounder kit that allows for reproducing authentic, powerful sound full of detail in any setting. From upscale studio projects to big live acts, the DTP Beat Kit Pro 7 provides just the kind of reliable premium gear you need for a memorable performance.
This 7-piece pro-kit contains Lewitt's drum mic masterpiece, the dual-element cardioid DTP 640 REx, three dynamic DTP 340 TT mics, two LCT 340 condenser mics and one cardioid dynamic MTP 440 DM mic, as well as a selection of shock and drum mounts. All these pro-quality, precision-engineered microphones feature a tailored frequency response designed specifically for miking drums, percussions and bass instruments. The complete package exhibits fantastic SPL handling and off-axis sound rejection, delivering remarkably bright, smooth and balanced sound - anytime, anywhere. The complete kit comes in a rugged aluminum case which allows for easy travel and secure storage.