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Review Summary
2015-10-14T09:33:43
I've been using this mic for a while now and it is one of my prime microphones over a plethora of microphones in my studio. Very versatile as well... majority of the time i'm either tracking vocals or acoustic guitars. But I've used this mic has been used on Cellos, Violins, Violas. Trumpets, Sax, Flutes, Trombones, French Horns and also as overheads for some percussion. The tube function is what also sells it to me as well. Because you can alter how much tube you want coming through the mic. It's amazing having that adjustable coloration. You cant go wrong with it
ConCon
2015-10-07T18:30:02
This mic is one of the best that I've used. I love the Midrange and also the clarity of the top end. It brings the funk out of my vocals. I also love the fact that I can balance between the tube and more neutral fet sound. The multiple patterns make it usable in just about any studio application. The is a winner every day of the week. You need this in your mic locker! Keep funkin Bootsy Baby
Bootsy
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Pressure gradient transducer, externally polarized
Omni
broad-cardioid
cardioid
super-cardioid
figure-8 and four additional intermediate pattern
selectable on remote control
20 - 20000Hz
23mV / Pa (-33dBV), cardioid
20mV / Pa (-34dBV), omni
23mV / Pa (-33 dBV), figure-8
86dB-A
82dB-A
8dB-A, cardioid (IEC 61672-1)
9dB-A, omni (IEC 61672-1)
8dB-A, figure-8 (IEC 61672-1)
12dB-A, cardioid (IEC 61672-1)
13 dB-A, omni (IEC 61672-1)
12dB-A, figure-8 (IEC 61672-1)
135dB-A
128dB-A
143dB, 0dB pre-attenuation
149dB, 6dB pre-attenuation
155dB, 12dB pre-attenuation
161dB, 18dB pre-attenuation
140dB, 0dB pre-attenuation
146dB, 6dB pre-attenuation
152dB, 12dB pre-attenuation
158dB, 18dB pre-attenuation
6dB
12dB
18dB
selectable on remote control
12dB / octave at 40Hz
6dB / octave at 150 Hz
6dB / octave at 300 Hz
Selectable on remote control
< 200 Ohms
> 1000 Ohms
Custom power supply unit
230 V, 50Hz
110V, 60Hz
170mA
Gold plated 11-pin XLR
8m / 26.25'
11-pin audio cable
oxygen-free copper
25.40mm / 1.00"
Mic: 192 x 60 x 46mm / 7.56 x 2.36 x 1.81"
PSU: 250 x 150 x 70mm / 9.84 x 5.91 x 2.76"
Mic: 662g / 23.35oz
PSU: 1930g / 68.08oz
847986001054
One of my go to mics for my Lead vocals!
By Bootsy
This mic is one of the best that I've used. I love the Midrange and also the clarity of the top end. It brings the funk out of my vocals. I also love the fact that I can balance between the tube and more neutral fet sound. The multiple patterns make it usable in just about any studio application. The is a winner every day of the week. You need this in your mic locker! Keep funkin Bootsy Baby
Always in my Iso booth
By ConCon
I've been using this mic for a while now and it is one of my prime microphones over a plethora of microphones in my studio. Very versatile as well... majority of the time i'm either tracking vocals or acoustic guitars. But I've used this mic has been used on Cellos, Violins, Violas. Trumpets, Sax, Flutes, Trombones, French Horns and also as overheads for some percussion. The tube function is what also sells it to me as well. Because you can alter how much tube you want coming through th...
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Sound professionals naturally rely on a set of different high-end microphones in order to get the best out of their sound. But changing microphones and adjusting settings takes valuable time, the creative flow of a session is interrupted. With its new Authentica series flagship LCT 940, LEWITT now introduces a microphone that will revolutionize modern studio recording procedures and help engineers and artists to react more quickly to a desired change of style and sound.
The LCT 940 combines the specific characteristics of a premium large-diaphragm FET condenser microphone and a top-notch tube microphone in one housing. Basically, users can choose between the two main settings "FET" and "Tube". These two signal paths have been incorporated separately and work independently of each other.
"Tube" delivers the classic, warm and rich tube sound, while "FET" stands for the clear, exceptionally rich and nuanced sound LEWITT condenser microphones are renowned for. However, the LCT 940 offers another unique feature that true recording enthusiasts will swoon over: As the characteristics of the two main settings can be mixed and merged continuously variable, the LCT 940 opens up huge creative possibilities for artists and producers.
Furthermore, the LCT 940 features a total of nine different polar patterns - Lewitt's five "standard" polar patterns omni-directional, cardioid, figure-8, wide- and super-cardioid and four additional intermediate patterns. The microphone features four levels of attenuation and four switchable high-pass filters, LEDs and push buttons for noiseless handling on the PSU. Automatic attenuation and clipping history round off the outstanding feature list of the LCT 940.
Rich in advanced technological features, the LCT 940 opens up a new dimension of sound reproduction in demanding professional studio applications. Its unrivaled set of qualities makes this microphone a must-have for recording pros who strive for nothing less than perfection.