Infrared Films
Infrared film holds a unique place in the world of analog photography, offering creative possibilities that extend far beyond the visible spectrum. Unlike conventional films, infrared photography film is sensitive to wavelengths of light that the human eye cannot see, resulting in images with striking contrast, ethereal highlights, and surreal tonal shifts. The most iconic effect, often called the "Wood Effect," transforms green foliage into glowing white, water and skies into deep, dramatic blacks, and skin tones into luminous, porcelain-like textures. These dreamlike qualities have made infared film a favorite among experimental photographers, landscape artists, and anyone seeking to capture the world in a new and unexpected way. Whether you’re a seasoned film shooter or a digital photographer looking to expand your creative toolkit, working with infrared 120 film or 35mm IR film can open doors to a fresh visual narrative—one that’s especially captivating during the winter months, when bare trees, snow, and low-angled sunlight interact with infrared sensitivity to produce ghostly, high-contrast scenes.
Shooting with infrared film does require a bit of technical preparation and a willingness to embrace experimentation. Because IR film is sensitive to both visible and infrared light, achieving the classic infrared look means using an opaque filter—typically an R72 or similar infrared filter—to block out most visible light. This filter is placed over your lens after composing and focusing your shot, since infrared light focuses differently and can require manual adjustment or reference to your camera’s infrared focus mark. The need for long exposure times is another hallmark of infrared photography, especially when using dense filters, making a sturdy tripod and remote shutter release essential tools for sharp, blur-free images. Many photographers find the process meditative, as it encourages a slower, more deliberate approach to composition and exposure. The unpredictability of IR film—how it renders fabrics, foliage, or even the winter sky—adds an element of surprise to every roll, making it an ideal gift for creative spirits, experimental artists, or anyone passionate about analog processes. For those who love the tactile anticipation of waiting for film to be developed, each frame of infrared film can feel like unwrapping a small, personal mystery.
Infrared photography film comes in a variety of formats, including infrared 120 film for medium format cameras and 35mm options for classic SLRs and rangefinders. While true color infrared films are no longer in production, black and white IR films remain popular for their sharpness and unmistakable aura, and there are also specialty films designed to emulate the surreal color shifts of traditional infrared emulsions. Some photographers enjoy pairing IR film with standard emulsions to create a diverse portfolio of effects, while others may explore hybrid workflows by scanning negatives and experimenting with digital post-processing. If you’re interested in exploring other analog options with their own unique color profiles and latitude, consider browsing our selection of Color Negative Films for even more creative potential. Whether you’re capturing the stark contrasts of a snowy December landscape or the lush foliage of summer, infrared film rewards patience, curiosity, and a willingness to see the world through a different lens. It’s a medium that invites both technical mastery and artistic play, making it a memorable experience for any photographer eager to push the boundaries of traditional film photography.
Shooting with infrared film does require a bit of technical preparation and a willingness to embrace experimentation. Because IR film is sensitive to both visible and infrared light, achieving the classic infrared look means using an opaque filter—typically an R72 or similar infrared filter—to block out most visible light. This filter is placed over your lens after composing and focusing your shot, since infrared light focuses differently and can require manual adjustment or reference to your camera’s infrared focus mark. The need for long exposure times is another hallmark of infrared photography, especially when using dense filters, making a sturdy tripod and remote shutter release essential tools for sharp, blur-free images. Many photographers find the process meditative, as it encourages a slower, more deliberate approach to composition and exposure. The unpredictability of IR film—how it renders fabrics, foliage, or even the winter sky—adds an element of surprise to every roll, making it an ideal gift for creative spirits, experimental artists, or anyone passionate about analog processes. For those who love the tactile anticipation of waiting for film to be developed, each frame of infrared film can feel like unwrapping a small, personal mystery.
Infrared photography film comes in a variety of formats, including infrared 120 film for medium format cameras and 35mm options for classic SLRs and rangefinders. While true color infrared films are no longer in production, black and white IR films remain popular for their sharpness and unmistakable aura, and there are also specialty films designed to emulate the surreal color shifts of traditional infrared emulsions. Some photographers enjoy pairing IR film with standard emulsions to create a diverse portfolio of effects, while others may explore hybrid workflows by scanning negatives and experimenting with digital post-processing. If you’re interested in exploring other analog options with their own unique color profiles and latitude, consider browsing our selection of Color Negative Films for even more creative potential. Whether you’re capturing the stark contrasts of a snowy December landscape or the lush foliage of summer, infrared film rewards patience, curiosity, and a willingness to see the world through a different lens. It’s a medium that invites both technical mastery and artistic play, making it a memorable experience for any photographer eager to push the boundaries of traditional film photography.