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Review Summary
Accidents happen where life happens. Protect your favorite Adorama products and purchase a protection plan to stay covered from accidental damage, mechanical or electrical failure, and more.
If we can’t fix it, we’ll replace it at no additional cost.
Protect your product from drops, spills, and more.
Enjoy your gear without fear. We have you covered!
When regular use of your product over time results in mechanical or electrical failure.
We will never charge you a deductible after the purchase of a plan.
Our claims process is simple & easy and our customer service team is happy to help.
Adorama Protect powered by Extend is available for purchase to customers in the United States. Not available for purchase Internationally or in U.S. Territories.
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96 kHz
<2 ms input to master (no compensation)
107 dB, 22 Hz to 22 kHz (no pre-emphasis)
80 dB inputs to subgroups and masters 86 dB inputs to aux and matrix
-100 dB physically adjacent input channels
-90 dB physically adjacent input channels
-100 dB
-100 dB
1x 15" daylight-viewable color screen
100 V to 240 V a.c. +/-10%, 50 to 60 Hz
41 Degree to 113 Degree F (+5 Degree to +45 Degree C)
-4 Degree to 140 Degree F (-20 Degree to +60 Degree C)
27 x 28.4 x 11.4" (685 x 722 x 288.6mm)
PRO1 control centre: 47.39 lb (21.5kg)
Input: Surface I/O
Output: Surface I/O
20 Hz: 0 dB to -1.0 dB
20 kHz: 0 dB to -1.0 dB
Input: Surface I/O
Output: Surface I/O
20 Hz: 0 dB to -1.0 dB
20 kHz: 0 dB to -1.0 dB
Input: Surface I/O
Output: Surface I/O
Maximum: +1.0 dB
Minimum: -1.0 dB
Input: Surface I/O
Output: Surface I/O
Maximum: +1.0 dB
Minimum: -1.0 dB
Input: Surface I/O
Output: Surface I/O
100 Hz: 60 dB
1 kHz: 60 dB
Input: Surface I/O
Output: Surface I/O
100 Hz: 90 dB
1 kHz: 90 dB
Input: Surface I/O
Output: Surface I/O
1 kHz: 0.01%
10 kHz: 0.01%
Input: Surface I/O
Output: Surface I/O
1 kHz: 0.03%
10 kHz: 0.03%
Input: Surface I/O
Output: Surface I/O
1 kHz: 0.03%
10 kHz: 0.03%
Input: Surface I/O
Output: Surface I/O
1 kHz: 0.03%
10 kHz: 0.03%
22 Hz to 22 kHz Unweighted
Gain: 0 dB
Fader position: -infinity and 0 dB
Pan: Central
Output noise: -91 dBu & -78 dBu
22 Hz to 22 kHz Unweighted
Gain: 0 dB
Fader position: -infinity and 0 dB
Pan: Central
Output noise: -91 dBu & -75 dBu
22 Hz to 22 kHz Unweighted
Gain: 0 dB
Fader position: -infinity and 0 dB
Pan: Central
Output noise: -91 dBu & -72 dBu
22 Hz to 22 kHz Unweighted
Input: Surface I/O
Output: Surface I/O
Output Noise: -86 dBu
EIN: -86 dBu
22 Hz to 22 kHz Unweighted
Input: Surface I/O
Output: Surface I/O
Output Noise: -81 dBu
EIN: -126 dBu
6x AES50 (24 channels of bidirectional digital audio) on etherCon XLR
BNC
BNC
BNC
3-pin XLR
3-pin XLR
3-pin XLR balanced
24-bit, 96 kHz with 128 times oversampling
3-pin XLR balanced line
3-pin XLR balanced mic with +48 V phantom power
3-pin XLR balanced
24-bit, 96 kHz with 128 times oversampling
3-pin XLR balanced line
3-pin XLR balanced line
1/4" Jack (stereo)
AES3 (two channels of digital audio) on 3-pin XLR
Accepts any frequency 32 kHz - 96 kHz
Sample rate converter can be bypassed
AES3 (two channels of digital audio) on 3-pin XLR
48 kHz, 96 kHz, or auto-tracking to inputs
Sample rate converter can be bypassed
16, 20 or 24-bit
etherCon XLR
DVI/DP+
USB 2.0 full speed (12.0 Mbs) 5 V, 1A maximum load
4-pin XLR
In, Out and Thru on 5-pin DIN
1/4" Jack
Load Z: 10 k
Gain: -22.5 dB to +65 dB
Maximum Level: +24 dBu
Connector: XLR
Load Z: 600R
Gain: +15 dB to +60 dB
Maximum Level: +6 dB
Connector: XLR
Load Z: 10 k
Gain: 0 dB
Maximum Level: +21 dBu
Connector: XLR
Source Z: 50R
Gain: 0 dB
Maximum Level: +21 dBu
Connector: XLR
Source Z: 50R
Gain: 0 dB
Maximum Level: +21 dBu
Connector: XLR
Source Z: 50R
Gain: 0 dB
Maximum Level: +21 dBu
Connector: XLR
Source Z: 10R
Gain: +10 dB
Maximum Level: +21 dBu
Connector: 1/4" Jack
Channels: 2
Data length: 24-bit
I/O: Input & Output
Description notes: Conforms to AES3-2003
Connector: XLR
Channels: 24
Data length: 24-bit
I/O: Bidirectional
Description notes: Conforms to AES50 -2011
Connector: etherCon XLR
I/O: IN & OUT
Description notes: Accepts TTL level, 96 kHz square wave; impedance 75 O & Provides TTL level, 96 kHz square wave
Connector: BNC
I/O: IN & OUT
Description notes:Accepts a 96 kHz digital audio signal conforming to AES3-2003 & Provides a 96 kHz grade II reference signal conforming to AES3-2003
Connector: XLR
22 Hz to 22 kHz Unweighted
Input: Input: Surface I/O
Output: Surface I/O
Output Noise: -86 dBu
EIN: -86 dBu
22 Hz to 22 kHz Unweighted
Input: Surface I/O
Output: Surface I/O
Output Noise: -81 dBu
EIN: -126 dBu
Sample rate: 48 kHz, 96 kHz
Dynamic range: >107 dB unweighted (20 Hz - 20 kHz)
Mic/Line (Unity Gain): +21 dBu
Mic/Line (-2.5 dB Gain): +24 dBu
Mic Input (Unity Gain): >60 dB
Mic Input (40 dB Gain): >90 dB
Mic EIN (40 dB Gain): -126 dBu
Maximum Output Level: +21 dBu into 600 O
Output Noise (Unity Gain): -86 dBu
Frequency Response: +/-0.5 dB (20 Hz - 20 kHz, relative to 1 kHz)
THD+N (Unity Gain): <0.01%
Crosstalk @ 1 kHz: <-90 dB
16
Mic/Line Level
3-pin XLR Balanced
10k O
24 bit, 96 kHz with 128 times oversampling
+48V, individually switchable per channel
8
Line Level
3-pin XLR Balanced
50 O
24 bit, 96 kHz with 128 times oversampling
2
Neutrik etherCON with status LEDs
Dual cable redundancy
Conforms to AES50-2011
1
Neutrik etherCON with status LEDs
1
IEC mains inlet
100 to 240 VAC, 50-60 Hz
<150 W
41 Degree to 113 Degree F (+5 Degree to +45 Degree C)
-4 Degree to 140 Degree F (-20 Degree to +60 Degree C)
19 x 16.4 x 3.5" (483 x 416 x 88mm)
14.7 lb (6.7kg)
- Pro Series PRO1-TP -
The ground breaking PRO1 features 48 simultaneous input channels with 24 award-winning MIDAS Microphone Preamplifiers and 27 time-aligned and phase-coherent mix buses in an all-new lightweight aluminium frame. Like all PRO Series consoles, the PRO1 features managed latency and 40 bit floating point processing precision. Designed for use in high-profile live sound applications, the PRO1 sets a new standard of performance and portability in a compact digital console form factor.
AES50 audio networking technology allows the PRO1 to dynamically assign up to 172 inputs and 172 outputs at 96 kHz sample rate to any of its input channels and bus outputs on a scene-by-scene basis. This high level of connectivity, coupled with the large channel and bus counts, makes the PRO1 equally at home in theatres and clubs as it is in live concert touring, outside broadcast and music festivals.
Award-Winning MIDAS Microphone Preamplifier
The MIDAS microphone preamplifier is considered by leading live sound and recording engineers to be the very essence of the famous MIDAS sound. More than 40 years of design experience paired with the finest choice of premium-grade components lead to the acclaimed warmth and depth - bringing out subtle ambience, maintaining spatial positioning and more effectively capturing a precise sound image. The acclaimed sound of the award-winning MIDAS microphone preamplifier has inspired generations of live sound engineers to their best work, creating sonic panoramas that have captivated audiences worldwide.
Since pristine sound always begins with the microphone preamplifier, the first point where the signal enters the console, PRO1 features the latest generation of MIDAS microphone preamplifiers, which faithfully reproduce every sonic detail so no part of a performance will ever be missed. Transparent and pristine sound, low noise and high common-mode rejection are all hallmarks of this classic design.
Over the years many mix engineers have found this robust and overload-tolerant design takes on a whole new dimension of sound when driven hard, the crystal-clear audiophile reproduction giving way to just the right combination of harmonics, a warm and organic sound heard by millions of concert goers and recorded for posterity on countless live albums over the years.
Digital Audio Networking
SuperMAC (AES50-Compliant) digital audio networking technology from Klark Teknik simultaneously provides high channel counts, ultra low and deterministic latencies, sample synchronous and phase-aligned networked clock distribution, error detection and correction, network redundancy, and ease of deployment and use - to meet the demanding requirements of live concert touring.
PRO1 is compatible with all MIDAS PRO Series digital I/O units, as well as with any other 96 kHz enabled AES50-equipped devices. Multiple PRO Series consoles can be connected together to create either larger mixing systems, or multiple discrete mixing consoles can share a common resource of networked and distributed I/O interfaces.
Touring Grade Road Case
Rugged and built to last, the PRO1 Touring Pack includes a PRO1-RC Road Case, constructed from rigid marine grade plywood and durable aluminium extrusions. Composite density foam provides internal support and superior protection in transit, night after night, city after city.
Advanced Navigation Flexibility
At the heart of MIDAS Pro Series console navigation is the VCA and POPulation groups, which mirror the natural work flow used by mix engineers and encourages the development of a mental picture, or "Mind Map", of the whole system. Only the required control elements and associated feedback are presented, allowing users to adopt structured task-based workflows, rather than being presented with an overwhelming 'sea of knobs'.
Integrated Effects Processors and Graphic Equalisers
The PRO1 can simultaneously provide up to 6 multi-channel digital signal processing engines for a wide choice of virtual effect devices, which range from dual-mono delay units, stereo modulation and numerous diverse reverberation simulations, multi-band compression, dynamic EQ and multi-channel dual-function dynamics processing. Up to 28 1/3 octave Klark Teknik DN370 Graphic Equalisers (GEQs) are provided, which can be patched into any output. PRO1 provides comprehensive automatic latency management of all internal routing and processing delays - and also includes compensation for external analogue inserts.
All audio samples are synchronised before summing, resulting in absolute phase coherence at the outputs, without the comb filtering effects of many of its Competitor's products that often result in specific frequencies being cancelled out completely. All effects processors and GEQs are custom-designed to function within this automatic latency compensation system. This ensures a phase-coherent, sample-accurate mix regardless of whether the devices are used as channel inserts or on auxiliary buses.
MIDAS PRO Fader
Not satisfied with the existing motorised fader choices in the marketplace, MIDAS created the PRO FADER, rated for up to a million cycles - three times that of other leading manufacturers - and providing high linearity, robustness, and smooth feel during operation. This decision yielded many other benefits, including total quality control over the manufacturing process and lower costs that could be passed on to customers.
As a digital console manufacturer, MIDAS has a perspective on the actual application of motor faders that a component manufacturer would not have. The multi-disciplinary development project combined mechanical design, electronic hardware and software optimisation with a rigorous testing programme and an investment in material science to produce the best possible performance in actual operation in MIDAS PRO Series consoles. Semi-precious metals are used for the wiper fingers for their hard-wearing properties, and precision resistive tracks were created that offer highly linear positional accuracy, coupled with long-term durability and even response in use.
Highest Quality Display Screen
The PRO1 features a 15" full color daylight-viewable TFT display for use in all environments, both inside and outdoors. The display provides visual feedback for the entire system, pressing the HOME key (just to the left of the assignable controls) instantly navigates to the console overview page, which keeps all vital information (all metering, all fader positions, mutes and solos) in view at all times.
Digital Precision, Analogue Response
The oversampled digital signal processing algorithms, combined with the fully interpolated and touch sensitive user controls, result in the smooth continuous response and immediacy of working on an analogue console. Parameter adjustment becomes fast and easy and the continuous phase shift of a swept frequency control is heard without the quantisation artefacts exhibited by competing digital consoles.
- Pro Series DL153 -
DL153 is a 2U 19" fixed-configuration rack I/O unit with 16 mic/line level inputs and 8 line level outputs and delivers legendary MIDAS sound quality utilising our time-tested and road-proven technologies. Featuring award-winning MIDAS microphone preamplifiers with 2.5 dB analogue gain steps and two AES50 network ports providing dual redundancy, the DL153 is the ideal partner to all MIDAS PRO and M32 Series digital consoles, enabling a digital snake connection from Front of House to stage.
Award-Winning MIDAS Microphone Preamplifier
The MIDAS microphone preamplifier is considered by leading live sound and recording engineers to be the very essence of the famous MIDAS sound. More than 40 years of design experience paired with the fi nest choice of premium-grade components lead to the acclaimed warmth and depth - bringing out subtle ambience, maintaining spatial positioning and more effectively capturing a precise sound image. The acclaimed sound of the award-winning MIDAS microphone preamplifier has inspired generations of live sound engineers to their best work, creating sonic panoramas that have captivated audiences worldwide.
Since pristine sound always begins with the microphone preamplifier, the first point where the signal enters the console, DL153 features the latest generation of MIDAS microphone preamplifiers, which faithfully reproduce every sonic detail so no part of a performance will ever be missed. Transparent and pristine sound, low noise and high common-mode rejection are all hallmarks of this classic design.
Over the years many mix engineers have found this robust and overload-tolerant design takes on a whole new dimension of sound when driven hard, the crystal-clear audiophile reproduction giving way to just the right combination of harmonics, a warm and organic sound heard by millions of concert goers and recorded for posterity on countless live albums over the years.
Digital Audio Networking
SuperMAC (AES50-Compliant) digital audio networking technology from KLARK TEKNIK simultaneously provides high channel counts, ultra low and deterministic latencies, sample-synchronous and phase-aligned networked clock distribution, error detection and correction, network redundancy, and ease of deployment and use - to meet the demanding requirements of live concert touring.
DL153 is compatible with all MIDAS digital consoles and audio system engines, as well as with any other AES50-equipped devices.