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Review Summary
2020-12-22T13:06:15
I am a long-time fan of Ilford SFX panchromatic (ISO 200) film with extended red sensitivity. SFX can be treated almost as though it were a pure infrared film if using an infrared filter. A broader tonal range results using a deep red or lighter filter. The film shifts natural tones just enough to make a scene seem a bit dreamy or unreal. The fact that IR and visible waves focus at different points makes a soft vieled glow appear on many images, while retaining sharpness for miost or the picture.
DAN M.
2016-12-20T03:55:21
Not a true IR film but still very good. Recently started using it for portraits, the effect on skin is lovely.
ERNESTO R.
2016-08-15T11:42:25
The film does have IR sensitivity, but I have found it very difficult to coax it out, but what is great about it is that you can shoot it normally at 200 iso if the conditions are not right for IR. I have used Red 25 & 29 and R72 filters on different occasions.
MARK M.
2016-06-13T17:17:33
Film has less grain than its 400 counterpart, which is what I prefer. Best to do your own test to determine the exposure result you prefer. I meter with the filter on and add 1 full stop.
Loren H.
2016-01-09T04:16:01
Shooting landscapes with my mamiya6 and a red 26A Hoya filter give me the IR effect I like in B&W. Since this is not a true IR, I've discovered that split filter printing in the darkroom really enhances the effect
Joseph P.
2010-09-04T21:00:00
While SFX is not an IR film, it is close enough for my purposes. I can shoot it hand-held in a Maymiya 6 rangefinder with a Cokin P007 [89B] filter, or in my Nikon FM2 with a B+W 091 [29] deep-red filter, with good results. I particularly like the combination of SFX and WD2D+.
CRISTIN B.
2010-08-23T21:00:00
Use a deep red filter (Hoya 25A or similar) with this film and shoot at ISO 200. Produces nice contrast. Remember: if you can't see through the filter, neither can this film @ ISO 200. If you want to use a 720nm filter (b+w 092 or equivalent), the settings are at bright sunlight (sunny 16 condition) at F16, exposure is 2 min. I shot at F32 with a 8 min exposure. Anything less is useless. You can probably go little more... This is primarily because this film is very less sensitive to IR and all the pictures are through the red leak in the filter. So, if you are expecting white trees, you are out of luck :( . Oh, and at this setting, the you will have a lot of grains. Conclusion: use it with a deep red filter and not any larger wavelengths.
Debejyo C.
Models | $13.49 On Backorder Order now, your card will not be charged until it is ready to ship. | SKU: RL81040123 MFR: 81040123 $10.99 Coming Soon This Item is on the way to our warehouse and is expected in a few days. | $87.99 In Stock |
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Film Type | Infrared Film | Infrared Film | Infrared Film |
SFX is just dreamy!
By DAN M.
I am a long-time fan of Ilford SFX panchromatic (ISO 200) film with extended red sensitivity. SFX can be treated almost as though it were a pure infrared film if using an infrared filter. A broader tonal range results using a deep red or lighter filter. The film shifts natural tones just enough to make a scene seem a bit dreamy or unreal. The fact that IR and visible waves focus at different points makes a soft vieled glow appear on many images, while retaining sharpness for miost or the pict...
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For Ethereal Portraits
By ERNESTO R.
Not a true IR film but still very good. Recently started using it for portraits, the effect on skin is lovely.
An innovative solution for creative photographers, the ILFORD SFX 200 is a medium-speed black and white camera film that offers extended red sensitivity up to 740nm. This unique feature makes it an ideal choice for photographers looking to experiment with special effects using filters.
When paired with a deep red filter, such as the ILFORD SFX filter, the SFX 200 can transform skies into a dramatic black and render most green vegetation into a striking white. This unusual tonal rendition opens up a world of creative possibilities, making it perfect for capturing a diverse range of subjects, from captivating portraits and breathtaking landscapes to intricate townscapes and architectural details.
Designed to perform optimally in bright sunshine or under tungsten studio lighting, the SFX 200 also boasts full panchromatic sensitivity. This ensures excellent pictorial contrast, whether you're shooting with or without a filter. Its wide exposure latitude and compatibility with all standard developers further enhance its versatility.
The SFX 200's broad tonal range is complemented by its robust 0.125mm/5-mil grey acetate base, providing reliable halation protection. Available in 36-exposure DX Coded cassettes, the SFX 200 35mm film is suitable for all 35mm cameras. For those preferring roll film, the SFX 200 is also available in 120 lengths, edge numbered from 1 to 19 for convenience.
With a speed rating of ISO 200/24 Degree (200ASA, 24DIN, EI 200/24) to daylight, the SFX 200's ISO speed rating has been meticulously measured using ILFORD ID-11 developer at 20 Degree C/68 Degree F with intermittent agitation in a spiral tank. This ensures you can trust the SFX 200 to deliver consistently high-quality, creative images in a variety of lighting conditions.